Jennifer Lopez romcom fans could 'watch all day' now streaming free
Jennifer Lopez fans can now enjoy a beloved romantic comedy film at no cost, which also features a barely recognisable Game of Thrones star.
The 2022 release Marry Me is an American romantic comedy drama that viewers describe as "funny and charming". The film has now arrived on BBC iPlayer today (July 11) and is entirely free to watch.
Jennifer Lopez stars as Kat Valdez, alongside Owen Wilson (famous for The Internship and Zoolander) as Charlie Gilbert, and Chloe Coleman (who appeared in Avatar) as Lou Gilbert.
Game of Thrones favourite John Bradley also appears in the role of Colin. The English actor appears almost unrecognisable from his portrayal of Samwell Tarly in the HBO series.
The plot centres on Kat Valdez, whose wedding arrangements fall apart after discovering her fiancé Bastian's betrayal. In response, she impulsively decides to marry a complete stranger from the audience upon learning of her partner's infidelity, reports the Daily Record.
According to the BBC iPlayer description: "Singer Kat Valdez (Jennifer Lopez) is about to marry her fellow superstar Bastian in a live broadcast in front of a global audience of millions when it turns out he has been unfaithful. Instead, she picks Charlie (Owen Wilson), a total stranger in the crowd, and marries him."
The romantic comedy continues to win over audiences, with glowing reviews flooding in. One enthusiastic viewer commented: "Love it need 2nd one best so cool best movie ever love it makes me smile everything I could watch all day and night."
Another chimed in with praise: "Cute movie. I really liked it, great music. I mean it's stereotypical romcom but still just watch it knowing it's nothing fancy but decent."
A third shared their enthusiasm: "Amazing romcom with a different view something that I haven't really seen before the music is good too."
Meanwhile, a fourth penned: "Marry Me is comprised of pure feel-good movie magic. The cast is amazing, the story is endearing as can be, and the characters immediately win your heart. Marry Me is a perfect getaway."
On Google reviews, a viewer expressed their affection for the genre: "Just a sweet, lovely rom-com! I learned that all the fame and money still can't buy true love....it's a priceless commodity."
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Spectator
an hour ago
- Spectator
The Daughter of Time was worth the wait
That it has taken its sweet time getting here cannot be denied, but, at last, it has happened. More than 70 years after the novel by Josephine Tey became an overnight sensation in 1951, a stage adaptation of The Daughter of Time has arrived in the West End. Voted the greatest crime novel of all time by the Crime Writers' Association back in 1990, The Daughter of Time is Tey's most unusual but brilliant detective story. It's her most unusual because its sees her Inspector Alan Grant – the central character in five of her detective stories – solving a crime from his hospital bed while recovering from a broken leg. And it's arguably her most brilliant because the crime he solves is one of British history's coldest and most high-profile cases – who murdered the Princes in the Tower in 1483. Yet while it's a brilliant book, because most of the action happens either inside Grant's head or in his hospital room, it has probably been judged undramatisable – until now. Playing at the Charing Cross Theatre just off Villiers Street, American playwright M. Kilburg Reedy's stage adaption takes Tey's classic and serves it up with a leavening Shakespearian twist. And what a historical tour de force it is. If you don't know your 15th-century history or House of York genealogy, you certainly will do after an evening here (the programme helpfully includes a family tree). We begin with Grant, who believes he can discern an individual's character through their face, so when his friend – glamorous actress Marta Hallard (played to the nines by Rachel Pickup) – brings him a selection of historical pictures to peruse, he becomes obsessed by the portrait of Richard III. This man doesn't resemble the devious hunchback of history who schemed his way to the throne and then