
Big, showstopping jewels anchor new high jewellery collections of Louis Vuitton, Cartier and Bulgari, while auctioneers have sold especially momentous stones for record sums
One such jewel, a frankly enormous emerald set into a diamond-studded collar necklace, is a highlight of the
Cartier exhibition currently showing at the Victoria and Albert Museum in London.
Cartier Collection diamond and platinum necklace with a 143.23-carat emerald, made to special order in 1932. Photo: Handout
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Because yes, huge gemstones have never lost their appeal. One only needs to look at
Anne Hathaway and Priyanka Chopra Jonas at this year's
Met Gala for glittering proof. Both wore necklaces from Bulgari's high jewellery collection Polychroma, with Hathaway's – the Cosmic Vault – featuring a 123.35-carat sugarloaf sapphire, and Chopra Jonas' – the Magnus Emerald – featuring an emerald of 241.06 carats. The latter is the largest stone the Roman jeweller has ever set, no less.
The necklaces are among 60 'millionaire pieces' included in the 600-piece range – launched in Sicily in May – with such pieces only available to the brand's top clients.
Anne Hathaway wears Bulgari's Cosmic Vault necklace with its 123.35-carat sapphire, from the Polychroma collection.
Exceptional gemstones were of course at the centre of the Magnificent Jewels auction at Christie's, which set records in New York in June with pieces such as the Blue Belle sapphire necklace, which sold for US$11.3 million, and the Marie-Thérèse pink diamond, which sold for US$14 million. Clearly this points to certain categories of clients unperturbed by the vagaries of the global economy. New research from Bain also found fine jewellery – and especially
high jewellery – to be more resilient than categories such as fashion.
Priyanka Chopra Jonas in the Magnus Emerald necklace, featuring a 241.06-carat stone, from Bulgari's Polychroma collection. Photo: Handout
Vintage jewellery buyer Emrys Cousins – who sources antique and estate pieces for clients around the world through her business Love Well Sourced – says the move towards 'more is more' is not only down to economic uncertainty but other factors too.
'Post pandemic, we are craving opulence and personality … My clients want to invest in pieces that are fun, joyful and uniquely personal,' she says. 'The conversation has moved from 'quiet luxury' to maximalism in the context of personal style, which gives anyone who needs it the permission to layer their precious pieces and wear whatever brings joy.'

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