logo
Talent Atelier: Second Edition empowers UAE-based designers

Talent Atelier: Second Edition empowers UAE-based designers

Zawya14-07-2025
Organised by Dubai Culture in collaboration with L'ÉCOLE Middle East, School of Jewelry Arts
Dubai, UAE – Dubai Culture and Arts Authority (Dubai Culture) has announced the launch of the second edition of the Talent Atelier programme, organised in collaboration with L'ÉCOLE Middle East, School of Jewelry Arts, supported by Van Cleef & Arpels. The initiative aims to empower a group of six designers to deepen their understanding of jewelry artistry through a blend of academic learning and practical training under the guidance of L'ÉCOLE Middle East 's lecturers and jewelry experts.
Falling under the umbrella of the Dubai Cultural Grant, one of the Authority's key initiatives aligned with Dubai's Quality of Life Strategy, the programme reflects Dubai Culture's commitment to strengthening the cultural and creative industries, while positioning Dubai as a global centre for culture, an incubator for creativity, and a thriving hub for talent.
The first phase of the programme, which runs until 11 July, features a series of interactive workshops hosted at L'ÉCOLE Middle East's campus in Dubai Design District (d3). These sessions will introduce the participating designers — Kamla Al Olama, Sara Al Khayyal, Noora Al Shamsi, Hessa Al Abdulla, Hind Janahi, and Andreea Andres — to the three core pillars of the programme: art history, jewelry-making craftsmanship, and gemology. The hands-on training enhances their design capabilities, equips them with practical craftsmanship skills, and supports them in translating their creative visions into preliminary design sketches and concepts.
The second phase of the programme will take place in Paris from 1 to 5 September 2025, where the selected designers will have the opportunity to take part in L'ÉCOLE's educational programme at its Paris campus, located on the Grands Boulevards at the iconic Hôtel de Mercy-Argenteau. There, they will engage in a range of immersive learning experiences and visits to partner museums, to expand their knowledge of jewelry arts in one of the world's foremost design capitals.
The third and final phase will culminate in Dubai, where the participants will present their completed projects in the form of real-life designs. These final creations will reflect the level of expertise and artistic development achieved throughout their journey in the programme.
Commenting on the initiative, Shaima Rashed Al Suwaidi, Chief Executive Officer of the Arts, Design & Literature Sector at Dubai Culture, said: 'Talent Atelier is a model educational platform that nurtures the creative and professional growth of talented UAE based designers. Through this initiative, we strive to inspire innovation, foster a spirit of excellence, and enable participants to play an active role in advancing the cultural and creative industries - all while supporting Dubai's emergence as a regional and global reference point for jewelry design. We are investing in individual talent, while building an environment that can feed into the wider design ecosystem that celebrates the art of jewelry-making and contributes to the long-term growth of Dubai's creative economy. The programme supports our mission to empower the next generation of designers to express their unique ideas as valuable and sustainable creative outputs.'
Sophie Claudel, Director of L'ÉCOLE Middle East – School of Jewelry Arts, said:
