‘Jurassic World Rebirth' Holds Off ‘Superman' at Korea Box Office
Close behind was 'Superman,' which opened with $2.9 million and 397,569 admissions. James Gunn's superhero reboot began its Korean run on Wednesday, with a five-day total of $4.07 million.
More from Variety
James Gunn Got Bradley Cooper for 'Superman' Cameo Because He Needed 'Somebody That Could Walk In the Footsteps of Marlon Brando'
James Gunn Says He's 'Incredibly Grateful' For Successful Opening of 'Superman': 'A Hopeful Testament to the Kindness and Quality of Human Beings'
David Zaslav Champions New DC Universe and 'Bold 10-Year Plan' After 'Superman' Box Office Victory: 'The Vision Is Clear. The Momentum Is Real'
South Korean thriller 'Noise' held strong in third place, adding $2.2 million for a running total of $8.3 million since its release. Directed by Kim Soo-jin, the psychological horror stars Lee Sun-bin as a woman unraveling a mystery tied to her missing sister.
Brad Pitt's 'F1' took fourth place with $2.04 million, pushing its cumulative gross to $10.9 million.
New South Korean horror 'Ghost Train' debuted in fifth place with $307,305 from 44,512 admissions. Its cumulative gross now stands at $462,106. Directed by Tak Se-woong, the film stars Joo Hyun-young as Da-kyung, a YouTube horror storyteller who investigates eerie incidents at Gwangrim Station after losing subscribers. She's joined by Jeon Bae-soo as the stationmaster and Choi Bo-min as agency producer Woo-jin.
'How to Train Your Dragon' continued its strong performance in sixth, adding $296,217 to reach a total of $12.7 million. 'Elio' placed seventh, grossing $216,513 for a total of $3.9 million.
Japanese animated features entered the top 10 with preview bows ahead of wider release. 'Detective Conan: One-Eyed Flashback' opened in ninth with $81,222, narrowly ahead of 'Doraemon: Nobita's Art World Tales,' which earned $68,393.
Korean occult thriller 'The Pact' reentered the top 10 with $43,168 for a total of $5.3 million.
The top 10 films collectively grossed $11.4 million over the July 11–13 weekend, down from $12.1 million the previous frame.
Best of Variety
Final Emmy Predictions: Talk Series and Scripted Variety - New Blood Looks to Tackle Late Night Staples
Oscars 2026: George Clooney, Jennifer Lopez, Julia Roberts, Wagner Moura and More Among Early Contenders to Watch
New Movies Out Now in Theaters: What to See This Week
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Verge
22 minutes ago
- The Verge
Superman is a box office hit, but the hard part comes next
Over the weekend, DC Studios' new Superman feature became this year's third-biggest box-office debut in the US. The movie's success is a sign that theatergoers might actually not be quite as tired of superheroes as people tend to think, and that's particularly notable for Warner Bros., given the studio's plan to build a new cinematic universe of DC Comics adaptations for the big screen. But making interconnected film franchises work is easier said than done. And even though Superman is putting up numbers, DC might have a much harder time doing the same with its next couple of cape movies. Though it fell short of A Minecraft Movie's and Lilo & Stitch's domestic opening weekends, Superman raked in $125 million stateside and another $95 million internationally, making it WB's strongest superhero debut since Matt Reeves' The Batman in 2022. You can see those numbers reflected in the sheer amount of Superman hype (some of which has been weird and gross) that has overtaken social media since the movie first premiered. Because of Superman's success, DC Studios co-CEO James Gunn is reportedly thinking about a couple of spinoff series revolving around Edi Gathegi's Mister Terrific and Skyler Gisondo's Jimmy Olsen. But before any of that comes to fruition, the studio first has to sell the public on its next two big tentpole features due out next year: Craig Gillespie's Supergirl and James Watkins' Clayface. Following the disaster that became known as the DCEU, WB was in desperate need of a fresh start and a vision for how it could use DC characters in ways that audiences would actually like. That need led to the creation of DC Studios with Gunn and co-CEO Peter Safran guiding the whole endeavor. Though Gunn had worked on previous DC projects, his DC Studios' appointment felt like a power move