
Review – JSA #9: Enemy at the Gates
Ray: Despite the huge scale, there's a sense of claustrophobia to this series – as the JSA finds themselves under attack from every possible corner, including from within. The heroes are scattered to the winds, with some being trapped in unknown locations. Beth Chapel has found the real Obsidian and is trying to escape with him, but is pursued by Scandal Savage – who has returned to her villainous ways, same as her wife Knockout over in another title. I'm not sure how I feel about that, but at least Lemire gives a good explanation for the change her. Obsidian's mind, meanwhile, is stuck in a maze with Jakeem Thunder – and Johnny Thunder, the original voice behind the Thunderbolt. This is a very clever visual segment, with a great reveal about the villain, bringing in one of the JSA's most obscure villains but also one of its most powerful with surprising ties to another big franchise. Escape. Via DC Comics.
But the biggest threat might be right here on Earth, as the team is falling apart from within. Yolanda Montez has quit, out of grief and rage after she killed a Kobra member to avenge Ted Grant. Ted's not entirely gone, but she doesn't know that, and it falls to Khalid to try to pull her back from the brink. Meanwhile, the impostor Obsidian gets close to Alan Scott, as he tries to manipulate the team against each other and collect some valuable information to transfer back to Wotan. While we know exactly who this villain is under the disguise, it still packs a punch when he's revealed as arguably the JSA's arch-nemesis. This series took a little getting used to compared to the lighter JSA run by Johns, with its denser tone and higher stakes, but it's really grown with every issue, pulling in some compelling plot threads from the history of the JSA and giving some less-known characters an excellent spotlight.
To find reviews of all the DC issues, visit DC This Week.
GeekDad received this comic for review purposes. Liked it? Take a second to support GeekDad and GeekMom on Patreon!

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CTV News
38 minutes ago
- CTV News
‘He blew my mind': Back-flipping B.C. brothers inspired by silent film star
"He blew my mind": Adam finds out how a pair of brothers are being inspired by superheroes and century-old cinema. If this were a decade or so ago, Graeson Cole-Murphy and his brother Caellan would likely be watching something with superheroes. 'When I was a little kid, I wanted to be the Incredible Hulk,' Graeson smiles. While Graeson was mesmerized by the Hulk's strength, his younger brother Caellan thought it would be wonderful to be a web slinger. 'Spider Man's cool,' Caellan recalls thinking. 'He can do flips, so I want to do flips.' But instead of turning to a YouTube tutorial, Caellan taught himself how to move like he was in a Marvel movie. 'He blew my mind,' Graeson says of his brother. 'And he inspired me.' So, Graeson asked his little brother to start teaching him. Today they are practising backflips in the park. 'It's scary,' Graeson says after flipping in the air. 'You kind of feel sick in your stomach because you don't know if you're going to land on your head.' Yet Graeson perseveres. But not to emulate some old superhero, not since he discovered the work of one particular old movie star. 'It's a video of Buster Keaton and his famous stunts,' Graeson points to the black and white video they're watching on his phone between flips. Buster Keaton was one of the 1920s' biggest stars. Before movies had sound, he made audience's laugh. Before CGI was even an idea, he made them gasp. 'I think it's incredible,' Graeson points to Keaton jumping between buildings, hanging off a train, and surviving a house almost hitting him. 'One guy who revolutionized stunting!' And now, more than a century later, Keaton is inspiring Graeson to pursue stunt work professionally. Caellan, on the other hand, is practising his super flips because he's been invited to play with a professional soccer team in Europe over the summer. 'Maybe I'll do it as a celebration when I score,' Caellan says. But there's one things Caellan and Graeson know definitely – no matter who inspires them to do cool things, being brothers encourages them to be better people. 'He's taught me about being responsible for myself,' Caelan says. 'And being able to self-reflect.' 'He teaches me not to give up,' Graeson adds. And they've both learned that even better than growing up to be like a comic book dynamic duo, is actually being real-life best friends.


