Lewis Capaldi spotted with very famous celebrity pals as they hop on boat during getaway in Ireland
LEWK WHO IT IS
LEWK WHO IT IS Lewis Capaldi spotted with very famous celebrity pals as they hop on boat during getaway in Ireland
Click to share on X/Twitter (Opens in new window)
Click to share on Facebook (Opens in new window)
LEWIS Capaldi was all smiles as he posed alongside celebrity pals for a snap during a fun-filled getaway in Ireland.
The Someone You Loved singer, 28, hopped on a boat with his fellow musicians and other mates to take in the breathtaking views of Killary Fjord on Saturday.
Sign up for the Entertainment newsletter
Sign up
4
Lewis made an incredible comeback at this year's Glastonbury, following a two-year hiatus
Credit: Cover Images
Lewis recently returned to the spotlight as he launched his musical comeback with an emotional return to Glastonbury following his breakdown at the festival in 2023.
And the Scots star looked every bit delighted, as he gave a thumbs up in the group shot during the trip.
Lewis was spotted hanging out with Dubliners Fontaine D.C - who took to the stage at Glasgow's TRNSMT festival earlier this month.
Sam Fender, 31, also joined them in the photo as he cosied up to his actress girlfriend Rosa Collier, draping his arm round her shoulder.
The tour guide company Killary Fjord Boat Tours posted the photo to Facebook, along with the caption: 'After all the excitement of having Lewis Capaldi and Fontaine DC aboard this weekend, here's the money shot, as captured by crew member Sinead, of the whole gang posing with the true star of Killary Fjord... our beautiful Connemara Lady!'
Selfies featuring crew members with Lewis and Fontaine D.C's frontman Grian Chatten, 30, were also shared.
One fan commented on the post: "Great photo, hope they enjoyed your great cruise."
Another added: "Brilliant experience for them all."
Praising the cruise, another said: "It's certainly spectacular."
The firm gave an insight of what the famous party would have experienced as they sailed through the water, soaking in the stunning mountainous landscapes and unspoiled wilderness - including trying to catch a glimpse of seals, dolphins and seabirds in their natural habitat.
Alice Cooper pays tribute to Ozzy Osbourne
The company adds: "Hear tales of the fjord's history and legends from our expert guides.
"Our beautiful Connemara Lady offers the perfect vantage point to soak in every moment of this spectacular scenery.
"Whether you're seeking relaxation or exploration, a Killary Fjord cruise creates memories to treasure."
The much-earned Irish break with friends came after Lewis revealed in a podcast how he ballooned to 20 stone after his 2023 Glastonbury breakdown - but is battling back to health thanks to his fitness trainer brother and anti-psychotic pills.
He spoke candidly on This Past Weekend with Theo Von, about the run up to the ordeal which lead to him taking a two-year break to focus on his mental health, Tourette's diagnosis and crippling anxiety.
The talented star made a huge comeback to Glastonbury 's Pyramid Stage last month to play a surprise set - and has since confirmed he is hitting the road on a brand new tour in September.
