
There's A Summer Midi Dress For Everyone – Here Are 15 Dresses To Shop Now
Well, until now. This season, the midi dress finally found its way out of everyday rotation and onto the SS25 catwalks, where designers celebrated the calf-grazing style in multiple guises. The summer midi dress – be it figure-skimming and polka dotted or oversized and airy – is finally being given the attention it deserves.
Consider a summer dress with an interesting neckline, namely something strapless or asymmetric. Specifically, we can't stop thinking about Versace's slinky, floral bandeau dress, which was styled with metallic chartreuse sling-backs and a mini bag (hello again, Y2K) on the runway. Meanwhile, Dior, Bottega Veneta and Jacquemus all made a case for the one-shoulder LBD.
Speaking of LBDs, there were plenty more – but not as you know them. Enter the Loose Black Dress – a billowing, much more comfortable alternative to its comparatively littler counterpart. See Simone Rocha and Tibi's offerings (which have pockets!) or Khaite's cut-out tunic dress, offering a glimpse of body beneath the swathes of fabric.
On and off the runway, the polka-dot dress occupies a prize spot (pun intended). Notable mentions go to the 1990s-inspired, tomato-red, halterneck midi Kaia Gerber wore to the Tribeca Film Festival last month, and the wispy spot-print slip from Charles Jeffrey Loverboy's SS25 collection. A satin slip is also a fine idea, as advocated by Alexa Chung, Dries Van Noten, and an abundance of editors at fashion week.
When it comes to summer midi dresses, the choices are plenty. Luckily, we've narrowed it down for you with our curated edit.
Depending on whether you opt for a fit-and-flare dress or a bias-cut, halterneck style, polka dots can read Fifties or Nineties – such are their versatility. Do like Kaia Gerber and wear a halter midi with a block-heel ballet shoe.
According to a slew of designers, the shoulder is this season's errogenous zone. For something with a Y2K sensibility, look to Gimaguas, the It girl-approved Spanish brand. Their Lucia dress looks great with studded flats.
When temperatures soar, all we really want to wear is a tent dress – luckily for us, they are abundant for SS25. Cos and Arket do an oversized midi especially well, and we're also big fans of Rise & Fall's minimal organza style. Balance the volume with strappy kitten heels or sleek leather flip flops.
It's time to dig that strapless bra out of retirement – or do away with a bra altogether, depending on your preference – as the bandeau midi dress is back. For day, team jersey or denim versions with jelly sandals; for night, satin and mules are a tried-and-true partnership.
Let us count the ways we love the satin slip dress. It looks just as good worn with ballet flats for a spot of market-hopping as it does for weddings (as a guest or indeed, the bride). Coutille and Ghost stock some of our favourite styles.
ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Los Angeles Times
3 hours ago
- Los Angeles Times
‘Under the Same Moon' director on immigration crackdown: ‘It's called fascism'
When Mexican director Patricia Riggen first debuted her critically acclaimed feature film 'Under the Same Moon' 18 years ago, she anticipated tears from audiences and increased sympathy to the plight of migrants in the United States. But she could have never predicted the militarized crackdown on migrants happening today. 'If I made 'Under the Same Moon' right now, I would not make it like that,' said Riggen in a phone interview. 'It would be dark as hell.' The fictional drama follows 9-year-old Carlitos (played by Adrián Alonso), who lives in Mexico with his ailing grandmother, while his mother Rosario (Kate del Castillo) navigates life as an undocumented worker in Los Angeles. After his grandmother's sudden death, Carlitos crosses the border alone in search of his mother, piecing together details of her whereabouts from their past routine phone calls. After its 2007 debut at the Sundance Film Festival, where it received a standing ovation, 'Under the Same Moon,' which was titled 'La Misma Luna' in Spanish, was picked up by [Fox] Searchlight Pictures and released in theaters the following year. It broke box office records for any Spanish-language movie in the United States at the time. While lighthearted in brief moments, thanks to Carlitos' bond with a grouchy wayward migrant named Enrique (Eugenio Derbez), the storyline reflected the harrowing journey traversed by many migrants in the U.S. in the early 2000s, told through the eyes of a child. 