Miami chef Nando Chang wins James Beard Award
ViceVersa in Downtown fell short in the Best New Bar category.
Why it matters: The James Beard Awards are the Grammys of the food and beverage world.
The big picture: Chang's win solidifies Miami as a foodie city with restaurants and talent worth celebrating.
Valerie's win last year marked the first time since 2010 a Miami chef took home an award, per the Foundation.
What they're saying: "It's pretty surreal," Chang told Axios after winning. "I was fortunate enough to watch my sister win this award last year, but being here in person this year [...] I feel very fortunate. We won back to back, it's pretty cool."
"My family and I owe Miami so much," he said. "We're blessed to have been embraced by the community and our hope is that we continue to have a space to further grow our culture."
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CNN
3 hours ago
- CNN
Flaco Jimenez, Texas accordionist who expanded popularity of conjunto and Tejano music, dies at 86
Flaco Jimenez, the legendary accordionist from San Antonio who won multiple Grammys and helped expand the popularity of conjunto, Tejano and Tex-Mex music, died Thursday. He was 86. Jimenez's death was announced Thursday evening by his family on social media. 'It is with great sadness that we share tonight the loss of our father, Flaco Jimenez. He was surrounded by his loved ones and will be missed immensely. Thank you to all of his fans and friends—those who cherished his music. And a big thank you for all of the memories. His legacy will live on through his music and all of his fans,' Jimenez's family said in a statement. His family did not disclose a cause of death. Jimenez's family had announced in January that he had been hospitalized and had been 'facing a medical hurdle.' His family did not provide any other information on his medical condition at the time. Born Leonardo Jimenez in 1939, he was known to his fans by his nickname of Flaco, which means skinny in Spanish. He was the son of conjunto pioneer Santiago Jimenez. Conjunto is a musical genre that originated in South Texas and blends different genres and cultural influences. According to the Butler School of Music at the University of Texas at Austin, the development of conjunto 'began more than a century ago when Texans of Mexican heritage (Tejanos) took an interest in the accordion music of German, Polish, and Czech immigrants. The ensuing Tejano accordion music, accompanied by the bajo sexto (replacing the European tuba) soon came to represent the Tejano way of life, which was closely associated with working in the agricultural fields. The music remains unchanged and serves as a symbol that binds many Tejano communities in South and Central Texas.' Jimenez refined his conjunto musical skills by playing in San Antonio saloons and dance halls. He began performing in the 1960s with fellow San Antonio native Douglas Sahm, the founding member of the Sir Douglas Quintet. Jimenez also played with Bob Dylan, Dr. John and Ry Cooder. Throughout his career, Jimenez added other influences into conjunto music, including from country, rock and jazz. In the 1990s, Jimenez was part of the Tejano supergroup the Texas Tornados, which included Sahm, Augie Meyers and Freddy Fender. The group won a Grammy in 1991 for the song, 'Soy de San Luis.' Jimenez also won another Grammy in 1999 as part of another supergroup, Los Super Seven. Jimenez earned five Grammys and was awarded a Grammy Lifetime Achievement Award in 2015. He was also inducted into the National Hispanic Hall of Fame and NYC International Latin Music Hall of Fame and was named a Texas State Musician in 2014. When Jimenez was named a 2022 National Medal of Arts recipient, the White House said he was being honored for 'harnessing heritage to enrich American music' and that by 'blending Norteño, Tex Mex, and Tejano music with the Blues, Rock n' Roll, and Pop Music, he sings the soul of America's Southwest.' 'Flaco, your legacy will forever be remembered with fond memories. We appreciate the gift of your musical talent, which brought joy to countless fans. Your passing leaves a void in our hearts,' the Texas Conjunto Music Hall of Fame and Museum said in a post on social media. Kyle Young, the CEO of the Country Music Hall of Fame and Museum in Nashville, Tennessee, said Jimenez 'was a paragon of Tejano conjunto music.' 'Whether he was recording with Bob Dylan, Linda Ronstadt or the Rolling Stones, or working with his own supergroup, the Texas Tornados, Flaco drew millions of listeners into a rich musical world they might not have discovered on their own,' Young said.
