Amadou Bagayoko of Acclaimed Malian Duo Amadou & Mariam Dead at 70
Mali's Minister of Culture Mamou Daffé said on state TV that Bagayoko died Friday in the city of Bamako, his birthplace. Bagayoko's family confirmed the death, adding that he 'had been ill for a while,' though no cause of death was provided.
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Bagayoko, who became blind at the age of 15 due to a congenital cataract, studied music at Mali's Institute for the Young Blind, where he met his future wife and band mate, Mariam Doumbia, who had been blind since the age of 5. The pair performed together in Mali throughout the Seventies and Eighties before breaking out in Europe in the mid-Nineties.
As Amadou & Mariam, the duo brought Malian music to the world stage, attracting famous fans like Stevie Wonder, David Gilmour, and Damon Albarn; the latter enlisted the duo to take part in his Africa Express project, co-produced their Grammy-nominated 2009 album Welcome to Mali, and recruited Amadou & Mariam to open for Blur during that band's reunion shows in 2009.
Bagayoko's jaunty style of playing — fusing Malian music with a Western rock sound — landed him on Rolling Stone's list of the 250 Best Guitarists. 'People are often surprised when we explain how much we were influenced by Western pop music,' Amadou Bagayoko once told an interviewer. 'I grew up listening to records by Rod Stewart, Led Zeppelin, James Brown, Crosby, Stills, and Nash, Eric Clapton, Jeff Beck, Pink Floyd, Stevie Wonder … That's because they were the only records we had in Mali!'
Over the past two decades, Amadou & Mariam were mainstays at music festivals around the world, including Glastonbury, Coachella, and Lollapalooza. The duo also served as opening act for stadium tours by the likes of Coldplay and U2.
Amadou & Mariam's two most recent albums were 2012's Folila — which featured collaborations with TV on the Radio, Santigold, Yeah Yeah Yeahs' Nick Zinner, and Scissor Sisters' Jake Shears — and 2017's La Confusion. In Sept. 2024, the duo took part in the closing ceremony at the 2024 Summer Paralympics in Paris, performing Serge Gainsbourg's 'Je suis venu te dire que je m'en vais.'
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After ‘Eddington:' 7 Offbeat Westerns to Watch Next
We've got some movies that'll scratch that itch Ari Aster's 'Eddington' is here. The movie, which pits a small-town sheriff (Joaquin Phoenix) against his mayor (Pedro Pascal), set during the early days of the global pandemic, is fierce and raw. Considering this is from Aster, the director of 'Midsommar,' 'Hereditary' and 'Beau is Afraid,' it is also confrontational and strange and deeply funny, with the action set at the precipice of the complete breakdown in communication that accompanied lockdown. (Indiewire called it 'the first truly modern American Western.') More from TheWrap After 'Eddington:' 7 Offbeat Westerns to Watch Next 'The Fantastic Four: First Steps' Post-Credits Scenes Explained: Who Was That? 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What makes 'Walker' really bonkers is Cox's use of historical anachronisms – there will be a Zippo lighter or a Coke can in scenes, and, if you don't know this going in, it can make you feel like you're going insane. Incredibly, Universal Pictures released the movie, selling it as a more straightforward western (in the trailer you here but never see a helicopter) and it promptly tanked. Since then, it has caught a second wind, and Criterion put out a killer Blu-ray that is very much worth your time. 'Unforgiven' (1992) Aster has openly stated that he was influenced by 'Unforgiven' in making 'Eddington,' and it's both easy and somewhat difficult to see. There is a meandering quality to the story in both 'Unforgiven' and 'Eddington,' and we mean that in a positive. 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