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Ghost Of Yotei's Gameplay Trailer: This sequel might have outdone its predecessor in one swift blow. Watch

Ghost Of Yotei's Gameplay Trailer: This sequel might have outdone its predecessor in one swift blow. Watch

Indian Express11-07-2025
It's tough to cement yourself as a proper franchise in the gaming world because, in all honesty, there are already too many of those. Another formidable task to take on is making an open-world game, and that too is difficult for the same reasons. Competing with legendary franchises like GTA, God of War, and Far Cry might be something game developers would duck from, but the people over at Sucker Punch Productions are definitely not running away from a fight. They have just released the gameplay trailer for their upcoming title Ghost Of Yotei, and it looks like the game might break the records held by the beloved and moving Ghost Of Tsushima.
The developers provide an insight into the whole story behind the game while describing all the different features that have been made available for the users. The protagonist of the story is a woman named Atsu, who is returning to her hometown after 16 years in order to take revenge for her family's death. The developers have pulled from Japanese myths and legends, and Atsu is believed to be an onryō. According to Japanese folklore, an onryō is a spirit that is driven by wrath and thirst for revenge. As Atsu moves forward in her journey, her ghost legend will only grow, as will the bounty on her head, inviting more challenging foes as the game proceeds.
ALSO READ: 007 First Light announcement trailer: James Bond is a bullet looking for a target in the new game, watch
In order to level up her prowess as a fighter, the players will need to find certain clues to hidden areas of the game. They can also stumble upon secret locations titled 'Altars of Reflection', which will inspire Atsu and will give the players the ability to choose a new skill. The developers claim to have made a world that can suit everyone's playing style like a perfect glove. The players will be able to choose whether they want to explore the world, focus on the main story, or complete other side quests. This does beg the question if players will be able to level up Atsu before getting very far in the main storyline or maybe before even starting it.
The weapon arsenal available is wide and varied, including katanas, spears, kusarigama, odachi, and dual swords. Their weapons have a personality of their own, as different weapons will be effective in particular situations, and all weapons will have their own skill tree to climb. In her pursuit of the Yotei Six, the group of mercenaries that killed her family, Atsu can act as a bounty hunter, investigator or just a straight-up punisher. The developers say that the entire experience will be slow, and they will not be rushing the players through anything; in fact, they encourage the players to go exploring and take the game forward one discovery at a time.
The game will be coming out on PlayStation 5 on October 2, 2025.
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Beyond Scandinoir: Why Japanese thrillers are the new crime fiction obsession
Beyond Scandinoir: Why Japanese thrillers are the new crime fiction obsession