4
Lewis Capaldi, Sam Fender and the Irish band Fontaine D.C pose with their pals with the boat behind them
Credit: Killary Fjord Boat Tours
4
Sam Fender took his girlfriend Rosa Collier along on the trip
Credit: Alamy
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Scottish Sun
6 hours ago
- Scottish Sun
Scots Madonna tribute act stalked her estranged husband and his new partner for a year
Obsessed Bryceland even lurked outside their home ABUSIVE SINGER'S SHAME Scots Madonna tribute act stalked her estranged husband and his new partner for a year Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) A MADONNA tribute act subjected her estranged husband and his new partner to a year-long stalking campaign. Police Scotland worker Kirsty Bryceland, 46, bombarded prison worker ex Jamie Bryceland with 'abusive and derogatory messages'. Sign up for Scottish Sun newsletter Sign up 4 Kirsty Bryceland stalked her ex-husband and his new partner for a year Credit: YouTube 4 She now faces a battle to keep her civilian job with Police Scotland Credit: Alamy 4 She was fined £500 at Kilmarnock Sheriff Court Credit: Les Gallagher She also created fake online profiles to hound his girlfriend, Lisa McWhinnie, and posted images of her alongside vile comments. Obsessed Bryceland even lurked outside their home in Stewarton, Ayrshire. And she sent them a chilling selfie showing she was there. She now faces a battle to keep her civilian job with the force after admitting the harassment campaign that left the couple living in fear. Bryceland was fined £500 at Kilmarnock Sheriff Court and banned from contacting the victims for a year. The blonde advertises on the website. She offers tribute gigs as the Like A Virgin legend from £180. She hit the headlines in 2016 when she complimented bodybuilding photos illicitly posted on Facebook by caged murderer Jack Cramb. The lifer killed Barry Bradley, grandson on notorious Stirling heroin dealer Margaret 'Big Mags' Haney in 2010. Bryceland posted: 'Ur guns are getting bigger! Well done!' Obsessed stalker faked pregnancy, swerved car into ex & bombarded him with messages in relentless campaign of harassment Cramb replied: 'Thanks Kirsty x.' Bryceland insisted it was a 'coincidence', adding: 'I don't comment on anyone to do with Jamie's work.' Police said: 'A 46-year-old woman has been convicted of stalking in 2023. "She was found guilty in June.'
The National
15 hours ago
- The National
Robert Burns play shows man beyond the biscuit tin
Despite the subject matter, theatre-maker James Clements is quick to point out that it's not a historical play but very much relates to questions facing Scots today, such as the country's political status and Scottish identity. And the man portrayed is not the 'biscuit tin Burns' that is often presented, according to Clements. The play contains facts about Burns and quotes from the poet that are less widely known and which Clements believes gives a fuller picture of the man. READ MORE: Sherlock Holmes adaptation gives neat feminist twist to classic stories He began his research a year ago after the National Trust for Scotland (NTS) digitised their Burns archive so it could be accessed online by people all over the world. Clements, who has had a lifelong fascination with Burns, realised it could be used to make a powerful new piece of theatre, as well as highlight some of the NTS's historic buildings. Directed by award-winning Cora Bissett and featuring a set 'full of surprises', The Burns Project opens in Edinburgh's stunning Georgian House this weekend before touring later in the year. The idea is not only to help people to get to know Robert Burns better but also to make NTS properties and the NTS Burns archive more accessible. Clements has used the archive and rarely seen writings to conjure a complex, irreverent and honest portrait of Scotland's National Bard. Seeking to refresh and expand on existing representations of the poet, The Burns Project portrays a man full of complexities and contradictions, capable of both deep love and callousness, of great progressiveness and political inconsistencies. It is a story of a man with high ideals, who sometimes fell short of them, with layers of intrigue and mystery. Even though he died more than 200 years ago, Clements believes Burns is still very relevant to issues facing Scottish society today. 'I think there's still a lot of questions that my generation of Scottish men are grappling with that Burns grappled with,' he said. 'Then I think there's also ongoing questions around Scotland's political status, what self-determination means, what a Scottish identity is. We talk about Scottish identity, but it's such a blanket term for something that's so wildly nuanced.' Clements said the archive shows that Burns expressed different views at different times about Scottish independence, the rights of women, the rights of men and how the class system functions. 'He was asking these questions 230 years ago and we're still trying to answer them now,' he said. 