Ravi Kishan remembers late Mukul Dev at the trailer launch of Son of Sardaar 2, urges fans to watch the film for him
Kubra Sait, who also plays a key role in the film, fondly recalled her memories with Mukul on set. 'On the set, Mukul sir used to be the first one coming. He was a very old friend of mine, and in fact, I used to love pulling his leg. In fact, all of us and the director (Vijay Arora) used to pull his leg by saying, 'Mukul, you are here finally.' So truly, we all are missing him a lot.'
Also Read | Mukul Dev Death: Actor Mukul Dev dies at 54; shocked Ajay Devgn says, 'Still trying to process it'
For those unaware, Mukul Dev was reportedly battling severe loneliness in his final days. The loss of his parents had taken a heavy toll on him, and he deeply missed his daughter. Just days after his passing, his elder brother, Rahul Dev, opened up about his condition. 'He was in the ICU for eight and a half days. Medically, it was a result of poor eating habits. In the last four-five days, he had stopped eating altogether. Of course, he felt lonely and lost interest in life. Usko zindagi jeene ka jazba nahi tha… (he didn't have the willingness to live),' Rahul said.
Mukul Dev was part of several acclaimed Hindi and Punjabi films. His comic role in Son of Sardaar remains a fan favorite. Not many know that he also ventured into screenwriting, he wrote the script for Hansal Mehta's critically acclaimed film Omerta.
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India Today
33 minutes ago
- India Today
From the India Today archives (1988)
(NOTE: This article was originally published in the India Today issue dated July 31, 1988)He is not handsome by conventional standards. He is short, dark and can easily be ignored in a crowd. But for all that, he is the undisputed superstar of the South, a man whose name spells box-office magic, the Midas of the eight long years, Rajinikanth has occupied the number one slot in south Indian films. Now, 115 films and almost as many hits later, he has reached a stage where he can choose his roles and, more significantly, restrict himself to four Tamil films a year. The remaining time is spent in Bombay acting in Hindi the late M.G. Ramachandran could compete with that phenomenal box-office record. But Rajinikanth is also the hero from the South—which has traditionally produced leading ladies for the Hindi screen—who has survived in the competitive world of Bombay films. Next month, Rajinikanth's first English movie, Bloodstone, in which he plays a taxi-driver, will hit the screen in 1,500 theatres all over the US. Shot mainly in Bangalore, the action packed entertainer has been co-produced by Amritraj Productions and the NRI Metro Film Corporation, owned by Dr Murali Manohar, a film film is about an American couple on a visit to India who get involved with a gang of smugglers. Rajinikanth, a local taxi-driver, comes to their aid. Made at a cost of one million dollars (Rs 1.30 crore) the film will be distributed worldwide by Columbia film fits in perfectly with the superstar's designs for the future. "I have reached a dead-end as far as Tamil films are concerned. Through Hindi movies, I have got a national image. What I want today is worldwide recognition," says Rajinikanth. In any event, by 1990, he plans to take a break from Tamil films and start directing his own even his most ardent fans believe that Rajinikanth's real talent lies in Tamil films which have made him what he is today. He is the only Tamil hero whose films are sold even before shooting starts. He is reported to get Rs 25 lakh per film, the highest paid to any hero in the Manithan (human being) released last Diwali is a box-office success, while his latest Guru Shishiya (master-pupil) is drawing packed houses. Says G. Venkateswarao, producer, distributor and president of the South Indian Film Chamber of Commerce: "He is a goldmine for producers and distributors."No wonder producers form an endless queue outside his door. The average cost of making a Rajinikanth film in Tamil is around Rs 70 lakh. But the film is sold by the producer to the distributor for over Rs 1 crore. A super-successful Rajinikanth film can do business for over Rs 2 crore. Some producers are even buying and dubbing some of his earlier, run-of-the-mill Hindi films into Tamil. Last week, yet another Hindi film of his, Asli Naqli, was dubbed into Tamil as Njane Valabhan. What then is the secret of the success of a man who rose from an ordinary bus conductor to be a megastar? In one word, charisma, Rajinikanth has a screen presence which is awe inspiring. In the Tamil context, his exaggerated swagger and his trademark gimmicks like tossing a cigarette in the air and catching it in his lips have made him a household Mani, an auto-driver who has seen Guru Shishya four times: "Rajani saar is my hero. All his films may look alike but his style is terrific." In Tamil Nadu, millions of children not only imitate the 'Rajani style' but also make him out to be a superman. Says AVM's Saravanan, the biggest producer in the South: "There is no need of a story in his films. There should be a chance for him to do comedy, drama and action. His screen presence and powerful delivery make him a bearer cheque of a crore rupees for producers."advertisementBut Rajinikanth the man is even more appealing to his fans than the star. There has always been a reckless and defiant quality about him