
New Irish Music To Hear This Week
The latest track from SPRINTS starts off with a bang, its first line taking after Rachel Cusk as frontwoman Karla Chubb recites: Vanity is the curse of culture.
And so the rollout begins for the bands highly-anticipated album All That Is Over. With its pummelling spoken-word vocals and electrifying riffage that pack a brutal punch, Descartes is a rallying cry of abstract profundities. Philosophy has rarely sounded as cool as it does on SPRINTS latest tune.
Charisma and spunk? Check. Anarchy, existentialism and catharsis? Check, check and check. SPRINTS from left to right: Jack Callan / Sam McCann / Karla Chubb / Zac Stephenson Photo credit David Willis Throwing Shapes, Chosen Talk
Irish sonic polymaths Mabh McKenna, Ross Chaney and Gareth Quinn Redmond have joined forces on their latest project Throwing Shapes.
Pedalled by striking Irish wire-strung harp flourishes and an ethereal rhythm section, their debut single Chosen Talk synthesises a gossamer instrumental with vibrant electronics. With this seamless blend, the trio produce a distinctive soundscape that is both nostalgic in spirit, yet contemporary by design. Throwing Shapes Madra, Bought and Sold
Belfast queer post-punk rockers Madra have unleashed their ferocious debut EP Metamorphosis.
EP closer Bought and Sold is the ultimate focal point for the project, with its ambitious bent towards spectacle that elevates Metamorphosis into the realm of the unearthly and indelible.
Within the tracks intriguing skeletal undercarriage, synths flicker quietly, guitars dig deep and bassist/vocalist Eabha Campbells baritone vocal refrains intertwine in a fever pitch of resistance. Madra. M'ADAM, Its you
Cork singer-songwriter MADAM kicks into high gear on his vibrant new single, Its you.
Showcasing MADAMs – aka Adam ODonovan – penchant for tackling heavy subject matter head on, the track is a stark exploration of end times, depicting a catastrophic apocalypse through the intimate lens of two people saying a final goodbye as an overwhelming storm approaches.
ODonovans fearless exploration of finality merges wonderfully with the natural and raw textures of Kealan Kennys production. The result is a wondrous tune that serves up a two-course meal of sonic catharsis and woeful rumination. M'ADAM JUNE, Up
JUNE introduces herself to the world with her scintillating debut single Up.
This sanguine track mixes hues from a vibrant palette of contemporary pop and emotive nostalgia, following the ups and downs of a relationship with stark intimacy.
The emerging Laois artist flourishes at the centre of it all, enveloped by swelling synths and a propulsive rhythm section. Up is a wonderful and promising debut. JUNE Dan Ryan, Lagan Love
Tallaght polymath Dan Ryan offers an exceptionally innovative mix of EDM and folk on his rendition of the Irish trad air Lagan Love.
Gifting the song a new lease on life, Ryans Lagan Love kicks off with a riveting solo vocal passage, narrating the first two verses before the song takes full flight its percussion swelling with energy, teasing highs and lows and shifting between folk, classical, EDM and pop stylings.
I'm a big fan of all types of music. I love Irish traditional music and classical music and Ive always felt that strings can really give a track great emotion, Ryan says of the track. Being able to blend both of those elements with a thick breakbeat created something that I think feels unique and uplifting. Dan Ryan. EDEN, gggiiiiirrrrlllll
Dublin artist EDEN has unveiled his latest EP gggiiiiirrrrlllll.
The title track is a tender miniature that blends classic torch song longing with an endless electronic ascension.
With this, the tune sees EDEN return to the palette thats worked for him so far: synths that flicker with technicolour richness and dizzy drum programming which frame the artists mellow flow exquisitely. EDEN. California Irish, Julie Ann
With shimmering acoustic guitar, a propulsive rhythm section and emphatic vocals, the latest single from California Irish is a wonder of indie-rock resplendence.
Julie Ann is exactly the kind of tune that seems best-fitted to soundtrack the end credits of a cathartic independent film. Taking cues from the jingle-jangle Rickenbacker rock bands of the 60s, this track is sure to make a welcome addition to your summer playlist.
Speaking about the track, the band say: We wanted 'Julie Ann' to sound like The Byrds hence the jangly 12 string guitar and the thick four-part harmonies. Listen out for the psychedelic cow bell solo in the middle, and if youve been looking for your new soundtrack of the summer then congratulations to you! Peace agus love x.
