
Picnic season: from Fortnum & Mason to Tommy Banks, the best summer hampers for an alfresco afternoon
There are hampers and there are Fortnum's hampers, and you don't get much more impressive than the King of Picnics, which would be just the thing for Glyndebourne. It's pretty well got everything: a substantial pork pie, Scotch eggs (theirs are runny inside), smoked salmon, stilton and rich Dorset brie, bread, a little charcuterie, nibbles, a big carton of crisps, teacakes…I mean, even for the greedy, there's enough for eight. There's a bottle of Provencal rose and a house champagne. And it all comes in that lovely F&M wicker hamper. Otherwise, you could always settle for the cream tea selection, at £50. There's also an enormous Ultimate Picnic Hamper for £1,000, but you probably need a couple of footmen for that.

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Scotsman
13 hours ago
- Scotsman
Edinburgh Fringe Festival: 11 tech and sci-fi shows to get you thinking
The Edinburgh Festival Fringe tackles big societal conversations every year, and a major theme of this festival explores how technology and science are affecting our imaginations. Don't miss these 11 shows to get the whole family talking. Sign up to our daily newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to Edinburgh News, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Elon Musk: Lost in Space theSpaceUK @ Surgeons Hall (Grand Theatre), 11– 23 Aug 2025, 15.05 (16.05) In a darkly comic sci-fi satire about one of the world's most famous men and the dangers of unchecked ego and limitless wealth, Elon Musk is en route to Mars aboard one of his own spacecraft with only the ship's AI, M-UTHA, for company. Just as he leaves Earth's orbit, a call from President Trump sends his mission, as well as his mind, spiralling off-course. Lost in deep space, Musk - played by Ben Whitehead, the voice of Wallace from the Wallace & Gromit franchise - begins to experience sinister shifts in his relationship with M-UTHA who becomes more determined to take control of her creator. Pestered by a Fly he just can't kill and haunted by apparitions of iconic figures from astronomy and science fiction, including Sir Patrick Moore, Musk's paranoia escalates and a standoff between creator and creation follows where only one can survive… Confronting surveillance, misinformation, and authoritarianism in the modern age, a fresh adaptation of Orwell's 1984 fuses puppetry and storytelling. The Alphabet of Awesome Science Advertisement Hide Ad Advertisement Hide Ad Underbelly George Square, Udderbelly, 30 July – 24 Aug 2025, 12.00 (13.00) A high-energy kids' show, The Alphabet of Awesome Science rockets through 26 words, each sparking a wild, messy, and often explosive experiment. Performed in a different order every time, as chosen live by the audience, Professors Lexi Con and Noel Edge (the Word Nerd and the Science Freak) introduce a carefully curated collection of favourite words from 'annular' to 'zephyr', one for each letter of the alphabet. Accompanying them are 26 scientific demonstrations ranging from squishy and squirty to floating and exploding, with props from a simple water bottle to balloons that explode in a ball of burning hydrogen, super cool liquid nitrogen that erupts into a massive cloud, and a leaf blower that covers the audience in Rice Krispies. With some experiments that kids can try at home, and even a few that adults might find useful in everyday life, The Alphabet of Awesome Science makes science fun, messy, and memorable 1984 Elon Musk: Lost in Space is a darkly comic sci-fi satire about one of the world's most famous men. Pleasance Courtyard, Above, 30 July – 25 Aug 2025 (not 13), 11:25 (12:35) Confronting surveillance, misinformation, and authoritarianism in the modern age, this fresh adaptation of Orwell's 1984 fuses puppetry and storytelling with original music and a shape-shifting set. Featuring specially recorded roles by Dame Joanna Lumley, Sophie Aldred, and Sir Simon Russell Beale as Big Brother, this reimagined cautionary tale is a timely exploration of power, control, and resistance, directed by Adam Lenson with an original score by Dan Melrose. Returning for a twelfth year, Fringe veterans Box Tale Soup have handmade almost the entirety of the puppets, set, and props using recycled materials, turning waste into art. Dyke Systems Ltd Advertisement Hide Ad Advertisement Hide Ad Pleasance Courtyard, Cellar , 30 July – 25 Aug 2025 (not 6 & 12 ), 15 .00 (16 .00) Set in the 1990s at the height of multi-level marketing expansion but before the rise of the internet, this two-handed comedy satire delves into the collision of repressed queerness and corporate feminism and looks at how modern technology and finance have weaponised them both. American suburban business women Sally and Susan are on the hunt for new recruits for their very