
Museum of the Future is hosting a BKRY pop-up this summer
From July 11 to August 31, the experimental bakery, which recently bagged the award of Best Bakery in Dubai at the Time Out Dubai Restaurant Awards 2025, is setting up its first-ever pop-up at the Museum of the Future.
Set on the 7th floor of Dubai's most iconic cultural landmark, the BKRY x MOTF takeover isn't just about good coffee and fresh bread (though there's plenty of both). It's a full-on dive into the future of food – where it comes from, how it's made, and why it matters.
Credit: bkry x MOTF
Expect interactive experiences on regenerative farming, ethical chocolate making, food upcycling, and the UAE's first organic wheat farm.
Meanwhile the menu features some fan-favourites, including sourdough, all-day breakfast, mains and desserts alongside exclusives made just for this collab.
There are new chocolate spreads featuring Tanzanian, Ecuadorian and Haitian cocoa, plus limited-edition bonbons in wild flavours like spiced tea and croissant white chocolate.
Catch it daily. No tickets needed – just show up hungry.
Free entry. Open daily 9am-9pm. Museum of the Future, Dubai World Trade Centre, @bkry.space (04 832 2433).
In other foodie news…
You can get a six-course tasting menu at Ossiano for Dhs750
And it includes caviar, king crab and delicious langoustine
WOOHOO: A new AI chef-helmed restaurant is opening soon in Dubai
And he's teaming up with Reif Othman to create the menu
How to eat out in Dubai for just Dhs10 this summer
Bargain alert
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
26 minutes ago
- Daily Mail
Star Trek legend William Shatner discovers powerful new way to live forever
A groundbreaking program has now made it possible to preserve your life stories and wisdom, allowing you to speak to loved ones decades into the future. StoryFile, an innovative AI company, has developed lifelike, interactive 3D avatars that allow people to 'live on' after death, sharing memories and answering questions in the same natural and conversational manner of a real person. Individuals like philanthropist Michael Staenberg, 71, and Star Trek star William Shatner, 94, have used StoryFile to immortalize both their experiences and personalities. Staenberg, a property developer and philanthropist who has given away more than $850 million, said: 'I hope to pass my knowledge on, and the good I've created.' The technology captures video interviews, transforming them into hologram-style avatars that use generative AI, similar to ChatGPT, to respond dynamically to questions. StoryFile's avatars have been employed in museums since 2021 to preserve the voices of historical figures like WWII veterans and Holocaust survivors, and by terminally ill individuals to connect with family after death. Until now, the company has offered a premium service costing tens of thousands of dollars, but a new, affordable app launching this summer will allow everyday people to record their own AI avatars for less than the cost of a monthly cellphone plan. Staenberg added that he'd like to imagine other business people and family members still having a chance to interact with him 30 years from now. 'It's important to get my version so the details aren't forgotten. I've had quite a crazy life, so I'd have a lot of stories that I don't want people to forget,' Staenberg said. More than 2,000 users have used the previous version. However, the new Storyfile app will allow users to interview themselves on video and create an intelligent avatar they can keep adding chapters to as they answer more questions about their lives. Previously, the Storyfile avatars could understand the intent of people talking to them, but could only respond with pre-recorded video answers. Storyfile's newer AI avatars will be able to generate an answer based on the persona from the recorded interviews, and it will be able to approximate an answer to any question. The company has gotten a huge number of daily queries from people who have been diagnosed with terminal illness and who hope to preserve their legacy in an avatar. Storyfile CEO Alex Quinn said: 'Every day we'll get very sad and heart-wrenching emails, saying things like "My son was just diagnosed with terminal cancer."' Others have expressed fear over their parents aging, asking for a way to keep their memories intact for the future. Quinn added that Storyfile would never be able to accommodate all those requests if they had to send their video production team to all of those customers. The solution was to make a 'DIY' version, where people record their own answers to an AI 'interviewer' using the app - answering questions on everything from their career to their family to their tastes in food. The app will come with 'permanent cold storage' so that avatars remain safe once recorded, and users can keep adding new video and new information. Quinn admitted that because Storyfile avatars use generative AI there is a possibility it could initially say 'crazy' stuff, but noted that the replica of the person will become more and more realistic the more users speak to the program. 'It's almost like an AI FaceTime where you're interviewed by an AI interviewer, and it's able to probe and go deep on certain topics,' the CEO said. 'If you've got a couple days, or you've got free time, and you want to understand your question every now and then, you're just going to keep on adding to your digital memories, and it's going to get more and more sophisticated, more and more personalized,' he continued. Tech pioneers such as inventor and futurist Ray Kurzweil have already used AI to recreate lost relatives. Kurzweil created a 'dad bot' based on information about his father Fred in 2016. The 'Fredbot' could converse with Kurzweil, revealing that what his father loved about topics like gardening. It even remembered his father's belief that the meaning of life was love. 'I actually had a conversation with him, which felt a lot like talking to him,' Kurzweil told Rolling Stone Magazine in 2023. He believed that some form of his dad bot AI would be released to the public one day, enabling everyone to stay in touch with their dead relatives from beyond the grave. 'We'll be able to actually create something like a large language model that really represents somebody else by having enough information,' he predicted.