Jesse June, Countdown
A cinematic, deliciously melodic hip-hop number, Jesse Junes new single Countdown is a transporting and incredibly catchy tune lined with elegant strings and bouncy rhythmic sections. Inspired by Gattaca and driven by the alienation of dream chasing, the song is said to be for anyone who's ever been underestimated. Jesse June Problem Patterns, Im Fine And Im Doing Great
Belfast-based punk quartet Problem Patterns have shared the lead single for their upcoming EP Boring Songs For Boring People . Gritty and powerful, Im Fine And Im Doing Great addresses the question of burnout with a tongue-in-cheek yet heavy tone perfectly highlighted by cathartically noisy drums and shouted vocal lines.
Commenting on the track, bassist Ciara King said: This song is an ode to every single burnout episode that any creative has ever had. The lyrics formed when we were touring flat out and playing UK festivals every weekend. As an Irish band, this requires a lot of travel back and forth. We were becoming extremely burnt out and losing joy for the thing we love.
This song is addressing that feeling of the love/hate relationship involved in doing music full time and still working full time, she continued. This one goes out to all our burnt out pals. Keep going. Problem Patterns. Photo credit: Ellen Blair Arbutus, Let Me Know
Rising Irish electronic-pop act Arbutus, the musical project of Meath-based producer and vocalist Dylan Kelly, releases the emotive new single Let Me Know in collaboration with Sean OMeara. Blending uplifting pop melodies with heartfelt lyrics, Let Me Know is a personal and powerful track inspired by loss and remembrance,
Let Me Know is an uplifting track that was written about being there for people in tough times and is dedicated to two close friends who passed away too soon, says Kelly. Arbutus Nathan ORegan, Poetry In Motion
Lifted from Nathan ORegans upcoming album Olive Branch , Poetry In Motion a summery, thoughtful and boisterous folk track written in the legendary Fame Studios in Muscle Shoals, Alabama, with celebrated US songwriters Brian Maher and Muscle Shoals staff writer James LeBlanc. The song was composed in the historic former office of the studio's late founder, Rick Hall, where the trio spent a day writing together.
'I went downstairs to put on a pot of coffee and when I returned James was playing around these chords, and he and Brian were already halfway through piecing together what became the chorus, explains Nathan. 'I remember as soon as I heard the guitar riff that James was playing, I thought it sounded like an old classic so we thought the best foot forward was to try and capture something that felt like a classic. It's one of those tunes that I can't believe I had a hand in writing. James and Brian are so good at what they do – it was a pleasure to be a part of it.' Nathan O'Regan. Photo credit – Jamie Neish Von Venn, You Can Talk To Me
The first single from the upcoming latest Von Venn album Forgetting The Fall , 'You Can Talk to Me' revolves around a grinding guitar riff, backed by driving drums and bass, and tells the story of two lost souls engaging in a dance of misdirection and subtle seduction.
Speaking of the track, Von Venns Gary Cox said: 'I have always been fascinated by what drives us as human beings, the complexity of our emotions, the multiple layers that we are capable of operating at, our ability to hide and even deceive ourselves as to our true intentions. I think these elements become even more interesting when taken in the context of sexual tension between a couple. They engage in a game of desire and denial. This becomes even more apparent when the relationship is considered conventionally frowned upon, e.g. an affair, or inappropriate work relationship.' Gary Cox / Von Venn Unique Freaks, Ur Friends No Friend
Hailing from Unique Freaks (aka THEE U.F.O) upcoming album Enjoyment Planted , Ur Friends No Friend is a deliciously bouncy electro-pop track, lined with groovy riffs and infectious rhythmic sections and a masterfully layered production.
Ur Friends No Friend – Its easy to pretend to not want to talk to a friend, Its hard to reach out and reconcile, Its even harder when your friend doesnt want to reconcile, Unique Freaks Darragh Hansard says. Safe to say were still not friends, I love em though! Unique Freaks. F3miii, TRUTH
A summery and romantic RnB flavoured tune, F3miiis new track TRUTH is a hard hitting and catchy number, thanks to groove-lined productions and infectious rhythms, making for the perfect background to the musicians vibrant vocal performance. Once again proving his incredible melodic flair, F3miii offers a joyful track flavoured with slight melancholy. F3miii at Forbidden Fruit Festival. Copyright by Curtis DeSmith. Robbie Doherty, Back At Ya
A bouncy and nostalgic electronic tune, Robbie Dohertys Back At Ya blends minimalistic production with evident melodic sensibilities, thanks to infectious and straight-to-the-point synth lines and catchy, somewhat somber rhythmic sections which offer the summer-club track a depth that will satisfy all of your year-around party needs.