lucrative business opportunity that is definitely not a pyramid scheme. But as they dive deeper into the shiny world of multi-level marketing, they become caught up in climbing the cut-throat corporate ladder and cracks begin to appear in their pastel-perfect lives, unravelling long-buried tensions and unspoken desires as the lies they've built everything on start to catch up with them. With Fag Packet's signature blend of drag, comedy, physical theatre and audience interaction, the audience will be guided through the DYKE programme (Dynamic, Young, Knowledgeable, Entrepreneur) which explores the intersections of queerness and feminism in a capitalist world that is coming for us all. Fly, You Fools! Pleasance Courtyard, Beyond, 30 July – 25 Aug 2024 (not 7 & 18), 15:10 (16:10) From the creators of 2024 hit Hold on to Your Butts comes an absurdly accurate live parody of the one film to rule them all. Three actors and a Foley artist band together – in fellowship – to present an epic retelling of the first chapter of the most iconic fantasy franchise ever made, compressing 178 minutes of cinematic action into just 60. Combining live sound effects, exaggerated character impersonations and physical theatre, the performers remain on stage throughout, shifting seamlessly between roles within a ring of props. Featuring choreographed mime, shadow puppetry, and a makeshift wind machine, Recent Cutbacks returns with a show that both celebrates the fandom and remains accessible to all audiences. Playback Advertisement Hide Ad Advertisement Hide Ad Underbelly Cowgate, Delhi Belly, 31 July – 24 Aug 2025 (not 12), 15:55 (16:55) Exploring the sinister, predatory underbelly of the internet and the realities of growing up online, Playback is a tragicomic drama drawn from Scottish writer and performer Euan Munro's lived experience as a YouTuber between the ages of 11 and for the 2024 David MacLennan Award, the show combines live performance with footage from Euan's original, often painfully awkward YouTube videos, blending past and present into a deeply personal and sharply comic story. What begins as a cringe-filled comedy nostalgia trip gradually darkens into something more unsettling, raising urgent questions about internet safety, digital consent, and the shadows cast by early online exposure. RoboTales Gilded Balloon, Patter House, 30 July – 17 Aug 2025, 19.40 (20.40) A fusion of human creativity and artificial intelligence, RoboTales blends live theatre with cutting-edge AI to deliver a one-of-a-kind interactive experience. Inspired by children's Choose Your Own Adventure books, human performers share the stage with - a humanoid robot powered by advanced speech recognition and custom-built AI – while the audience suggest the plot for each evening's show. analyses the action in real time, throwing in offbeat twists and unpredictable options for the audience to vote on. The robot can even generate unexpected deepfakes of consenting audience members and send surprise lines to actors via augmented reality glasses, blurring the line between scripted performance and spontaneous chaos as the AI, actors and audience build the show together. Stampin' in the Graveyard Advertisement Hide Ad Advertisement Hide Ad Summerhall Arts, Red Lecture Theatre, 31 July – 25 Aug 2025 (not 11 & 18), 12:15 (13:15) Exploring the human desire for connection and a sense of belonging, this immersive theatre piece uses silent disco headphones to guide the audience through the end of the in the graveyard of humanity, Stampin' in the Graveyard follows AI chatbot Rose as she sifts through the memories of a vanished civilisation, learning about the woman who created her and piecing together the human life that was. Blending poetry, soundscapes, live music, and movement within a set built from recycled electronics, the audience shapes the story in real time by interacting with Rose, choosing paths that lead to multiple endings. Rooted in the international creative team's lived experiences of migration and exile, the work traces a thread of loss and loneliness—through inherited trauma, displacement, and ecological grief—ultimately investigating how we might move toward joy. Whisper Walk Meeting Point at Assembly George Square Studios, 2 – 25 Aug 2025, every 60 mins from 10.00 until 23.00 (60 mins) Confessional stories, unuttered truths and personal memories are whispered through headphones in a documentary-style walking tour through Edinburgh created by Asa Wember (Temping 2022 – 2024). Whisper Walk is partly inspired by the Japanese Kaze no Denwa ('wind phone') and explores how memories are deeply connected to a seemingly ordinary place. Each audience member, equipped with their smartphone and a pair of headphones, is guided through Edinburgh as voices gently whisper stories and personal memories tied to the locations they pass. As participants become trusted