had his nephews murdered in the Tower of London. If anything he looks cautious, thinks Grant (played with great bravura by Rob Pomfret) – sober, decent, more suited to the bench than the dock. So, since he's a detective and has nothing better to do, Grant embarks on a police-style investigation – complete with a board, map and pinned-up photographs of key individuals all connected with string – where with assistance from his sergeant (the excellent Sanya Adegbola) and a young lovelorn American named Brent Carradine (played by Harrison Sharpe, who nearly walks off with the show) he examines the contemporary and near-contemporary evidence for what really happened to the sons of Edward IV – namely Edward V and his brother Richard, Duke of York. What Grant discovers doesn't match up with what the traditional history and Tudor propagandists would have us believe. Chief among those propagandists was, of course, William Shakespeare. His history play Richard III was written in the early 1590s and was required to align with the sentiments of Elizabeth I, granddaughter of the man who defeated Richard III at Bosworth Field in 1485 – Henry Tudor. Rarely in the history of drama (probably not until Alan Rickman gave us Hans Gruber in Die Hard, anyway) has such a delicious, vile but downright charismatic villain ever been conceived as the Bard's 'poisonous bunch-backed toad'. The problem is that the play Shakespeare wrote was mostly rubbish, based on a fishy narrative written by Thomas More in the 1510s. What Tey's book did so expertly was to take Thomas More's version and tear it to pieces, largely by drawing on records and evidence that was much closer to the events described than More ever was. In Reedy's stage play, the same meticulous dissection takes place; so what we get is a journey through historical evidence that exposes the inconsistencies and omissions of the sources and the evidence upon which Shakespeare concocted his version of Richard III. And it's a historical romp – one delivered with all the impassion vim of Simon Schama after his second round of Weetabix. Of course, since it's a dramatisation there are deviations from the original. First, Reedy has taken the implied romance between Grant and Marta Hallard from the book and turned it into a full-blown subplot, one which turns – irony of ironies – on an act of deception that could have graced the pages of a Shakespeare comedy. This however fits remarkably neatly with another change introduced by Reedy, which is to use a Shakespearian actor, Simon Templeton (played brilliantly by Noah Huntley), to give voice to the Tudor 'case' against Richard III. And it works. While Tey's original dialogue is flawless – and Reedy used as much of it as she could, she says – there is so much more to the play, and many more laughs than one would have expected too (thanks not least to the nurses played by Hafsa Abbasi and Janna Fox). For fans of the book, the most significant change to the story comes in the selection of the killer of the young princes. Drawing on original sources, the playwright has come to a different conclusion – but it's one which I think holds just as much water as Tey's prime suspect. It certainly works in the context of the play, even if there are many people around now who believe (based on sound evidence by the way) that both princes actually survived the reign of Richard III and didn't die at all in 1483. What would Tey have made of the playwright's handiwork? I'm not sure she would have approved of the romantic subplot, since she never chose to marry Grant off herself and she could have done in his last outing (The Singing Sands of 1952), published posthumously. But – and it's an important but – the rest of it, I think, is spot on. At the heart of her book is the very probable innocence of Richard III and the concomitant calumny done against him ever since, something this lively play brings indisputably to life. 'Truth is the daughter of time, not authority,' is the Francis Bacon quote that inspired the title. Time will tell if this is the play that finally gets Richard III off the historical naughty step. The Daughter of Time is at the Charing Cross Theatre until 13 September.