on WB's part that spoke to its desire to push back against Marvel's box-office dominance. And while it seemed a little odd that Gunn wanted to launch his new DC Universe with an animated Creature Commandos streaming series for (HBO) Max, it was easy to understand the logic behind his plan to make a new Superman the franchise's centerpiece. Superman has always been a pillar of the DC Comics brand and embodied much of what makes the company's characters compelling across different mediums. In a universe full of gods, alien monsters, and supervillains, Superman represents hope and humanity at its best. He's a near-indestructible powerhouse, but he's also just a dork from Kansas who loves his family and believes in the importance of journalism. He's got a bunch of superfriends, but he also has major beef with deranged billionaires who can't wrap their minds around the concept of immigrants being people who make valuable contributions to society. Those basic beats have defined Superman stories ever since the character first appeared back in 1938. And part of what makes Gunn's new film so excellent is the way it weaves all of those ideas together into a colorful, optimistic joyride that feels nothing like WB's other recent takes on the Man of Steel. Some of Superman's success can also be attributed to the basic fact that he's a character whose lore most people are familiar with — something the movie acknowledges by glossing over Clark Kent's tragic backstory and dropping you right into his life as an established superhero. But the same can't exactly be said for Superman's cousin, Kara / Supergirl, and B-tier Batman villain Clayface. Thanks to CBS' Supergirl and HBO Max's Harley Quinn animated series, Kara and Clayface have had pretty big presences on the small screen in recent years. But the characters have always had somewhat lower profiles compared to DC's other heroes and villains. Viewed through one lens, DC Studios following Superman up with Supergirl and Clayface reads as a calculated move to avoid following in the examples of the MCU and DCEU, which were both fleshed out with a series of features focused on the kinds of A-list characters you see on lunchboxes and bookbags. But the upcoming features also feel, at least on paper, informed by the way that studios like Marvel and Disney have gotten into the habit of expanding their genre franchises with ill-conceived spinoffs. That's kind of the general vibe you get from the full slate of DC Studio's projects that are currently in development, which includes a stop-motion movie about two of Batman's Robins, a True Detective-style Green Lantern show for HBO Max, and a feature about Bane and Deathstroke. A sequel to The Batman — which predates the DCU and exists in its own continuity — is also due out in 2027. And at some point down the line, the studio intends to introduce a new Bruce Wayne who will presumably link up with Superman and Wonder Woman (whose reboot is also in the pipeline) to form some sort of Justice League. Most of DC Studios' far-off films and series feel like the kinds of projects you would expect a studio to lead with — ones with instantly recognizable characters whose stories are well known enough to get audiences curious and excited about how they could be done differently. Milly Alcock's Supergirl, who gets a brief and fantastic Superman cameo, seems a bit better suited to keep the franchise's current momentum going. But given that we're so early in this DCU's existence, a body horror like Clayface, about an actor who becomes a murderous mud monster, feels like a tougher sell (even if Mike Flanagan is writing the script). It's easy to imagine Supergirl and Clayface revealing that what audiences have grown weary of isn't comics-inspired narratives, but sprawling, interconnected franchises more concerned with growth than being made up of good movies. That energy is what dragged the MCU into its flop era and made most of Disney Plus' Star Wars series slogs to get through, and DC Studios clearly doesn't want to wind up in a similar position. Turning Clark's cousin and a lesser-known DC villain into box-office juggernauts might be an even bigger challenge — but Superman at least shows that Gunn and Safran know where to start. And if the studio plays its cards right, this really might be the start of a new golden age for DC.