Gizmodo
4 hours ago
- Gizmodo
‘Foundation' Just Dropped a Huge, Terrifying Twist
Foundation is currently rolling out a third season stuffed full of dramatic resonance. We've always been fans of Demerzel, the ancient android played by the excellent Laura Birn, but season three has really elevated the character—even beyond that big season-two reveal that she's been moving the chess pieces on behalf of the galaxy-ruling Empire for generations. That was a monumental bit of information. But this week's episode, 'The Stress of Her Regard,' dropped a bombshell that's even more startling in the moment, and just gets more jaw-dropping as it sinks a callback to Foundation season one. But it also dovetails perfectly with Demerzel's season three arc, which has explored her increasing unease about the very near future. After Hari Seldon gave her the Prime Radiant in season two, Demerzel has been able to tap into his predictive 'psychohistory.' Over the past 150 years, she's consulted it so frequently she keeps it tucked inside her chest for easy accessibility. The Second Foundation and Empire both have use of a Prime Radiant, which means the two groups—who are ostensibly at odds—have the same means to glimpse the road ahead. As season three began, both realized there'd been a sudden, potentially cataclysmic shift in the timeline. Though they've long been preparing for an extended dark age that will kick off with the fall of Empire, Seldon's math now suggests the possible end of humankind itself. Soon! If the math holds, it'll happen in just a few months. Humans who are privy to this information deal with the impending doom in varying ways. But it's different for Demerzel. As we've seen in earlier episodes, she's facing a dilemma so grave she's sought out a confidante—a religious leader named Zephyr Vorellis—who agrees to have her memory wiped after each meeting, then restored when it's time to talk again. Demerzel's secrets are so intense she actually, for once, needs a sounding board to help her muddle through them. The big one is, of course, that she's a robot. She was a fierce general in the long-ago Robot Wars, then captured and held in stasis for centuries as the last of her kind. Then, she was reprogrammed by Cleon I to serve only Empire's interests and has been doing so alongside the genetic clones (all named Cleon) decanted in succession. That directive has manifested in different ways across Foundation's run so far; we've seen that Demerzel's programming removes her from having to obey the Three Laws of Robotics, as written by Foundation source-material author Isaac Asimov. In other words, she can and will kill humans. That includes any Cleons who step too far out of line. But the knowledge that Empire will fall and, even more recently, that humanity may end has sparked an existential crisis: who is Demerzel without Cleons to serve? And on an even larger scale, what is her objective if humanity ends and she's left to float through her eternal existence? As 'The Stress of Her Regard' begins, we get a whole new window into just how determined Demerzel has been to preserve Empire's rule—and just how important her hand has been in shaping not just the trajectory of the Cleons, but of the Foundation too. In Foundation season one, terrorists blow up the Star Bridge—a giant elevator designed to carry space travelers from their ships down to Trantor, Empire's home planet. It's a horrific act that kills millions. Hundreds of millions. In response, Empire showers devastating bombs upon the two worlds it deems responsible, causing nearly as much trauma in return. But as we learn in season three, while the responsible parties were indeed from the planets that were punished, they were acting on behalf of Demerzel. It's a secret she's been keeping for three centuries, and Vorellis, who's suitably shocked to hear the truth, wants to know why she did it. 'I have eyesight that far outstrips your own,' Demerzel reminds Vorellis. She's been playing a long game here. In season one, Empire was poised to execute Hari Seldon and banish his plan for the Foundation, which he had proposed as a way of shortening the length of the dark ages on the horizon. But Demerzel believed the Foundation would actually help Empire stay in power, at least in the short term. Since, as Demerzel explains to Vorellis, the Cleons respond to strong emotions rather than strong arguments—which Foundation has shown to be absolutely true—she had to do something to shift their thinking. Destroying the Star Bridge did the trick; they took Seldon's dire predictions more seriously, and agreed he could set up the Foundation on a far-flung planet. Cut to season three. Three hundred years later, Vorellis wonders if Demerzel feels regret over being a mass murderer. Demerzel—someone who operates strictly based on her programming, not her desires or emotions—did feel pain that day watching the destruction she'd caused. And because she's immortal, she'll be forced to remember that forever. But don't ask her if she has any regrets. 'The paradox is the thing that hurts,' Vorellis realizes. 