Museum to open showcasing Japanese TV presenter Kuroyanagi Tetsuko's collection
The design of the museum building in Nagano Prefecture was inspired by her trademark onion-shaped hairstyle and includes an observation deck. About 320 of her former belongings will be on display.
In a preview held on Friday, items on display included a dress designed by the late Mori Hanae, a renowned Japanese fashion designer, as well as a kimono and artworks from both Japan and abroad. Visitors can also view a portrait of Kuroyanagi in her 20s.
The foundation that operates the museum said it took about seven years to bring the project to life, honoring Kuroyanagi's wish to preserve her collection for future generations. Around 2,000 items she donated to the foundation will be exhibited on a rotating basis.
Kuroyanagi told reporters that she has been visiting Karuizawa since she was a child, so it feels nostalgic. She described her childhood as a period when beautiful or novel things were not available. She said collecting and treasuring things can only be done in times of peace, adding that she hopes that the visitors will appreciate the beauty of the items on display.
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Japan Times
7 hours ago
- Japan Times
The future is bright inside the visionary mind of architect Sou Fujimoto
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The shōtengai (shopping streets), rows of wooden houses and the haphazardly placed potted plants in front of them, utility poles and train tracks — what he calls 'a streetscape formed of tasteful clutter' — created a dense, layered environment in which 'you can walk anywhere freely, like in a forest.' The image of a growing forest serves as both muse and leitmotif in Fujimoto's largest exhibition to date, 'The Architecture of Sou Fujimoto: Primordial Future Forest,' on view at Mori Art Museum in Minato Ward through Nov. 9. Fujimoto and the team at Mori Art Museum wanted to create an exhibition that's more than simply displaying drawings and models. | ZORIA PETKOSKA The exhibition presents a thicket of projects spanning three decades, divided into eight sections — five of which include the word 'forest.' The first, titled 'Forest of Thoughts,' features more than 1,000 architectural models, some handmade by Fujimoto himself. 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Imagining human activity is standard in architecture, and throughout the exhibition there is an abundance of tiny human figurines in all models (and even on the potato chips and loofah) to give a sense of scale. One section, 'Animated Forest,' is entirely dedicated to larger scale models that serve as canvases for video projections of crowds moving across. It shares the space with 'Open Circle,' which consists of drawings and a 1:5 scale model of the Grand Ring you can walk through, becoming the human figure, albeit out of scale. 'You'll probably feel like a giant,' says curator Kenichi Kondo. 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He's not trying to micromanage chaos, believing instead in 'loose order amid the confusion,' a lesson he traces back to his childhood experiences playing in the woods. In Fujimoto's philosophy, we should be able to adjust our space depending on our needs at different times. In L'Arbre Blanc (The White Tree) mixed-use residential tower, one of his biggest projects in France, he positioned balconies asymmetrically so residents could see one another, and incorporated public spaces into the building's design. For him, architecture must provide privacy and shelter, but it must also leave room for connection. 'There is something to be said about shared experiences — something essential to human society,' Fujimoto says in a video that's part of the exhibition. 'If architecture can create spaces like that, then it's doing its job.' Future cities Although 'Primordial Future Forest' surveys the architect's career to date, it doesn't dwell too much on the past. 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The exhibition visualizes inspiration for design by juxtaposing the architectural models with mundane objects such as a sieve, a loofa and a stack of matchboxes or potato chips. | ZORIA PETKOSKA Architectural models are displayed in both expected and unexpected ways, with some hanging from the ceiling or stuck to the walls. | ZORIA PETKOSKA While these buildings are set for completion in the near future — the Sendai building is set to be completed in 2031 — the exhibition ventures further into speculative territory. Titled 'Forest of Future, Forest of Primordial — Resonant City 2025,' it presents a vision of a floating city composed of latticed spheres. Developed in collaboration with Hiroaki Miyata, data scientist and university professor, the model imagines a world of personal drones that would eliminate the need for elevators and stairs. To produce the intricate 3D-printed model, Kondo says the team needed to purchase 20 3D printers. 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Japan Times
8 hours ago
- Japan Times
A prophesied disaster (likely) won't strike Japan this weekend
