
Marvel's Avengers: Doomsday cast video revealed a bleak truth about the future of cinema
Yesterday afternoon, Marvel announced the cast list for its forthcoming blockbuster Avengers: Doomsday. A staggering 27 actors were announced – only a few of whom had already been confirmed (Robert Downey Jr as Doctor Doom and the four leads of the forthcoming Fantastic Four reboot); the rest included a nostalgia grab-bag of stars from the Noughties X-Men films (Ian McKellen, Patrick Stewart, and Alan Cumming among them), and an eclectic heap from recent MCU entries. The announcement was made over a period of hours, with a livestreamed video showing each actor's name on the back of a chair; every 10 minutes or so, the video feed would pan over to reveal another chair. At one point, there were more than 10 million people watching this video. To repeat: a nearly six-hour-long video of mostly static furniture, watched by more people than this year's Best Picture Oscar winner. Avengers: Doomsday may well be on course to become the most lucrative film of all time.
Creatively, the film has all the hallmarks of disaster. Firstly, there is the total conceptual overhaul that took place after actor Jonathan Majors was convicted of assaulting his partner, and was fired from the franchise. Majors' character, interdimensional tyrant Kang, had been seeded as the MCU's next Big Bad, to such an extent that he was even included in the film's original title (Avengers: The Kang Dynasty). With Majors no longer viable, the MCU roped in Downey Jr – the erstwhile face of the franchise, whose role in 2019's Avengers: Endgame was supposed to be his swansong. Bringing him back – and in a new role – represents a big risk of tarnishing Downey's Marvel legacy, with a lot of potential downsides.
Moreover, it's hard to imagine how Doomsday will be able to corral its ludicrously over-stuffed cast into a coherent narrative. Endgame managed to (just about) deal with this problem by sidelining most of its many characters, reserving the limelight for Downey Jr and a few choice Avengers. It's fair to assume that some of the 27 announced actors will be relegated to glorified cameos, but most – particularly the exhumed X-Men – seem to demand something substantial.
It's telling, too, that most of the buzz from the cast announcement concerns the return of decades-old characters – superheroes from an era that predates the MCU itself. (Marvel Studios has only held the rights to X-Men since 2019, when its parent company Disney merged with Fox.) This tactic is prevalent all over the film and TV industry now – a reliance on hollow 'remember this?' nostalgia, sort of a Peter Kay approach to franchise filmmaking. Last year's Deadpool & Wolverine embraced it, and while the film itself was shoddy and obnoxious, it was also a huge hit, grossing nearly $1.4bn. This, for Marvel, is the new blueprint – a promise of certitude in an industry where long-held notions of bankability can no longer be trusted.
Those who have spent the past five years salivating over the impending heat death of the superhero craze had better buckle up: it's clear the MCU isn't going anywhere just yet. We may need to brace for the possibility that it'll outlive us all – that 100 years from now, Marvel will be announcing the cast for yet another Avengers sequel, in a video that lasts a week and features enough chairs to fill the Royal Albert Hall. Thankfully, I'll be dead by then.