'And he is so embedded in our culture, how better to explore them than through someone who already forms so much of our sense of self?' He is delighted the National Trust for Scotland has supported the project and agreed for it to be staged in their properties. 'It's really exciting to be performing it in these historic buildings, opening them up in hopefully new and dynamic ways to people in Scotland – literally welcoming them in, but also allowing us to put on a really political and really provocative piece,' he said. 'Essentially, you're sitting at a Burns supper table with Burns over an hour, and we really take you on a journey through his through his life, his contradictions and his highs and lows. 'It's not your biscuit tin Burns. It's pretty provocative because, you know, like all of us, he contained contradictions and like all of us, he made mistakes.' Burns is often regarded as a working-class hero but Clements believes that does not further understanding of the man. 'That actually does him a disservice and does us a disservice,' he said. 'It's much more useful to look at him as a person who had exceptional talent in the context of his class, his gender, his time, and that's the kind of story that I've been drawn to. I think that's the show he deserves.' The Burns Project is at The Georgian House, Edinburgh, from August 2-16 (not 7 or 14)
The Herald Scotland
18 hours ago
- The Herald Scotland
The day-long showcase for top-class Scottish prog rock
Headlining the Wha's Like Us one-day event will be Comedy of Errors, pictured, top a bill that also includes The Wizards of Progg, Long Earth and EBB. The Wizards of Progg released their debut album, Dooking for Apples, only last year despite being able to trace their roots back to the seventies. Long Earth's third album, An Ordinary Life, was released in 2024. EBB have twice received 'best new band' accolades, while [[Comedy]] of Errors, whose first gig was in 1984, are poised to release their seventh album. A fifth band, Machinary, has had to withdraw: their slot will be taken by Alan Reed, frontman of the celebrated prog group, Pallas. He will be accompanied on at least two songs by Machinary's singer Euan Lowson, Alan's predecessor in Pallas. Euan said: 'I believe the plan is that I will be singing 'Shock Treatment' and 'Arrive Alive', from my time with Pallas, with Alan. These were the two songs that Machinary had planned to include with Alan as a special guest before our unfortunate withdrawal'. Plans for the festival began to take shape late last year, after an story in the prog fans' Facebook community, BedsideYellowFoam, in which Long Earth discussed the difficulties of Scots prog bands in relation to London and the south. Béla Alabástrom, manager of Comedy of Errors, who also co-runs the Facebook page, suggested staging a Scots prog festival, and the Wizards of Progg's founder, Charlie Kilgour, began putting together the bill. Bela, the festival's co-organiser, said: 'Scottish bands suffer from what I refer to as the 'geographical penalty'. Prog's heartland is in the south of England and this is where most festivals are held. It is also where most resources are concentrated. In the past, bands had to travel to London to secure a record deal. Now they have to incur huge losses to travel down to play at festivals. "I recently applied to one festival down south on behalf of a band. The organisers explicitly asked in the questionnaire if the bands applying would be willing to waive their fee and whether they required expenses. Basically, if a band ticks the box that they require expenses, the implication is that this will count against them. It seems to be taken for granted that obtaining a slot at a festival is recompense enough. Another question was: what can you offer the festival by way of publicity? 'In a nutshell, the bands are expected to invest substantial time and effort in publicising a festival, in engaging and mobilising their fan base and putting it at the festival's disposal, while at the same time appearing for nothing and making a loss. This automatically puts Scottish bands at a disadvantage. 'Promoters need to be more aware of the disproportionate costs for Scottish bands compared to their English counterparts. Some seem to turn a blind eye to this and expect Scottish bands to jump through those extra hoops. The sacrifices are just that much greater. 'Having said that, Scottish promoters could do a lot more to recognise and provide opportunities for the wealth of talent at home. Wha's Like Us is being organised by a fan (me) and Charlie to compensate to the extent we can for the lack of opportunities available to Scottish prog bands. 'Since I published my Facebook post, which is where the idea of the festival originated, I have been going through a crash-course in festival organisation. It's been very challenging, but also very rewarding'. Do English promoters just need to be nudged? 'The picture is quite nuanced, as several English promoters are open to booking Scottish bands. Apart from the aforementioned cost factor, which may deter them from taking Scottish bands into consideration in the first place, they may not always be aware of the bands. 