Daily Record
an hour ago
- Daily Record
Scots nanny and make-up artist appearing on new series of Netflix's Love is Blind: UK
Katisha Atkinson is one of 30 people who'll be looking for a soulmate on the Netflix show. A Scots nanny and makeup artist is to appear on the latest series of a hit Netflix show. Katisha Atkinson from Dumfries is one of 30 people who'll be looking for a soulmate on Love is Blind: UK. Hosted by Matt and Emma Willis, the show offers a less conventional approach to modern dating, with the singles who've signed up choosing someone to marry without ever meeting them. Thirty-one-year-old Katisha is 'looking for a husband, not a boyfriend'. The eldest of seven children, she and her family moved 14 times when she was growing up and she's found the Dumfries dating scene difficult. After being single for six years, Katisha is starting to feel unlucky in love, and to question if she has a broken picker. Now, she's ready to branch out of her small hometown to connect with the 'right type of men' who are seeking long-term commitment and love. The second series of Love is Blind: UK starts on Netflix on August 13. Over several weeks, Katisha and her fellow contestants will be shown entering pods in the hopes of getting engaged, sight unseen. After meeting face-to-face, each engaged couple will move in together and navigate the stresses of daily life — from family drama to hectic work schedules and everything in between. Join the Daily Record WhatsApp community! Get the latest news sent straight to your messages by joining our WhatsApp community today. You'll receive daily updates on breaking news as well as the top headlines across Scotland. No one will be able to see who is signed up and no one can send messages except the Daily Record team. All you have to do is click here if you're on mobile, select 'Join Community' and you're in! If you're on a desktop, simply scan the QR code above with your phone and click 'Join Community'. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose 'exit group'. At the end of it all, they'll walk down the aisle and decide if they're ready to say 'I do' within a matter of weeks. The first four episodes will be available from August 13. Four more will follow on August 20 with the final four on August 27.
Daily Mirror
an hour ago
- Daily Mirror
American in the UK baffled by Jaffa Cakes but everyone tells her the same thing
Though both countries speak the same language, there are many differences between life in the US and here in the UK - and one American woman couldn't wrap her head around Jaffa Cakes An American who moved to the UK to 'protect her peace' has been left baffled after spotting Jaffa Cakes in the supermarket. Despite speaking the same language as our friends across the pond, there's still a world of cultural differences between the US and the UK. Many Americans often take to social media to share their surprise over unexpected or unusual products they've spotted, the social rules and etiquette they've encountered, their battles with weather, and much more after relocating to England. One woman found herself perplexed after she saw Jaffa Cakes being sold in the biscuit aisle. The trusty Jaffa Cake, by best-selling biscuit manufacturer McVitie's, is a British icon. The sweet and tangy treat is concocted with a sponge base with a chunky layer of orange flavoured jam, which is then topped with a generous dark chocolate layer. The first Jaffa Cake was created almost 100 years ago and now they're a firm favourite in many supermarkets and stores across the nation, with in-house versions aplenty. Regardless of whether it's the original McVitie's Jaffa Cake or an own-brand version, they're typically found in the biscuit aisle despite being legally considered a cake after a 1991 VAT ruling. This is where American woman Elizabeth Walker's confusion stemmed from. In a popular TikTok video, the content creator penned: 'Protected my peace so hard I moved to another country and now drink hot tea in 40 degree weather (sometimes I'll put the milk in first) but am really confused as to why Jaffa Cakes are called cakes and not biscuits." The video was inundated with reactions, amassing more than 7.3 million views, 449,000 likes, 10,900 saves and over 2,000 comments from people keen to share their thoughts. One person said: 'When stale, biscuits go soft and cakes go hard. It was a legal case that Jaffa won with that argument to keep the name cake." Someone else said: 'For tax reasons mostly! And they are cakey on the bottom.' A third person commented: 'Anyone that tells you Jaffa Cakes are biscuits want to see you fail they're literally made with sponge cake." Someone else explained: 'McVitie's went to court, where it was decided by the judge that Jaffa Cakes were a cake, not a biscuit. That meant 0% VAT (cakes), rather than 20% (biscuits).' Another person simply added: 'Because they're cakes." After the strong reactions, Elizabeth created a follow up video in which she lip-synched to the lyrics 'it's me, hi, I'm the problem, it's me' from Taylor Swift 's hit 2022 song, Anti-Hero. Over the top of the footage, she added the text: 'I was genuinely confused about Jaffa Cakes. Everyone in the comments: hold my beer." In the caption, Elizabeth quipped: 'Just a confused girl standing in front of TikTok asking it to not scream at her about milk in tea and tax codes.' In the comments section, one TikTok user replied: 'Ha! You did start it." Elizabeth replied: 'I didn't know what I was starting," with a crying laughing emoji.
