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Giorgio Armani x Kith Go Global for Second Collaborative Release

Giorgio Armani x Kith Go Global for Second Collaborative Release

Hypebeast2 days ago
Summary
Back for a second time,Giorgio ArmaniandKithare reconnecting to refine their clean-cut collaborative language in an elegant new estate-inspired collection. Meaning 'summer' in Italian and 'property' in English, the 'estate' ethos is woven through the pair's sophomore selection of menswear and, for the first time, womenswear as well, which encapsulates the energy of a romantic, warm-weather getaway.
Arriving a little under a year after the pair's debut collaboration, which was released back in August of 2024, the latest endeavor from Armani's legacy label and theRonnie Fieg-founded imprint draws inspiration from four key destinations: Malibu, The Hamptons, Forte Dei Marmi, and Porto Cervo.
This collection continues to highlight the pair's perfected craftsmanship, exemplified across double-breasted blazers, bomber jackets and new shirting silhouettes, which land alongside seasonal accessories including sunglasses, bandanas, bags and belts.
Take a closer look at the second Giorgio Armani x Kith collection in the lookbook above. In honor of the collaboration, the brands are hosting a series of special activations in Malibu, The Hamptons, Forte Dei Marmi, and Porto Cervo; early releases will go down at Kith Malibu on July 4, at the Giorgio Armani and Kith Hamptons House on July 5, and at the Topping Rose Hotel in Bridgehampton, New York at the Topping Rose Hotel on July 6. The global launch goes live via Giorgio Armani and Kith retailers on July 10.
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This budget-friendly soundbar with Dolby Atmos blew me away — I felt like I was at the movies
This budget-friendly soundbar with Dolby Atmos blew me away — I felt like I was at the movies

Tom's Guide

time2 hours ago

  • Tom's Guide

This budget-friendly soundbar with Dolby Atmos blew me away — I felt like I was at the movies

