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Harry Hill wants TV Burp to return - but with one major change

Harry Hill wants TV Burp to return - but with one major change

Wales Online14 hours ago
Harry Hill wants TV Burp to return - but with one major change
The 60-year-old comedian fronted the ITV comedy clip series - which saw Harry make jokes relating to the previous week's hottest TV shows, with episodes also featuring sketches and parodied scenes - from 2001 until it ended in 2012
(Image: BBC )
Harry Hill wants TV Burp to come back – but with a new presenter.
The 60-year-old comedian fronted the ITV comedy clip series - which saw Harry make jokes relating to the previous week's hottest TV shows, with episodes also featuring sketches and parodied scenes - from 2001 until it ended in 2012.

And whilst Harry thinks he would not succeed in re-creating the award-winning show, the star is open for someone to replace him in reviving the programme.

In an interview with the new issue of Radio Times magazine, he said: "I don't have any plans [to bring back Harry Hill's TV Burp].
"These things are best left undone. We did all the jokes. Trying to re-create that, I'd be on a hiding to nothing, but I'd love someone else to do it.
"There's a space for that sort of show and I'm surprised no one's filled it."
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The Knitted Character was a recurring character in many series of Harry Hill's TV Burp until it was replaced with Mr. Fluffy in series 11.
And Harry said the Knitted Character does not want the "weekly stress" of the show either if it came back.
Speaking about the Knitted Character - who appears in Harry's new live show New Bits and Greatest Hits - he said: "He's in my live show. He comes on at the end as part of the badger parade, riding on the back of a heron.

"Blink and you'll miss him because he's only tiny, but he's still working.
"Knitted Character is older and wiser now. He doesn't necessarily want the stress of a weekly show, either."
The comic - who married artist Magda Archer in 1996 - binged-watched property shows, such as Homes Under the Hammer and EastEnders, for Harry Hill's TV Burp, and now he gets annoyed by them if he tries to tune in.

He quipped: "I used to watch them all for TV Burp, so they're a bit triggering, which is unfortunate because they're the only shows my wife watches."
Harry - whose real name is Matthew Hall - said the sketch comedy series Monty Python's Flying Circus is what inspired him as a child to become a comedian.
He explained: "Brucey [Forsyth], Eric [Morecambe] and Ernie [Wise] and The Two Ronnies [Ronnie Barker and Ronnie Corbett] were big in our house, but what really got me was Monty Python's Flying Circus.
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"The problem was, my dad decided what was on, and at 9pm, he wanted to watch the news on BBC One.
"I wanted to watch Not the Nine O'Clock News on BBC Two. We'd sneak it on, turn the sound down and hope he wouldn't realise what the time was."
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Love Island viewers blast Harry for flirting with Helena just after telling Shakira he is 'all for her' in shocking scenes as tense triangle continues
Love Island viewers blast Harry for flirting with Helena just after telling Shakira he is 'all for her' in shocking scenes as tense triangle continues

Daily Mail​

time34 minutes ago

  • Daily Mail​

Love Island viewers blast Harry for flirting with Helena just after telling Shakira he is 'all for her' in shocking scenes as tense triangle continues

Love Island's tense love triangle continued on Wednesday night's jam-packed episode. Viewers have slammed Harry for flirting with Helena just after telling Shakira he is 'all for her' in shocking scenes. He has been undecided between the two beauties for weeks now and still seems no closer to making his mind up. On the episode he was seen continuing his sexual banter with Helena before comforting Shakira on the terrace saying she has nothing to worry about. To make matters more complicated Helena has stolen the affections of Harrison who is currently with Toni. 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And now let's bomb Glastonbury
And now let's bomb Glastonbury