'We are proud to launch the second edition of the Talent Atelier programme in collaboration with Dubai Culture. This initiative aims to create opportunities for the next generation of creative designers and pioneers across all art forms. We are committed to fostering global dialogue between the jewelry arts and other artistic disciplines, while promoting cultural connections that celebrate our region's creative talent. With 2025 being the UAE's Year of Community, the programme reflects the spirit of our partnership and shines a light on the incredible creative talent within our communities—those who are shaping the future of design and jewelry arts.'
The Talent Atelier programme aims to broaden the horizons of the UAE's creative talents and enrich their knowledge of the various forms of jewellery arts. It symbolises the strength of the ongoing partnership between Dubai Culture and L'ÉCOLE Middle East, reflecting their shared commitment to cultivating a vibrant cultural and creative ecosystem within the UAE and beyond. The programme fosters cross-cultural collaboration and helps elevate the talents and skills of the UAE's creatives on the global artistic stage.
About Dubai Culture & Arts Authority
Dubai Culture and Arts Authority (Dubai Culture), under the leadership of Her Highness Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, is committed to enriching Dubai's cultural scene based on the UAE's heritage, and is building bridges of constructive dialogue between various cultures to enhance Dubai's position as a global centre for culture, an incubator for creativity, and a thriving hub for talent.
Dubai Culture is keen on reviving and preserving the emirate's historical heritage and developing the regulatory frameworks for the cultural and creative sector in line with its strategic roadmap 2020 – 2025.
The Authority also seeks to empower the enablers that support talent and stimulate active public participation by investing in the various assets under its remit, including the management of five heritage sites, five museums, Al Jalila Cultural Centre for Children, 17 archaeological sites and nine Dubai Public Library branches, all of which help contribute to creating an economic system that invigorates the cultural and creative industries. The Authority also offers 8 services and 26 sub-services.
For more information, please visit the Authority's website www.dubaiculture.gov.ae
About L'ÉCOLE, School of Jewelry Arts
Established in 2012 with the support of Van Cleef & Arpels, L'ÉCOLE, School of Jewelry Arts aims to introduce the public to all aspects of jewelry culture through various activities: courses, workshops, conversations, exhibitions, research, books and podcast.
Activities at L'ÉCOLE cover three main areas: the history of jewelry, the world of gemstones and the savoir-faire of jewelry-making techniques. The courses are open to everyone, with no prerequisites: complete beginners as well as enlightened amateurs, collectors and those with a curiosity for the world of jewelry. Students experiment with gestures, skills and tools, guided by their lecturers – art historians, gemologists and craftsmen.
L'ÉCOLE now has four permanent addresses: in Paris, Hong Kong, Shanghai and Dubai.
In line with its worldwide locations, L'ÉCOLE established its Middle Eastern campus in Dubai at d3 in April 2024.
All proceeds from L'ÉCOLE Middle East's public courses and talks are donated to Dubai Cares to support youth education programs, underscoring the school's commitment to social responsibility and youth empowerment.
Moreover, since its inception, L'ÉCOLE regularly travels abroad, in Europe, America, Asia and the Middle East, for talks, exhibitions or travelling course programs that can last one to three weeks. L'ÉCOLE, School of Jewelry Arts therefore contributes to the promotion and visibility of jewelry culture on an international scale.
For more information: https://www.lecolevancleefarpels.com/me/en
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Dressing real people makes couture beautiful, says designer Tarun Tahiliani
Dressing real people makes couture beautiful, says designer Tarun Tahiliani

