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I'm a fashion editor and these are the trending accessories I use to update my old summer clothes

I'm a fashion editor and these are the trending accessories I use to update my old summer clothes

Daily Mail​06-06-2025

When summer arrives the temptation to buy a whole new wardrobe's worth of clothes rears its head. I'm guilty of splurging on multiple last minute holiday buys and new season trending items just to try and update my look. But the trick is to invest in just a few simple seasonal accessories instead and you can easily achieve the same effect. These are the four to know for 2025.
Charm necklaces
The quickest way to zhuzh up an outfit is to throw on some bling. My preference is always gold, but mixing metals works too and right now charm necklaces are a must-have. Look for ethereal marine themed pieces adorned with seahorses, shells and enamel coral and try a cord chain rather than metal links. The Portuguese brand, Parfois, stocks an unmatched selection of statement necklaces - you'll be pushed to choose just one.
Parfois £55.99
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Free People £32
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Zara £25.99
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Studded belts
The revival of eighties dressing has come for your belts too: swap your plain thin version for a studded one. It will add just the right amount of edge to boho or cottagecore outfits and they're not just to be worn with jeans. Cinch your faithful floral midi with one or wear it low slung around your hips over a white tiered maxi skirt.
Brown suede bags
If you buy one bag this summer, make it a soft chocolate suede style. Thanks to NY brands Khaite and The Row, slouchy, sumptuous brown arm candy is now all over the high street. What's great about this accessory is that it will work well with autumn winter looks when the sun has gone.
Vagabond £260
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Clogs
Put your best foot forward in this seventies revival shoe. Clogs, heeled or flat, are trending once again. And yes, this includes your faithful Birkenstock Boston's. Opt for styles with studs or embellishments in neutral beige, brown and black. The aim is to channel the chic French fashion house, Chloé.

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Love Island viewers are left baffled as Conor breaks down in tears after Megan is dumped as he asks her to wait for him as they say 'Does he know he can leave with her?'
Love Island viewers are left baffled as Conor breaks down in tears after Megan is dumped as he asks her to wait for him as they say 'Does he know he can leave with her?'

Daily Mail​

time39 minutes ago

  • Daily Mail​

Love Island viewers are left baffled as Conor breaks down in tears after Megan is dumped as he asks her to wait for him as they say 'Does he know he can leave with her?'

Love Island viewers were left baffled after Conor broke down in tears following Megan's dumping, as they asked why he wouldn't just leave with her instead. In a shock turn of events during Friday's episode, Irish Islander Megan was dumped from the villa alongside Remell after a savage public vote. And after days of drama as they navigated their connection despite being coupled up with different people, Conor was visibly emotional as Megan was sent packing. 'Will you wait for me?' Conor asked Megan in an emotional chat. 'Yeah, I'll wait for you,' she replied. After some teary goodbyes and the dumped pair left the Villa, Conor broke down in tears as he spoke to Ben by the Firepit. 'I hand on heart do not think that anyone is going to come through that door that I fancy more than Megan…' he said. 'I look at her like a girlfriend on the outside.' 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I partied with Oasis & was blamed for triggering split…why their £400m tour is biggest band reunion there will ever be
I partied with Oasis & was blamed for triggering split…why their £400m tour is biggest band reunion there will ever be

The Sun

timean hour ago

  • The Sun

I partied with Oasis & was blamed for triggering split…why their £400m tour is biggest band reunion there will ever be