If one of your primary concerns is cost, then the Sharp 3.1.2 HT-SBW53121 soundbar could be one of the best soundbars for you. At just £329, the soundbar and subwoofer combo provides an immersive Dolby Atmos (and DTS Virtual:X) experience. I could feel the famous James Bond Italian car chase scene in my soul, and physically flinched every time a gun was fired. With a 3.1.2 setup and compatibility with 2.0.2 rear speakers, this soundbar is one of the most affordable ways to elevate any home theatre experience. Sharp also makes a £449 5.1.2 soundbar, which is just as impressive. If you want to upgrade your home setup for the least amount of money possible (who doesn't?) then I can't recommend the Sharp 3.1.2 setup enough. Find out the full story, including its flaws, in this Sharp 3.1.2 HT-SBW53121 review. If you're in the U.S. and want a similar performance, I'd check out the Polk Signa S4 soundbar, which is a 3.1.2 channel setup for $399. Price £329 (+ optional £179 rear surround speakers) Connectivity HDMI (with 4K pass-through), eARC, Optical, Bluetooth 5.3, 3.5mm aux Weight 4.5kg Dimensions 100 x 7.6 x 12.5 cm Colors Black, white Subwoofer Yes Dolby Atmos Yes Channel 3.1.2 The Sharp 3.1.2 HT-SBW53121 soundbar is pretty affordable, all things considered: it's £329 from Amazon U.K. Yep — it's only available in the U.K., so if you're a U.S. reader, I'd recommend the Polk Signa S4 ($399) instead. It has a 3.1.2 setup too, and it's a genuinely fantastic soundbar. As I said, £329 for a soundbar + subwoofer combo is a great deal. Usually, soundbars of this channel setup start from around £400. Heck, the Samsung Ultra Slim soundbar is £549 for a 3.1.2 setup. The Sharp price/performance sacrifice is almost certainly in the subwoofer: I do wish it was more powerful. However, it could be a worthy tradeoff. Sharp also makes a 5.1.2 channel soundbar and subwoofer for £449, which is also an incredibly reasonable price for a soundbar of this quality. If you want a more immersive experience, I'd recommend that model. Just like its older sibling, the Sharp 5.1.2 soundbar, the Sharp 3.1.2 Soundbar looks like just about every other soundbar. It's quite long, at 40 inches, but relatively low-profile. I was able to fit it on my testing TV's stand easily. Instead of having a plastic or metallic mesh covering, the Sharp 3.1.2 Soundbar is lined with fabric, which gives it a more premium appearance. It's definitely worth taking ease of cleaning into consideration, though: dust could look more prevalent on a fabric soundbar. The top of the mesh houses six buttons that control volume, Bluetooth, and power. I found myself solely using the remote, though. It's quite weighty and well-made when compared to rivals like Bose and Majority's flimsy feeling remotes. 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I found myself using 'Movie', which increased the bass. I'd recommend cycling through these features and figuring out which one sounds the best, as there's no one-size-fits-all approach here. The Sharp 3.1.2 soundbar also has Bluetooth connectivity for instant music playback. Accessing the connection is super easy: just press Bluetooth on the soundbar (or change the source input on the remote) and the soundbar will pop up instantly in your phone settings. Again, if you're after a huge range of smart home or AI features, it's worth checking out a pricier soundbar like the Bose Smart Soundbar ($499) or the Samsung Ultra Slim soundbar I mentioned earlier. I don't mind having a simple soundbar, though. If you just want a soundbar that'll make movies sound even more epic, and don't necessarily care about being able to link it to your smart home, then the Sharp 3.1.2 is more than enough. I test every soundbar with 'Top Gun: Maverick' on 4K UHD Blu-Ray, TV shows on Netflix, and music on Spotify and Qobuz. To test the Sharp 3.1.2 Soundbar, I watched 'Top Gun: Maverick', as always. The opening scene has the perfect amount of bass, high-frequency sound effects, and challenging treble, which makes it perfect for testing soundbars. I'm looking for intense bass in the jet engines, clear treble in the 'Danger Zone' track, and clear high-frequency diegetic sounds like ropes whooshing, metal clinking, and radio dialogue. I upped the bass to the max, but I was still a little disappointed by the subwoofer's performance, just as I was with the Sharp 5.1.2 Soundbar. It's to be expected, as the 3.1.2 uses the same physical subwoofer as the 5.1.2. Despite this semi-disappointing subwoofer performance, I was still impressed by the dialogue clarity. The soundbar itself definitely excels with treble; percussion in the soundtrack was rich and piercing without being pinching or tinny. 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When Bond and Madeline are being shot at, the bullets seem to ricochet off the inside of my brain. I was much more impressed with the Dolby Atmos performance in 'No Time To Die' than 'Wicked'. Actually, 'No Time To Die' was probably the most impressive movie I watched with this soundbar. I would recommend getting this movie just to be amazed by the soundbar's performance. On the whole, I was impressed by the movie performance. I felt immersed in the scenes and I honestly could've been at the movie theatre. I just wish the bass had a touch more power. To replicate real-world usage, I watched TV on the basic tier of Netflix. Not everyone has premium streaming services or UHD 4K Blu-rays, so it's only fair to test with standard resolution audio as well as the premium options. I watched 'Stranger Things' on Netflix, which has a great combination of a synthy, bassy soundtrack, dialogue, and action scenes. Overall, I was really impressed with the performance. 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Macedonian Words That Don't Exist In The English Language ( But Should )
Macedonian Words That Don't Exist In The English Language ( But Should )

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Bob Vylan's Career Has Been Destroyed by Glastonbury Performance: Experts
Bob Vylan's Career Has Been Destroyed by Glastonbury Performance: Experts

Newsweek

time4 hours ago

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Bob Vylan's Career Has Been Destroyed by Glastonbury Performance: Experts

