logo
MTV's Ananda Lewis Brought Journalism to a New Generation

MTV's Ananda Lewis Brought Journalism to a New Generation

Bloomberg19-06-2025

Through her work on the network's show 'TRL' and BET's 'Teen Summit,' she stirred a passion for current events among young audiences — which is sorely lacking today.
Save
Ananda Lewis' death hits a little differently.
It was hard to determine why at first. The online reaction to her passing began with the typical outpouring of 'RIP' and remarks about her work as the veejay and host of seminal '90s and early aughts pop culture series, such as BET's Teen Summit and MTV's Total Request Live. Then the feeling came into sharper focus: She stirred a passion for journalism and current events among her young audiences — and that's sorely lacking today.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Today's NYT Strands Puzzle: Hints, Spangram And Answers For Monday, June 30th
Today's NYT Strands Puzzle: Hints, Spangram And Answers For Monday, June 30th

Forbes

timean hour ago

  • Forbes

Today's NYT Strands Puzzle: Hints, Spangram And Answers For Monday, June 30th

Today's NYT Strands hints and answers Looking for Sunday's Strands hints, spangram and answers? You can find them here: Yesterday's Strands puzzle was one of the most creative I've played since the inception of this game. If you missed it, please do go check it out because it's very clever. Today's, however, is much more difficult. I struggled with this one. Hopefully some hints will help you on your way. Strands is the newest game in the New York Times' stable of puzzle games. It's a fun twist on classic word search games. Every day we're given a new theme and then tasked with uncovering all the words on the grid that fit that theme, including a spangram that spans two sides of the board. One of these words is the spangram which crosses from one side of the grid to another and reveals even more about the day's theme. Spoilers ahead. Today's Strands Hints Read on for today's theme and some hints to help you uncover today's words. Instead of giving you the first two letters of each word, today I'm giving out three hints instead of two. Today's Theme: Trellis beauties FEATURED | Frase ByForbes™ Unscramble The Anagram To Reveal The Phrase Pinpoint By Linkedin Guess The Category Queens By Linkedin Crown Each Region Crossclimb By Linkedin Unlock A Trivia Ladder Hint: Flowers Clue: The type with vines Here are the first two letters of each word: Remember, spoilers ahead! What Are Today's Strands Answers? Today's spangram is: CLIMBERS Here's the full list of words: Here's the completed Strands grid: Today's Strands Not many words today, but trickier ones than I've seen in awhile. I'm not a flower expert, and honestly didn't even know what CLEMATIS was until now. Embarrassingly, I didn't know JASMINE was a CLIMBER either. And MOONFLOWER sounds like something out of a fantasy book. These are all very evocative words. WISTERIA sounds like a place. SWEETPEA is as often used as a term of endearment. It reminds me of the Sweetpea Festival we used to go to as a kid growing up in Bozeman, MT. Fun times. How did you do on your Strands today? Let me know on Twitter and Facebook. Be sure to check out my blog for my daily Wordle guides as well as all my other writing about TV shows, streaming guides, movie reviews, video game coverage and much more. Thanks for stopping by!

F1 Goes Hollywood. But Is The Movie For Real Fans?
F1 Goes Hollywood. But Is The Movie For Real Fans?

Forbes

timean hour ago

  • Forbes

F1 Goes Hollywood. But Is The Movie For Real Fans?

Brad Pitt and Damson Idris A star-studded cast, high-octane racing, and the weight of Formula 1's logo behind it. On paper, the new F1 movie has everything—an A-list lineup, jaw-dropping cinematography, and a reported $200 million budget to bring it to life. With real circuits, real teams, and a real racing icon like Lewis Hamilton involved behind the scenes, it presents itself as a film deeply rooted in the sport. But with all that behind it, the question remains: is this really for F1 fans or just made to look the part? *Spoilers ahead* Between Realism And Hollywood Racing is notoriously difficult to get right on screen. As an intensely technical sport, it risks dragging the movie's pace down if overexplained. But swing too far in the other direction and oversimplify it, ignore realism…then the result can feel hollow and even cartoonish. Motorsport movies often struggle to strike that balance, and so for the purists, it can be even more difficult to impress. The F1 movie clearly sets out to ground itself in realism. Director Joseph Kosinski, alongside Oscar-winning cinematographer Claudio Miranda, designed custom camera rigs that could not only mount directly onto the cars but also be operated remotely. Much effort was made to ensure they could capture the thrill of the racing scenes. However, the movie often teeters awkwardly between authenticity and spectacle. Some scenes depict Sonny Hayes using tactics that would never fly under FIA regulations: excessively slowing on the formation lap to gain an advantage, intentionally causing a crash to trigger a safety car, and holding up rivals under blue flags. This is cinema. It's meant to thrill, not replicate a steward's report. But it raises a valid question: for new viewers unfamiliar with the sport's rules and culture, will this version of Formula 1 shape their understanding of what racing actually is? Representation In The Paddock The movie centers around APX GP, a team that's desperately trying to climb its way from the back of the grid, and leading the technical direction of the car is Kate McKenna (played by Kerry Condon). It's a welcome image, especially since there aren't many women in top positions in the sport, but even that progressive moment comes with a catch. Her car is underperforming badly, and she changes the entire concept mid-season for Sonny Hayes, a driver who hasn't raced in F1 in thirty years. For all the film's gestures toward inclusion, it falls flat, leaning on the tired trope of leaning on a man whose instincts override the data, the engineers, and the woman in charge. McKenna's character is also written into a romantic subplot with Hayes, an arc that adds limited depth to the story and potentially undercuts her authority as a team leader. Though her presence is important, the execution may leave viewers questioning how much weight the character really carries. Another female character appears as a pit crew member, but she goes unnamed. She works the wheel gun during pit stops and is often shown in the background of the garage, dropping tools and mishandling equipment, and ruining pit stops. While she eventually learns from her mistakes, the framing leans more toward running gag than meaningful development. Actress Simone Ashley was listed in the cast and featured in the pre-release buzz. But her role was cut to a cameo, which can happen in the edit. It simply calls into question the inclusion and representation of female characters in sports narratives on a larger scale. Designed For Newcomers From the get-go, it was clear the F1 movie wasn't targeting seasoned fans. Like Drive To Survive, F1 is an onboarding ramp to bring in those who know little about the sport but like fast cars, big names, and cool racing scenes and underdog arcs. And in that way, it works. The film is slick, digestible, and visually gripping. But for those who follow the sport closely, it feels like Formula 1 has been filtered through a Hollywood lens, more to entertain than to inform. After all, it's not a documentary. It never claimed to be. But for fans used to the sport's detail, tension, and constant evolution, this version might feel like it leaves something behind in the rearview mirror.