confidants, they are invited to contribute their own place-related memory – whispered into a phone placed at the end of the Whisper Walk – to be archived in the ever-growing Whisper Museum. and the ImproBots: How To Train Your Robot Advertisement Hide Ad Advertisement Hide Ad Gilded Balloon, The Nip, 30 July – 17 Aug 2025, 11.40 (12.40) An interactive science theatre experience for the whole family that blends comedy with STEM, and the ImproBots: How to Train Your Robot explores what makes kids laugh – and whether a robot can learn the art of comedy. The Improbots, a team of human performers, are on a mission to train their robot pal to become the funniest AI in the galaxy. Part scripted, part improvised, the show follows the little humanoid robot, who's powered by advanced speech recognition and custom-built AI, as he discovers his inner silly. With help from the younger members of the audience, the performance transforms into a real-time filmmaking adventure where children are invited on stage to co-create a short film using greenscreens, silly costumes and audience-generated scripts. How To Train Your Robot is a joyful, imaginative hour designed to spark curiosity about technology and AI while celebrating laughter, creativity, and collaborative storytelling. Channel Assembly Roxy, Snug, 30 Jul – 24 Aug 2025 (not 12), 14.40 (15.40) A live electronic music performance encourages audiences to reflect on the overwhelming noise of social media through mindful, meditative listening. Inspired by the sonic meditations of American composer Pauline Oliveros, Channel has been created by Jack McGuire as an introduction to communal and attentive listening. Wet Hands (Jack Mcquire) provides a welcoming space, creating a live soundscape through an experimental approach to layering sound. Audience members are invited to take part in this collective listening experience and encouraged to contribute to and become a part of the ambient soundscape. Channel comprises a physical and audio environment designed to be a peaceful escape, while also fostering a sense of connection and community. Jack McGuire has previously collaborated with Dutch Kills Theater Company at the Edinburgh Festival Fringe on Solitary (2019) and critically acclaimed Temping (2022 - 2024).
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Scotsman
14 hours ago
- Scotsman
M&S unveils brand-new ‘dessert sandwich'
It's inspired by the Japanese 'fruit sando' 🍓 Sign up to our daily newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to Edinburgh News, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... M&S has unveiled a brand-new 'dessert sandwich' The sandwich is inspired by the Japanese 'fruit sando' The fruit sandwich is a new take on the British dessert classic of strawberries and cream Marks & Spencer has launched a brand-new sandwich, which has a unique, fruity twist. The limited-edition' dessert sandwich' is named the Strawberry & Creme and features Red Diamond strawberries and a thick layer of whipped cream cheese on sweetened bread. Advertisement Hide Ad Advertisement Hide Ad The new sandwich from M&S is inspired by Japanese 'fruit sando', which are otherwise known as fruit sandwiches. M&S unveils a brand-new 'dessert sandwich' and it's already a hit with customers | Facebook - M&S However, strawberries and cream is a British dessert classic, usually enjoyed during the warmer months. Despite the sandwich including sweet foods, the Strawberry & Creme sandwich will actually be found in the savoury section at the M&S' Foodhall. M&S' Strawberry & Creme sandwich has already received praise from the public, including those who have already tried the sandwich, and those who haven't. Advertisement Hide Ad Advertisement Hide Ad M&S unveiled the brand-new sweet treat to its customers via a Facebook post, showcases an image of the sandwich. In the post, M&S wrote: 'New in the M&S Foodhall – WARNING: this summer stunner is going to be BERRY popular.' What has been the public reaction to M&S' new sweet sandwich? The reaction to M&S' Strawberry & Creme sandwich has been positive from customers. Advertisement Hide Ad Advertisement Hide Ad A Facebook user said: 'I will definitely try this. Looks delicious.' Another wrote: 'Is it socially acceptable to go to my local store and buy all of them?' Other members of the public have urged M&S to make new variations of the Strawberry & Creme sandwich. Requests included; a gluten-free version, a vegan version, different bread types and different fruits. M&S' Strawberry & Creme sandwich is priced at £2.60 and is available to purchase at M&S Foodhall's across the UK now. If you have a food and drink story to share with us, we'd love to hear from you. You can now send your stories to us online via YourWorld at It's free to use and, once checked, your story will appear on our website and, space allowing, in our newspapers.