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Bob Vylan's career may be in trouble following their controversial performance at Glastonbury, experts tell Newsweek. Over the weekend, the English punk rap duo sparked outrage at the music festival in the United Kingdom. During their set, they led crowds in a chant of "death, death to the IDF," referring to the Israeli Defense Forces. On October 7, 2023, Hamas-led militants attacked Israel, killing approximately 1,200 people and abducting 251 hostages. In response, Israel launched a military operation that has killed more than 56,400 people in Gaza, per the Associated Press. On Saturday, the Avon and Somerset Police said on X, formerly Twitter, that they were looking into "whether any offences may have been committed that would require a criminal investigation." In a separate post shared to the social media platform on Monday, authorities confirmed "a criminal investigation is now being undertaken." Bob Vylan will likely have a difficult time recovering from their Glastonbury performance, experts tell Newsweek. Bob Vylan will likely have a difficult time recovering from their Glastonbury performance, experts tell Newsweek. Photo-illustration by Newsweek/Getty/Canva The BBC, which broadcast the music festival, issued an apology: "We deeply regret that such offensive and deplorable behavior appeared on the BBC and want to apologize to our viewers and listeners and in particular the Jewish community. We are also unequivocal that there can be no place for antisemitism at, or on, the BBC." Bob Vylan—who uses the stage names Bobby Vylan and Bobbie Vylan—responded to backlash on Instagram on Tuesday. "We are not for the death of Jews, Arabs or any other race or group of people. We are for the dismantling of a violent military machine," they wrote. "We, like those in the spotlight before us, are not the story. We are a distraction from the story. And whatever sanctions we receive will be a distraction." Bob Vylan Suffers Consequences Earlier this week, the U.S. State Department revoked Bob Vylan's visas to the United States. "The @StateDept has revoked the US visas for the members of the Bob Vylan band in light of their hateful tirade at Glastonbury, including leading the crowd in death chants," Deputy Secretary of State Christopher Landau wrote on X on Monday. "Foreigners who glorify violence and hatred are not welcome visitors to our country." The duo was also dropped by their agent UTA, Deadline reported. Will Bob Vylan's Career Recover? Lauren Beeching, founder of crisis PR firm Honest London, told Newsweek it's "looking increasingly unlikely" that Bob Vylan's career will recover from Glastonbury. "The chant wasn't subtle or up for interpretation. 'Death to the IDF' was broadcast live by the BBC, and the response has been fast and serious," Beeching said. "They've lost their U.S. visas, were dropped by their American booking agency UTA, and the BBC pulled the footage while issuing public apologies. Ofcom has confirmed it is investigating, and there's a criminal inquiry underway. This is not a controversy you ride out with a break from social media." Eric Schiffer, CEO of Reputation Management Consultants, added: "Bob Vylan saw America's 40-city ATM blow into bits with one 'death to IDF' chant that turned a seven-figure tour into a cesspool of self destruction. UTA's kiss-off and a federal visa shred turned Bob Vylan from buzz band to biohazard. U.S. bookers now treat their name like smallpox on a set list. UTA ditching them is the real body-blow because agents equal oxygen." Bob Vylan was scheduled to open for singer Grandson's tour this fall. "When the State Department slaps a no-fly list on your Fender guitars, the merch table moves from Madison Square to Minsk and your rider drops from Dom Pérignon to bring your own," Schiffer continued. "Agents dump you, visas vanish, cops investigate—welcome to the triple-crown of attempted career suicide. The Glastonbury spot is now radioactive nostalgia—future lineups will treat their clip like a deathtrap warning reel." Bobby Vylan, of Bob Vylan, performs on the West Holts stage during the Glastonbury Festival at Worthy Farm, Pilton on June 28, 2025 in Glastonbury, England. Bobby Vylan, of Bob Vylan, performs on the West Holts stage during the Glastonbury Festival at Worthy Farm, Pilton on June 28, 2025 in Glastonbury, Coleman, a crisis communication consultant and director of Amanda Coleman Communication Ltd, argued, however, that "the future of Bob Vylan is in the hands of their audience and whether they are prepared to continue to follow them despite this furor. "Even if the artist is prevented from traveling, they can continue to grow an audience online," Coleman explained. "During the COVID-19 pandemic, artists proved you could use social media and technology to stream and continue to grow an audience. If the social media companies cut them off, there will always be alternative channels to move onto." She added that "Bob Vylan have had more coverage since the Glastonbury Festival appearance, and many more people will know who they are." "I don't believe that all publicity is good publicity," Coleman said. "Their behavior has caused significant damage to them and has outraged many, but whether this is a fatal blow to their future is in the hands of their fans and followers." Bob Vylan's Net Worth Takes Big Hit Bob Vylan's net worth will most certainly be impacted after their Glastonbury set, Beeching tells Newsweek. "Touring is usually the main source of income for independent artists, and they were due to open for American singer Grandson's U.S. tour in October and November. That's now off the table following their visa revocation. The cancellation means lost fees, scrapped merch sales, and the breakdown of future international revenue," she shared. "Being dropped by UTA also ends access to global booking networks, corporate stages, and brand tie-ins. Even if those opportunities weren't fully developed yet, they were within reach. Now, anyone looking to work with them commercially would have to factor in reputational risk and likely backlash. That alone shrinks their options." Beeching said it was important to note that "being dropped by a booking agent like UTA is different from being dropped by a label." "Bob Vylan are independent and release music themselves. So while they don't have a label to sever ties with, losing agency support cuts off live revenue opportunities, tour planning, and international expansion," she explained. "You don't need a label to build a career anymore, but you do need access, and that's what's just been taken away." Beeching made it clear, however, that despite criticism, they will also "likely gain fans from this, especially those who view the backlash as censorship or hypocrisy." "They haven't been erased, but they have been repositioned." While Bob Vylan may also still earn money "through streaming, direct fan support and U.K. performances," the "ceiling has lowered." "From a PR and commercial strategy perspective, this shifts them from being a politically provocative act with growth potential to one the industry will now avoid. That doesn't mean financial collapse, but it does mean their future is far more limited than it was two weeks ago."

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