Silk, 'But Then, Yes'
Rising shoegaze band Silk have released their brand new single 'But Then, Yes', with thick, fuzzy guitars, shimmering passages of dreamy vocals, and lyrics that dive deep into personal connections that turn from friendship into something more.
The track is the latest solo project of Virgin's guitarist and songwriter, Michael Smyth, featuring vocals from AJ Das of Dublin dreamo band Picture Postcard. With its saturated sound, the buzzy tune seems like a warm embrace for a restless heart, as if someone were looking straight into your soul.
Discussing the motivation behind 'But Then, Yes', Smyth said: 'I constantly feel like I am rushing towards the inevitable infinite oblivion. Further exacerbated by the marking of years spent circling the sun. To that end, its important that I fill the time remaining with joyous, creative acts. The sharing of ideas is an essential part of that, which brings us to Silk.' Chubby Cat, 'My Boy'
Emerging alt-pop artist Chubby Cat has released her second country-pop single, 'My Boy', a goofy commentary on modern dating and the drama that comes along with it. The singer's bright and clear soprano fuses with upbeat guitars and catchy harmonies that act as backup vocals, reminiscent of Sabrina Carpenter or Chapel Roan.
Chubby Cat shared the inspiration behind her playful new track: Im in a new relationship! I wanted to write about it. Life is unsteady and awkward, and so am I! Im just trying to figure it out; Im sure you are all just trying to figure it all out too, so I wrote a song about it. I wanted to have a fun song to capture that sentiment while not taking things too seriously. I love my new boy, and I love my new song. 'My Boy' single cover art by Chubby Cat. The Halez, 'Let Live'
Athlone indie-rockers The Halez have just released their latest single, 'Let Live', a tune of unity and love in a divided world. Jangly guitars, soft, raw vocals and inspiring lyrics make for the perfect feel-good tune.
The group consists of four friends: vocalist Kieran Murphy, guitarist Jerome Sheerin, bassist Cormac Sheerin, and Eamonn O'Toole on drums. Their latest single is part of the band's wider objective to 'bring back proper honest music':
The main aim is to bring guitar music back. The world is crying out for it now, and who knows, maybe we will be the ones to bring it back or, at the very least, inspire the next generation to pick up instruments and to form bands and create some good old Rock 'n' Roll. The Halez. ARLENE, 'Racing Minds'
Hailing from Roscommon, genre-blending artist ARLENE has shared her latest tune, 'Racing Minds'. Blending indie-pop and alt-rock, her new song explores the feeling of being stuck in a cycle of overthinking and questioning one's own existence.
Rich synths, ARLENE's edgy vocals and a groovy bassline create an atmospheric bop, perfect for late-night reflection.
With her vulnerable new track, the singer wants to invite listeners in: 'I wrote Racing Minds some time ago now, and somehow I still find myself relating to it every day. I kept it under wraps for as long as possible because I was anxious to let everyone into my little world of thoughts and feelings by releasing it. I just hope people can connect emotionally with it the way I do.' ARLENE. 3rd Degree, 'Feel It Coming'
Irish alt-rock project 3rd Degree, featuring vocals by Waterford's Jason Burns, is poised to create waves with the release of their debut single, 'Feel It Coming'.
Gritty guitar riffs mesh with punchy synths, snappy drums, and entrancing vocals, creating a flawless union of emotional indie rock and thumping dance electronica.
''Feel It Coming' is a confident, genre-blending statement of intent merging live instrumentation with electronic edge and setting the tone for whats to come on Connected,' said Burns. 3rd Degree. For Nina, 'Swallow'
With their new single 'Swallow', Dublin's three-piece For Nina step into a new era, leaning into their unique sound. The slow-building, moody track combines sombre guitar licks, dreamy vocals and heavy-gaze-inspired twists, culminating in a lofty performance by singer Holly Owens.
