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Scha Al-Yahya, Marion Caunter & Elvina Mohamad Plunge Into Armani's New IRIS BLEU

Scha Al-Yahya, Marion Caunter & Elvina Mohamad Plunge Into Armani's New IRIS BLEU

Hype Malaysia3 days ago
It's scent-sational! Introducing IRIS BLEU, the latest addition to the Les Eaux collection, unveiled with the luminous presence of Scha Al-Yahya, Marion Caunter, and Elvina Mohamad – each embodying the calm elegance of the fragrance. Crisp, subtle, and sophisticated, IRIS BLEU captures the serene beauty of the Mediterranean, where the blue of the sea and sky merge in a tranquil embrace.
Since 2004, Giorgio Armani has distilled the spirit of his Haute Couture into exceptional fragrances, with IRIS BLEU as the newest expression of this vision. A harmonious blend of powdery iris, delicate jasmine, and soft white musks, the fragrance evokes a sense of purity and poise. With its refined composition and delicate blue hue, IRIS BLEU transports the wearer to the boundless calm of the Mediterranean.
Crafted by perfumer Dora Baghriche (FIRMENICH), IRIS BLEU opens with a burst of green freshness, capturing the light and energy of the Mediterranean before dusk. Crisp galbanum brings a leafy sharpness that contrasts beautifully with the sun-drenched zest of Calabrian bergamot and lemon, creating a vibrant yet serene botanical blend.
At its heart, the fragrance mirrors the meeting of sea and sky through a dreamy blend of powdery iris butter and a modern jasmine grandiflorum superinfusion. The iris lends a soft, woody floral tone that's both intense and understated, while the jasmine adds a petal-like brightness that feels both natural and luminous. The scent settles into a clean, comforting embrace of white musk, grounded by dry Virginia cedarwood and a whisper of smoky guaiac wood. This lingering base gives IRIS BLEU its sensual depth, leaving behind a trail that's soft, airy, and effortlessly elegant.
All The Nuances Of Blue
Finely hued in subtle, fresh blue, IRIS BLEU's coloured juice echoes its personality, inspiration, and key ingredients, brought to the fore thanks to the transparency of its iconic square bottle.
The fragrance's name is engraved in black lettering on the flacon's shiny gold plate.
From Haute Couture To Haute Fragrances
For twenty years, Giorgio Armani has captured the essence of Armani/Privé Haute Couture collections and translated it into bold fragrances.
An expression of Giorgio Armani's own personal experiences and influences leading to the creation of unique fragrances. An exploration of nature and culture, unveiling an invitation to unexpected olfactory journeys through the finest ingredients.
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Scha Al-Yahya, Marion Caunter & Elvina Mohamad Plunge Into Armani's New IRIS BLEU
Scha Al-Yahya, Marion Caunter & Elvina Mohamad Plunge Into Armani's New IRIS BLEU

Hype Malaysia

time3 days ago

  • Hype Malaysia

Scha Al-Yahya, Marion Caunter & Elvina Mohamad Plunge Into Armani's New IRIS BLEU

It's scent-sational! Introducing IRIS BLEU, the latest addition to the Les Eaux collection, unveiled with the luminous presence of Scha Al-Yahya, Marion Caunter, and Elvina Mohamad – each embodying the calm elegance of the fragrance. Crisp, subtle, and sophisticated, IRIS BLEU captures the serene beauty of the Mediterranean, where the blue of the sea and sky merge in a tranquil embrace. Since 2004, Giorgio Armani has distilled the spirit of his Haute Couture into exceptional fragrances, with IRIS BLEU as the newest expression of this vision. A harmonious blend of powdery iris, delicate jasmine, and soft white musks, the fragrance evokes a sense of purity and poise. With its refined composition and delicate blue hue, IRIS BLEU transports the wearer to the boundless calm of the Mediterranean. Crafted by perfumer Dora Baghriche (FIRMENICH), IRIS BLEU opens with a burst of green freshness, capturing the light and energy of the Mediterranean before dusk. Crisp galbanum brings a leafy sharpness that contrasts beautifully with the sun-drenched zest of Calabrian bergamot and lemon, creating a vibrant yet serene botanical blend. At its heart, the fragrance mirrors the meeting of sea and sky through a dreamy blend of powdery iris butter and a modern jasmine grandiflorum superinfusion. The iris lends a soft, woody floral tone that's both intense and understated, while the jasmine adds a petal-like brightness that feels both natural and luminous. The scent settles into a clean, comforting embrace of white musk, grounded by dry Virginia cedarwood and a whisper of smoky guaiac wood. This lingering base gives IRIS BLEU its sensual depth, leaving behind a trail that's soft, airy, and effortlessly elegant. All The Nuances Of Blue Finely hued in subtle, fresh blue, IRIS BLEU's coloured juice echoes its personality, inspiration, and key ingredients, brought to the fore thanks to the transparency of its iconic square bottle. The fragrance's name is engraved in black lettering on the flacon's shiny gold plate. From Haute Couture To Haute Fragrances For twenty years, Giorgio Armani has captured the essence of Armani/Privé Haute Couture collections and translated it into bold fragrances. An expression of Giorgio Armani's own personal experiences and influences leading to the creation of unique fragrances. An exploration of nature and culture, unveiling an invitation to unexpected olfactory journeys through the finest ingredients.