Indian Express

time9 hours ago

  • Indian Express

Beyond Scandinoir: Why Japanese thrillers are the new crime fiction obsession

It is as regular as the seasons. Every decade or so, the world becomes enraptured by thrillers from a non-English-speaking country or region, or, to use the terminology of the modern, socially networked day, a certain region or country trends on the thriller list. Almost two decades ago, Scandinavia became the darling of crime fiction lovers with the publication of Stieg Larsson's bestselling The Girl With the Dragon Tattoo. Although authors from the region had been reasonably well-known in the past, Larsson's book opened the global floodgates for them, and the likes of Henning Mankell, Jo Nesbo and Arnaldur Indriðason became household names. And after the era of suspense from Scandinavia, it is now time for Thrillers from Tokyo. Japanese thrillers are all the rage among readers, as interest in the country's literature grows, spurred by the popularity of anime and manga. And if you want your crime cuisine the Japanese way, then there is a lot on the menu to choose from. The book that triggered interest in Japanese suspense fiction in India was Keigo Higashino's The Devotion of Suspect X. Although it was published in 2005, and received considerable acclaim in the West (Higashino was hailed as the 'Japanese Stieg Larsson'), it shot into the spotlight in India in 2013, when some claimed that Jeetu Joseph's superhit Malayalam film Drishyam was inspired by it. Joseph has denied this time and again, but talk a similarities between the film and the book (there are a few, but allegations of the film being inspired by it do seem exaggerated) led to people picking up the book in large numbers. And such was Higashino's narration, that they came back for more. And suddenly, booksellers started getting queries about thrillers from Japan. The Devotion of Suspect X remains a very good starting point for those who want to read Japanese suspense. Higashino is not your conventional thrill-deliverer, but builds up elaborate plots revolving around feelings of people and their circumstances, whom he often etches in detail. The Devotion of Suspect X revolves around the attempts of a mathematics teacher to save a woman he secretly loves, and who has killed her abusive husband. It contains one of the most detailed and carefully constructed works in crime fiction (very similar to the one seen in Drishyam), and also introduced Detective Galileo, or Manabu Yukawa, one of the most famous figures in Japanese crime fiction. The book might strike some as a little on the slow side, as Higashino is more a storyteller than a builder of suspense, but its sensitivity and sudden twists towards the end will keep you riveted. The Devotion of Suspect X is as much a novel as a thriller, elegant, with a gradual build-up. If you are looking for something that is a little faster and constantly fascinating (Higashino might seem slow), then grab a copy of Out. Written by Natsuo Kirino (Mariko Hashioka), it makes for grim, gritty reading with twists coming at a rapid pace, laden with violence and betrayal that borders on the disturbing. Lest you think we are exaggerating, it is the story of four women, one of whom kills an abusive husband (a disturbingly recurring theme in Japanese crime fiction), and then with the assistance of the others, chops his body into pieces and then disposes of it. Of course, it is discovered, but what follows is not a simple 'cops and killer' routine but something far more complicated. The relationships between the four women change, with some even trying to exploit each other, even as an acquaintance of the dead man starts hunting them down, with the police trying to figure out what has happened. It is laden with twists and not really for those with weak hearts. Another Kirino book for those not easily rattled is Grotesque. It is told from four perspectives, including one of the victim, and one of the murderer. If Keigo Higashino is the Japanese Stieg Larsson, then Natsuo Kirino is the Japanese Gillian Flynn of Gone Girl fame. It is disturbingly dark but a delight for thriller readers. Readers will keep turning pages despite getting rattled. A trademark of slightly more conventional Japanese crime fiction is the Honkaku Mystery, where readers are provided all the information and can try to figure out the truth themselves. In a way, they are competing with the detective when it comes to solving mysteries. The stress is on observation, deduction and logical reasoning. Reading a Honkaku Mystery is a little like solving a puzzle. The first Honkaku Mystery, The Two Sen Copper Coin, which was published in 1923 was written by the man who people call the father of Japanese mystery: Edogawa Ranpo. His real name was Taro Hirai, but he took on Edogawa Ranpo as his pen name, because when pronounced, it sounded almost exactly like the legendary Edgar Allan Poe. His best Honkaku, however, is Beast in the Shadows, which is told from the perspective of a crime writer who is asked to help a woman receiving strange letters. It seems a little slow by modern standards, but it is a riveting read once you get past the first few dozen pages. Another master of the Honkaku genre is Seishi Yokomizo, whose series of locked room mysteries made people refer to him as the Japanese John Dickson Carr, Yokomizo is the creator of perhaps Japan's most popular amateur detective (yes, more popular even than Inspector Galileo), Kosuke Kindaichi, who makes his debut in the bestselling The Honjin Murders, which was published in 1946. A newlywed couple is found dead inside, you guessed it, a locked room. There are not too many clues. Who did it? Kosuke Kindaichi finds out and does so in a manner that will leave readers fascinated. Kindaichi features in several other books, but The Honjin Murders is a great starting point. Another Honkaku Mystery that has attained almost legendary status is The Tokyo Zodiac Murders by Soji Shimada. The book was published in 1981 and in the manner of the legendary Edgar Wallace, actually challenges readers to solve the mystery. Based in 1Fs979, it revolves around two people, one of whom is a fortune teller, trying to solve an unsolved murder case from 1936. It is complex and a little heavy, but compelling reading once you get familiar with the characters. A more conventional and elegant work of suspense is Seicho Matsumoto's police procedural Inspector Imanishi Investigates. As its name indicates, it is about how Inspector Imanshi Eltaro tries to solve the mystery of an unknown body found on a rail track. Imanshi's fondness for haiku poetry and gardening make him an interesting choice as master detective as he travels across Japan, trying to solve a case that many feel has no clear solution. Matsumoto's carefully crafted and often intricate narrative has led to comparisons with Georges Simenon's famous Maigret series. There is not too much action, just a lot of questions, answers and observation, all while giving the reader a snapshot of Japan and the dedicated Imanshi. Interestingly, Matsumoto never attended secondary school or university. He just read. A lot. And wrote.