'Again, this is why providing an opportunity for them to travel to Glasgow to see the bands perform is so vital. In my personal experience, they have been very open to the idea of booking more established Scottish prog bands. All they needed was a gentle nudge to convince them it would be a risk that would pay off'. Jim Johnston, keyboard player with Comedy of Errors, gives an insight into prog music's diversity. He said: 'The musical genre of prog tends to be (though not exclusively) the province of the older music fan, having its roots in bands of the early seventies, such as Yes and Genesis. 'It has to be said that some current Scottish bands have taken that prog influence and developed it to varying degrees, e.g. classical, folk, heavy rock, psychedelic. 'This gives each band an individuality maybe not seen in other genres. If the fan numbers can't match current pop trends, the fans' individual passion for this music more than makes up for it. 'Regionally, the south has been more the last bastion of prog (a form of music that fiercely fell out of favour in the late seventies). On the other hand, Scottish prog bands have suffered because of their relatively remote home location and the difficulty of Southern promoters in paying Scottish bands to travel south, book hotels and perform in venues which are so often far more convenient for bands from the south'. He added, however, that there has been a recent revival in Scotland, especially among the more mature fans, with 'a willingness to seek out local prog bands, meet up with and make new like-minded friends at gigs, and to buy and enjoy self-produced CDs and vinyl at these gigs – and not just tribute bands, but original bands with their own take on the genre, producing original material. 'What has brought on this revival? It is likely that social media has brought fans together – 'I'm not alone after all!' – so that now they are more aware of local gigs and self-financed album releases. 'It can also be surprising how many make the trip from Europe to see these peculiarly Scottish prog gigs. A chance to meet up with members of this 'club' has given those who feel excluded from contemporary musical trends the chance to enjoy the music they are most passionate about. The Scottish bands who make this generally more complex, ambitious type of music need no longer apologise in their own country for the previously outlawed four-letter word of 'prog'. For his part, Alan Reed, of Pallas, said: 'It's really important to provide a regular platform for musicians. In these cost-conscious times there needs to be a regular gig north of the border. 'It costs so much to travel with a band these days that it amazes me that there isn't already a festival that supports this kind of music. There are a lot of venues in, for example, Glasgow that are relatively easy for tribute acts to get booked into'. He added: 'I think promoters need to be aware that there is still an appetite for good bands playing their own music too. Both Lazuli (ex France) and RPWL (Germany) did good numbers on recent gigs that I attended. And both of those bands are as Prog as they come. 'In England and Wales they have Winter's End/Summer's End in Chepstow, they have regular spots in Leamington, Leicestershire, London, Southampton and other places. Why, given the undoubted talent you have in Scotland. don't you have more than just the occasional support for the same few acts?' Alan said: 'I'd very much like Wha's Like Us to become a regular event. That way you'll see more bands coming through. And they won't have to travel so far to make a name for themselves'. He regretted that Euan's band Machinary have had to withdraw. 'I would have very much liked to see him and them perform. Not least because his keyboards player, Hew Montgomery, was part of Abel Ganz, the band that I left to join Pallas. It would be like I've come full circle'. Read more: Alan was diagnosed with Parkinson's at the end of March and will be embarking on an epic journey, walking the West Highland Way, beginning in mid-September, to raise funds for research into the disease. He will be doing the walk with his partner Anne, his long-time musical partner, Mark Spencer, and his partner Esther. Euan Lowson, who sang with Pallas between 1979 and 1986, and was part of the line-up that made such well-received albums as The Sentinel, observed that Scottish bands in general need to voyage South for gigs that get any worthwhile media attention and crowds. 'Whilst money is not the driver for gigging, these are financially unviable for most bands. I particularly feel for young up-and-coming musicians as these sojourns usually incur large financial losses. Not just for 'prog' bands – it has always been an issue for Scottish bands to get any traction in the music industry unless they have 'serious' contacts or are prepared to relocate. The music industry still is very London-centric. 'It does have to be said that prog fans are very loyal and determined', he added. 'There have been many tickets bought from our European fans who are travelling to, and spending time in, Scotland for this event'. * Tickets: £29 (advance), £32 on the door. Wha's Like Us can be found on Facebook.