'It gave a human face to a statistic and to a political problem,' says Riggen. 'That's why it became the phenomenon that it was back then, and now here we are,' said Riggen — referring to the ongoing ICE sweeps by masked law enforcement, detainment of U.S. citizens and the deportations of migrations without due process. De Los interviewed Riggen about the enduring impact of her film, 'Under the Same Moon,' the same day she reunited with Derbez and screenwriter Ligiah Villalobos on a June 26 panel hosted by the National Assn. of Latino Independent Producers. 'It is the first time that we are getting together again, and it's an important time,' Riggen said. 'I think that this movie [provides] a little bit of hope for the Latino community.' This interview has been edited and shortened for clarity. It's been almost two decades since the release of 'Under the Same Moon.' How have its themes evolved since 2007? Unfortunately, nothing has changed for the better. It's changed for the worse. I feel like things are worse than ever. There's things that never happened before, like deportations to third-party countries, or detentions without due process, detentions by people who are not identifying themselves. We don't even know if they are actually ICE agents. As a member of the Latin American community, I can tell you that it has a name and it's called fascism. It gives me shivers, because if you are from Latin America you immediately remember Argentina, Chile and Brazil. That's how they used to operate. They would just come over to their homes and take them. No identification, no nothing. I wish the American people could see that, but they don't know it because they've never seen it before. It is the worst-case scenario that I can imagine. When we made 'La Misma Luna,' there were thousands of unaccompanied minors. That was the original inspiration for Ligiah Villalobos, when she wrote the first draft of the film. It was a groundbreaking movie because it used to be a string of sad, depressing dark [immigration] movies, but this was different. The movie had a more heartwarming, positive outlook. It still touched on super complex subject matters, but the intention was to show immigrants in a positive light, good people with good values. People become immigrants out of necessity, because of poverty, violence, persecution. If you were to make the movie now, would the tone overshadow those glimmers of hope? That's how I feel right now. I would do a deep dive like 'El Norte,' because that film was another emblematic movie on the subject matter. That was dark and tough. Then came 'La Misma Luna,' which I thought was lighter. I wanted to make a movie that the Latino audience connected with and immigrants could watch. But the tone would be different. I would do a deep dive into the problem. I stayed away from making the movie political and concentrated more on the love story with the mother-son relationship. ... Now I feel like it's time to have more of a political angle. Half the country still believes that immigrants are criminals, but being able to feed your loved one is a human right. If you continued the film where it left off, with Carlitos and his mom reuniting, where would they be in today's America? That's what [Villalobos] and I have been working on. We've been approached a few times to create a series on 'La Misma Luna,' so to answer that question, it will be in the TV series that I'm hoping for. I feel like the country is really attuned to the plight of the immigrants [now], which wasn't necessarily the case 17 years ago. What do you think was so appealing about this film when it was released? It touched on universal emotional issues that everybody could identify with. You didn't need to be Mexican or have crossed the border. Love was at the center of it. That's how I conceived it. Sometimes I get the feeling that if [Alonso] had been a mainstream actor, he would have gotten nominated for something, but that's the story of making Latino movies. We haven't been able to break through the mainstream and it's something that we are fighting every day. I find Hollywood, my industry, to be a little bit responsible for the hostility that Latinos and immigrants find as a community in the U.S. Our representation of Latinos has rarely been positive. We have to turn things around and represent the community in a positive light, not just the negative way that is prompting hostility by half of the country.