CBC
an hour ago
- CBC
A 'real honest messy attempt at healing': Eva Victor is telling a different story about sexual assault
WARNING: This story contains extensive discussions of sexual violence, and may affect those who have experienced it or know someone affected by it. Eva Victor has no interest in dramatizing the violence of trauma for shock value. Instead, their debut film Sorry, Baby highlights what it takes to move on from an incident of sexual assault — years of hidden, gradual healing. Produced by Moonlight director Barry Jenkins and distributed by A24, Victor's darkly funny movie follows a young college professor named Agnes on her gruelling yet poignant journey towards recovery from sexual assault. It's an unexpected departure from Victor's previous work; she is mainly known for their viral short comedy videos. "It's about someone's real honest messy attempt at healing," Victor says, in an interview with Q guest host Talia Schlanger. "And it is important to me that the film de-centres violence, and centres the trying to heal. Because those are the years that I think we don't chronicle as much…. I think I wanted to honour those years that feel a bit lost in time, or they move differently to someone who's recovering than to the rest of the world." WATCH | Official trailer for Sorry, Baby: Eva Victor directs Sorry, Baby with abundant compassion. When the incident that Agnes refers to as "the bad thing" takes place, none of it is depicted on screen. Victor said that the idea of watching Agnes go inside with her assaulter, and making the viewer sit outside and wait for her to come back, had "always been in [their] head" since they started writing the script. "I really wanted watching the film to be nonviolent and safe," they explain. "So there's like an element of protection… and also [holding] dramatic tension without having to see that [sexual violence]. Like, proving that that's possible. "Also I really wanted to protect Agnes…. We're not with her physically, but in a way I feel like, because we stay outside and sort of freeze with her, in the sort of trauma response way, we get to feel close to her. And we kind of experience how she experiences that time passing." It's a difficult story to write, let alone direct and star in. There were times that Eva Victor wondered if they were taking on too much by doing all three — especially since they had never been to film school, and this is their first full-length feature film. Fortunately, Oscar-winning director Barry Jenkins had full trust in Victor's potential. Victor says Jenkins's team gave her confidence in her vision, and provided her with guidance on how to study feature film production. Ultimately, Victor pushed beyond their comfort zone as a comedic writer to explore new psychological and professional frontiers. "I think it's intimidating and exciting," Victor says. "First, [there was] a conversation with his whole team, and just talking about filmmaking and how the videos I was making were a version of filmmaking, just smaller and different. But that was, I think, a really inspiring conversation.… I just felt like [they were] people who saw me before I saw myself completely."


National Post
an hour ago
- National Post
U.K. singer arrested in U.S. after being denied entry into Canada. She overstayed her visa by 26 years
A British singer was arrested in the United States after being denied entry into Canada. Article content Jane Eugene Sendall Peters, known professionally as Jane Eugene, was in the Niagara Falls, New York area two months ago when she was stopped by American authorities. She had overstayed her visa by at least 26 years, according to the Department of Homeland Security (DHS). Article content Article content Article content Peters was denied an immigrant petition for alien workers in the U.S. in 1999, DHS assistant secretary for public affairs Tricia McLaughlin said in an emailed statement to National Post on Wednesday. At that time, McLaughlin said, Peters had already overstayed her visa. Article content Article content 'On May 3, 2025, Peters was encountered in Niagara Falls, NY after being refused entry to Canada. U.S. Customs and Border Protection arrested her and she is pending a hearing with the Executive Office for Immigration Review,' per McLaughlin's statement. Article content Peters was in the British R&B band Loose Ends, formed in 1980, per the band's official website. Several of the band's songs were hits in the U.K., making the top 40 singles list throughout the 1980s. The band's single Hangin' On A String has been streamed on Spotify more than 21 million times. Article content Article content View this post on Instagram A post shared by Loose Ends (@looseendsmusic) Article content Peters eventually left the band, although they reunited in 1998 for a project, per Daily Mail. Peters has continued to perform. On her official Facebook page, there are videos of her posted on stage in late April. Peters promoted an April 19 show in Atlanta, which she said was sold out, in a Facebook video. Article content Article content She called the creation of music with Loose Ends 'spiritual' in an interview on the 217 Today podcast in January. 'When you listen to the album,' she said, 'people feel amazing things from listening to our music.' Article content She said people told her that her music got them through hard times. Article content 'It really means more to them than we ever thought,' she said. 'To think that this music has lasted since 1980 — and what are we in now? 2025. No, I never thought it would last that long.' Article content According to U.S. Citizenship and Immigration Services (USCIS), anyone who has accrued one year or more of 'unlawful presence' during a single stay will be inadmissible if they seek entry into the U.S. again within 10 years of leaving or being removed. 'Unlawful presence is any period of time when you are present in the United States without being admitted or paroled, or when you are present in the United States after your 'period of stay authorized by the Secretary' expires,' says USCIS.