Speaking on the track, the band said, 'Holly wrote the guts of the song years ago, back when she was in secondary school, and it got completely lost in the drafts. We stumbled across it sitting at home one night and heard this crazy potential from the chorus, gave it a new format and first verse, and we were flying from there. We only started playing it a couple of months ago, but from the first time we played it in a live set, we knew it was sparkling in a different way from some of our other songs.' For Nina. Kneecap, The Recap feat. Mozey
Originally released as a bootleg version via the Belfast trio's WhatsApp channel a few weeks ago, the track quickly became a fan favourite at recent Kneecap live shows, with crowds rapping every word. Now officially available on all major platforms, the track is on course to become a chart topper.
An energetic anthem driven by industrial, punchy beats, the release showcases Mgla Bap and Mo Charas trademark slick, unapologetic bars. The song also takes a swipe at UK Conservative Party leader Kemi Badenoch with lines like, Give me Kemis money and give her my thanks , a nod to the court case the group won against the UK government last year.
With Kneecap perennially in the headlines and their fanbase growing by the day, this track feels like an instant classic. Kneecap. Vaticanjail, MIEL
Vaticanjails new single MIEL is a tight, vibey track that melds flamenco flair, reggaeton rhythm, and electronic nuance into an ambitious production.
With funky maraca patterns, Middle Eastern-influenced harmonics, and melancholic Billie Eilish-esque vocals, the Chilean-born, Dublin-based artist crafts a dreamy bilingual narrative of identity, migration and memory.
Drawing from Sean-ns storytelling and Latin traditions, 'MIEL' is both a love letter to Chile and a lyrical homage to Ireland. Talking about her latest release, Vaticanjail explained its 'a story of everything that happened in the course of finding my identity.' Vaticanjail. Matteo & Lillie-Apple, Take My Time
Matteos latest single Take My Time, featuring Lillie-Apple, sees the emerging Dublin artist stepping further into his R&B-pop sound with relaxed confidence.
The two artists complement each other well, their chemistry adding emotional weight to this gently unfolding track about the complexities of trust in relationships. It's a laid-back, soulful offering, never overdone, just effortlessly smooth and sure of itself.
With every release, Matteo sounds more assured, more refined. View this post on Instagram
A post shared by Matteo (@matteodal_) i n n e r l i z z a r d s, things
On his second release as i n n e r l i z z a r d s, Limerick artist Rory Hall dives deep into ambient, lo-fi territory with things, a track that pairs melancholic lyrics with a pulsing electronic beat.
The snare-led rhythm drives the piece forward while Halls vocals drift between vulnerability and detachment, especially on the repeated refrain of slipping away.
Its a track that thrives on contrast, introspective sadness layered over hypnotic, trancey production. Halls voice feels newly explored here, adding intimacy to a sound thats both floating and anchored. View this post on Instagram
A post shared by Proper Micro NV (@iamroryhall) Warren, Deja Vu
Out today viaRobbins Entertainment, Dublin-born and London-based producer and songwriterKeith Warren(mononymously known as Warren ) returns withDeja Vu,a euphoric dance-pop anthem.
Blendinghard-hitting house keys, a driving beat, and uplifting vocals, the track channels classic dancefloor energy with modern polish.
Warrens velvetysoothing timbreandfeel-good lyricselevate it beyond typical club fare, landing somewhere betweenDisclosures grooveandThe Corrs melodic warmth.
With past hits likeDream About Uand over6 million total Spotify streams, Warren proves he has a knack for hits, andDeja Vumight just be his sunniest yet. Warren. James Keegan, Wide Eyes
'Wide Eyes' is a hauntingly confident preview of the forthcoming EP by the Indie-folk artistfrom Cork James Keegan.
A mesmerising blend of pulsing bass drums, airy synths, and looped vocal fragments that create an unsettling yet beautiful soundscape, Keegan's ghostly vocals pierce through the mix, pulling listeners into a hypnotic, kaleidoscopic journey.
The track's minimalist production builds tension, balancing fragility with eerie power.
Speaking on the EP, Keegan said: It was definitely different from my previous time in the studio, I felt more comfortable and willing to actually make things sound different to what Im used to. James Keegan. Photo by: Damien Quirke @Damosday CamrinWatsin, Cry Baby feat. Evalina
Dance-producer phenom CamrinWatsin teams up with breakout vocalist Evalina on 'Cry Baby', a pulsing, club-ready anthem crafted as the official soundtrack for Bershkas 2025 global campaign.