IT'S now just four sleeps until the biggest British band reunion there will ever be. Yes, I'm calling it. The Oasis reconciliation has never been equalled — and will never be eclipsed. 5 5 It's not hyperbole or exaggeration — this is the reunion to top all reunions, after 16 years of rumours, insults, damned lies, sub-par solo records, bitter divorces and naked venom. Who else but Oasis could be kicking up a storm and a scramble for eye-wateringly exorbitant tickets and inserting themselves right in the middle of the national conversation yet again with a forthcom- ing tour-we-thought-might-never-be dominating news bulletins and column inches for almost a year? As Liam Gallagher wrote on X: 'Oasis rehearsals get more coverage than most band's tours.' There are only two Beatles left — drum and bass — The Stones and The Who never really packed it in. Neither did U2 — and they're Irish anyway. Led Zeppelin's Robert Plant is 76 and Jimmy Page, 81, and their fans are dying out. The animosity between Pink Floyd's David Gilmour, 79, and Roger Waters, 81, appears insurmountable. Anyway, both groups — and I adore them equally — have already done it for peerless one-off shows I was privileged to witness in 2007 and 2005 respectively. The Stone Roses did it already. The Jam and The Smiths will likely never happen but could they really sell out stadia across North and South America, Japan, Australia, South Korea — and perhaps beyond — at the same speed and scale? Crowning moment for cool britannia Noel Gallagher gives update on Oasis rehearsals and breaks silence on Glastonbury rumours And the musical, media and technological landscapes have fractured so significantly over the past decades that I cannot envisage any group hereafter emerging with such impact and cultural significance, capturing the zeitgeist and empowering a nation. Legend will tell you that the Gallaghers never conquered America — yet they are playing two heaving mega-shows at the MetLife Stadium in New Jersey and the LA Rose Bowl, alongside Chicago's Soldier Field, their North American jaunt premiering with a brace of now-ticketless dates at the Rogers Stadium in Toronto, Canada. Spotify and streaming platforms have informed and educated new international audiences about the Mancs, who are now a more dominant global force than ever. So make no mistake, the Oasis Live '25 tour, which I and 74,499 others will be privileged enough to witness on Friday night at Cardiff's Principality Stadium, is the biggest British rock reunion of all time. Ever. Ad infinitum. End of. The Gallaghers also happen to be Catholic brothers — and their complex relationship began to resemble something of a holy tale, albeit latterly played out via X rather than the scriptures. Human beings have always been fascinated by sibling stories of rivalry and jealousy, not least Joseph in the Book of Genesis, which chronicles betrayal and ultimate reconciliation of the main man and his brothers. Sound familiar? Indeed, as Liam might say, biblical. It remains to be seen whether he will be wearing a coat of many colours on stage. These 41 Oasis dates are expected to bring in £400million with further dates in 2026 also being mooted, perhaps in Europe and also to tie in with the 30th anniversary of their peerless shows at Maine Road and Knebworth, but only if the brothers' truce holds. There have also been various band and solo brand deals with Adidas, Burberry, Stone Island and Clarks shoes since the reunion announcement, swelling the divorce-laden Gallagher coffers even further. Merch deals include £40 branded bucket hats, shot glasses, jigsaw puzzles, Oasis-themed tote bags and even baby grows. Curiously, Oasis rivals Coldplay are actually playing more sold-out dates at Wembley Stadium this summer, but with little fanfare. They will perform a record-breaking ten nights at the home of English football after the initial Oasis run of five (with two extra Gallagher shows in September). That will take Coldplay's career total to 22 dates at Wembley, compared to 12 for the Mancunians. 5 5 Chris Martin — who Liam once said looked like a geography teacher — may be trying to get one over on his northern counterparts. Coldplay announced their run soon after Oasis, pointedly spurning dynamic pricing structures which had caused such controversy when the brothers' dates went on sale. They also agreed to commit ten per cent of proceeds from their British dates to the Music Venue Trust, a UK charity which supports grassroots music venues. And, in a further wrestle for the moral high ground, Coldplay's gigs will be the world's first stadium shows powered by 100 per cent solar, wind and kinetic energy. Oasis won't care for such nonsense, but I'm told relationships between the bands, particularly their main songwriters, are not as amicable as they once were. But while Coldplay may be the most-played British group of the 21st century on UK radio and TV and are a bigger band in terms of global commercial success, they don't have anywhere near the cultural and societal impact of Oasis. Oasis played a significant role in shaping '90s British media and politics, assisting the ushering in of Tony Blair as Labour Prime Minister in 1997. The 1996 Brit Awards were very much the crowning moment for this emerging Cool Britannia movement, with its cast all assembled for the one and only time, under the crumbling roof of Earl's Court: Oasis, Blur, Robbie Williams, a then-unknown Spice Girls, Chris Evans, Supergrass, Pulp, of course, Radiohead, Massive Attack and Creation Records Svengali Alan McGee, the man who signed Oasis less than three years earlier. Nervy PM-in-waiting Blair would present a lifetime achievement award to David Bowie — and Noel, upon receiving one of the band's three awards that night, told the crowd: 'There are seven people in this room who are giving a little bit of hope to young people in this country. That is me, our kid, Bonehead, Guigs, Alan White, Alan McGee and Tony Blair. And if you've all got anything about you, you'll go up there and you'll shake Tony Blair's hand, man. He's the man! Power to the people!' Ounces of cocaine next to the blairs Afterwards, the Blairs approached the Oasis table, stacked high with cigarettes and alcohol — and a little more. 