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Metro
an hour ago
- Metro
The best moment in Superman was almost cut - it would have been a disaster
The new Superman movie is at its most epic when we see Clark Kent's endless compassion – but filmmaker James Gunn has revealed he almost cut out the very moment that shows this best. After the immense pressure to bring one of the most beloved superheroes of all time back to the big screen it would have been easy for the new Superman to crash and burn. Especially in a cultural landscape saturated with superhero content from the likes of rival studio, Marvel (who have their own summer blockbuster, Fantastic Four, about to come out) – retelling Superman's story for old and new audiences is no easy task. Heck, it's only been three years since Henry Cavill last appeared as an iteration of Superman in a movie (Black Adam) so cementing David Corenswet as the newly-baptised Daily Planet reporter was already a tall order. Yet, if the glowing reviews and mightily impressive box office figures are anything to go by, Gunn's vision and the standout cast to go with it (also starring Rachel Brosnahan as Lois Lane and Nicholas Hoult as Lex Luthor) has been an undeniable smash hit. When scrolling through people's takes on social media, discussing it with my friends, or even pondering it at 2am while staring at my ceiling – one reason jumps out above all others. Unlike so much of the superhero content of recent years that prioritises mammoth displays of strength and overly-involved action scenes that forget their characters' human alter egos – in Superman we see the opposite. Yes, it's about battling the enemy, but it's more about preserving the world you love in the big and small ways. We may not all be capable of shooting lasers from our eyes and flying from disaster to disaster but we are all capable of small acts of kindness, no matter how unexpected. It's hardly a new perspective, plenty of people have been praising the movie's human first approach, making Superman's greatest strength his non-super qualities (whether the love he learnt from Ma and Pa Kent or the fierce protectiveness he feels for all living creatures). It harks back to the Clark we know and love from the prequel series, Smallville (coincidentally David's favourite version) who, during one episode, declares his greatest powers are his parents. We've teamed up with Camp Bestival Dorset to give one lucky Metro reader and their family the chance to win family weekend tickets, worth up to £1,172! Created by families, for families, Camp Bestival combines all the fun of a fantastic family camping holiday with everything you would expect from a perfect and action-packed festival adventure. Headliners include music legend Sir Tom Jones, pop icons Sugababes, plus a carnival-filled live show from electronic music duo Basement Jaxx. Simply enter your details here to be in with a chance of winning four tickets to this epic experience. You have until midnight on 23 July to enter. Good luck! * Open to GB residents (excluding Northern Ireland) aged 18+. Promotion opens at 18:01 on 16/7/25 and closes at 23:59 on 23/7/25. Entrant must submit their first and last name, email address, date of birth and postcode when prompted via the entry form available on (available here). 1 prize available of a family weekend camping ticket, including two (2) adult tickets and up to four (4) child and/or teen tickets in any combination as chosen by the winner to attend Camp Bestival (Lulworth Castle, Dorset) from 31st July 2025 to 3rd August 2025. Maximum 1 entry per person. Attendance is governed by the Camp Bestival Terms and Conditions. Full T&Cs apply, see here. No scene proves this better than the small, blink-and-you-miss-it moment when Superman dives to save a squirrel while battling the mid-movie Big Bad. Even in the cinema it elicited a delighted response from the audience with a fond chuckle escaping nearly everyone's lips. It's miniscule moments like this that made the movie, and Superman's characterisation, so fleshed out, grounded and realistic. In many ways, it is just as important as the grand speeches about what it means to be human and the sequences of Superman single-handedly holding up crumbling buildings. Which is why it was so shocking to learn that Gunn almost cut it out of the final version. He told Rolling Stone: 'We showed it to test audiences and some people did not like the squirrel. They're like, 'Why the f**k is he saving a squirrel? Why is he taking time out, saving a squirrel?'' Not sure who they chose to participate in the test audience but they may have missed the point of the movie entirely? Luckily, Gunn stayed strong with his vision, adding: 'There was a cut where I cut it out and I'm like, 'I really miss the squirrel. He's gotta save the squirrel.'' Thank goodness he did, as many fans have reiterated. 'The whole point behind him saving the squirrel was to show his kind heart & willingness to go out of his way for everyone – even the most innocent & tiny of creatures,' X user miss_mjoy shared. 