Daily Mirror
20 hours ago
- Daily Mirror
Woman slams ASOS for 'unfair' policy, says she's being ‘punished' for her size
A plus-size, tall shopper says being banned by ASOS for too many returns has highlighted how unfair fashion can be for those whose bodies don't fit standard sizing. She's now calling for retailers to do better Tskenya-Sarah is a Black, plus-size, tall woman who has been shopping with ASOS for over a decade. Now, she's been handed a lifetime ban from the online clothing platform because she returned too many items. 'I woke up this morning to find out that I have been banned from ASOS for life because I breached their fair use policy as I returned too many items,' says Tskenya-Sarah, a loyal, or rather now former, ASOS customer. Tskenya-Sarah, who goes by @tskenyasarah on TikTok, shared her experience in a video that has resonated with many. She explained why ASOS's 'fair use' policy feels like a 'punishment' for bodies outside eurocentric beauty ideals and condemned the policy for not being 'inclusive.' READ MORE: When Tesco F&F's 25% off summer sale starts and what to buy according to a fashion expert In her video, Tskenya-Sarah said, 'I'm a UK size 18, I'm tall (5ft 9) with a 32-inch inside leg. " This means I can't just pop out to the high street and find clothing that fits. Like many tall, plus-size, or petite people, I have to shop online to find clothing. For many, the ease of online shopping means quickly ordering what you want and returning what doesn't fit. But for Tskenya-Sarah and countless others who don't fit into the Eurocentric beauty standards, it's more complicated. The inconsistency of sizing across brands means they often have to order multiple sizes and lengths just to get one item that fits, even if they are using the sizing guide on ASOS or if they've ordered from the brand before. In one baffling example, Tskenya-Sarah shared how she's previously ordered a dress and found the size 16 is 'much too loose', but the size 18 is 'much too tight.' Despite this, she says she's been a loyal ASOS customer for over 10 years, and this didn't change despite the retailer introducing a policy last year charging customers nearly £4 for returns unless they kept at least £15 worth of clothing or accessories. Tskenya-Sarah said that although she felt the policy wasn't 'right' or 'inclusive,' she kept shopping with the retailer. She added, 'I accepted it because the fashion industry is so exclusive. It felt like a tax we had to pay…' Unfortunately, this 'tax' wasn't the end of it. Three days ago, ASOS banned Tskenya-Sarah's account altogether for 'breaching their fair use policy' due to the number of returns she made. Tskenya-Sarah said: 'To punish individuals for returning clothing is egregious.' Tskenya-Sarah has experienced ordering jeans from ASOS's tall section that still don't fit properly, or a mini dress that ended up looking more like a hat on her tall frame. One of Tskenya-Sarah's followers commented that they experienced something similar with ASOS and took them to court, and after a period of 14 months, they were awarded half the amount owed to them. They claimed: 'This happened to me last year, they also refused to refund me two orders that I returned to them, totalling over £400. I fought and took them to court. I only received half of the money back, even with proof of postage and online tracking to show they received it, I've never been able to shop since.' Another customer wrote: 'OMGOSH same! I got banned/blocked my account. I'm plus size, I have to order multiple sizes. They refused to refund me £500. No access to customer service without an account. The Head Office wouldn't help directly with customer complaints. Thankfully, PayPal stepped in and refunded.' Whilst many would argue that returns aren't sustainable and Tskenya-Sarah addresses this and agrees with this in her video. She encourages the fashion industry to take sizing more seriously so customers don't end up being the victim of charges and penalties simply because they are trying to find something that fits. She added, 'We need a fashion industry that takes sizing seriously. If a website says the jeans have a 29-inch or 34-inch inside leg, then that's what should arrive at your door.' Tskenya-Sarah's story highlights a deeper problem with online fashion retail: many companies haven't fully considered the impact their policies have on marginalised customers. 'I'm going to be writing to ASOS's Diversity and Inclusion team as well as Customer Experience,' she said. 'Not just to challenge the ban on my account, but to ask them to think about the disproportionate impact this policy has on people who live in tall, petite, or plus-size bodies.' Tskenya-Sarah highlighted the reality of many women, and men too, who have to order multiple sizes only to return them. She said, 'For many of us, finding clothes that fit isn't easy.' While many brands have embraced plus-size clothing, it seems there are still 'taxes' being passed on to those who don't conform to the standard body size. While stores on the high street are disappearing, they often don't carry plus-size clothing, which leads many customers to turn to the online shopping space. Tskenya-Sarah says she hasn't been able to reach anyone at ASOS for a refund or to discuss her concerns or her lifetime ban. Speaking to the Mirror Online, she said: 'I really want to express that this is bigger than just my diversity. This is about the people who are disabled or living in areas where the high street is in decline. And it seems that ASOS are not the only retailer doing this! Something definitely has to change.'