Khaleej Times

timean hour ago

  • Khaleej Times

Dressing real people makes couture beautiful, says designer Tarun Tahiliani

Couture is larger than life. But must it feel cumbersome? This is a question Indian designer Tarun Tahiliani addresses in his latest collection Quintessence, which was showcased in the recently concluded India Couture Week. Tahiliani, who completes 30 years in the fashion industry this year, has married traditional maximalism with contemporary silhouettes, and says his greatest joy is in styling for regular people whose joys, anxieties, fears, exuberance — all contribute to the aesthetic he's come to be known for. As his spectacular show at The Oberoi New Delhi, that itself is celebrating 60 years in the hospitality industry, won unanimous applause, he reflected on his legacy and the way forward for Indian fashion. Edited excerpts from an interview: It's been 30 years of Tarun Tahiliani. How do you encapsulate your journey of three decades? It's been an extraordinary journey of refining an aesthetic rooted in India yet global in spirit. What began as a desire to drape India in its own sensibility, with structure and lightness, has evolved into a body of work that I believe speaks of timeless elegance, quiet luxury, and emotion. Thirty years in, I feel we're still learning, still evolving — every collection is a new chapter, not a reinvention but a refinement of everything we've stood for. Has the aesthete in you often been at odds with the business mind? Of course — there's always a natural tension. The aesthete seeks purity, precision, and a kind of uncompromising idealism, while the business mind is grounded in pragmatism, timelines, and scalability. But over the years, I've realised that neither can exist in isolation. The challenge — and the beauty — lies in marrying the dream with structure, so that creativity doesn't just remain an idea, but becomes something that lives, breathes, and reaches people. How did an early exposure to understanding sportswear shape your idea of couture? That exposure taught me a lot about functionality, construction, and movement — which later became central to how I imagined modern couture. You could say my sensibility has always been about marrying drape with structure. Even in bridal or occasion wear, I wanted it to feel like a second skin, not a costume. That came from learning early on that clothes must serve the body, not imprison it. How has the evolution of the Indian wedding industry impacted the way we imagine couture? Weddings today are no longer just about pageantry — they are personal, curated, and often deeply emotional. With this shift, couture too has had to evolve. It's not just about spectacle anymore; it's about individuality, versatility, and wearability. Brides and grooms want to feel like themselves — beautiful, yes, but also comfortable, empowered, and modern. You recently told The Hollywood Reporter India that when it comes to bridal wear, "real glamour lies off-screen — in the people who live it, breathe it and pay for it". What is it about dressing real people that holds allure for you as a designer? Because that is where fashion lives and breathes — in reality. Dressing real people, understanding their stories, their anxieties, their joy — that's what makes couture meaningful. These aren't mannequins. They're individuals stepping into a new chapter, and it's a privilege to be part of that. That connection, that emotion — that's the real glamour. Quintessence captures the very heart of the Tarun Tahiliani aesthetic and design philosophy. What has really gone into it? Quintessence is not just a collection, it's a distillation — of everything I've believed in for three decades. It's where craft meets lightness, where heritage is reinterpreted with clarity and grace. It's about restraint rather than excess. Layered yet effortless. This collection carries the spirit of everything we've built: timeless, intimate, India Modern. In an era where more is more, Quintessence is focused on wearability as much as opulence. What does it take for you to strike a balance? It's about editing — always editing. You can have craft, but it must breathe. Embroidery must enhance, not overwhelm. We look at silhouettes, we consider movement, we ask: will the woman or man in this feel like themselves? Because true luxury isn't about being seen — it's about being felt. Cultural appropriation is the buzzword in fashion at the moment after we saw Prada not crediting Indian artisans, or India, for the famous Kolhapuris. You have been a passionate advocate of the design heritage and artisans who continue to uphold those traditions. What were your thoughts when you heard of the incident? Frankly, it's infuriating — but also not new. For too long, India has been the anonymous hand behind global luxury. We've been the invisible artisans. That must change. We need to protect our heritage, not just with IP laws but with pride and clarity. The world has appropriated for decades — it's time we assert ownership and celebrate our craftspeople as the true treasures they are. Social media is the new site of fashion and influencers are increasingly setting the agenda for a younger generation. Is there a danger of dilution of the understanding of a design aesthetic when that happens? There is a danger when attention spans shorten and nuance gets lost. But it also depends on how you use it. Social media is a powerful tool — it can educate, inspire, and democratise fashion. The onus is on designers and creators to go beyond just visuals, and tell stories — about craft, process, and intention. Because that's where longevity lies. After three decades, what lies ahead for the Tarun Tahiliani brand? This is a moment of both reflection and renewed ambition. As a brand, we're looking to scale our presence — to reach new audiences while staying true to the essence of India Modern. The idea is not just to grow, but to deepen: to refine our couture further, to continue elevating craftsmanship, and to build on the foundation we've created. With OTT by TarunTahiliani, we've opened a new chapter — a more accessible, contemporary expression of our design philosophy. It's an exciting time where each vertical — couture, bridal, menswear, accessories, and now OTT — speaks to a different facet of the same story: everyday luxury rooted in heritage, worn with lightness, and made for how people truly live today.

Designer Manish Malhotra makes heads turn with India's first couture party
Designer Manish Malhotra makes heads turn with India's first couture party

