Inside Coco Chanel's Riviera holiday hideaway
T he year is 1938 and Salvador Dalí is in full artistic flow, painting on the balcony of the west wing of Coco Chanel's villa La Pausa, where the shadow-eliminating north light is best. In the evening he would roll back the salon rugs and beckon guests to dance while the renowned pianist Misia Sert played, before retiring to the guesthouse with his wife, Gala. In total he completed 11 paintings at La Pausa, one time staying there for four months.
'The vibe was chilled, guests could do as they pleased,' says Yana Peel, Chanel's president of arts, culture and heritage. For the likes of Dalí, Jean Cocteau and Igor Stravinsky there were no schedules; Chanel herself rarely emerged until 1pm, and there was no dress code — the designer found comfort in stripy tops, wool trousers and cork-soled espadrilles. Meals were served buffet style (platters of pasta, French potatoes and roast beef), and staff appeared frequently to replenish champagne and pour fine wine. There were Easter parties, masked balls and tennis tournaments, views of a glittering Mediterranean sea under an enormous sky.
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