Box Office: ‘F1' Revs to $144 Million Globally, ‘Lilo & Stitch' Nears $950 Million Milestone
Box Office: ‘F1' Revs to $144 Million Globally, ‘Lilo & Stitch' Nears $950 Million Milestone

Yahoo

timean hour ago

  • Yahoo

Box Office: ‘F1' Revs to $144 Million Globally, ‘Lilo & Stitch' Nears $950 Million Milestone

Brad Pitt's original racing drama 'F1' drove to the top of the box office charts, collecting a sizable $88.4 million internationally and $144 million globally in its opening weekend. The film, from director Joseph Kosinski and producers Jerry Bruckheimer and Formula One champ Lewis Hamilton, follows a retired driver (Pitt) who returns to the popular motorsport to coach a cocksure rookie (Damson Idris) and save a failing team. Outside of the U.S. and Canada, where 'F1' zoomed to $55.6 million, the top-earning territories were the United Kingdom with $9.2 million, China with $9 million and Mexico with $6.7 million. More from Variety 'M3GAN 2.0' Star Allison Williams on Making The Android an 'Action Star' and Crafting Another Unforgettable Musical Moment Brad Pitt's 'F1' Delivers Apple's First Box Office Hit With $55.6 Million Debut, 'M3GAN 2.0' Fizzles With $10 Million 'M3GAN 2.0' Costume Designer on How Farrah Fawcett and Judy Jetson Inspired M3GAN's Armor 'F1' marks the first commercial win for Apple, which has previously backed underperforming big screen offerings like 'Killers of the Flower Moon,' 'Napoleon' and 'Argylle.' Against a nearly $250 million production budget and massive marketing spend, 'F1' will need significantly more ticket sales to break even and turn a theatrical profit. But this is Apple's closest attempt to all-audience blockbuster status and will soon overtake 'Napoleon' ($221 million globally) as the company's highest-grossing release. And 'F1' is expected to benefit in the coming weeks from solid reviews, positive word-of-mouth and Imax screens before landing on the company's streamer, Apple TV+. Since Apple doesn't have a distribution arm, the tech giant is paying Warner Bros. to put the film in theaters; the Burbank-based studio will also receive a percentage of theatrical revenues that increases with certain box office benchmarks. 'F1' also represents a victory for Imax, whose cameras were used to film the ultra-immersive, high-speed racing sequences. Imax screens accounted for $11.1 million overseas and $27.7 million globally, representing 19% of overall revenues — the fourth-highest percentage in Imax's history. ''F1' has inspired audiences around the globe with its underdog story and perfect blend of high-octane racing and human-centered storytelling,' says Apple's head of worldwide video Zack Van Amburg. 'The film's outstanding debut reflects both the excitement of Formula 1 and the deeply emotional and entertaining story crafted by the entire cast and creative team. Their dedication and innovation have fueled an unforgettable cinematic experience.' In terms of other newcomers, Universal and Blumhouse's A.I. thriller 'M3GAN 2.0' flatlined with $7 million from 80 international markets. Mexico earned a leading $1.2 million, followed by the U.K. and Ireland with $700,000 and Brazil with $400,000. Along with $10.2 million domestically, 'M3GAN 2.0' has grossed a soft $17 million in its first weekend of release. With weak reviews and seemingly diminished audience interest, the campy horror sequel failed to achieve the box office heights of 2023's 'M3GAN,' which ignited to $15 million overseas and $45 million globally. The original became a sleeper hit with $180 million worldwide, which explains the studio's justification for the follow-up film set around the scream queen who became a meme queen. Fortunately for the studio, 'M3GAN 2.0' cost a modest $25 million, so potential theatrical losses won't be too painful. Plus, Universal is flying high with 'How to Train Your Dragon,' which added $32 million internationally in its third frame. The live-action remake has earned $254 million overseas and $454 million worldwide to date, underscoring the enduring appeal of the fantastical property. Universal has the live-action sequel set for 2027. PG films have been dominating at the box office with 'Lilo & Stitch' adding $13.1 million from 52 markets for a massive overseas tally of $545 million. After six weekends on the big screen, the live-action 'Lilo & Stitch' is about to cross the $950 million milestone (with $946 million globally so far) and has $1 billion on the horizon. A live-action sequel to 'Lilo & Stitch' is also in the works. Not every movie with a family friendly rating is electrifying the box office. Disney's original Pixar adventure 'Elio' brought in just $11.4 million from 48 territories in its sophomore outing. After notching the worst start in Pixar history, 'Elio' has grossed $30 million overseas and $73 million worldwide. Though positive word-of-mouth should help the film endure throughout the summer, 'Elio' is nowhere near on track to earn enough to justify its $150 million production budget.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store