Still calling the shots: Giorgio Armani proves he is very much in control at 91
Still calling the shots: Giorgio Armani proves he is very much in control at 91

The Star

time14-07-2025

  • The Star

Still calling the shots: Giorgio Armani proves he is very much in control at 91

Giorgio Armani appears at the end of his haute couture Spring/Summer 2025 collection show in January. The designer has missed two of his last shows. Photo: Reuters Giorgio Armani was not present at his couture show last week (July 8). The designer, who later celebrated his 91st birthday on Friday (July 11), had contracted bronchitis before his men's collection last month, and his doctor advised him not to travel. 'In 20 years of Armani Prive, this is the first time I haven't been to Paris,' he wrote in an email sent to some attendees. He obviously wasn't happy about the fact, because he not only said that he actually felt well enough to make the trip in his note, but also added that he still had control. 'Even though I wasn't in Paris, I oversaw every aspect of the show remotely via video link, from the fittings to the sequence and the makeup. Everything you will see has been done under my direction and carries my approval.' Read more: From Balenciaga and onward to Gucci: Demna's final show was his legacy letter As if anyone in the audience for his ode to 'the seduction of black' could have doubted it. Armani is nothing if not committed to his vision, in his design as in his business. However, just in case his absence inspired anyone to start speculating about change (and it wouldn't be a surprise, given all the other upheavals occurring in the fashion world, from designer job switcheroos to Anna Wintour stepping back from the day-to-day operations of Vogue ), Armani had a message for them. 'If I've come this far, it's thanks to the iron focus and obsessive attention with which I manage everything,' he wrote. 'And that hasn't changed.' Models present creations for Giorgio Armani Prive during the Autumn/Winter 2025 Paris Couture Week. Photo: AFP For proof, simply consider the runway. Consider the 77 versions of night sky looks that strolled by in low-heeled bootees. The velvet tuxedos and velvet jodhpurs, side seams picked out in jet, and the jackets finished in peplum swirls over the hips. The velvet pajamas and strapless velvet sheaths with Milky Ways of beads tracing the body. Read more: Jane Birkin's original Hermes bag sold for over RM42mil in an intense auction Or the way many of them were finished off with little velvet skull caps, sheer fingerless rhinestone gloves and velvet bow ties floating at the throat rather than pearls. The bow ties may not have been everyone's idea of the perfect accessory – they made the models look like very fancy mimes, but they were definitely his. – ©2025 The New York Times Company This article originally appeared in The New York Times.

Highlights from Paris Couture Week: Floral trends, star-studded shows, and new faces in fashion
Highlights from Paris Couture Week: Floral trends, star-studded shows, and new faces in fashion

Malay Mail

time12-07-2025

  • Malay Mail

Highlights from Paris Couture Week: Floral trends, star-studded shows, and new faces in fashion

PARIS, July 13 — Paris Haute Couture Week has wrapped up after four days of shows that featured the end of an era at Balenciaga, the start of a new one at Maison Margiela, and some surprise appearances and absences. AFP looks back on the key moments of the Autumn-Winter 2025-2026 season: New eras Demna bowed out at Balenciaga after a decade in charge with a show on Wednesday that drew the usual smattering of celebrities to the front rows but had some surprise models on the runway. Kim Kardashian channelled Elizabeth Taylor as she walked the room in a sultry slip dress, while veteran French actress Isabelle Huppert appeared in a turtleneck pulled up to her ears. Belgian Glenn Martens debuted at Maison Margiela the same day. Critics praised his bold first steps as a replacement for British design legend John Galliano, who stepped down in January. The New York Times called Martens' 'Artisanal' collection, which included thrifted clothing, a 'brilliant no-holds-barred debut' while Women's Wear Daily said it 'tilted the Paris house in a dark, daring and DIY direction'. Armani's absence One notably absentee was Giorgio Armani, 91, who had already cancelled his menswear show in Milan due to health reasons. He also missed the Paris Armani Prive show on doctors' orders. 'In 20 years of Armani Prive, it's the first time I'm not in Paris,' he said in a statement sent to AFP. 'My doctors advised more rest, even though I felt ready.' He added that he had 'followed and overseen every aspect of the show remotely', stressing: 'I approved and signed off on everything you will see.' A model for Armani Prive. — AFP pic Cardi B's couture New York rapper Cardi B had a busy week in Paris and seemed intent on out-couturing many of the models. She appeared at the opening show of the week on Monday at Schiaparelli in a traffic-stopping tasselled neckpiece and posed with a crow perched on her hand outside the Petit Palais exhibition space. The next day, she turned heads at Stephane Rolland, with a sculptural black headpiece that surrounded her like a religious shroud. On Wednesday she was front row at Balenciaga. The rose trend Floral patterns were everywhere, with the rose especially dominant. Giambattista Valli adorned airy gowns with oversized fabric roses, Elie Saab featured them on princess-style dresses, while Armani Prive used pearl-embroidered roses. Balenciaga incorporated rose sequin prints into a skirt suit and Robert Wun showcased black-and-white roses on a structured strapless crinoline dress. A model presents a creation for Elie Saab. — AFP pic Best of the rest Syrian designer Rami Al Ali made history as the first couturier from his country to take part in the official Paris calendar, choking back tears at the end of his show of exquisitely tailored pieces. Dutch duo Viktor & Rolf delivered a typically playful and sculptural spectacle, while Hong Kong's Robert Wun burnished his reputation further with some striking looks inspired by cinema and theatre. — AFP

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