Man held on suspicion of murder after prison inmate found dead in cell
Bob Vylan stripped of visas ahead of US tour over Glastonbury chant
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Wales Online
37 minutes ago
- Wales Online
Sam Fender's People Watching is biggest-selling album released this year
Sam Fender's People Watching is biggest-selling album released this year People Watching became Fender's third number one album when it came out in February Sam Fender (Image: India Fleming ) Singer-songwriter Sam Fender's People Watching is the biggest-selling album to be released this year so far, according to the Official Charts Company. People Watching became Fender's third number one album when it came out in February, with sales soaring as the North Shields-born singer played a series of sold-out shows in the North West last month. Meanwhile, another singer-songwriter – US star Alex Warren – has overtaken British star Lola Young as the artist with the UK's biggest song of the year so far. His song Ordinary has enjoyed a total of 1.09 million chart sales and been streamed 128 million times since its February release. It spent 12 weeks at number one, making him the US artist with the most consecutive weeks at number one in Official Singles Chart history. Close behind is Young with her self-proclaimed "ADHD anthem" Messy, which has had 113 million streams and more than 33,000 downloads, making it the most-downloaded track of the year so far. Article continues below Fresh from her Glastonbury headlining slot on the Other Stage, Charli XCX also makes it into the top 10 best-selling albums of the year so far, with BRAT in ninth place. Just ahead is Elton John, with his Diamonds greatest hits collection in eighth place. Espresso singer Sabrina Carpenter's sixth studio album continues to have the most sales of the year so far. The album Short N' Sweet was released last year and last month broke the record by holding the longest consecutive streak in the top five UK album chart – with 43 consecutive weeks. She surpassed Ed Sheeran who previously held the title with 42 weeks for his album =, released in 2021. Fleetwood Mac's ever-popular collection 50 Years – Don't Stop lands at number four with 173,000 chart sales so far this year. Article continues below The UK's biggest songs and albums of 2025 so far was revealed by the Official Charts Company on Wednesday. Fender's People Watching has achieved 120,000 pure sales, while it is the most popular physical album too, selling 115,000 copies on physical formats. While it is the best-selling album to be released this year, it is in third place for sales overall – behind Carpenter's Short N' Sweet and Sheeran, for +–=÷× (Tour Collection), both of which were released last year.
Telegraph
44 minutes ago
- Telegraph
Bob Vylan axed from festival after Glastonbury ‘hate speech' row
Bob Vylan have been axed from a music festival in Manchester after a row over their 'death, death to the IDF' chant at Glastonbury. The rap duo's frontman Pascal Robinson-Foster chanted the incendiary phrase during a performance on Saturday that was broadcast live by the BBC. The chant provoked condemnation from across the political spectrum and led to police opening a criminal investigation into the performance. Tim Davie has been left fighting for his career, with MPs writing to the BBC director-general to understand 'what went wrong'. It has now emerged that Bob Vylan will no longer appear in the Saturday headline slot at Radar Festival. In a statement on Instagram, the festival's organisers said: 'Bob Vylan will not be appearing at Radar festival this weekend.' It later updated its website and changed the Saturday slot to 'headliner TBA [to be announced]'. Bob Vylan issued a statement on Tuesday claiming they were being 'targeted for speaking up'.
