
S.F.'s new Pride festival faces backlash over stance on war in Gaza
Two Bay Area artists have pulled out of SoSF, because of organizers' stance on the war in Gaza, and are instead planning their own competing Pride event.
DJ Adam Kraft, founder of the event company Fake and Gay, and drag queen Nicki Jizz, who created the 'Reparations' drag show, opted to part ways with the outdoor music event scheduled for June 28 shortly after Oakland native Kehlani decided to drop off the lineup as SoSF's headliner last week.
'SoSF made a statement regarding Kehlani's stance and language being pro-Palestine, which resulted in a wave of comments asking them to clarify exactly what issues they had with Kehlani's position and language,' Kraft told the Chronicle on Monday, June 9. 'We, along with the majority of our community, stand with the Palestinian people, and felt that message should not be obfuscated.'
The Chronicle has reached out to SoSF organizers for comment.
The since-deleted statement by SoSF was posted to social media in May shortly after Kehlani faced concert cancellations by Cornell University and Central Park's SummerStage Pride concert over what the Ivy League deemed 'antisemitic, anti-Israel sentiments.' As first reported by the Standard, the statement noted that the festival's team 'fundamentally disagree' with Kehlani's language, and went on to explain they were seeking to 'engage with her team' instead of canceling her San Francisco appearance.
A joint statement by Kehlani and the festival was also included in an effort to smooth over any new criticism.
'No person should ever fall casualty of a war they did not choose and do not support,' the statement read. 'This sentiment extends to Jewish people, the same way it extends to Palestinian people, the same way it extends to all people.'
In April, Kehlani responded to her Cornell concert cancellation with an Instagram video clarifying that she is 'anti-genocide' and 'anti the actions of the Israeli government.' But she has continued to be criticized for her views.
The singer has frequently used her platform to voice her opposition to Israel and Zionism, and included the phrase 'long live the intifada' in the music video for her 2024 song 'Next 2 U.' The phrase translates to 'uprising' or 'resistance' in Arabic, but is also considered by some as a call for violence against Jews.
While announcing Kehlani severed ties with the event on Instagram, SoSF organizers revealed that the one-day celebration would no longer be at Pier 80's warehouse. Instead, it's set to take place as a block party across the street at 900 Marin St.
That post has since been deleted, though this information is still on the event's website.
It is still unclear why Kehlani, who identifies as a lesbian and uses she/they pronouns, withdrew from SoSF. But Kraft said that it did influence his and Nicki Jizz's plans to cancel their appearances.
'We pulled out of SoSF because we felt like our and our community's voices were not being heard or considered and for a Pride event, especially in this moment under the current administration, uplifting queer voices should be of the utmost importance,' Kraft said. 'I just couldn't bring myself to be a part of an event which started to feel more and more exploitative of pink dollars during such a crucial time.'
'This was an easy decision to make to stand up for what's right,' Nicki Jizz added.
Looking ahead, Kraft and Nicki Jizz are determined to pull together their own Pride weekend event.
'We would love to be able to provide an alternative space where people feel more comfortable and excited to attend, and know that their money is not going to a cause or entity that is actively in opposition to their own views,' Kraft said. 'It is super last minute to attempt to do something, but we are trying our best.'
Both Kraft and Nicki Jizz noted that the SoSF organizers they have worked with throughout the process have been 'understanding' and 'supportive.' But Kraft pointed out 'it feels like mixed messaging,' as the way in which organizers have continued to promote the event doesn't align with their behavior behind the scenes.
One example he cited is that when SoSF shared its new flyer, sans Kehlani, they made no mention of his or Nicki Jizz's departure.
