Mexican police arrest suspect in killing of five band members
The bodies of four musicians from the band and their manager were discovered on Thursday in Tamaulipas state, four days after the men had been reported missing.
Their relatives had reported receiving ransom demands in the days after the men's disappearance.
While kidnappings for ransom are not uncommon in violence-wracked Tamaulipas, the way band members were apparently lured to an abandoned lot by their kidnappers with the promise of a gig at a private party and then killed has shocked locals, who held rallies demanding their release.
Police said they arrested M-47 during raids on three properties, in which they also seized drugs, weapons, cash and suspicious vehicles and detained two other suspects.
Federal officials said they suspect M-47 of being one of the bosses of a gang known as "Metros", which forms part of the Gulf Cartel.
The Gulf Cartel has its stronghold in Tamaulipas state and engages in the smuggling of drugs and migrants across the US-Mexico border, as well as kidnapping for ransom.
It is not clear why the members of Grupo Fugitivo were targeted.
The singer - who survived because he was late on the night - told local media that his band had been hired to perform at a private party and given an address.
The singer said that when he made his own way to the location they had been given to meet up with his fellow musicians, he found the address to be a vacant lot and no sign of the band members or their SUV.
The band's SUV was found abandoned three days later a few kilometres away. The trailer with their instruments and sound equipment was also found dumped at another nearby location.
Investigators believe the five were taken by their captors to a property, where they were killed.
Grupo Fugitivo were known for playing norteña music - a genre characterised by catchy lyrics often sung to a polka-inspired rhythm - which has been targeted by criminal gangs.
Some bands rely on income early in their careers from being hired to play at private parties, many of which are hosted by people involved in or with connections to the cartels.
They sometimes also compose songs praising drug lords and there have been instances in the past when singers of such songs, known as "corridos" have been threatened and even killed by rival gangs.
In total, 12 suspects have been arrested in connection with the murder of the members of Grupo Fugitivo so far.
Five musicians murdered in suspected Mexican cartel killing
Mexican band has US visas revoked for 'glorifying drug kingpin'
Indigenous musicians killed in Mexico ambush

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Newsweek
an hour ago
- Newsweek
Jason Momoa's "Chief of War" Is a Polynesian Cultural Moment
It's not every day that Hollywood hands the keys to an epic, large-scale historical drama over to an Indigenous creative team, but with Apple TV+'s Chief of War, Jason Momoa and Thomas Pa'a Sibbett seized their opportunity and built a breathtaking cultural monument. The sweeping nine-episode saga, premiering August 1, centers on the unification of the Hawaiian islands at the turn of the 18th century, an era fraught with tribal warfare, political upheaval and the looming threat of Western colonization. At its heart, Chief of War is more than a story about battles won or lost. It's a reclamation of cultural identity, told through the eyes of Polynesian people by Polynesian people, in their language. "It's mind-blowing to be able to tell this incredible story of my ancestors and to do it with an amazing cast and brilliant team behind the camera," Momoa says in the show's production notes. "Ka'iana knew what was coming from the outside world. He was fearless, devoted, a visionary. His journey is full of action, drama, and romance—but it's ultimately about love for his people." Ka'iana (Momoa) is a complex figure in Hawaiian history who has been both celebrated and condemned by historians for his shifting allegiances in the tumultuous years before unification. In Chief of War, Ka'iana is portrayed as a man struggling between tradition, ambition and survival in the face of rapid change. A former war chief returning home after years abroad, he finds himself caught between competing chiefs, colonial powers and his own internal battles with loyalty and legacy. Jason Momoa as Ka'iana in new series "Chief of War," which he co-created. Jason Momoa as Ka'iana in new series "Chief of War," which he co-created. Nicola Dove/AppleTV Cultural Deep Dive While Ka'iana's personal journey drives much of the drama, the larger narrative belongs to King Kamehameha, played by Kaina Makua. The series traces Kamehameha's mission to unify the islands of Hawai'i, Maui, O'ahu and Kaua'i under one rule—an unprecedented political and spiritual undertaking that would forever alter the destiny of the Pacific. Kamehameha's campaign is not depicted as a