Spectator

timean hour ago

  • Spectator

And now let's bomb Glastonbury

A small yield nuclear weapon, such as the American W89, dropped on Glastonbury in late June would immediately remove from our country almost everybody who is hugely annoying. You would see a marked reduction in the keffiyeh klan, for a start, and all those middle-class Extinction Rebellion protestors would find, in a nanosecond, that their rebellion was pointless, because extinction had arrived even more summarily than they expected. Go on, glue yourselves to that, Poppy and Oliver. Street drummers, liberal politicians, provo vegans, radical rappers, spiritual healers, Billy Bragg, that bloke who owns Forest Green Rovers, druggies, tattooed blue-haired hags, almost the entirety of middle-class London – all evaporated. I am not saying that we should do this, of course – it would be a horrible, psychopathic thing to do. I am merely hypothesising, in a slightly wistful kinda way. One on Glasto, one on Brighton, and the UK would soon begin its recovery, with only a few chunks of gently glowing cobalt 60 left to remind us of what we are missing. One on Glasto, one on Brighton, and the UK would soon begin its recovery The BBC would cease to exist, too. It identifies Glastonbury as an expression of the UK 'coming together', which shows you how much it understands about the country. It has poured millions of pounds of licence-payers' money into its coverage, and 400 staff were there last weekend, including the director-general, Tim Davie. Or at least 400 staff were actually working there – I'll bet another 400 or so were there in their little tents, desperate to surf the vibe or whatever the phrase is. All those people, then, and they still couldn't get it right. Nor should we take seriously their claims that pulling the ridiculous Bob Vylan from air would not be anywhere near as simple as flicking a switch. It is every bit as simple as flicking a switch, in that all they had to do was flick a switch. They had rafts of presenters who could have filled the time, plus cameras at every other stage in the festival site. All it needed was someone with the merest vestige of sentience to make the decision – but, then, this is the BBC we are talking about. Whoever was in charge of output at that moment – almost certainly someone called 'Johnny' or 'Ayesha' – probably just thought the stuff about the IDF was 'top bants'. In truth, I am not much worked up about the Bob Vylan (or Kneecap) stuff, per se. They were only doing what an endless list of hip young musicians have done at every summer festival going all the way back to Country Joe McDonald and 'one-two-three-four what are we fighting for?' – i.e., channelling infantile far-left agitprop devoid of nuance and context to an audience of gullible drongos. The difference is that the BBC decided to cover it, thinking – as it unquestionably does – that the majority of the country would be cheerfully humming along with Bob Vylan's tuneful music and are entirely down with the sentiments expressed. That is the BBC's real crime. It is worth a brief digression here on the nature of protest songs, of rock musicians playing politics and whether they have an effect or not. The BBC would argue that they do have an effect, that they tap into a perhaps previously unexpressed sentiment among the wider public and hence herald great change. Au contraire. In the mid- to late-1960s, the more protest songs and festival chants there were, the further to the right swung the rest of the electorate. As evidence, I would point you in the direction of Richard Nixon's comprehensive victory in 1968 and then, after Country Joe had done his stuff at Woodstock, a landslide in 1972. They all seriously believed McGovern was going to win that one, so wrapped up inside their radical bubble were they all (including the broadcasters). All those youthful protests of the 1960s resulted in surprise victories for the right at the polls a few years later – in the UK with Ted Heath in 1970, in France with an unexpected win for Pompidou in 1969, and of course the USA. The more fervently they insist that they are right, the more likely it is that the rest of the country will tell them to get stuffed. I suppose it is possible that Bob Vylan will do for Tim Davie, the DG – although he is the least of the corporation's problems, frankly. He knows he has a workforce which, in its arrogance, subscribes to a set of political beliefs unshared by the people who pay for its existence. And it is so endemic that there is nothing he can do about it. One little thing I noticed: the BBC News dutifully covered the Bob Vylan debacle and did so even handedly. But on every single occasion, on radio and TV, the story was immediately followed by a report of Israeli 'atrocities' in Gaza. Every single time. Do you think that is an accident? There was a programme on BBC Radio 4 on Monday, as part of the 'Currently' series, about Louise Lancaster, an environmental protestor who was finally (on her fifth conviction) handed down a four-year sentence (later reduced to three years) for organising a protest which seriously inconvenienced hundreds of thousands of people. You would be hard-pressed to find a more egregiously biased example of broadcasting. Lancaster – a middle-class teacher from Grantchester – was portrayed as a kind of saint, suffering state persecution for her entirely valid beliefs. The Sun and Daily Mail were mentioned disparagingly and every action taken by Lancaster lauded. The BBC decided first to commission this rubbish and then put it out. Can you imagine it doing a similar piece about Lucy Connolly? Not a chance. That is the real problem with the BBC. It is utterly incapable of recognising the bias it displays every day on an hourly basis, no matter how often that bias is pointed out. Bob Vylan, frankly, is the least of it.

Truly awful: Roblox's Grow a Garden reviewed
Truly awful: Roblox's Grow a Garden reviewed

Spectator

timean hour ago

  • Spectator

Truly awful: Roblox's Grow a Garden reviewed

Grade: D– There's some scholarly research to be done, I fancy, on the strange psychological appeal of boringness in videogames. These gaudy things could be non-stop excitement, and yet many of the most successful are mega boring. 'Grinding' – repetitive tasks undertaken for incremental rewards – is a matter of pride and pleasure for serious gamers; and some games – I'm looking at you, interior-decorating Sims – really do offer a digital equivalent to watching paint dry. Remember FarmVille, for instance? Here was a truly mind-numbing Facebook game where you managed a virtual plot of land and grew corn and tomatoes and whatnot, traded them for imaginary currency, bought seed to grow more crops, and so ad infinitum. It is what sometimes gets called a 'Skinner box'. It was awful. Everyone loved it. Your mum loved it. It was Facebook's most popular game by miles. Anyway, the kids have now discovered FarmVille in a new form. It's called Grow a Garden, and it's on the Roblox platform, whose audience is pre-teen or tween, and the BBC reports that 16 million people are playing it. God help us. You buy some carrot seed, dump it in your blobby vegetable patch (the visuals are Minecraft meets Lego), harvest, sell, rinse, repeat. Your plants grow while you're offline, so even while you're at school your blocky virtual blueberries are growing. I found the best place to play Grow a Garden was in my allotment, where the time I spent attending to my virtual crops was time I wasn't acquiring blood-blisters digging out couch grass and horsetails and bitterly lamenting the sin of Adam. I felt bad. There's probably a lesson in there somewhere.

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