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'Dearly missed but never forgotten':James Bond actor Joe Don Baker, who appeared in three 007 films, has died aged 89

'Dearly missed but never forgotten':James Bond actor Joe Don Baker, who appeared in three 007 films, has died aged 89

Sky News AU15-05-2025
Hollywood legend Joe Don Baker has died aged 89, his family has confirmed.
The Texas-born star passed away on May 7 in Southern California, where he had lived in recent years.
His cause of death has not been disclosed.
Baker's acting career spanned nearly five decades, beginning in 1965 with an appearance on the television series Honey West.
He shot to prominence in the early 1970s, playing Steve McQueen's younger brother in Junior Bonner (1972), before landing the lead in the hit crime drama Walking Tall (1973).
Based on a true story, Walking Tall followed a Southern sheriff who took on organised crime with nothing but a wooden club and sheer determination- a role that cemented Baker's place as a Hollywood "tough guy".
But it was his work in the James Bond franchise that made him a familiar face to international audiences.
Baker first appeared in The Living Daylights (1987) as a rogue Soviet general opposite Timothy Dalton's Bond.
He later returned to the franchise in a very different role- as CIA operative Jack Wade- in GoldenEye (1995) and Tomorrow Never Dies (1997), both alongside Pierce Brosnan.
Beyond Bond, Baker enjoyed a prolific career in television, starring in the crime drama Eischied and earned a BAFTA nomination for his performance in the acclaimed British mini-series Edge of Darkness.
His final film role was a small but poignant part in the 2012 drama Mud, starring Matthew McConaughey.
Born on February 12, 1936, in Groesbeck, Texas, Baker played football at North Texas State College before serving two years in the Army.
He later moved to New York City to study at the prestigious Actors Studio.
Reflecting on his early days of acting, Baker once credited his ability to listen as the key to being accepted into the Studio.
"I did a scene with a girl, and she did most of the talking, so I listened," he recalled in a 1986 video interview.
"Come to find out, that's what you're supposed to do when you act- listen."
He was married to Maria Dolores Rivero-Torres for 11 years, and while he did not have children, he is survived by relatives in his hometown of Groesbeck.
"As we say goodbye to Joe Don, we hold onto the memories and the love he shared with us," his family said in a statement.
"Though he may no longer be with us in body, his spirit will always remain, a guiding light in the lives he touched.
"Rest in peace, Joe Don. You will be dearly missed but never forgotten."
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Perth dancer's renaissance after horror knife attack pirouettes to the big screen
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  • The Age

Perth dancer's renaissance after horror knife attack pirouettes to the big screen

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'People used to have firm opinions about me and my family. I feel I've laid that to rest.' Floeur Alder Jackson moves between Aldous dancing in Sleeping Beauty and her daughter's convalescence during what should have been her golden years, weaving a tale in which Alder gradually comes back to life as a dancer and a choreographer, culminating in her directing her parents in a piece called Rare Earth (2004). The making of the documentary became a significant part of the recovery process, something which both surprised and unnerved Alder. 'I was much more involved in the film than I ever thought I would be. I certainly didn't think I would be narrating it,' Alder says. Jackson says there were plans for others to narrate the film, 'but we realised it had to be Floeur'. 'It was her story. We had to have her voice.' 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'When she was at WAAPA the gossip was that she was getting all these great parts because of her parents. But she was getting them simply because she was bloody good.' Financing the film proved difficult and dragged the process over a decade. But it meant Jackson was able to document closely Alder's physical and emotional healing and renaissance as an artist, with her subject playing a greater role than normal for this kind of project. 'The long process gave me time to record my mother's history and her work, which became part of the film. This is not just a film. It is part of the story' says Alder. Her parents are both interviewed extensively in the documentary but did not live long enough to see its completion. 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Perth dancer's renaissance after horror knife attack pirouettes to the big screen
Perth dancer's renaissance after horror knife attack pirouettes to the big screen

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timean hour ago

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Perth dancer's renaissance after horror knife attack pirouettes to the big screen

It was the dawn of the new millennium and 22-year-old Western Australian Academy of Performing Arts dance graduate Floeur Alder was on top of the world. Alder had just returned from a dream four-month study trip to Europe that she hoped would set her up for a brilliant career and was tripping lightly down Mary Street to her Highgate home in June, 2000. Then, without any rhyme or reason, a man emerged from the darkness and plunged a knife deep into her face. He said nothing and disappeared back into the night. Alder managed to make it to her home and pull out the knife before dragging herself to a Greek restaurant in Beaufort Street, blood spurting from her neck. The owner called an ambulance and Alder was rushed to Royal Perth Hospital where she endured six hours of surgery and two blood transfusions, with the knife narrowly missing her jugular. 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When I was her age I was in a hospital bed recovering from the attack. It was so ironic and painful,' Alder says. 'All my life I was dealing with people expecting so much of me. And I had those expectations of myself. 'So when I was recovering from the attack and barely able to move it was very hard for me to take. I was angry all the time.' That frustration and rage, and her gradual understanding that those emotions were not just because of the stabbing incident but spewed up from a deeper, darker place, is the central to a new documentary by Perth filmmaker Dawn Jackson, En Pointe: Dancing on a Knife, which is premiering this month at the CinefestOZ film festival in WA's South West. What began as a modest hour-long account of the trauma suffered by a young dancer and the way in which she used dance to rebuild, blossomed into a deeply moving feature-length documentary about a high-profile artistic family and the impact of fame on its youngest member. 'People used to have firm opinions about me and my family. I feel I've laid that to rest.' Floeur Alder Jackson moves between Aldous dancing in Sleeping Beauty and her daughter's convalescence during what should have been her golden years, weaving a tale in which Alder gradually comes back to life as a dancer and a choreographer, culminating in her directing her parents in a piece called Rare Earth (2004). The making of the documentary became a significant part of the recovery process, something which both surprised and unnerved Alder. 'I was much more involved in the film than I ever thought I would be. I certainly didn't think I would be narrating it,' Alder says. Jackson says there were plans for others to narrate the film, 'but we realised it had to be Floeur'. 'It was her story. We had to have her voice.' 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time7 hours ago

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