'I liked that no creature no matter how small is seen as insignificant to Superman The squirrel was peak,' the blue elite agreed. 'It's VERY clear some people don't understand Superman in the slightest. 'Why would Superman save a squirrel' BECAUSE ALL LIFE IS PRECIOUS!! BECAUSE ITS THE RIGHT THING TO DO!!' gooberboober42 echoed. 'People that show no sympathy for the squirrel don't understand anything about Superman,' Spideyloui added. More Trending You get the point. The moment may seem insignificant to some – after all if Gunn had gone ahead with the cut it wouldn't have been a notable plot omission – but there would have been something missing. It's a small but mighty part of the beating heart of this movie that has made it so special to people so quickly – and that lack of soul certainly would have been noticed, and perhaps even detrimental. It's more clear than ever that superhero fans are yearning for less carbon cutout powerhouses and for more fallible heroes with the best intentions – and that's what makes scenes like this so important. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Fans are convinced James Gunn just revealed 'perfect' next Batman actor MORE: Games Inbox: What is the next big game for Nintendo Switch 2? MORE: Superman forced to cut two scenes after they were deemed 'overly sensual'


BBC News
2 hours ago
- BBC News
Destination X presenter Rob Brydon inspired by Traitors' Claudia Winkleman
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Leader Live
2 hours ago
- Leader Live
Playing pregnant superhero in Fantastic Four was a great honour
The 37-year-old actress, who is currently expecting her first child, stars as Sue Storm/The Invisible Woman in the 1960s-inspired, retro-futuristic reboot in the Marvel Cinematic Universe (MCU). The film follows Marvel's First Family as they defend Earth from the cosmic threat of Galactus and his mysterious herald, the Silver Surfer. Pedro Pascal plays Reed Richards/Mister Fantastic, alongside Joseph Quinn as Johnny Storm/The Human Torch and Ebon Moss-Bachrach as Ben Grimm/The Thing. The film explores the team's origin story. Originally astronauts, the four are forever changed after an experimental space flight exposes them to cosmic rays, granting them extraordinary superhuman powers. At its core, the story is rooted in family, with Sue and Reed preparing to welcome their first child. Kirby, who won a Bafta for portraying Princess Margaret in The Crown, said she found it 'revolutionary' to have a mother at the centre of the family who was also part of the superhero team. 'When I first started talking about Sue, I was already so passionate about her,' she told the PA news agency. 'It was so exciting to me, this idea of having a pregnant superhero, a working mother. Even in the shooting of it, it was surreal because I had this pregnancy bump, but I was so included in everything. 'It was very daunting. I really cared and it's been a great honour to play her. I know that I'm just one of many that's kind of got to know her over the years.' She added that she loved the blend of the ordinary and the extraordinary in the film: 'This was such a combination of domesticity where Reed was smelling Sue's socks, or Sue was brushing her teeth and then we'd be in the intergalactic, epic cosmos. That, in a way, was the experience we had.' Pascal credited director Matt Shakman with helping him navigate the emotional journey of Reed Richards. 'As a father, the only way he (Reed) knows how to handle that is by trying to baby-proof the world rather than be present for the experience,' the 50-year-old American-Chilean actor said. 'Matt really guided me through that, especially since I'm not a father — I can only imagine what it's like. 'My favourite thing about it (playing Reed) was that this person, so brilliant, so at ease solving the most complex scientific equations, still struggles to grasp the far more complicated equations of relationships, family and love.' Shakman, known for directing WandaVision, said The Fantastic Four is a deeply personal film for him. 'It's about parenthood and marriage, it's about all these things so many of us relate to,' he said. 'Because we all come from families and that's what the Fantastic Four is.' Shakman is encouraging even non-Marvel fans to see the film, noting that audiences do not need any prior knowledge of the franchise to enjoy it. 'You don't need to have seen any other Marvel movies to come see this movie,' added Shakman. 'They're the only superheroes in this world. There are no Easter eggs to other Marvel movies.' A previous Fantastic Four film came out in 1994, followed by a reboot in 2005 starring Welsh actor Ioan Gruffudd, Jessica Alba, Chris Evans and Michael Chiklis. They all returned in 2007 for Fantastic Four: Rise Of The Silver Surfer, in which they learned they were not the only superpowered beings in the universe. In 2015, Miles Teller, Kate Mara, Michael B Jordan and Jamie Bell starred in another Fantastic Four movie and animated TV series based on the comics have aired throughout the years. Marvel Studios' The Fantastic Four: First Steps opens in UK cinemas on July 24.