The Guardian
an hour ago
- The Guardian
‘I genuinely love this place so much!' Fatboy Slim's 100th Glastonbury set
Irreverent, bouncy and as suitable at 4am in a club as it is at 4pm in a field, the music of Fatboy Slim dovetails perfectly with Glastonbury. And the man himself, Norman Cook, seems to know it. This year's festival marked a big milestone: Cook has now played 100 Glasto sets – or thereabouts – over the years, popping up everywhere from vast stages to tiny tents. To document the occasion, Guardian photographer David Levene bedded in with the DJ for the weekend, while Cook explained why it holds such a special significance for him. Cook tries to find his daughter for Burning Spear at the Pyramid Stage Bumping into Chris Moyles, and right, having his photo taken with Charley and her son Remi, 7 months, from Somerset Cook checks out the scenes outside Lonely Hearts Club stage in Silver Hayes, where he's due to play that evening at 10.30pm Feeling it at his son Woody's DJ set at Scissors Bar Cook's dressing room at Lonely Hearts 'We're not doing a kind of 100th show extravaganza on the grounds that we don't actually really know which would be the 100th. It's not an exact science, it's a guesstimate. Thing is, I play so many shows, and so many of them are just like impromptu that we really don't know. So I think it'd be a bit much to really get the bells and whistles out. We think it's the Block9 show in the afternoon tomorrow – we think! But no candles, sadly. 'I'm very, very proud of my relationship with Glastonbury and my history with it and I'm lucky, because as a DJ, you can play multiple sets. Obviously, there's probably people who've been to more Glastonburys, but they've only played one show per festival – that's not going to get you into big high figures.' Fire it up! Fatboy Slim at Lonely Hearts Club 'My first Glasto show was on the Pyramid stage in 1986 with the Housemartins, and we didn't know anything really about Glastonbury or festivals. We'd never played in daylight before – we only ever played in clubs – and also we thought that Glastonbury was full of bearded hippies who would probably throw mud and bottles of piss out at us. So we went on quite nervous and quite agitated, but that was quite good in the Housemartins, channelling that aggression – we had the nice tunes, but there was a lot of aggression. We made an awful lot of friends, and it changed our view about Glastonbury. The only weird thing was me and Paul [Heaton] have both had fairly successful careers, but neither of us had managed to get back on the Pyramid stage for 38 years. Last year, Paul played the Pyramid stage and he phoned me up and said, 'Will you come on and do a song with us, just to celebrate?'' Fatboy Slim prepares before performing at Lonely Hearts Club stage Dropping bangers at Lonely Hearts Club, with Stella McCartney backstage 'My favourite Glastonbury moment was playing for [Rob da Bank's label] Sunday Best. I was four days in at that point, my mind had been expanded, altered and distorted, as was everybody's around me. So I decided if I played a record backwards, would people dance backwards? And it was a good theory. Obviously with CDJs, you can press reverse, but with the record, you have to physically rewind it. So I played Block Rockin' Beats, by the Chemical Brothers, pretty much at the right speed but backwards. And it worked. Everybody got the joke. It was just after Twin Peaks too, so everybody was like, dancing backwards to the music. What I forgot was that Ed from the Chemical Brothers was in the DJ booth with me, and he went, 'What are you doing?' I'm like, 'I want to see if they can dance backwards.' He's like, 'Oh, great!' That's probably the most out there I've ever been.' Fatboy Slim performs at Lonely Hearts Club stage at Silver Hayes 'I loved the Rabbit Hole. It was never the same [after it closed]. Absolutely anything could happen, and sometimes it did. I much prefer the smaller stages to the big ones, but having said that, when we did the Park the other year, that felt pretty much like the perfect gig. We brought Rita Ora on – I don't normally do showbiz-y things like that. It's probably my favourite set.' Another set, this time at the Genosys stage Tweaking the faders at Genosys 'My son Woody is playing here this year, and it's just fabulous. My daughter's here, my ex wife [Zoe Ball] is here. We're all hanging out. It's beautiful. Woody came to Glastonbury when he was about eight, and it didn't go well for him or for me and Zoe. But when he started coming under his own steam, it's weird, because we didn't teach him anything, he just assimilated himself into the fabric of it and made all these friends the first year he went. He was built for Glastonbury: he's just got that energy, he wants to talk to everybody, he wants to change the world. Everybody keeps telling me how cool my son is or how mental my son is, sometimes both.' The crowd at Genosys, Block9 'As a festival, Glastonbury never sold out to the man. The Eavis family have kept it independent, which means they're in charge of the way it feels and the way it looks, and people respect that. There's nothing corporate that interferes and dictates, you know, and it's not about making money. The music business, especially when money comes in, it distorts your creative ideas and the feel of it and it becomes a money-making machine. But the Eavis family never sold out. They don't do it for money. They do it because they love watching this going on on their farm every year.' Next up: Shangri-La Having his stage wristband put on before performing at Shangri-La, by his video engineer Bob 'I genuinely love this place so much. I feel proud if I'm promoting the Glastonbury brand, or just being part of the furniture or just wandering around saying hello to everyone. Michael Eavis can't get around so much any more, but I was always so impressed about the fact that he would just spend the whole festival wandering, saying hello to everyone.' Cook bids farewell to the festival for another year at Shangri-La