Yahoo
4 hours ago
- Yahoo
The Corrs conquer Madrid with their mix of pop rock and Celtic notes
As if the hot, soaring temperatures were not enough to deal with, the final day of June brought an enormous thunderstorm to Madrid, which for a while threatened to make The Corrs return a washout even before it started. But the rain eventually gave way and just after 10pm, Andrea, Sharon, Caroline and Jim came out on stage and the applause from the audience made it clear that thousands had been eagerly awaiting the return of the Irish band to Spanish shores. The chords of 'Only When I Sleep' started to play... and the show began! Andrea's voice perhaps suggested that she had been performing for several weeks, but the singer still moved the crowd. After the second song, Andrea approached the microphone and the next charm offensive was upon us: "Buenas noches Madrid, es un placer estar aquí", something we Spaniards appreciate very much: 'guiris' (foreign tourists) speaking the language of Cervantes. Back to Shakespeare's language, he commented that they love Spain and Madrid because his sister Sharon lives here.** Their pop rock mixed with Celtic notes take us back to the early hits of the Irish with songs taken from their first albums 'Forgiven not Forgotten' and 'Talk on Corners' from the mid and late 90's (yes, I'm a sucker for nostalgia...). The auditorium of the Tierno Galván park was packed to the rafters, and the audience was devoted and never tired of singing and applauding the songs of the Irish and the Corrs brothers, who ended up surrendering and thanking them for such affection. The audience came from different parts of the world: Spaniards, Argentinians, Irish (even the brothers' fellow countrymen from Dundalk, the Corrs; birthplace). Between the songs they played tracks like 'Summer Sunshine' included in 'Borrowed Heaven' from 2005 and 'White Light', included in the album of the same name from 2015. There was time for everything; their best known hits and two covers - 'Old Town' by Phil Lynott and 'Dreams' by Fleetwood Mac. And of course there was no shortage of folkier, more traditional songs that took us back to their native Dundalk. Caroline sat on a flamenco box with her bodhrán, Sharon on the fiddle, Andrea with her Irish flute and Jim on the piano. Andrea wasn't the only one who ventured into Spanish after the interval, as Sharon introduced 'All The Love In The World' in Spanish. After that they continued with 'Breathless' and the instrumental 'Toss the Feathers' to close the concert and their tour. Sharon began a solo career in 2010 that has led her to release three albums. The latest of these, 'The Fool and The Scorpion', (2021) written shortly after her much publicised break-up, has been mired in controversy. Indeed, the eldest of the sisters was married to Robert Gavin Bonnar, and during a holiday in Andorra the couple met Telma Ortiz, Queen Letizia's sister, with whom they hit it off and became friends. Once the couple separated, Robert began an affair with Telma and they even had a child together, something that understandably didn't sit well with Andrea. On the album 'The Fool and The Scorpion' there is a song of the same name whose lyrics are widely assumed to be a her revenge track. The verse reads: "You'll have your desserts, served cold in the grave of my tenderness. The arms she flew to, they'll sting you to death. I bet the bed was on fire and you came all day. But now your heart is wretched and your soul took a beating. The fool and the scorpion. The queen's twisted sister and the chameleon. I am free, I am free, I am reborn". We don't know how these lyrics and this song have gone down with the new couple, but Sharon seems to have let out all her pent-up rage. The Queen is a great lover of music, but we have no way of knowing if she was in the crowd for the Irish band's return to Madrid.


Elle
4 hours ago
- Elle
How Heidi Montag Got Ready to Go ‘Full Icon' on Stage in San Francisco
If you haven't noticed that the 2000s are officially back, let Heidi Montag be your proof. The reality TV icon and pop star who ruled the aughts is stepping back into the spotlight—complete with a new album, Heidiwood, which dropped in May, and an accompanying tour. This summer, Montag is hitting the road in true Y2K fashion—decked out in bright pink fabrics and plenty of rhinestones. For one of her latest performances, held at San Francisco's Pier 80 this past weekend in celebration of Pride Month, she commanded the crowd in a custom Lucas Stowe catsuit, Steve Madden shoes, and jewelry by Kyle Chan Design. And for anyone questioning the sparkle? Montag has one thing to say: 'If rhinestones are wrong, I don't wanna be right.' Take a look behind the scenes as Montag got ready—and lit up the stage—for her SF show. If this is a dream, don't wake me up! Love you SF! If rhinestones are wrong, I don't wanna be right... Told you I'd be the main event. A little sparkle and a lotta sass. This outfit? Custom. This crowd? Iconic. This night? One for the books. San Francisco, did we just fall in love?! Giving San Fran a front-row seat to the slay. Consider this your personal invitation to the show. Even the wind wanted to be part of the look. Pop star mode: ACTIVATED. Pier 80 turned into my personal glitter runway and I couldn't have asked for a better crowd. Catch me being cute backstage. My glam team ATE with this look. Pink plaid, high heels, and a lot of attitude. Glittering in the city by the Bay.