straightforward military conquest; it's complicated by fractured alliances, internal betrayals and the weight of prophecy. Through this lens, Chief of War offers a rare glimpse into a chapter of history often overlooked by Western media. It dives deep into the customs, hierarchies and belief systems that shaped precolonial Hawai'i, with a particular emphasis on the role of women, spiritual leaders and the sacred ties to the land and sea. For Temuera Morrison, who plays cunning King Kahekili of Maui, bringing this story to life required tapping into something deeper than craft. "I had to draw on thunder and lightning for my performance," he says. "I wanted to bring a little bit of what Polynesians call that inner power—that essence, that scariness. Fortunately, we're trained in Māori haka. Haka—if you break it down—'ha' is the breath, 'ka' is the fire. We needed a lot of that in this epic." Morrison credits the trust placed in him by Momoa and the writers. "When they said 'action,' it was our time to ignite ourselves and do the best we possibly could," he adds. Prince Kupule, right, played by Brandon Finn. Prince Kupule, right, played by Brandon Finn. Nicola Dove/AppleTV Cliff Curtis, who plays King Kamehameha's rival chief Keoua, also stepped in as a co-producer, helping to shepherd the series through the complex cultural protocols of filming across Polynesia. "What's unique about the series is that it's been written, directed, produced by Hawaiians, by Jason and Thomas Pa'a Sibbett, and drawn from their ancestral stories," Curtis says. 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I was told, 'If not you, then who?' So I tried my best to fill the shoes of Kamehameha." On set in Aotearoa, he made a point of speaking only 'Ōlelo Hawai'i—the Hawaiian language—whenever possible. "It helped the other actors get comfortable, get accustomed to the language. It made it easier for them to do them, on set." 'Part of Something Special' Language is a central pillar of Chief of War. Much of the series is performed entirely in 'Ōlelo Hawai'i, a remarkable choice in a global television landscape often driven by English-first storytelling. "One of the privileges we had was, I didn't speak one word of English in the whole series," Curtis says. "It made me feel like I was part of something special. We're connected to our ancestors and our descendants, and this is for them—to give future generations a remnant of their culture to look upon and celebrate their own language in the way we've tried to portray them." Authenticity ripples through Chief of War, from handcrafted kapa garments and feathered capes to the precise recreation of 18th-century Hawaiian villages. The commitment to accuracy extended to collaboration with Hawaiian cultural practitioners and language supervisors on set. As Morrison says, "It all goes back to the script. It's written with care, and it's our job to interpret it with as much integrity as possible." Moses Goods, who portrays Moku—Kamehameha's adviser and father to Ka'ahumanu—says that the depth of cultural nuance in the storytelling only enriched his performance. "That's what an actor wants, right? Roles that are complex and layered, full of conflicting emotions," he says. "Moku is navigating the new world coming to them while trying to balance that with their gods and traditions. At the same time, he's marrying off his daughter. It's all of these things kind of jumbled up inside of me. That just makes for a much more interesting and complex character to watch and portray." That dynamic plays out powerfully in one of Ka'ahumanu's most pivotal moments: her encounter with the prophetess who reveals a heavy destiny. For Luciane Buchanan, who plays the future queen, this doesn't just shape her path—it deepens her connection to her father. "It creates a secret between them that carries through the series," Buchanan says. "How they're going to make it work, they don't know, but they know they'll face it together." Te Ao o Hinepehinga, who plays Kupuohi, described the cultural advisers on the production as the voices of the characters. Te Ao o Hinepehinga, who plays Kupuohi, described the cultural advisers on the production as the voices of the characters. Nicola Dove/AppleTV Buchanan's portrayal captures the weight of inherited responsibility and the quiet resilience of women navigating a world of powerful men. The shared sense of Pacific connection was palpable across the production, particularly among the women. Buchanan and Te Ao o Hinepehinga, who portrays Kupuohi, both spoke of the strength they drew from the women guiding them, both on set and in spirit. "We're very privileged in Polynesia to be raised by strong women," Hinepehinga says. "My greatest inspiration was my language coach. She and the other cultural advisors weren't just teaching us the language—they were the voices of these characters. We were just the