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Rasika Dugal on her NYIFF experience: Films help the Indian community stay connected to their roots

Rasika Dugal on her NYIFF experience: Films help the Indian community stay connected to their roots

Time of India15 hours ago
Rasika Dugal
Rasika Dugal
attended the closing night of the New York Indian Film Festival (NYIFF) with Little Thomas, which was the final screening of the event. The film received an emotional response from a packed house, with many audience members resonating with its themes of identity, belonging, and nostalgia.
She said. 'Audiences at NYIFF responded very warmly to Little Thomas. It was lovely to be there and witness that firsthand.'
She added, 'I believe films are a meaningful way for the Indian community abroad to stay connected to their roots — and I'm always moved to see that connection play out in real time.'
Reflecting on the evening, she shared her appreciation for the festival's discerning viewers. She said, 'Festival audiences, especially at NYIFF, are very tuned in.
It's heartening to meet people who've followed your work for years. There's something special about connecting with someone through your work before you've even met them.'
In a previous conversation with us, Rasika had also expressed her desire to explore lighter genres. 'Most performers look for variety, and I would love to do a rom-com — it's my favourite genre. I enjoy the song-and-dance routines that are part of our film culture.
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In Lootcase (2020), I was part of a choreographed sequence — not a full-fledged song, but I still enjoyed it thoroughly. I don't think only serious roles are complex.
A well-written script, whether intense or light, offers challenges for any performer. I hope more central roles in comedy are written for women, and I'd love to explore that space further,' she had said.
The actress has been part of films like Bombay Talkies, Qissa, Train Station, Tu Hai Mera Sunday, the anthology Lust Stories, Manto, and web series like Mirzapur, Made in Heaven, Delhi Crime, Out of Love, and Shekhar Home.
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