'To me that speaks volumes,' Kraft said. 'They were only using us for our local audience reach and did not value us as contributors to the event.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
BBC Slams 'Deeply Offensive' Glastonbury Set: 'We Have No Plans To Make It Available On Demand'
A BBC spokesperson has described Bob Vylan's Glastonbury set today as 'deeply offensive' and said it won't be making it available on demand. As we reported earlier this evening, the BBC tried to skirt controversial Irish band Kneecap by not showing the group's Glastonbury set as part of its live wall-to-wall Glastonbury coverage today, but instead it was English punk duo Bob Vylan whose live performance on iplayer created a particular stir. More from Deadline BBC Avoids Kneecap But Live Streams Another Act Leading Crowd Chants Of "Death To The IDF" & "Free Palestine" BBC Finally Sets Out Plans For Kneecap Coverage At Glastonbury BBC Confirms Neil Young Glastonbury Set Will Be Televised Live After All British duo Bob Vylan led thousands of crowd-members in chants of 'Death, Death To The IDF' [Isreal Defence Force] and 'Free, Free Palestine' during their set. The packed crowd was studded with Palestinian flags. The band had a large message for fans on stage: 'Free Palestine. United Nations have called it a genocide. The BBC calls it a 'conflict''. They also also reiterated the controversial slogan: 'From the river to the sea, Palestine must be, will be, free.' In response, a BBC spokesperson has told Deadline this evening: 'Some of the comments made during Bob Vylan's set were deeply offensive. During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' The performance inevitably sparked both outcry — including from a number of conservative politicians — and applause on social media. Kneecap performed its own set to a capacity crowd shortly after Bob Vylan and led the crowd in chants of 'Fuck Keir Starmer' and 'Free Palestine'. The UK Prime Minister had recently said it was 'inappropriate' for the band to play at the festival given the recent legal issues the group has encountered. Kneecap band member Mo Chara is currently facing terror charges in the UK for allegedly showing support for Hamas and Hezbollah, which are both considered terror organizations by the UK government. The local police force to Glastonbury posted a tweet tonight saying it was looking into comments made on stage by bands this evening. We are aware of the comments made by acts on the West Holts Stage at Glastonbury Festival this afternoon. Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation. — Avon and Somerset Police (@ASPolice) June 28, 2025 Some of the context here is the ongoing catastrophic loss of life in Gaza and the ongoing hostage situation in the territory. More than 58,000 people have been reported killed in the Gaza war, at least 56,000 of those being Palestinian, according to local reports. 80% of the dead are said to be civilians. At least 72 people have been killed in Israeli strikes across Gaza this weekend, health staff have said. The UN has reported that at least 410 Palestinians have been killed seeking food since Israel lifted an 11-week aid blockade on 19 May. Meanwhile, there are understood to be 50 hostages left in captivity following the October 7 Hamas raids in 2023, of whom Israel believes 27 are dead. Best of Deadline 2025 TV Series Renewals: Photo Gallery 2025 TV Cancellations: Photo Gallery 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More
Yahoo
an hour ago
- Yahoo
BBC Slams 'Deeply Offensive' Glastonbury Set: 'We Have No Plans To Make It Available On Demand'
A BBC spokesperson has described Bob Vylan's Glastonbury set today as 'deeply offensive' and said it won't be making it available on demand. As we reported earlier this evening, the BBC tried to skirt controversial Irish band Kneecap by not showing the group's Glastonbury set as part of its live wall-to-wall Glastonbury coverage today, but instead it was English punk duo Bob Vylan whose live performance on iplayer created a particular stir. More from Deadline BBC Avoids Kneecap But Live Streams Another Act Leading Crowd Chants Of "Death To The IDF" & "Free Palestine" BBC Finally Sets Out Plans For Kneecap Coverage At Glastonbury BBC Confirms Neil Young Glastonbury Set Will Be Televised Live After All British duo Bob Vylan led thousands of crowd-members in chants of 'Death, Death To The IDF' [Isreal Defence Force] and 'Free, Free Palestine' during their set. The packed crowd was studded with Palestinian flags. The band had a large message for fans on stage: 'Free Palestine. United Nations have called it a genocide. The BBC calls it a 'conflict''. They also also reiterated the controversial slogan: 'From the river to the sea, Palestine must be, will be, free.' In response, a BBC spokesperson has told Deadline this evening: 'Some of the comments made during Bob Vylan's set were deeply offensive. During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' The performance inevitably sparked both outcry and applause on social media. Kneecap performed its own set to a capacity crowd shortly after Bob Vylan and led the crowd in chants of 'Fuck Keir Starmer' and 'Free Palestine'. The UK Prime Minister had recently said it was 'inappropriate' for the band to play at the festival given the recent legal issues the group has encountered. Kneecap band member Mo Chara is currently facing terror charges in the UK for allegedly showing support for Hamas and Hezbollah, which are both considered terror organizations by the UK government. The local police force to Glastonbury posted a tweet tonight saying it was looking into comments made on stage by bands this evening. We are aware of the comments made by acts on the West Holts Stage at Glastonbury Festival this afternoon. Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation. — Avon and Somerset Police (@ASPolice) June 28, 2025 Some of the context here is the ongoing catastrophic loss of life in Gaza and the ongoing hostage situation in the territory. More than 58,000 people have been reported killed in the Gaza war, at least 56,000 of those being Palestinian, according to local reports. 80% of the dead are said to be civilians. At least 72 people have been killed in Israeli strikes across Gaza this weekend, health staff have said. The UN has reported that at least 410 Palestinians have been killed seeking food since Israel lifted an 11-week aid blockade on 19 May. Meanwhile, there are understood to be 50 hostages left in captivity following the October 7 Hamas raids in 2023, of whom Israel believes 27 are dead. Best of Deadline 2025 TV Series Renewals: Photo Gallery 2025 TV Cancellations: Photo Gallery 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More