At just 21, the Irish DJ-producer, who can already boast 500 million streams and 10 million monthly listeners on Spotify, delivers another hit, blending cool, silky beats with a relentless driving energy that demands movement.
Fresh off sold-out EU tours and Ibiza residencies, the track has already ignited crowds, priming it for dominance atLongitude Festivalthis weekend and beyond. CamrinWatsin. Badscandal, at my knees yeah
DublinsBadscandal, who is also the EDM artist Luke Power, unveils a vulnerable new direction with his latest track 'at my knees yeah', the centrepiece of his deeply personal 'friendly' EP.
Stripping back his club roots, the track floats onchill, suave instrumentation, smooth guitars, muted beats, showcasing the artists impressive vocal rangeand raw lyricism.
Speaking on the EP, Badscandal said 'This is the first time Ive made music thats truly personal to me. Lyrics that are extremely personal and honest, about my life, my head, my heart, and how Ive felt moving through the world up to now and what it was like for me growing up.' View this post on Instagram
A post shared by Badscandal (@badscandal) Listen to our playlist on Spotify:
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Irish Examiner
42 minutes ago
- Irish Examiner
Kneecap to perform at Glastonbury amid calls for them to be banned
Irish rap trio Kneecap are to perform at Glastonbury Festival on Saturday after a number of politicians called for them to be banned from the event. It comes after one of the band's members, Liam Óg Ó hAnnaidh, 27, was charged with allegedly displaying a flag in support of proscribed terrorist organisation Hezbollah, while saying 'up Hamas, up Hezbollah' at a gig in November last year. Last week the rapper, who performs under the stage name Mo Chara, was cheered by hundreds of supporters as he arrived with bandmates Naoise Ó Cairealláin and JJ Ó Dochartaigh at Westminster Magistrates' Court in Free Mo Chara T-shirts. The 1975 headlined on Friday at Glastonbury Festival (Yui Mok/PA) He was released on unconditional bail until the next hearing at the same court on August 20. Last week British Prime Minister Keir Starmer said it would not be 'appropriate' for them to perform in the slot, which is due to go ahead on the Somerset festival's West Holts Stage at 4pm on Saturday. Conservative Party leader Kemi Badenoch also said the BBC 'should not be showing' the trio's set in a post on social media last week. Badenoch said in an X post, which was accompanied by an article from The Times which said the BBC had not banned the group: 'The BBC should not be showing Kneecap propaganda. 'One Kneecap band member is currently on bail, charged under the Terrorism Act. 'As a publicly funded platform, the BBC should not be rewarding extremism.' Kneecap are not listed as one of the acts being shown live by the broadcaster. Ahead of the group's set, an Avon and Somerset Police spokesperson told the PA news agency: 'Ticket-holders can once again expect to see uniformed officers on site at Glastonbury Festival 24/7 throughout the festival as part of our extensive policing operation ensuring it is safe for everyone attending, as well as those who live nearby.' Neil Young, best known for songs such as Rockin' In The Free World, Like A Hurricane and Cinnamon Girl, will headline the festival's Pyramid Stage on Saturday night with his band the Chrome Hearts. Lorde performing on the Woodsies Stage (Yui Mok/PA) Young's set will now be shown live on the BBC, after the broadcaster had previously said it would not be shown 'at the artist's request'. A spokesperson said: 'We are delighted to confirm that Neil Young's headline set from Glastonbury on Saturday will be broadcast live to audiences across the UK on the BBC.' The set will be shown on the BBC iPlayer Pyramid Stage stream from 10pm, as well as broadcast on BBC Two and BBC Radio 2. Another act expected to draw a big crowd is Brat star Charli XCX, who will headline the Other Stage around the same time Young and Grammy Award-winning rapper Doechii will also perform. The 1975 headlined the festival's Pyramid Stage on Friday night, with the performance seeing singer Matty Healy joke he was his generation's 'best songwriter'. After performing Part Of The Band he sat on a stool while smoking and sipping his drink, Healy said: 'What this moment is making me realise is that I probably am the best songwriter of my generation. 'The best what they say, a poet, ladies and gentlemen, is what I am. 