mouthpieces." Buchanan agrees. "They really helped, but they didn't override our performances. They would ask, 'How do you want to do it?' It felt collaborative, empowering." Her connection to Ka'ahumanu deepened with a pilgrimage to the queen's birthplace in Maui before filming. "It was a very beautiful moment. It kind of set me up to bring that intention, to physically see a place where she had been. Those moments are rare in this industry." Both actresses emphasized the unique challenge and reward of portraying women whose power isn't always wielded through physical strength, but through strategy, influence and quiet resilience. "These women aren't just strong; they're the silent leaders, the unsung heroes," says Hinepehinga. "The show shines a light on that. I hope women watching feel empowered to continue that work." Deep Connections That spirit of unity extends beyond the screen. Goods reflects on how Chief of War subtly reframes our understanding of Polynesia itself. "We call it the blue continent. The water isn't a barrier—it's a highway that connected us. There was a time when we traveled freely between islands and our languages, our customs, our stories were shared. This show reminds us of that connection." It's a connection Momoa felt deeply. "When people come from far and wide to Hawai'i, they fall in love with it because there's something special—it's an umbilical cord to the center of the Earth," he says. 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Boston Globe
3 hours ago
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In Mexico City, two icons of Cuban repression are banished
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New York Post
9 hours ago
- New York Post
Heavily armed Mexican soldiers accidentally cross US border, surround Americans while looking for drug traffickers, gunrunners
More than a dozen heavily armed Mexican soldiers accidentally crossed over the US border into New Mexico while searching for drug traffickers and gunrunners — and instead surrounded two American volunteers scouring the desert for lost migrants on Monday. Abbey Carpenter and James Holeman, volunteers for the humanitarian group Battalion Search and Rescue that aids in searching for migrants lost in the southern New Mexico desert, came across the 18 confounded soldiers with the Mexican army, according to Border Report. 3 A squad of 18 soldiers with the Mexican military accidentally crossed the border into New Mexico on Monday. Abbey Carpenter The soldiers had no idea they'd crossed the border. They told Carpenter and Holeman that they were looking for drug traffickers and gunrunners and asked what the pair was doing in Mexico, according to the outlet. Carpenter whipped out her phone to show them her GPS tracker, which confirmed that they were in the US. 'I never felt threatened. When I got nervous was when I showed them that they were in the United States, and I had my phone out, and we were documenting they were where they shouldn't be. That's when I got nervous, like, 'Oh, we shouldn't have our phones out, taking pictures of them in US soil,'' she told Border Report. 3 Abbey Carpenter and James Holeman were hiking through the desert in search of migrants on behalf of the humanitarian group Battalion Search and Rescue. KOAT After realizing they'd grossly overshot their destination, the soldiers quickly pivoted south back toward the border, Carpenter said. The border in that part of New Mexico lacks proper delineation and is only marked by a simple wire fence that is easy to open, Coleman told the outlet. 'We were like: 'Ha-ha!' 'Take a picture with me?' 'Blah-blah.' But that's because we knew we were in the US. If we had encountered them in Mexico, it would have been a whole different thing. Threatened? I would say that, just because of our American thinking being on US soil. Nervous? Yeah, bro. We were definitely nervous,' Holeman added. 3 Holeman even asked the squad to take a picture with him, but admitted he was emboldened because he knew he was safe on US territory. James Holeman As an extra precaution, Carpenter recorded the encounter and captured multiple videos of the group, including one photo showing the armed soldiers keeping watch in a white pickup truck with 'Guardia Nacional' pasted on the side. The soldiers' uniforms also had badges of the Mexican flag on their arms alongside other military symbols. Holeman noted that he and Carpenter spotted two Mexico-plated vehicles littered with bullet holes near the Mexican border earlier during their search. For many migrants crossing the border, the final stretch through American deserts can be the most deadly, but the soldiers' presence near the border isn't out of the ordinary. In February, Mexican President Claudia Sheinbaum agreed to send 10,000 National Guard troops to the border to help combat illegal migration and drug trafficking between the two countries.