San Francisco Chronicle
an hour ago
- San Francisco Chronicle
S.F. Opera's first Pride concert fills the house with color and community
Every June, the exterior columns of the San Francisco War Memorial Opera House become a symbol of LGBTQ Pride as they're illuminated in a rainbow scheme. Now, for the first time, the interior of the historic auditorium is a canvas. For the San Francisco Opera's first Pride Concert on Friday, June 27, stage artist Tal Rosner created immersive projection experiences that leapt off the stage. Rosner and San Francisco Opera General Director Matthew Shilvock were both excited by the technology's possibilities. 'Its an old building, it's beautiful and intricate,' said Rosner. 'Everything I do is part of the emotional journey of the audience, but we're also really celebrating the architecture of the building in a fun way. All these different songs have different environments.' The Pride Concert was presented in partnership with San Francisco Pride (the organization that organizes the parade and Civic Center festival) and showcased music by LGBTQ composers and songwriters. The night's singers were baritone Brian Mulligan, who is gay; mezzo-soprano Jamie Barton, who is bisexual; and Nikola Printz, who is trangender and nonbinary. San Francisco Opera Music Director Eun Sun Kim and Robert Mollicone conducted the San Francisco Opera Orchestra, while 'RuPaul's Drag Race' Season 16 runner-up (and classically trained opera singer) Sapphira Cristál emceed. The night included a bevy of community co-partners: The Tenderloin Museum, the National AIDS Memorial, Compton's Cafeteria Riot, the Marigold Project, the GLBT Historical Society and the Castro landmark the Twin Peaks Tavern. Among the special happenings were a pre-show discussion with S.F. Pride director Suzanne Ford, a display of the AIDS Memorial Quilt and queer history art installations and exhibitions. 'When times are bad, you find out who your real friends are,' said Horn, who is also the president of the War Memorial Performing Arts Center. 'We have seen so many people who we thought were our allies disappear, the corporations, some of the nonprofit organizations, our lawyers. But the San Francisco Opera is proud to stand up.' Shilvock said there was never a question that the concert would go on. 'This is what the arts are for, to be in community, to allow us to be who we are,' said Shilvock. 'We've always been a part of Pride and in the parade since the 1980s. The Pride community has always been linked to the Opera, now let's bring the festivities in here.' The program, curated by San Francisco Opera's managing artistic director Gregory Henkle, opened with Leonard Bernstein's overture to 'Candide' conducted by Kim. The 1956 musical has some of Bernstein's best theatrical music, and as Kim approached the delicate excerpts from the song 'Glitter and Be Gay,' there were knowing titters. Explosions of color reminiscent of painter Marc Chagall filled the auditorium, while points of colored light highlighted the architecture of the opera house. Printz warmly sang San Francisco composer Jake Heggie's 'Vesuvio, il mio unico amico' from his 2015 opera 'Great Scott,' the story of an opera diva, Arden Scott, returning to her hometown. Heggie, who is gay, agreed that the LGBTQ community has long had an association with the opera world as both artists and ardent fans. 'It's highly emotional, dramatic, and a way to see something you were feeling inside expressed on the stage,' said Heggie, whose opera 'Dead Man Walking' returns to San Francisco Opera this fall with Barton in the lead. 'Historically, gay men and women could find each other at the opera house,' he said. 'Queer people didn't have a lot of places they could go and experience that.' Mulligan's fine delivery of Yeletsky's aria from Tchaikovsky's 'Pique Dame' and Barton's dark and rich 'Mon coueur s'ouvre á ta voix,' from Saint-Saëns' 'Samson and Dalila,' were treats before the rousing Bachanale from the same opera. The pop half of the program took flight with Barton and Printz' delightfully light, yet soulful, 'Closer to Fine' by the Indigo Girls. Singing the hit, re-popularized in 2023 by the ' Barbie ' movie, there was no 'opera singer doing pop music' stiffness. Among the night's best projections were the Saul Bass-meets-mass transit abstractions as the San Francisco Opera Orchestra took on Billy Strayhorn's jazz hit 'Take the 'A' Train.' Another visual highpoint was the sweeping images of San Francisco's queer history from the GLBT Historical Society Museum as Barton gave a moving take of Melissa Etheridge's 'Uprising of Love.' Mulligan's finest moments of the night were dramatically different: a tender, haunting version of Freddie Mercury's 'You Take My Breath Away' that contained layers of nuance about repressed queer desire. He let that emotion out in Jerry Herman's anthem 'I Am What I Am' in the boundary-breaking 1983 drag musical 'La Cage aux Folles.' The audience went there with him, cheering as he sang 'it's time to open up your closets.' Printz closed the night with 'I was Born his Way' (not the Lady Gaga song, Cristál joked) but the gay disco hit made famous by gospel artist Carl Bean, culminating in a dramatic burst of color overtaking the house. Following the performance, patrons were invited to a dance party in the lobby with San Francisco drag mother Juanita More spinning. The sounds of San Francisco disco queen Sylvester bumped from the speakers as operagoers bumped into each other on the dance floor. Regardless of what politics bring, plans are already underway for next year's Pride concert, Shilvock said. Surveying the crowd, San Francisco drag legend Donna Sachet remarked: 'This is proof we exist, even as the government is trying to erase us.'