Geek Tyrant
35 minutes ago
- Geek Tyrant
James Gunn Says He 'Didn't Feel Guilt' Leaving Marvel for DC: 'I Was Fired' — GeekTyrant
James Gunn has officially planted his flag in the DC Universe with Superman , and he's not looking back. During a recent episode of Armchair Expert with Dax Shepard, Gunn was asked if he felt any guilt about leaving Marvel for DC. His response was blunt and honest: 'No, I just shook my head. I didn't feel that way because I was fired. I didn't feel guilt at all. I mean, I had to take a job! I took a job [with] people that I also really liked, and that was it.' Gunn, of course, directed all three Guardians of the Galaxy films, and even shot the Thor: The Dark World mid-credits scene. But back in 2018, things took a turn. Disney cut ties with him over resurfaced tweets, leaving Gunn thinking his career might be done. 'I thought my career was over.' That's when Warner Bros. entered the picture. They initially reached out to him about Superman , but Gunn pitched The Suicide Squad instead. And in a twist of timing straight out of a comic book storyline, the same day Warner called, Disney reached back out, seemingly ready to bring him back into the fold. So Gunn found himself sitting at Kevin Feige's house, being asked if he was going to direct Superman . Eventually, he did return to Marvel one last time to finish Guardians of the Galaxy Vol. 3 , before fully committing to DC, this time as co-head of DC Studios alongside Peter Safran. Despite the rocky exit, Gunn made it clear that the folks at Marvel were never the problem: 'Listen, there are people that I'm not that happy with over there [at Disney], but that certainly wasn't the Marvel guys, you know? They were completely supportive. '[Marvel Studios Co-President] Louis D'Esposito called me all the time. Lou and Kevin were great. So it certainly wasn't them.' Now, Gunn is fully focused on reshaping DC's cinematic universe. Chapter One: Gods and Monsters kicked off with Creature Commandos and now Superman . On deck are Supergirl , Peacemaker Season 2, Lanterns , and more, as DC aims to roll out two movies and multiple shows—live-action and animated—each year. For Gunn, the past is behind him. He didn't burn bridges, he just found a new one to build.


Forbes
42 minutes ago
- Forbes
Stray Kids Member Makes Billboard Chart History
Stray Kids' Hyunjin debuts on the Hot Rock & Alternative Songs chart with 'Always Love' alongside ... More D4vd, becoming the third South Korean soloist to appear on the tally. INCHEON, SOUTH KOREA - SEPTEMBER 19: Hyunjin of boy band Stray Kids is seen departing for Italy for the VERSACE 2025 SS collection fashion show at Incheon International Airport on September 19, 2024 in Incheon, South Korea. (Photo by Han Myung-Gu/WireImage) For years now, Stray Kids has stood out as one of the most successful K-pop groups in the world. The band is one of only a handful to reach No. 1 on the Billboard 200, a feat it has accomplished several times. While Stray Kids may be counted among the bestselling K-pop acts in American history, the members that make up the group are still just beginning to introduce themselves to the American public. This week, Hyunjin — one of the eight singers in the chart-topping act — scores a hit on his own on a Billboard tally, and in doing so joins a very exclusive club of South Korean talents. Hyunjin Charts His First Rock Hit in America Hyunjin scores his first hit on the Hot Rock & Alternative Songs chart this frame, as 'Always Love,' a collaboration with D4vd, opens at No. 49. That's the second-to-last position on the 50-spot ranking, which details the most consumed rock and alternative tunes in the U.S., but as it arrives, 'Always Love' becomes an important and historic hit. Hyunjin Joins J-Hope and Suga Hyunjin is just the third South Korean solo musician to appear on the Hot Rock & Alternative Songs tally. J-Hope became the first in July 2022, when 'More' and his track 'What If…' reached the ranking in back-to-back period. He remains the only soloist from South Korea to appear on the Hot Rock & Alternative Songs list more than once. The following summer, Suga — another BTS member — joined Halsey on 'Lilith (Diablo IV Anthem),' which at one point neared the top 10. BTS and Hyunjin Claim the Same Number of Hits Looking at all K-pop acts, Hyunjin is now just the fourth name to appear on the Hot Rock & Alternative Songs chart. The first musical figure from South Korea to reach the tally was BTS. The Grammy-nominated boy band joined Coldplay on 'My Universe,' which spent half a year on the ranking and still stands as the only No. 1 to credit any K-pop musicians.