Life as we know it will probably not come to an end in Japan this weekend. But what if it does? That's the question consuming a disaster-prone country ahead of a widely spread prediction of disaster that one comic book suggests will occur this Saturday. "Watashi ga Mita Mirai" ("The Future I Saw"), a manga by Ryo Tatsuki about her purported ability to see the future in dreams, was first published in 1999. It would have faded into obscurity but for the mention of a tsunami and the cover that read "Major disaster in March 2011.' Years later, when the most powerful earthquake ever to hit the country struck that very month, triggering a devastating tsunami and the Fukushima No. 1 nuclear power plant meltdown, some hailed the author as a prophet. In 2021, she released an updated version that included a new prediction of disaster on July 5, 2025, involving a massive eruption in the Philippine Sea that triggers a tsunami striking Japan with waves three times the height of 2011. Such a disaster would obviously be devastating on a human level. But already, the comic has had an economic impact, with some tourists from Hong Kong and elsewhere in Asia shunning trips out of fear. Takahide Kiuchi, executive economist at the Nomura Research Institute, estimates that ¥560 billion ($3.9 billion) of economic damage could result if tourists continue to stay away due to this and other projections of doom. As July 5 approaches, it's becoming more talked about domestically; I've been asked about it in bars and overheard its mention in coffee shops. A series of hundreds of relatively small quakes off the southern island of Kyushu over the last two weeks has kept disaster in the headlines. The manga has sold over 1 million copies, while another book by Tatsuki is topping the charts. Get your facts straight, every day In a time of information overload and misinformation, quality journalism is more crucial than ever. Help us get the story right. For a limited time, we're offering a discounted subscription plan. Unlimited access US$30 US$18 /mo FOREVER subscribe NOW Of course, despite advances in tectonic science, earthquakes can't be predicted. The Meteorological Agency has taken to social media to caution that "any such predictions should be considered unreliable.' But that message is muddled by the fact that the agency and the government believe that harbingers of the dreaded Nankai Trough megaquake can be detected. That resulted in a chilling official announcement last year about the elevated risk of a disaster that is estimated to kill as many as 300,000 people. That episode briefly had much of the country on edge. The next day, the country's earthquake early warning alert was triggered, an automated signal that gives notice of an imminent big quake, piped straight to smartphones and trains. Sitting with colleagues in a bustling bar on Friday evening, the chill that went through the room was palpable as dozens of phones blared shrill messages of EARTHQUAKE! EARTHQUAKE! and we wondered if this was, indeed, the end. Nothing happened. The alert was a false alarm. There's something to be said for keeping people on their toes: While mercifully the Nankai quake did not hit last year, the threat remains undiminished. The government's alert prompted many (myself included) to prepare or restock disaster supplies, with Japan's rice shortage partly blamed on the spike in demand it caused. But caution quickly turns to complacency. The idea that we can predict the future is an attractive one, promising certainty in an uncertain world. That helps overcome the litany of failed prophecies, from Nostradamus's warnings in 1999 to the Maya doomsday theories in 2012. Some that do turn out to be true — think the 1988 Japanese animated movie "Akira's" prediction that Tokyo would host the 2020 Olympics — are just examples of survivor bias. We forget those that don't come to pass, remembering only those that do, presumably including Tatsuki's 2011 reference. But when it comes to Japan, past predictions of doom — such as a "hidden planet' Nibiru crashing into Earth, or a supermassive black hole at the galaxy's center causing havoc — aren't good comparisons. A catastrophe not dissimilar to the one Tatsuki describes really could take place at any time — July 5, or any day before or after. Indeed, according to government estimates for the Nankai Trough quake, it's more likely than not to happen in our lifetimes. Nonetheless, even in Japan many are still taken by surprise. Media focus on major disasters such as a quake hitting directly under Tokyo can lure those elsewhere into a false sense of security. Few, including the operators of the Fukushima nuclear plant, were sufficiently prepared for a quake off the coast in 2011 — despite extensive records showing past disasters. On July 5, when nothing happens, what then? My guess is most will just shrug and move on, perhaps a little embarrassed for having believed it or a little better prepared than they otherwise would have been. People might turn on Tatsuki, who has already distanced herself from the exact date. She may pop up again with another prediction — or fade back into obscurity. Regardless, the message that we should prepare for disaster is one we should listen to. In all probability, the earthquake won't happen on July 5. But it will happen sometime. That's a warning we should all heed. Gearoid Reidy is a Bloomberg Opinion columnist covering Japan and the Koreas.
NHK
8 hours ago
- NHK
Museum to open showcasing Japanese TV presenter Kuroyanagi Tetsuko's collection
A museum exhibiting costumes worn and items collected by famous Japanese actor and TV presenter Kuroyanagi Tetsuko is set to open in the central Japanese resort town of Karuizawa on Saturday. The design of the museum building in Nagano Prefecture was inspired by her trademark onion-shaped hairstyle and includes an observation deck. About 320 of her former belongings will be on display. In a preview held on Friday, items on display included a dress designed by the late Mori Hanae, a renowned Japanese fashion designer, as well as a kimono and artworks from both Japan and abroad. Visitors can also view a portrait of Kuroyanagi in her 20s. The foundation that operates the museum said it took about seven years to bring the project to life, honoring Kuroyanagi's wish to preserve her collection for future generations. Around 2,000 items she donated to the foundation will be exhibited on a rotating basis. Kuroyanagi told reporters that she has been visiting Karuizawa since she was a child, so it feels nostalgic. She described her childhood as a period when beautiful or novel things were not available. She said collecting and treasuring things can only be done in times of peace, adding that she hopes that the visitors will appreciate the beauty of the items on display.