Khaleej Times

timean hour ago

  • Khaleej Times

Designer Manish Malhotra makes heads turn with India's first couture party

Designer Manish Malhotra is a creative genius and he has proved that creativity and fashion have no format. At the India Couture Week, Manish hosted a couture party, skipping the traditional ramp show format. A redefining moment in the history of haute couture and fashion weeks, the world over. As soon as the news went out, the glitterati world was abuzz with curiosity. The fashion press went to town with the news. The couture party invite wasn't giving away much either. He wanted to 'redefine and reimagine a couture night'. And he didn't want to do a formal runway for sure. He clearly wanted a larger-than-life royal party. By definition, a fashion couture party is a high-fashion event, where designers showcase their latest couture collections in an exclusive, intimate setting. Unlike traditional runway shows, these parties emphasise a more immersive and social experience, blurring the lines between designer, model, and guest. They often feature elements like live performances, curated decor, and opportunities for guests to interact with the designs and the designers themselves. After more than five years, Manish decided to do something unusual. So, we spoke with the man himself. 'After over five and a half years, coming back to India Couture Week felt incredibly special and I knew I didn't want to return with just another show. It had to be personal. It had to be different,' Manish said in an exclusive interview to City Times. The couture party was held on July 26 at the Taj Palace in New Delhi. Models glided through the venue wearing ensembles from Inaya, the designer's newest collection, merging eveningwear with global glamour and Indian craftsmanship. The event also featured a curated archival showcase of Malhotra's most loved creations and an exclusive presentation of his high jewellery line, bringing style and heritage under one roof. 'No formal runway, no front rows, just a couture celebration with music, legacy, food, flowers arranged just the way I like them at home, and an energy that felt like home,' he said. 'From showcasing cherished archival pieces and our high jewellery collection to debuting Inaya in the most intimate, immersive way, this night was about you, and me, and all of us, celebrating the spirit of couture together.' The highlight of the evening were the iconic costumes from Manish's archives that were on full display. Bollywood to Met Gala An exclusive set up was done with mannequins placed one after another wearing creations that made history. From Bollywood to Met Gala, every piece that made news and created memories was on display at the party. They included Kajol's famous neon green lehenga from the evergreen Bollywood hit Dilwale Dulhania Le Jayenge, Kareena Kapoor Khan's outfit from the song Bole Chudiyan from Kabhi Khushi Kabhi Gham, Natasha Poonawalla's Met Gala gown, Rekha's unforgettable look for Vogue cover and many more from the designer's timeless archives. This was a beautiful way to tell the story of these timeless creations. The highlight at the party was Brazilian supermodel Alessandra Ambrosio, flown in exclusively for her first-ever collaboration with an Indian designer. Making her debut as 'the muse' in The Lady Crystal Diamond, a bespoke creation by Manish Malhotra, she embodied the spirit of the evening: global sophistication fused with Indian artistry. The look, featuring crystal embroidery and structured draping, shimmered with restrained opulence, cementing its place as the most talked-about couture moment of the season. For her second look, Ambrosio unveiled The Pearl Story, an evolution of the couture house's signature pearl ensembles, following the iconic appearances of Adriana Lima and Coco Jones. Ambrosio wore a structured crinoline skirt paired with a layered tulle corset, drenched in cascading pearls and sequins. The evening also marked the launch of a trend forecast by Manish Malhotra: cocktail saris with crystal pallus, envisioned to redefine after-dark dressing for the modern Indian woman. Alongside these were swirl skirts with hypnotic movement, contoured and rouged gowns, and sculpted blouses, each designed to bring a sense of fluid glamour to the night. For men, sculpted silhouettes came through in sharply tailored suits, cropped bandhgalas, and elevated eveningwear that redefined the rules of formal dressing. From regal brooches and heirloom jhumkas to sculptural cufflinks and collar pins, the Manish Malhotra High Jewellery showcase added an opulent dimension to the night, enhancing both womenswear and menswear with signature sparkle and precision craftsmanship. The guest list Every VIP, socialite and influencer wanted to be on the guest list. Celebrities included the acclaimed actors Tamannaah Bhatia, Fatima Sana Shaikh, Taha Shah Badussha, Shalini Passi, Kalyani Saha and many more. But the party was something more exclusive, according to Saha. 'Fashion shows are a colossal expense. As important as it is to showcase every season, I feel the need to do it depends on the commercial viability of mainly sales and also branding which is necessary,'she said. 