'Generational words and I just wanted to remind you, over the next couple of minutes, these lyrics are poetry, I believe.' The band then launched into Chocolate from their 2013 self-titled debut, before Healy remarked 'I was only joking about being a poet' at its conclusion. Made up of four school friends, the group comprised of singer Healy, bassist Ross MacDonald, guitarist Adam Hann and drummer George Daniel were headlining the festival for the first time. Friday also saw a performance from Scottish music star Lewis Capaldi who told the Glastonbury crowds 'I'm back baby' as he played a surprise set, two years after a performance at the festival during which he struggled to manage his Tourette syndrome symptoms. The musician, who announced a break from touring shortly after his performance at the festival in 2023, has just released a new song called Survive. Lewis Capaldi performing on the Pyramid Stage (Yui Mok/PA) He told fans: 'It's so good to be back. I'm not going to say much up here today, because if I do, I think I will probably start crying.' He ended his performance with Somebody You Loved, the track that Glastonbury crowds helped him to sing when he struggled with the condition which can cause physical and verbal tics in 2023. Earlier on Friday, alternative pop star Lorde surprised fans with a secret set at Worthy Farm, performing her latest album Virgin, which was released on Friday, in full. Scottish indie rockers Franz Ferdinand brought out former Doctor Who actor Peter Capaldi during their Other Stage set while they were playing Take Me Out, one of their best-known songs. Celebrities who have been spotted at the festival include singer Harry Styles, Oscar-winning actor Eddie Redmayne and Stranger Things star Joseph Quinn. Harry Styles was among the stars attending the festival (PA) Avon and Somerset Police said there had been 38 crimes reported at the festival and 14 arrests made. Performing in the coveted Sunday legends slot this year is Rod Stewart, who previously said he will be joined by his former Faces band member Ronnie Wood, as well as other guests. Stewart's performance will come after he postponed a string of concerts in the US, due to take place this month, while he recovered from flu. The BBC is providing livestreams of the five main stages: Pyramid, Other, West Holts, Woodsies and The Park.


Irish Daily Mirror
an hour ago
- Irish Daily Mirror
All-Ireland quarter-finals: Greatest weekend ever of the greatest show on earth
Orange flags. Hooters, Lovely two-point shooters. Roll up, roll up, folks, for what is undoubtedly the greatest weekend ever, for unquestionably the greatest show on earth. Mini bus loads of lads will go on the lash. Bodies will crash. And 30 men will half kill each other as they kick a roundy white piece of leather around a field. In a strange coincidence, people dressed in jeans with similar coloured tops will jump out of their seats and roar their approval at exactly the same time. Those similarly dressed people will all sit back down again. Up high in the gods, where the seagulls swirl, they'll murmur in hushed reverential tones that, 'Jim Gavin was right' and that he did indeed create and choreograph what is absolutely, 100percent the greatest show on earth. Meanwhile, in the corporate boxes they'll be glued to their phones watching Sky as 'the Lions' - mostly Irish, some British - face down the Taiwanese Tornados in a key challenge match in Botswana. And somewhere in a central location in the Hogan Stand, keeping a low profile, Jim Gavin will nod knowingly, as he looks out onto the field ever so slightly perturbed at Dublin missing another load of two pointers. For it was he who peered out from behind those big glasses, as his master plan to save the game began to take shape. Out on Clonliffe Road, hoards are flocking from every corner of Ireland to the big grey behemoth on Jones' road for a festival of football the likes of which we've never seen before. Someone will try to get into Quinns, so drunk they haven't noticed it closed down 10 years ago. And down the road in McGrath's a bar man goes down with cramp in his wrist from pulling rows of Guinness. The hear bar man waves play on as it's not a head injury. A tired and weary Donegal arrive first, turning up in a series of four man ice baths wheeled all the way from the Abbey Hotel by their fanatical and financially broken fan base. First up in their ice bath is Niall O'Donnell, Shane O'Donnell and Conor O'Donnell, joined by their great uncle, Daniel O'Donnell, in his togs belting out 'I just want to dance with you.' In a lovely moment of karma, it emerges later that the Donegal ice baths took a wrong turn and headed off down the N7 after being caught in 'road works.' A Prime Time Special later uncovers the truth, with eyewitness accounts of Ger Brennan in a Chadwicks Builder's yard in Clondalkin buying a set of traffic cones and orange bibs. Footage later emerges of Sam Mulroy in an orange bib and hard helmet on a walkie talkie speaking to a smiling Tommy Durnin as he turns a 'Stop' sign to 'Go.' Back in the present and the ball is thrown in. Jim McGuinness consults with Colm McFadden and Neil McGee. Neither look flustered as Rory Beggan swings