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Lewis Capaldi says therapy played 'massive part' in musical comeback

Lewis Capaldi says therapy played 'massive part' in musical comeback

BBC News19 hours ago
Lewis Capaldi has said therapy played a "massive part" in his musical comeback, following his triumphant and emotional return at Glastonbury last month.The Someone You Love singer performed a 35-minute set on the Pyramid stage, two years after he was unable to finish his set on the same stage when he struggled to manage the symptoms of Tourette syndrome.He announced a break from touring shortly afterwards but was welcomed back warmly at this year's event.During a conversation with one of his best friends, released to mark the singer's new partnership with the BetterHelp online therapy platform, Capaldi reflected on how the 2023 performance was "literally the worst moment" of his life.
"It was a big, big, big old gig," he said. "Second song in I was probably just like 'this has to like... I can't keep doing this to myself and other people as well'."People were coming to gigs, and I was like 'that's not how you want to watch a show'."As far as I was concerned, I was like, 'I'm done, indefinitely'."Capaldi also said that he had felt anxious, "wasn't living in the moment at all" and was "catastrophising".He said: "Therapy has been such a massive part of my last two years, a massive part of the reason that I'm able to be a musician again."He announced that, in partnership with the BetterHelp charity, and "to reflect my experience of therapy and the importance I feel it has in my life and other people's lives," they were giving away 734,000 free hours of therapy.He added: "The importance of that number is that it's 1,000 hours for every single day... since I last played on stage [before his year's Glastonbury] and I feel like, if I can be a part of sharing that with other people, why not?"He said that when he had previously had therapy, he had been "lying" to the therapist and "telling them what I thought they wanted to hear".He said he now found therapy difficult but it was worth it."I really struggle with it, it's not fun. I don't have a fun time there."I feel amazing after. Sometimes it can be really difficult, but I think I do it because I realise how important it is for me to continue to feel good, because I've felt the best I've felt in a long time through therapy. I would say that has been the cornerstone of why I feel how good I feel now.He added: "A big thing I've noticed or found, is that different therapists work for different people."So I think it's all about giving the time to therapy as well, also not expecting that quick fix. I'm someone who likes instant gratification... so I think coming to terms with that was a big thing."Capaldi is best known for his such as Forget Me, Wish You The Best and Hold Me While You Wait, recently released his first new music since 2023 and will tour later this year.
Capaldi said he thinks he will "always be an anxious person"."I think accepting that that's always going to be there for me is a big thing."It's about how I respond to anxiety and how I respond to a lot of stuff in my life."It's how I, I don't like this phrase, but 'show up for myself'."I have neglected to look after myself in the past, both mentally and physically, and I have made promises to myself that I haven't kept."I think for me, it's accepting that I'm always going to have this stuff there, it's about how I... respond, what steps I take to... remain at base level."Capaldi said he had performed "secret gigs" that were "warm-up shows" in Scotland to "ease in" before doing Glastonbury this year.At his first warm-up show in Edinburgh, the star said he felt a "rush of adrenaline" before managing to calm himself."Before I did the last song, I was just explaining to everybody who was there how grateful I was that they had shown up and come along and I think I didn't realise how much I actually missed being on stage and then I just started to cry," he said.During this year's Glastonbury show, Capaldi performed his new track Survive, which has since gone to number one on the singles chart.
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Live Aid at 40: When Rock 'n' Roll Took on the World review – the moment Bob Geldof bursts into tears is astounding
Live Aid at 40: When Rock 'n' Roll Took on the World review – the moment Bob Geldof bursts into tears is astounding

The Guardian

time37 minutes ago

  • The Guardian

Live Aid at 40: When Rock 'n' Roll Took on the World review – the moment Bob Geldof bursts into tears is astounding