'But a party such as this, also cleverly showcasing the brand, is a brilliant idea instead of having the usual format. Models, celebrities alike wearing the brand but also socialising and having fun. Most importantly, Manish always does everything so beautifully and tastefully. The Couture Party was definitely so much fun and special,' Kalyani said. Fashion shows are getting saturated indeed. During fashion week, shows can be overwhelming — crowded seating, delayed starts, and a mad dash to the next event. In contrast, after-parties offer a welcome respite, providing a more relaxed and intimate setting for designers, celebrities, and industry friends to unwind and socialise after a hectic day of shows. 'These exclusive gatherings allow guests to shed the formality of the runway and connect with others in a more laid-back atmosphere. So what Manish did is perhaps pick a cue from there and create his own magical world and termed it a couture party. This one was very inclusive, everyone was interacting, enjoying a beverage while showing some fab fashion,' content creator Saru Mukherjee Sharma said. The ambience was designed to reflect Manish Malhotra's signature style, with moody lighting, mirrored accents, and sculptural florals that brought his vision of decor to life in Delhi. Without a traditional runway, the evening flowed naturally and allowed guests to engage more closely with the couture as it moved through the space. So, will India fashion weeks see the couture party trend becoming a norm anytime now? Diet Sabya, an anonymous yet popular fashion watchdog on social media, said, 'I don't think so. It'll take a special kind of designer to pull it off because guests, clients and editors hate watching a show standing. Like they hate it. They want to be seated. So probably a one-off.' For the first time ever, the designer featured an all-women line-up of musical talent. DJ Kayan opened the evening with her distinct blend of electronica and soul, followed by noted singer Jonita Gandhi's live vocals and Lush Lata's genre-bending sounds that kept the energy unexpected and dynamic throughout the night. It was also good to see iconic model Sonalika Sahay walk for the designer. One of the highlights of the evening was the expansive grazing table, personally curated by Malhotra. Cascading blooms, subtle pastel palettes, and unstructured wild textures by Interflora India transformed the venue into an extension of Manish's world making it feel both elegant and personal, bringing his signature decor vision to Delhi in a beautifully organic way. It depicted a celebration of couture and most importantly a celebration of Manish Malhotra's history with fashion, creativity and Bollywood. 'Couture party is a fantastic idea. Manish's attention to detail is incredible and he loves to come up with fun ideas. Couture Party is a trend to watch out for. It's interactive, free flowing and intimate,' says Shalini Passi who wore a vibrant yellow sari gown for the party. The couture party's creative direction and set design was led by Sumant Jayakrishnan, known for his cinematic approach to immersive storytelling. Jayakrishnan worked closely with Malhotra to ensure the spatial design aligned with the vision: intimate, fluid and unbound by convention. Amid all the media madness, fashion commentary, glitterati and showbiz, there's a valid point that Manish is trying to make: fashion has a history and it must be told. 'I created an archival of my work as I wanted the audience to watch, observe, admire and honour the fashion icons who have worn my creations and made them iconic,' he said. 'Be it Rekha- ji, Kajol, Kareena, Natasha, Coco Jones, Rihanna and so many more. Every look of these celebrities tells a story,' he said. 'It's 35 years of my work in cinema and 20 years of the label. It is the brand's commitment to artistry and craftsmanship. I don't want couture to be serious. I want people to have fun with fashion, fashion that creates history.'

Several seriously injured as fairground ride snaps mid-air and crashes in Saudi Arabia
Several seriously injured as fairground ride snaps mid-air and crashes in Saudi Arabia

The National

time2 hours ago

  • The National

Several seriously injured as fairground ride snaps mid-air and crashes in Saudi Arabia

At least 23 people were injured when a fairground attraction in Saudi Arabia snapped mid-ride, sending its full carousel plunging to the ground, it was reported on Thursday. Footage circulating online showed the 360 Degrees ride breaking in half, with the circular carousel crashing down from a height of several metres. The Saudi-owned Al Arabiya TV channel reported 23 people were injured, four seriously, in the accident on Wednesday. The amusement park in Taif, south-west Saudi Arabia, has been closed and an investigation is under way, Al Arabiya said. Saudi Arabia has been building a number of leisure and entertainment attractions as the long-cloistered country seeks to diversify its oil-reliant economy. Among its so-called giga-projects is Qiddiya near Riyadh, billed as an "entertainment city" of theme parks and a racetrack for motorsports.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store