'You said helping Foundation did not violate your programming in the near term, but in the long term Foundation is an enemy of Empire now, and you are partly responsible.' Vorellis, who represents Luminism, a faith Demerzel has been curious about in the past, suggests that maybe the robot is looking for a loophole to set herself free. She can't die and reincarnate as the religion teaches. But maybe… she has died, in her own way? Vorellis points out that there have been different versions of Demerzel throughout her existence. She's been reprogrammed more than once. Maybe there'd be a new Demerzel waiting to take over once Empire is gone? It's hard to tell what Demerzel makes of this idea, other than the fact that it distresses the hell out of her. She can't embrace the idea of existing without Empire, because she's wired completely around the idea of serving them. 'You are mistaking me for human,' she hisses, before tearing her skin and showing the freaky metal face beneath. 'I am not!' An understandably frightened Volleris dashes away, leaving the audience, and Demerzel herself, to contemplate the terror of losing her entire purpose, especially after all she's done to safeguard its existence. We're also left pondering the fact that she plotted the Star Bridge disaster—and wondering what else Demerzel might have done, or will do, to keep the status quo. New episodes of Foundation arrive Fridays on Apple TV+. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
CNN
4 hours ago
- CNN
Flaco Jimenez, Texas accordionist who expanded popularity of conjunto and Tejano music, dies at 86
Flaco Jimenez, the legendary accordionist from San Antonio who won multiple Grammys and helped expand the popularity of conjunto, Tejano and Tex-Mex music, died Thursday. He was 86. Jimenez's death was announced Thursday evening by his family on social media. 'It is with great sadness that we share tonight the loss of our father, Flaco Jimenez. He was surrounded by his loved ones and will be missed immensely. Thank you to all of his fans and friends—those who cherished his music. And a big thank you for all of the memories. His legacy will live on through his music and all of his fans,' Jimenez's family said in a statement. His family did not disclose a cause of death. Jimenez's family had announced in January that he had been hospitalized and had been 'facing a medical hurdle.' His family did not provide any other information on his medical condition at the time. Born Leonardo Jimenez in 1939, he was known to his fans by his nickname of Flaco, which means skinny in Spanish. He was the son of conjunto pioneer Santiago Jimenez. Conjunto is a musical genre that originated in South Texas and blends different genres and cultural influences. According to the Butler School of Music at the University of Texas at Austin, the development of conjunto 'began more than a century ago when Texans of Mexican heritage (Tejanos) took an interest in the accordion music of German, Polish, and Czech immigrants. The ensuing Tejano accordion music, accompanied by the bajo sexto (replacing the European tuba) soon came to represent the Tejano way of life, which was closely associated with working in the agricultural fields. The music remains unchanged and serves as a symbol that binds many Tejano communities in South and Central Texas.' Jimenez refined his conjunto musical skills by playing in San Antonio saloons and dance halls. He began performing in the 1960s with fellow San Antonio native Douglas Sahm, the founding member of the Sir Douglas Quintet. Jimenez also played with Bob Dylan, Dr. John and Ry Cooder. Throughout his career, Jimenez added other influences into conjunto music, including from country, rock and jazz. In the 1990s, Jimenez was part of the Tejano supergroup the Texas Tornados, which included Sahm, Augie Meyers and Freddy Fender. The group won a Grammy in 1991 for the song, 'Soy de San Luis.' Jimenez also won another Grammy in 1999 as part of another supergroup, Los Super Seven. Jimenez earned five Grammys and was awarded a Grammy Lifetime Achievement Award in 2015. He was also inducted into the National Hispanic Hall of Fame and NYC International Latin Music Hall of Fame and was named a Texas State Musician in 2014. When Jimenez was named a 2022 National Medal of Arts recipient, the White House said he was being honored for 'harnessing heritage to enrich American music' and that by 'blending Norteño, Tex Mex, and Tejano music with the Blues, Rock n' Roll, and Pop Music, he sings the soul of America's Southwest.' 'Flaco, your legacy will forever be remembered with fond memories. We appreciate the gift of your musical talent, which brought joy to countless fans. Your passing leaves a void in our hearts,' the Texas Conjunto Music Hall of Fame and Museum said in a post on social media. Kyle Young, the CEO of the Country Music Hall of Fame and Museum in Nashville, Tennessee, said Jimenez 'was a paragon of Tejano conjunto music.' 'Whether he was recording with Bob Dylan, Linda Ronstadt or the Rolling Stones, or working with his own supergroup, the Texas Tornados, Flaco drew millions of listeners into a rich musical world they might not have discovered on their own,' Young said.