Daily Mail
5 hours ago
- Daily Mail
Robin Williams' Mrs. Doubtfire costar shares bizarre wish to bring him back using AI... a decade after his death
More than 30 years after Mrs. Doubtfire first hit theaters, one of its stars is hoping to honor Robin Williams in a very modern way. Matthew Lawrence, who played one of the Hillard children in the beloved 1993 comedy, shared during a recent Comic-Con appearance that he'd love to see the late comedian's unforgettable voice used as a foundation for artificial intelligence, with the blessing of his family, of course. 'I would love — now, obviously, with the respect and with the okay from his family — but I would love to do something really special with his voice because I know for a generation, that voice is just so iconic,' Lawrence told Entertainment Weekly during a live-streamed interview promoting his new graphic novel project, The Lawrence Brothers Detective Agency. Lawrence, now 45, was just 12 when he starred alongside Williams in the hit film about a devoted father who disguises himself as a Scottish nanny in order to stay close to his kids after a divorce. The memories, Lawrence said, have stayed with him ever since. Williams died by suicide in 2014 at age 63, leaving behind a legacy of laughter, heart, and characters that transcended generations. For Lawrence. 'It's not just the fact that I knew him and worked with him and so it's in my head — it's in everybody's head. And it would be so cool,' the Marry Christmas star explained. Lawrence said he got the idea after watching an old commercial the Oscar winner was starring in and realized it had some interesting parallels to today. 'It's kinda like this very contemporary, modern, almost sort of foreshadowing of what's going on commercial that he did, where he did this computerized voiceover, and it always stuck with me' Lawrence said of the advertisement. 'And then, during his passing, with the AI coming out, I'm like, 'Man, he's gotta be the voice of A.I. He's gotta be the voice in something.' So yeah, I would love to do that.' During a previous interview with the outlet, Lawrence recalled the life lessons he learned from Williams, including compassion, on the set of Mrs. Doubtfire. 'He really quantified what it was to be a real artist for me in the sense that he was definitely... the most brilliant artist I've ever worked with.' 'But on top of that, he had the compassion, he had the humility, and he also had these things that he struggled with.' Regarding their upcoming graphic novel, the brothers; Matthew, Joey, 49, and Andy 37, are raising funds via Kickstarter for the project. They said the idea was sparked about a decade ago after Matthew got a nasty sunburn and started to peel. 'It's not just the fact that I knew him and worked with him and so it's in my head — it's in everybody's head. And it would be so cool,' Lawrence said of his idea Williams died by suicide in 2014 at age 63. Lawrence said his family would have to give their blessing before Williams' voice could be used for AI; Pictured in New York City in September 2013 'These two guys started making a joke that I was a lizard...' 'Matt shed a version of himself,' Andy interjected,' and then that version was the evil villain that caused havoc...' Matthew picked it up from there, adding, 'and we had to start our own detective agency to solve the crime.' They have teamed up with The Berkowitz Brothers who are veterans of the genre, along with artists Brian Bengal Yuran and Sean Von Gorman. In 2023, Williams' daughter Zelda spoke out against using artificial intelligence to re-create her father's voice. 'I am not an impartial voice in SAG's fight against AI. I've witnessed for YEARS how many people want to train these models to create/re-create actors who cannot consent, like Dad,' she wrote on her Instagram Story.