that provided, during his early years of stardom, unending grist for the gossip mill. His personal life was embellished by widely-publicised drinking bouts and public brawls. His favourite targets were film journalists who wrote about his "eccentric" lifestyle. In at least one case, he tried to kill a journalist by driving a car straight at him. There were also stories of how he wrecked a five-star hotel's restaurant in in 1981, he had a nervous breakdown and had to be hospitalised. After that he cut down his film assignments, the next year quietly married Latha, a local college girl, and settled down. Recalls the star: "I could not cope with the pressures of stardom. A few years earlier I was making Rs 320 as a conductor and suddenly I was getting Rs 5 lakh per movie. The fame, money and overwork pushed me to a breaking point."Then followed his spiritual phase from 1986 onwards when he became a devotee of Raghavendra Swami (the Madhwa saint). He even acted in the movie Raghavendra, where he almost made the saint a cult figure. He also became an admirer of the Hare Krishna (ISKON) group, and talked about wanting to take up sanyas. His marriage according to film magazines, was then on the rocks, due to his involvement with all this only added to the mystique. Says Sujatha, a Madras housewife: "It's his personal life that makes him interesting. Everybody has a soft corner for him, mainly due to his background." The common man can identify with Rajinikanth's rags to riches story—one reason why his films do well in Rajinikanth does not have a Tamil background. He was born Shivaji Rao Gaekwad, a Maharashtrian, and spent his childhood at Basvangudi, a lower middle class suburb in Bangalore. His mother died when he was eight. His father and brother never cared for him and he took to the streets. He studied up to the pre-university stage. Poverty forced him to do all manner of odd jobs—he even worked as a coolie in 1973 he landed a job as a bus conductor with the Karnataka State Road Transport Corporation. Three years later, bit by the acting bug, he hopped on a train to Madras where he joined a film acting course run by the South Indian Film Chamber. It was here that director K. Balachandar spotted changed his name from Sivaji Rao to Rajinikanth and gave him a break in Apoorva Raagangal (strange melodies) in a villain's role. His next film was Moondru Mudichu (three knots) where he was again a villain, but with innovative mannerisms. Says Balachandar: "Rajani was the first actor I met who insisted that he be taken as a villain. He was a unique villain, with specialised mannerisms that went down well with the masses."But it was Bharati Raaja's 16 Vayadhinile (16 years of age)—released in 1977—which earned him super stardom. The movie also catapulted into fame its hero Kamalahasan and heroine Sridevi. It was as an anti-hero that "the Rajani style" created waves at the box-office. But stardom also meant switching roles from villain to hero, which he did successfully in Dharmayudham, a major next big role was in K. Balaji's Billa, a Tamil remake of Amitabh Bachchan's Don that saw him overtaking Kamalahasan as the number one star in the South. Says Bharati Raaja: "Kamalahasan is a great artiste, but Rajinikanth is the hero of the masses. Since 16 Vayadhinile, I have made many award winning movies which bombed in the box-office. To cover my losses I am forced to make a Rajani film."But the tragedy is that the megastar is in reality lonely and aloof. A mellowed man, he is wary of the press. He does not have any close friends and even on the sets, keeps to himself. Apart from shooting assignments, he rarely moves out of his simply-furnished three-bed roomed house at Poes Garden, a posh locality in Rajinikanth: "I am a simple man. I don't believe that just because you are a star you should have imported things." He drives himself to work in a 1980 model Premier Padmini. He had built himself a huge house at Velacheri, a suburb of Madras, but only stayed there a week before shifting back to Poes Latha, his plump and homely wife: "He is a changed man, a spiritual person in quest of the truth. He is almost like a son to me, and I am a mother figure for him." Latha says the press has exaggerated the stories regarding their differences. The Rajinikanths have two daughters—Aiswarya, six, and Soundarya, three. Says Rajani: "We hardly socialise and generally keep to ourselves." He describes himself as a man in pursuit of spiritual solace who reads many books on philosophy. He has invested the bulk of his earnings in real estate and is constructing a Rs 1 crore marriage hall in co-stars have only admiration for him. Says Radha, a popular Tamil heroine: "He is not only a great box-office draw but also a fine person." Adds producer Saravanan: "He is very disciplined on the sets and a producer's dream."Rajinikanth today will not touch a movie which will go against his image on the screen. He has also been criticised for taking minor roles in Hindi films. But the superstar is unfazed. "I cannot do more than four Tamil films a year otherwise I will be overexposed. Hindi films give me a national audience...I am an alcoholic but at the same time a workaholic."With the kind of hysteria he generates, it is inevitable that the star would be avidly sought after by every political party in the state. But he has made it clear that politics is not his cup of tea. "I hate the prevailing political climate. I will never be identified with any political party." Having achieved stardom at home—at last count, there were 8,000 Rajinikanth fan clubs in Tamil Nadu—he is now seeking international recognition. Apart from Bloodstone, Rajinikanth is to star in a thriller to be shot in Australia by Mani Retnam, the director of Nayakan, that won Kamalahasan the best actor he is convinced that he should quit while he is ahead. Says he: "By 1990, I want to quit. The thrill of being a star is fading out." Rajinikanth, however, has a reputation of being moody and unpredictable. Something that hundreds of producers are banking on, determined as they are to ensure that the goose does not stop laying its golden to India Today Magazine- EndsMust Watch