'There were literally ounces of cocaine, just a couple of feet away from them,' Creation Records MD Tim Abbot later confided. And rhythm guitarist Paul 'Bonehead' Arthurs — now back in the band he helped found — recalled: 'They were very sheepish. Cherie Blair was like, 'Would you mind awfully signing something for my kids? They're very big fans.' We just went, 'Waaaargh'. We were f***ed.' This typified the Oasis attitude which the British public largely embraced — they just didn't care about who they offended. About how they behaved. Or what they said. They were a journalist's dream, a consistently controversial band on whom I would forge my career. But, forget not, Noel's songwriting was incomparable at that moment in time, too — paeans like Live Forever and Slide Away would resonate from Bognor to Burnage pub jukeboxes throughout the glorious '90s. In a post- Thatcher Britain, walls were crashing down and our country was modernising, creatives flourishing with fashion, the punkish Young British Artists, the UK restaurant business with eateries like St John, Quo Vadis and Aubergine emerging, handsome football, a more tolerant politics and the mood-capturing, mega-selling media fusing to make Britain great again. Oasis may have led this charge but the band's crowning glory at the Brits and what followed must be looked at in context. Sprinting out of the Acid House movement of the late '80s emerged a Madchester sound, forged by Happy Mondays, Inspiral Carpets and The Stone Roses, who all looked like they had just stepped off the football terraces and whose influence on the Gallaghers cannot be underestimated. Hand-in-hand, England's progress at the Italia '90 World Cup and Gazza's tears helped drag football out of hooliganism, spawning the Premier League in 1992. Rupert Murdoch's Sky splashed out for the rights and the modern game was born, its players' wages detonating, ushering in a new generation of rock star 'ballers who, later, almost delivered in the domestic Euro '96 championship, with heroic Gascoigne again at its heart and Three Lions echoing around a decaying old Wembley. The spirit of British music and football became enmeshed, emboldening a young working class, tired of a grubby Conservative government and wielding a desire for swift and radical change. Two deaths in 1994, the year of Cool Britannia's fertilisation, would transform the musical and political landscapes irrevocably. In April, as a fledgling 24-year old journalist for the Sunday Mirror, I would write the obituary of Nirvana's Kurt Cobain's — largely because nobody else there really knew who he was. And, just weeks later, Labour leader John Smith's premature passing would stun us all. They were very sheepish. Cherie Blair was like, 'Would you mind awfully signing something for my kids? They're very big fans.' We just went, 'Waaaargh'. We were f***ed Paul 'Bonehead' Arthurs These deaths paved the way for the twin emergence of a young, homegrown Britpop movement, New Labour and an equally youthful politician named Tony Blair, just 43. My first live encounter with Oasis came in August 1994 during a ferocious show at London's Kentish Town Forum. A provocative, surly, agitated, subversive, volatile performance, clearly signalling that we were witnessing a bombastic new chapter of British rock. Little did I know then what influence this band would have on our lives and my journalistic career. Within months of that embryonic onslaught, the mad-fer-it brothers would begin to determine the way Britons dressed and cut their hair, even the language they would use — and how they might even vote. At Knebworth House, less than two years later, 250,000 shaggy-haired lads and ladettes, boldly clad in England football tops, checked shirts, baggy jeans, Clarks Wallabees, cargo trousers and Adidas, packed that holy, sun-baked field and chanted Noel's council estate hymns dedicated to Britain's youth, excited for their futures and sensing a transformative and more tolerant British society. Life felt more fun and colourful Chris Martin is certainly a mighty talented songwriter, but how many people really want to dress like him or copy his haircut? My passion and journalism throughout this period, working closely with both Oasis and Coldplay, in print, digital and broadcast media, would ultimately combine and contribute to my rise to become The Sun's Editor and my appointment was announced on August 26, 2009. Strange timing because, two days later, Oasis would implode and split up in France, dominating those early papers. But, in a 2017 interview with GQ magazine, Liam would claim that it was my presence in the band's dressing room, before the Paris show, which sparked an incendiary row with Noel, ending the band. Dead forever. Or so we thought. I was mortified. He recalled: 'I saw Dominic Mohan and some other fing clown from The Sun waltzing around backstage, necking our champagne. Not having it.' As if I would be ligging backstage, sipping the Gallagher bubbly, just as I'd landed the biggest job in British journalism. Yes, I've been fortunate enough to witness Oasis live on more than 25 occasions — in Manchester, Tokyo, California, Milan, Oslo, Majorca and even Exeter — but never Paris. It was a case of mistaken identity. I was not there. Sixteen years on, these monumental 2025 congregations and the soul-stirring anthems which will reverberate around Britain's most cavernous venues shall serve to remind us all of a less complex time, where life felt more light-hearted, fun and colourful. A pre-pandemic, analogue world where all our dreams were made before we were chained to an iPhone and a Facebook page.