Odette Chef Rethinks Korean Cuisine With a New Concept in Hong Kong
Odette Chef Rethinks Korean Cuisine With a New Concept in Hong Kong

Mint

time12 hours ago

  • Mint

Odette Chef Rethinks Korean Cuisine With a New Concept in Hong Kong

Tucked away on the fifth floor of a building on Lyndhurst Terrace, newly opened Sol offers a refreshing take on Korean cuisine, one that's deeply rooted in tradition but elegantly dressed in French technique. That's due in large part to the creative energy of head chef Gwanju Kim, formerly of Singapore's three-Michelin-starred Odette and Seoul's one-starred L'Amant Secret. Although chef Kim's journey began in French kitchens, his heart was always drawn to the richness of Korean produce. 'We used a lot of Japanese ingredients and techniques at Odette,' he says. 'And I used to envy that because Korea has so many incredible ingredients too.' After returning to Seoul, he began rethinking Korean cuisine, eventually landing in Hong Kong to bring his vision to life. His goal is to spotlight the ingredients Koreans often take for granted — like maesaengi and siraegi — and introduce them to a global audience. At the start of our meal, chef Kim presented a basket of the vegetables that would feature in our dishes, explaining their sourcing and traditional Korean culinary roles. Each course included a thorough overview from our server and a lovely table card offering an insightful backstory to the core ingredient at play. For this review, we, a Korean native and a recent Hong Kong transplant, visited Sol about a week after it opened. We ordered the five-course lunch set , and a recommended add-on to start. Our total bill for two came to HK$1,263 , including sparkling water and service. The vibe: Sol's interior is warm and inviting, with earthy brown tiles, soft circular lighting and the solstice motif adorning the walls. Two-person booths provide the perfect setting for a conversation while a few larger tables can accommodate groups. A separate space near the open kitchen hosts monthly cooking classes and group bookings, adding a community feel to the refined dining experience. Can you conduct a meeting here? Absolutely. But a meal this good might be better shared with your loved ones. Who's next to you: When we visited for a late weekday lunch, it was still quiet. But the few tables around us seemed to have couples and friends. Stella: My favorites were the creamy steamed egg topped with mushrooms and pine nuts, and a dish recommended by our server: a Jeju abalone paired with two types of Korean seaweed with a classic beurre blanc sauce. A nostalgic moment came with the mubap, a seasoned radish rice dish, served alongside grilled pork jowl, a humble one-pot dinner that instantly sent me back to my childhood in Seoul. It's a clever nod to the chef's belief that the most common ingredients often hold the deepest meaning. I'd like to return for dinner, especially with dessert chef Kylie Yang, formerly of Mingles and Hansik Goo, bringing her own modern Korean flair to the final course, which includes two grain-inspired desserts: one made with white rice and the other with barley. Ray: At Sol, none of the usual Korean fare I'm accustomed to — your bibimbap, Korean barbecue or ginseng chicken soup — are on the menu. So this experience helped widen my palate and appreciation for other Korean staples. Standouts in my mind were the delicately layered saewoo-jang , the aforementioned main course of mubap with pork jowl and the just-sweet-enough dessert featuring tastes of barley, chocolate and tonka beans. I'd absolutely return for dinner, or better yet, a cooking class. Need to know: Sol is on the fifth floor of 8 Lyndhurst Terrace. There are no signs outside, so check the floor directory inside the building entrance. The restaurant serves lunch from noon to 3 p.m. and dinner from 6 p.m. to 10 p.m. Only set menus are available for both lunch and dinner. Reservations are recommended, which can be made via Google Maps or directly on the restaurant's website. —Stella Ko and Raymond Schillinger This review was originally published in Hong Kong Edition, a weekly newsletter. To subscribe for free, click here. Read our other restaurant reviews: Joongang Haejang, famous for its Korean hangover soup, as well as Lala, Jee and Tsui Wah, which are in Sol's neighborhood. Let us know if you have any restaurants you'd like us to review. Drop us a line at hkedition@ This article was generated from an automated news agency feed without modifications to text.