The Hindu
an hour ago
- The Hindu
Registration in progress for RIFFK in Kozhikode
Delegate registration is in progress for the Regional International Film Festival of Kerala (RIFFK), to be held in Kozhikode from August 8 to 11. The festival, organised by the Kerala State Chalachitra Academy, was last held in Kozhikode seven years ago. Screenings will take place at the Kairali, Sree, and Coronation theatres in the city. The festival will feature 58 films offering a cross-section of contemporary world cinema, with five shows scheduled per day. Most of these films were screened at the 28th IFFK held in Thiruvananthapuram. The Seed of the Sacred Fig by Mohammed Rasoulof will be the inaugural film. Highlighted films include Malu (Brazil), which won the Golden Peacock award; Me, Mariam, the Children and 26 Others (Iran) by Farshad Hashemi, the director who received the Silver Peacock award; and Feminichi Fathima (Malayalam), directed by Fazil Mohammed, which won the Audience Jury Award at IFFK. In addition to Malu, films in the International Competition category are: Underground Orange (Chile), Appuram (India), The Hyperboreans (Chile), Rhythm of Dammam (Konkani), Memories of a Burning Body (Costa Rica), Linda (Argentina), Human/Animal (Spain), Elbow (Turkey), East of Noon (Egypt), Body (India), and An Oscillating Shadow (Chile). Films in the World Cinema category include: My Favourite Cake (France), In the Land of Brothers (France), Shahid (Germany), Black Dog (China), La Cocina (Mexico), Toxic (Lithuania), The Teacher (Palestine), Marco, the Invented Truth (Spain), Universal Language (Canada), The New Year That Never Came (Romania), Queer (Italy), I'm Still Here (Brazil), and I Am Nevenka (Spain). In the Indian Cinema Now category, the selections are: Humans in the Loop (Hindi), Second Chance (Hindi/Himachal), Angammal (Tamil), Aajoor (Baijika), Baghjan (Assamese), In the Name of Fire (Magahi), and Sheep Barn (Hindi). The Malayalam Cinema Today section will feature: Mayunnu Mari Varayunnu Nishwasangalil, Kamadevan Nakshatram Kandu, Girl Friends, Victoria, Watusi Zombie, Kiss Wagon, Pattth, Sangharsha Ghatana, Mukha Kannadi, Velicham Thedi, and A Pan Indian Story. Village Rockstar by Rima Das (Assamese) and Riptide (Malayalam) by Afrad V.K. will be screened in the Kaleidoscope category, while Sima's Song (Afghanistan), Holy Cow (France), and Desert of Namibia (Japan) are part of the Female Gaze section. The Festival Favourites include The Girl with the Needle, Misericordia (Portugal), The Witness (Austria), The Room Next Door (Spain), and Meeting with Pol Pot (Cambodia). The Shyam Benegal film Ankur: The Seedling will be screened as a tribute to actor Shabana Azmi. Delegate registration for RIFFK began on July 28. Registration can be done online at while spot registration is available at the Sree theatre.
Mint
an hour ago
- Mint
Dhadak 2 Box Office collection Day 3: Triptii Dimri, Siddhant Chaturvedi movie crosses ₹10 cr mark; mints THIS amount
Dhadak 2 Box Office collection Day 3: Shazia Iqbal's directorial debut starring Siddhant Chaturvedi and Triptii Dimri witnessed a slow start after finally being released in the big screens following multiple delays. Three days into its theatrical release, the movie has now crossed the ₹ 10 crore mark. According to industry tracker Sacnilk, Dhadak 2 movie's net collection as of Sunday evening, August 3, stands at ₹ 10.34 crore. The Siddhant Chaturvedi and Triptii Dimri starrer movie minted ₹ 2.74 crore, which is nearly ₹ 1 crore less as compared to Dhadak 2's collection on the first two days. However, Sunday's collection is only the early estimate, as the final figures are yet to trickle in. Here's a glimpse of how much Dhadak 2 minted on the first two days: Day 1 [1st Friday] - ₹ 3.5 crore Day 2 [1st Saturday] - ₹ 3.75 crore Dhadak 2 movie's Box Office collection on Day 3 also reflected in the footfalls, with the Siddhant Chaturvedi and Triptii Dimri film recording an overall 33.43 per cent Hindi Occupancy on Sunday, August 3. Theatres were filled up to 13.78 % in the morning, while the occupancy for afternoon shows stood at 38.19%, and 48.32% for evening shows. Film trade analyst Taran Adarsh gave Dhadak 2 a 3.5 star rating and said, 'Sharp writing. Captivating, emotionally-charged second half... Solid performances. Dhadak2 works for the most part... But the love story lacks the soul-stirring soundtrack that elevated the first part.' He said that the first half feels uneven, 'a few impactful moments aside, the narrative takes time to find its footing… But the interval episode turns the tide, setting the stage for a gripping and emotionally charged second half.'