EXCLUSIVE Aryna Sabalenka reveals the meaning behind tiger tattoo and her plans for a unique victory dance at Wimbledon
EXCLUSIVE Aryna Sabalenka reveals the meaning behind tiger tattoo and her plans for a unique victory dance at Wimbledon

Daily Mail​

timean hour ago

  • Daily Mail​

EXCLUSIVE Aryna Sabalenka reveals the meaning behind tiger tattoo and her plans for a unique victory dance at Wimbledon

Not all traditions survive at Wimbledon and the dance between the men's and ladies' singles winners at the Champions Dinner is long defunct, or at least at the victors' discretion. But there is one woman — the title favourite no less — who would bring it back, pimped up for the social media generation. 'If I win the title, of course I'm going to do the dance,' Aryna Sabalenka tells Mail Sport. 'But it would be more like a TikTok dance — the first one, we're going to create a new tradition!' Sabalenka, 27, is the world No 1 women's tennis needs. In a world where content is king, the Belarusian is the content queen. The contrast to her predecessor, Iga Swiatek, could not be greater. The Pole is fanatically protective of her privacy whereas, this year, Sabalenka has opened the gates on her glamorous and zany world. 'I was watching my matches and I thought, "Oh my God, I look so aggressive," and I feel like people thought this is the way I am off court as well,' she explains. 'I felt I had to share myself. I want to express myself so people know I'm not as crazy as I am on court.' That craziness is what makes Sabalenka such a hypnotising presence. She lets fans into her psyche with her bellows of celebration and growls of rage, foot-stamping and mouth-spitting insults at her team. Tennis feels a more visceral, more human endeavour when she is on court. To be able to connect so profoundly with fans is a precious gift for an athlete but one that has not always been easy to handle. 'When I first came on tour, everyone was teaching me to be quiet, not show your emotions, hold everything inside,' reveals Sabalenka. 'But I found it is much easier when I let those negative emotions go — scream at my team, let it out. It helped me to be more focused, more positive. 'Keeping it inside creates more tension. Sometimes I go too much in these negative emotions, which is also not right. So we have to balance it.' We are short of nicknames these days in tennis but Sabalenka's is perfect: she is the Tiger, as illustrated by the tattoo on her left forearm. 'I was born in the year of the tiger and on the court you have to fight like a tiger,' she explains. 'In tough moments, I look down at my arm and I know giving up is not an option. It is a reminder I always have to fight.' Off the court, the tiger is as playful as a kitten. She has one of the closest and best support teams in the game. Coach Anton Dubrov, fitness trainer Jason Stacy and hitting partner Andrei Vasilevski have cultivated an atmosphere of constant striving and constant fun. A regular pre-match warm-up for Sabalenka is goading Stacy in some way, poking him with sticks or chasing him round the locker room. How is she able to go from this to ferocious competition in the blink of an eye? 'I just have a crazy desire for tennis, a crazy desire to win,' she replies. 'The moment I step on the court, it switches in my head.' That crazy desire has got the better of her at times, most notoriously after defeat by Coco Gauff in the French Open final. Sabalenka was deeply ungracious, blaming 'terrible' weather, her own 'terrible' play and saying Swiatek would have beaten Gauff. She apologised to the American privately and publicly but the reconciliation was sealed — how else — by a TikTok dance between them on Centre Court. 'This generation, we're much easier, we're more friendly to each other,' says Sabalenka. 'It feels like a more healthy environment. We need to show the young generation it's not that scary here, we can have fun together. 'We are opponents and there is nothing about friendship on court but off the court, we are nice, we can talk, we can give advice. We can be normal, we can be friends.' Sabalenka has some unfinished business at Wimbledon. She reached the semi-finals in 2021 and 2023, losing tight matches when she looked the best bet to take the title. In 2022, after the invasion of Ukraine, she was locked out as part of Wimbledon's ban on Russian and Belarusian athletes, and last year she withdrew with a shoulder injury. The enforced lay-off gave her time to properly grieve her former boyfriend, former ice hockey player Konstantin Koltsov, who had died three months before. 'I didn't want that break but, at the end, it was much needed,' she recalls. 'I was going through a lot and that time off really helped me to reset, start everything over and be more clear in my head. 'Now I'm here at Wimbledon I feel like I'm a different person. I'm super excited to compete — you appreciate that opportunity much more when it has been taken away.'

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