Mahavatar Narsimha Box Office Day 1: Ashwin Kumar's Animated Film Opens Strong With Rs 2.29 Crore
Mahavatar Narsimha Box Office Day 1: Ashwin Kumar's Animated Film Opens Strong With Rs 2.29 Crore

News18

time13 hours ago

  • News18

Mahavatar Narsimha Box Office Day 1: Ashwin Kumar's Animated Film Opens Strong With Rs 2.29 Crore

Mahavatar Narsimha, directed by Ashwin Kumar and produced by Hombale Films, debuted in India with Rs 2.29 crore on Day 1. The film explores Lord Vishnu's avatar Narsimha. Mythology met animation in a grand way this Friday as Mahavatar Narsimha, directed by Ashwin Kumar, made its theatrical debut across India. The film, produced by Hombale Films, opened to promising numbers with a total collection of Rs 2.29 crore on Day 1. The film's strongest performance came from the Hindi belt, where it raked in Rs 1.51 crore alone, accounting for over 65 per cent of its first-day earnings. In regional markets, the Telugu version led the pack with Rs 38 lakh, followed by Kannada (Rs 7 lakh), Malayalam (Rs 3 lakh), and Tamil (Rs 2 lakh). Backed by the production house that gave audiences blockbusters like KGF, Kantara, and Salaar, Mahavatar Narsimha explores the divine tale of Lord Vishnu's fierce avatar, Narsimha, a half-man, half-lion form taken to destroy the demon king Hiranyakashyap and protect his devout follower Prahlad. The film's core themes of righteousness and devotion seem to have resonated with audiences, especially in North India. The screenplay, penned by Jayapurna Das and Rudra Pratap Ghosh, has been praised for blending emotion and mythology effectively. Critics have highlighted the film's strong visual language, music by Sam CS, and a dramatic narrative that remains faithful to ancient scriptures. Presented in five Indian languages, Mahavatar Narsimha has been edited by Kleem Productions and produced by Shilpaa Dhawan, Kushal Desai, and Chaitanya Desai. Directed by Ashwin Kumar, the film retells the iconic story of Prahlad Maharaj, a young devotee of Lord Vishnu, whose unwavering faith ultimately led to the manifestation of the powerful Narasimha avatar to defeat tyranny. While deeply rooted in Indian cultural heritage, the story is now being adapted for viewers worldwide. As part of a larger vision to globalise the narrative, director Ashwin Kumar confirmed that Mahavatar Narsimha will soon be released in Korean, English, Japanese, Spanish, and Russian. 'Mahavatar Narsimha is releasing in Hindi, Tamil, Telugu, Kannada and Malayalam. Currently, it will be available for a global audience with English subtitles. Eventually, we plan to have English, Japanese, Spanish, Korean and Russian versions of the film," he told Zoom in an interview. Ashwin also shared his creative influences, revealing a deep admiration for East Asian storytelling formats. 'I am inspired by Korean and Japanese storytelling and their anime. I watch a lot of their content. It is about time we take our content to them," he said. The film is produced by Shilpaa Dhawan, Kushal Desai and Chaitanya Desai under the Kleen Productions banner and is presented by Hombale Films. It marks the beginning of a much larger cinematic project, known as the Mahavatar Cinematic Universe. The franchise is planned as a seven-film series that will unfold over the next 12 years, culminating in Mahavatar Kalki Part 2 in 2037. Upcoming instalments include Mahavatar Parshuram (2027), Mahavatar Raghunandan (2029), Mahavatar Dwarkadhish (2031), Mahavatar Gokulananda (2033), Mahavatar Kalki Part 1 (2035), and the concluding chapter. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

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