The Guardian
12 hours ago
- The Guardian
Indian film company to rerelease romantic drama with AI ‘happy ending'
An Indian film company is rereleasing a 2013 romantic drama with an alternate artificial intelligence ending without the involvement of its director, in what could be the first instance of its kind in global cinema. Raanjhanaa, a Hindi-language film about the doomed romance between a Hindu man and a Muslim woman, will return to cinemas on 1 August under its Tamil-language title Ambikapathy. The film's original tragic ending will be replaced by a 'happy' one. Pradeep Dwivedi, the chief executive of Eros Media Group, defended its decision, saying technological innovation was part of the company's long-term creative and commercial vision. He said the alteration was an 'exploratory baby step' and confirmed that Eros was 'significantly evaluating' its library of more than 3,000 releases for similar AI treatments. 'If the technology allows us to do something and we can do something good with it, why not?' he said. 'There has to be a symbiotic understanding of what the technology allows, what the creative process can foster, and what the audience accepts.' The rerelease has drawn strong criticism from the film's director, Aanand L Rai, who said he learned of the move through media reports. 'I'm heartbroken that this is the future we're heading toward, where intent and authorship are disposable,' Rai told the Press Trust of India. 'All I can do is dissociate myself from such a reckless and dystopian experiment.' He said his team had contacted the Indian Film and Television Directors' Association and was exploring legal options. Neither he nor the guild responded to the Guardian's request for comment at the time of publication. The film starred the Tamil actor Dhanush and the Bollywood actor Sonam Kapoor as the star-crossed interfaith couple, one of whom dies in the original ending. Eros's catalogue includes Indian classics such as Sholay, Mother India, Om Shanti Om, and Bajirao Mastani. Its streaming service, Eros Now, hosts more than 11,000 digital titles. Dwivedi said Ambikapathy was produced entirely in-house with human supervision, and was being presented as an optional alternative rather than a replacement of the original film. Posters for the rerelease describe the ending as AI-powered, although Eros declined to confirm whether similar disclaimers will appear within the film itself. Dwivedi said the director's criticisms were 'emotional' and omitted relevant legal context. He pointed to an ongoing corporate dispute between Eros and Colour Yellow Productions, the studio co-founded by Rai. In an email to the Guardian, Colour Yellow's chief operating officer, Harini Lakshminarayan, said the company's partnership with Eros ended 'some time ago' due to operational challenges. 'To call this a 'respectful creative reinterpretation' while excluding the very people who made the film over a decade ago is deeply contradictory,' she wrote. She said the incident underscored 'the urgent need for fair, transparent protocols' on the use of AI, especially with archival material. 'If a finished film can be altered and rereleased without the director's knowledge, it sends out a clear and very troubling message – that the film-maker's voice is dispensable.' The film critic Sucharita Tyagi said: 'Most directors in India don't even own the rights to their films,' referencing examples such as Vasan Bala's Peddlers, which Eros International has still not released to the public after acquiring Indian distribution rights in 2012. 'If they decide to AI alter Peddlers and then release it, then it's a different film altogether.' The release has also raised questions about how the film's new 'happy ending' may reinterpret its interfaith storyline, a sensitive topic in India's political and cultural landscape. 'The film works because these are people trying to defy social norms,' said Tyagi. 'To now decide what a 'happy ending' looks like, 13 years later, is scary.' Ambikapathy is scheduled to open before Rai's latest feature, Tere Ishk Mein, also starring Dhanush and due for release in November. Rai has described the new film previously as being 'from the world of Raanjhanaa' but not a sequel. Eros, which holds the rights to Raanjhanaa, has denied any connection between the two projects. The rerelease comes amid growing experimentation with AI across the global film industry. In Hollywood, AI has been used for voice cloning, dubbing and visual effects, including accent enhancement in The Brutalist and simulating the voice of Anthony Bourdain in the 2021 documentary Roadrunner. Concerns about AI-generated scripts and the use of actors' likenesses were key issues in the 2023 writers' and actors' strikes.