Patina Miller On Significance Of Black Women In Powerful Roles Like Raq And Monet Tejada
'I think it's super important,' she says of portraying powerful women in roles traditionally dominated by men. 'We see men playing these roles all the time, and it's celebrated, but when women portray these same characteristics, it often comes with a negative connotation.' Miller also believes that Raq, much like Mary J. Blige's Monet Tejada character in Power Book II: Ghost, challenges the typical depiction of women as merely emotional or nurturing figures.
'This type of woman… she's powerful, she's resilient, she's a dreamer. She owns herself,' Miller explains. 'And I think that's really amazing to watch.'
Elsewhere, Miller teased that fans should 'expect the unexpected' this season, as viewers will get a deeper glimpse into Raq's vulnerabilities, especially in her relationships with her son Kanan (Mekai Curtis), and Unique (Joey Bada$$). 'There are some moments where you get to see, not the softer side, but the more vulnerable side,' she teased. 'It's family drama on a much larger scale this season. It's real big family drama with meaningful stuff that's going to start happening.'
Regarding Raq's complicated bond with Unique, Miller explained how the perceived loss of her lover/opp has impacted her more than she anticipated. 'Unique coming back is going to be entirely different… It's going to be interesting to watch them navigate whatever they have between them,' she revealed. As Raq now runs the business Unique once started, the tension surrounding that shift will unfold throughout the season.
Miller also touched on the evolving relationship between Raq and Kanan, which has matured significantly over the course of the show. 'At this point, there are no more lies between the two of them. Kanan is who he is, and Raquel is who she is. They see each other,' she explained. The two are now business partners, navigating their shared world with a new understanding and less of a personal input.
Check out the fourth season trailer for Power Book III: Raising Kanan below, along with Patina Miller's thoughts on her character, Raq, above.
More from VIBE.com
Joey Bada$$, Chris Redd Prove Gangstas Don't Die In 'Raising Kanan' S4 Premiere Teaser
SiriusXM Launches Mary J. Blige Radio For Women's History Month
'Power Book III: Raising Kanan' Raises The Stakes In Season 4 Trailer
Best of VIBE.com
10 Rap Albums Snubbed Of The Grammys' Album Of The Year Award
21 Black Entertainers Who Are Almost EGOT Winners
11 Black-Owned Games To Play At The Next Function Or Kick Back
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Washington Post
22 minutes ago
- Washington Post
The National Gallery bought a student's work. It's a masterpiece.
Great Works, In Focus • #195 The National Gallery bought a student's work. It's a masterpiece. Pierre Louis Alexandre, a dockworker who modeled at the art academy on the side, appeared in painting after painting. Karin Bergöö Larsson's portrait of him broke with all the rest. Expand the image Click to zoom in Column by Sebastian Smee July 31, 2025 at 11:25 a.m. EDT 4 minutes ago 3 min So many things make this painting — a recent acquisition by the National Gallery of Art — stand out from those around it, but why not start with the colors? Appreciate the way in which the sitter's yellow sash zings against the fresh blue sky. His red and white striped shorts complete the arrangement of clean, bright primaries, while his black hair and brown skin, set against so large a swath of blue, deepen the color effect in ways Henri Matisse (with his instinctive understanding of black as a dynamic color) doubtless would have admired. The artist, Karin Bergöö Larsson (1859-1928), was Swedish. She was a student at Stockholm's Royal Swedish Academy of Fine Arts when she painted Pierre Louis Alexandre, a dockworker who had become a fixture at the academy, earning extra money as a model when the harbor froze over. Alexandre was born into slavery in Guyana in 1843 or 1844. Around the age of 20, he arrived in Sweden, most likely as a stowaway on an American ship. His long stint as an artist's model — he posed there for 25 years — produced many likenesses. Scholars think we may have more painted portrayals of Alexandre than of any other Black person before the 20th century. Larsson's portrayal of him combines pose and vantage point in striking ways. Alexandre looms above us in ways we usually associate with heroic depictions of men of high social stature. But his pose is informal and relaxed, his jackknifed leg exerting symmetrical pressure on his casually interwoven fingers and hands. His body is shown in profile, giving the image a linear, neoclassical