On the evening of 23 October 1984, Bob Geldof, singer with the waning pop act the Boomtown Rats, had a social engagement. He had been invited to Mayfair for the launch of a book by Peter York, profiler of London's most privileged bons vivants. But before he left the house, Geldof watched the BBC television news and a report by Michael Buerk about a hellish famine in Ethiopia. Among the many startling, blackly comic archive clips in Live Aid at 40: When Rock 'n' Roll Took on the World is footage of Geldof at that glitzy party, reeling from what he had seen on TV and remarking to a fellow guest that it was 'gross' for them to be enjoying champagne and canapes. That tension between glamour and guilt is at the heart of this three-part retrospective that doesn't ignore the flaws in Geldof's grand plan to use music to feed the world. It's a fascinating portrait of a complex man's imperfect attempt to solve an impossible problem. The grand achievement commemorated in the title of the series is Live Aid, the Geldof-organised mega-concert that took place in London and Philadelphia in the summer of 1985. Episode one, however, is all about the smaller but still massive cultural moment that resulted from Geldof's initial impulse to raise funds for Ethiopia: Do They Know It's Christmas?, a single by the hastily assembled supergroup Band Aid. Having written the song with Midge Ure of Ultravox, Geldof sets about convincing every pop star in Britain to gather at a recording studio in west London on 25 November 1984. For the first time but not the last, something that shouldn't be possible happens very quickly: Geldof has the balls to demand participation from A-list stars, who have all seen the Buerk report and are keen to help. Pop is far too globalised, atomised and digitised now for such a project to take off: at best in the 21st century, the equivalent celebrity charity effort would be a co-authored viral video. Geldof and Ure both make the point that in 1984, pop gods were overwhelmingly from working-class backgrounds, which is also much less true today. But however it came about, everyone turns up, from Spandau Ballet to Duran Duran, Phil Collins to Sting, Status Quo to Bananarama. The footage of them there together is still intoxicating. George Michael sings a line, looks dissatisfied then fixes it, changing 'but say a prayer' to 'BUT say a prayer' on the next take. Bono might be characteristically cringeworthy in his 2025 interview, with his talk of how he and fellow Irishman Geldof 'have the folk memory of famine' and are thus particularly attuned to the cause, but he also knows exactly what he's doing when a lyric sheet and a microphone are in front of him: having been given the song's darkest, most difficult line, he shifts 'Well tonight thank God it's them, instead of you' up an octave to the top of his register, doubling its impact. Once the single has sold a zillion copies, we witness Geldof's transformation from musician to activist. Before long he is meeting Mother Teresa ('She played the old lady shtick but boy, this was showbusiness') and telling world leaders what he thinks of them: the documentary has dug up a clip of him ambushing Margaret Thatcher over her initial insistence on collecting VAT on every record sold. In a situation where one could so easily think of the right thing to say afterwards when it's too late, Geldof rather magnificently knocks down her glib defence of western inaction there and then. He is even more unapologetic with the president of Ethiopia, swearing at him to his face, although sadly there's no footage of that and we have to rely on Geldof's recall. The most stunning moment is another Geldof recollection, from when he was in a desert in Ethiopia and heard Do They Know it's Christmas? on the radio: when he gets to the part about listening to that Bono line while looking directly at the horror it referred to, the present-day Geldof suddenly bursts into tears. 'All the rage, all the shame' is his bluntly eloquent summary of emotions that are still with him, and he is frank here about becoming a white saviour figure who placed himself in the spotlight – but had to do that to keep the media interested. Whether Geldof ultimately struck that balance is explored in the two further episodes, as is the question of how the money was distributed and how much self-interest drove the artists who performed at Live Aid. But there's no debating what an extraordinary phenomenon it was. Live Aid at 40: When Rock 'n' Roll Took on the World aired on BBC Two and is on iPlayer now.

How can I get to Ed Sheeran's Ipswich Portman Road concerts?
How can I get to Ed Sheeran's Ipswich Portman Road concerts?

BBC News

timean hour ago

  • BBC News

How can I get to Ed Sheeran's Ipswich Portman Road concerts?

Ed Sheeran returns home to Suffolk this week to perform three concerts at Portman Road global superstar will step on to the stage on Friday, Saturday and Sunday night at the home of his beloved Ipswich Town Football support acts are also lined up including Busted, James Blunt and more - organisers are expecting 30,000 fans to be in that many fans descending on Ipswich, how is it best to travel to the event and how can you avoid getting stuck in queues? Where can I park? A number of car parks will be available around Ipswich for the to Ipswich Borough Council, concert-goers can pre-book spaces at Layard House on New Road as well as Gyppeswyk Park on Ancaster House opens from 12:00 BST, apart from Friday when parking will be from 14:00, and it is limited to 180 Park is similarly open from 12:00 and is limited to 500 is also parking available at the council's short stay car Road A and D car parks will not be available, according to the council, and nor will Princes Portman Road B and C will be open from 08: parking will be available at West End Road Coach Park from 08: will be manning the car parks and confirming registration of cars that have council has warned drivers to expect delays getting in and out of the car parks and said staff would help ease traffic flow. What trains can I get? Train operator Greater Anglia has arranged extra services for Sheeran's will be additional services on the mainline from Ipswich after each performance across the final train services run as follows, according to Greater Anglia:Friday 11 July:23:47 Ipswich to London Liverpool Street (calling at Manningtree, Colchester, Marks Tey, Kelvedon, Witham, Hatfield Peverel, Chelmsford, Ingatestone, Shenfield, and Stratford) 00:22 Ipswich to Colchester (calling at Manningtree)00:45 Ipswich to Norwich (calling at Stowmarket and Diss)Saturday 12 July:23:50 Ipswich to London Liverpool Street (calling at Manningtree, Colchester, Marks Tey, Kelvedon, Witham, Hatfield Peverel, Chelmsford, Ingatestone Shenfield and Stratford)00:12 Ipswich to Colchester (calling at Manningtree)00:45 Ipswich to Norwich (calling at Stowmarket and Diss)Sunday 13 July:23:55 Ipswich to London Liverpool Street (calling at Manningtree, Colchester, Marks Tey, Kelvedon, Witham, Hatfield Peverel, Chelmsford, Ingatestone, Shenfield, and Stratford)00:15 Ipswich to Colchester (calling at Manningtree)00:50 Ipswich to Norwich (calling at Stowmarket and Diss)Greater Anglia has warned due to limited platform capacity, there will be no local services from Ipswich to Lowestoft, Felixstowe, Cambridge or Peterborough after the will be limited connecting services to Clacton-on-Sea on all three nights and extremely limited connecting services to Harwich Town on Friday and Saturday. Passengers are warned to expect large queues and very busy trains. Can I take other transportation? First Bus will be providing extra park and ride services from London Road in Copdock and Martlesham to Portman Road to help fans get to and from the details of departures to and from the stadium across the three days from both sites can be found for the service cost £3 per person and give people unlimited travel on the shuttle buses all tickets can be purchased on the day and customers are urged to ensure they keep their tickets for their return journeys. Other private bus companies in the area have also been advertising transport to the stadium for the concerts. What else should I be aware of? Gates for each show are expected to open at 16: is then expected that the shows will be finished by 22:30 each night. Some car journeys could be affected by roadworks in the Ipswich is currently ongoing on the Orwell Bridge and one lane will be closed in each direction on the days of the Sheeran concerts. Follow Suffolk news on BBC Sounds, Facebook, Instagram and X.

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