crispness. But his head, with its powerful, pensive expression, is turned slightly toward us, even as it subtly recedes in relation to his muscular right arm, injecting something slightly tumultuous into an otherwise stable composition. Even though Alexandre was not in the least Moorish, other extant depictions of him show him bare-chested with turbans and swords, or standing, devious-eyed, before Islamic carpets. Aside from the sash at Alexandre's waist (perhaps suggesting a Moor's costume), Larsson avoids this kind of egregious orientalizing. She paints him with palpable freshness and a beautiful touch. Note the glistening oils on his neck lightening his skin where it twists, the nonchalantly captured texture of his hair, and the lines on his cheek where they meet his stubble. Larsson stopped painting when she married and started a family. She had met her husband, the Swedish designer and artist Carl Larsson, in 1882, at an artists' colony in the village of Grez-sur-Loing, near Paris. They had their first child in France before returning to Sweden, and when he asked her to end her painting career, she complied. She bore eight children in total (one died in infancy). Somehow, amid all the domestic labor, she found time to transform herself from a (clearly brilliant) painter into an innovative weaver, embroiderer and clothing designer, to collaborate with Larsson, and to pose for his paintings — just as Alexandre posed for her.


USA Today
an hour ago
- USA Today
The 'Love Island' drama, allegations and when a friend group implodes
After JaNa Craig dumped fellow islander Kenny Rodriguez, the famous friend group of "Love Island USA" Season 6 took sides. Craig confirmed her relationship with Rodriguez was over, claiming the truth is more "disgusting" than any of the speculation that has flooded the internet. Rodriguez later replied via social media post that included "I release this chapter with no ill will." The sentiment wasn't shared by fellow islanders. Leah Kateb and Serena Page, and their respective partners, Miguel Harichi and Kordell Beckham, unfollowed Rodriguez on Instagram. Kateb alleged Rodriguez was racist. Olivia "Liv" Walker accused Rodriguez of chasing fame. Most of the cast of Peacock spinoff "Love Island: Beyond the Villa" are not following Rodriguez (who is on the show). USA TODAY reached out to Peacock for comment. The friend group will never be the same. Friends groups fizzle all the time. We move cities. Interest change. We replace half our friends every seven years. The door doesn't always shut forever. But sometimes a clean break is justified, according to Danielle Bayard Jackson, friendship educator and author of "Fighting for our Friendships." This is especially true in the case of allegations of toxic or abusive behavior, Jackson said. Even if that person extends goodwill, as Rodriguez did, we may need to step away to protect ourselves, as JaNa and the others did, she said. "We can recognize that a person feels remorseful and regretful of what they said, that a person was in a place of ignorance and unlearning certain ideas," Jackson said. "It doesn't absolve or protect you from the consequences that come with that." When friend groups fizzle A violation of trust can end a friend group, Jackson said. When foundational beliefs suddenly change, we feel emotionally and physically unsafe, Jackson said. Rescinding friendship isn't about punishment, though, Jackson said. "It's because 'I can't exist safely, freely, vulnerably and wholly with you.'" Jackson said she empathized with the "disillusionment" the islanders experience after trust is broken. "That is a psychological bending that can be really hard to navigate," Jackson said. 'Love Island USA' news: Cierra Ortega reveals if she will be at the 'Love Island: USA' reunion Friend groups should affirm how we want to be seen, Jackson said. For Craig, a Black woman with a highly visible platform, it's especially devastating that Rodriguez would threaten, rather than affirm, her identity, Jackson said. "I don't need you to be a Black person to be my friend," Jackson said of the role of race in friend groups. "But I need you to recognize that I am a Black woman." We don't always see this level of direct confrontation when a group member is accused of being dangerous, according to Jessica Calarco, a sociologist at the University of Wisconsin. "Most will tend to continue the friendship," Calarco said. "This is because when someone close to us – or even similar to us – engages in violent or toxic behavior, we're less likely to blame them for their actions than we would be if we saw the same behavior from someone to whom we're not close." Gender factors, too: Friend groups can be a hugely instrumental for women escaping toxicity in a romantic relationship, according to Calarco. Meanwhile, for some men, friend groups can serve as a blanket defense, she said, with less liklihood of isolating individuals. This isn't always the case, but can often be direct confrontation doesn't occur. "If you think your friend did something terrible, you probably won't lobby to kick them out of the group unless you think that the rest of the group is already on your side," Calarco wrote. "Supporting friends through toxic breakups is also particularly hard for those who are also friends with the partner responsible for the abusive behavior, given the competing obligations involved." More: Why 'Love Island' star Kaylor Martin says she won't watch 'Beyond the Villa' As tempting as it is, don't pose ultimatums to friends, Jackson said. And don't assume friends will automatically be loyal – articulate what you want and let them act. Try saying: "If you can't do (insert behavior), I don't know how to stay friends." Forgiveness and unfriendly aren't mutally exclusive, Jackson said. "We can hold space and have empathy for someone who says they've grown," Jackson said. "In the same vein, we can choose not to be in relationships." Contributing: KiMi Robinson


Black America Web
an hour ago
- Black America Web
Top 10 Black Celebrity Besties
Source: Kevin Mazur / Getty In the world of fame, where cameras flash and schedules clash, true friendship can be rare—but when it happens between two powerful Black figures, it becomes something sacred. These bonds often go far beyond photo ops and award shows. They represent loyalty, shared growth, and deep-rooted cultural understanding. There's something remarkable about seeing two Black celebrities laugh together, support each other through triumphs and traumas, and show the world that solidarity isn't just a buzzword—it's a way of life. What makes these friendships special isn't just longevity—it's the way they reflect the beauty and complexity of Black connection. Whether they grew up together, met on set, or were drawn together by shared missions, these duos embody trust in a world that rarely offers it. They are the ones who pull up when things get hard, celebrate each other's wins louder than anyone else, and hold space when the spotlight dims. In an industry that often isolates, these friendships are a form of resistance. T hey push against the narrative that Black success must be solitary or competitive. Instead, they show that joy is multiplied when it's shared, and that having someone in your corner—who gets it—is priceless. From red carpet glam to behind-the-scenes encouragement, these friendships inspire fans, set standards, and remind the world that chosen family is just as powerful as blood. They model vulnerability, accountability, and joy in ways that uplift not just each other, but everyone watching. RELATED: Best Wing Spots in Indiana Top 10 Black Celebrity Besties was originally published on From childhood to global superstardom, their sisterhood is unwavering. Kelly even appeared inside Beyoncé's home for the 'Renaissance' visual, showing how deep the love runs. The ultimate best friend duo. Decades of road trips, work, and life shared together. Their love for each other is legendary, deeply supportive, and widely admired. On and off the court, their brotherhood is solid. They went from NBA teammates to lifelong friends, supporting each other's families and businesses. Their bond didn't stop when Insecure ended. Their real-life friendship is full of support, prayer, laughter, and genuine admiration. Whether romantic or platonic, their creative and public connection runs deep. They've uplifted each other through artistic expression and Black queer representation. They vacation together, co-parent in the same friend circle, and hype each other up online. Their friendship is ride-or-die energy with real grown woman vibes. They've publicly defended each other, collaborated professionally, and remained close in an industry that often pits people against each other. Their support for each other, especially through growth, identity, and healing, has been loud and loving. They represent a newer generation of women uplifting women. Their Creed III press run turned into a viral moment, but their emotional openness, support, and 'brotherhood' went beyond promo — and sparked conversation about healthy male friendship in the Black community. Their friendship spans over three decades, from the early '90s to starring together in Set It Off . Through marriages, motherhood, and fame, their sisterhood has stayed intact—marked by deep respect, loyalty, and genuine love.