his right leg effortlessly and points a free from up at the back of the Hill 16 terrace. Beggan saunters back down to his goals with a blue flare in his hands. A pundit in a commentary box ingeniously compares Beggan's kick to a pitching wedge. Everyone at home nods in agreement at this ingenious comparison. Back down on the pitch Finbarr Roarty is zipping around as if he's delivering takeaways on a scooter all over Dublin 3. Soon enough Stephen O'Hanlon pinballs off a load of lads in yellow and green jerseys - and then does it again - before big Gary Mone hits a crazy looking shot. People in the stands say, 'That's a crazy looking shot from big Gary Mohan' as it hangs in the air, hangs in the air, hangs in the air and drops over the bar for two points. Meanwhile, on social media, a Spartan 'keyboard warrior' dies on his shield. Many people on 'X,' mostly from Kerry, will give out about the ball not being kicked inside. No-one will kick the ball inside - except for Kerry, and Michael Murphy. Back out on the field, Michael Murphy races out to field a kick out, turns, launches it 50 metres goalwards, sprints in, catches it and sticks it in the net. The Lions fans up in corporate hospitality, by this stage half loaded on Vit H, raucously hail the skill set of Murphy's chase. Someone in the Cusack Stand will profess that Donegal are over-reliant on Michael Murphy. Meanwhile, Michael Langan, whose name even sounds languid, will look languid as he eases over score after score. Langan's GPS will bleep, go green and send a message to his email saying he's broken his own world record for ground covered by someone looking languid. Back down at pitchside, Shaun Patton will launch a missile that threatens the country's neutrality. Meanwhile, on the sideline, a Maor Foirne will be sent to the stands for jumping up and down and firing a water bottle into the ground. Soon enough, Stephen Cluxton will emerge from under the Hogan stand looking non-plussed for his 1000th game at Croke Park. King Con will give out pre game foot massages to his fellow Dublin forwards to settle them down. Then the referee throws the ball in. Six foot eight Peadar Ó Cofaigh Byrne catches his direct Tyrone opponent by the throat and lifts him up in the air with one hand, while catching the ball with the other. Cluxton takes two steps back and pops the ball to the right sideline under the Cusack Stand where Ciaran Kilkenny is arriving at speed with his arm already up to claim a mark. For his next trick, Cluxton takes two steps back and rains the ball down on top of six foot 10 Ó Cofaigh Byrne on the Hogan stand side. Ó Cofaigh Byrne, all six foot eleven of him, holds two Tyrone men up in the air with one hand and catches the ball in the other. Some Dublin fan in the crowd will say, 'His ma is yer one that used to be on the telly.' Some other Dublin fan will say, 'Wha, Twink.' Someone else will say Ó Cogaigh Byrne is growing right in front of our eyes. And there it is, a kid with a hooter will blare it in someone's ear for no apparent reason. That same kid will then wave a flag over someone's face. The kid's parents will look on proudly, in awe of their little flag waving, horn blaring angel and wonder how you couldn't love him. Someone will be fuming, but won't say anything. Then it starts spitting rain, and six oul lads put up massive golf umbrellas, prodding everyone around them in the face. And out of the blue, some pissed git with a little wool headband will land in 20 minutes late, wreaking of fags and cider with 10 people having to get out of their seats as he nudges every one of them with his big arse on the way past. Your brain will scream, you should have stayed at home and watched it on the telly, as the big screen blasts out one of those 'Nothin Beats Being There,' ads. You think, being at home on your favourite spot on the couch does. Back to the action. Brian Howard will shimmy. His man will back off. Soon enough, Lee Gannon will take on a two point shot. Then Paddy Small goes straight at his man with his chest out and knocks him into the Canal End before fisting the ball over the bar. Someone on 'X' with a hot take will immediately bemoan hand-passed points. Elon Musk, who can point from an acute angle off both hands, will ban the hand pass moaner. Up at the other end, Darragh Canavan will take some watching. Ruairi Canavan will pull the trigger. Peter Canavan will start, be taken off and come back on again. Niall Morgan will come for a crazy high ball………..and catch it. Peter Harte will launch over a two point effort off the outside of his left foot from 55 metres Kieran McGeary will draw a free for a high tackle. And we'll all proclaim after it all ends that Tyrone are back or Dublin are contenders again. Over the course of two never to be forgotten days, seven keepers will f***k up their kickouts regularly but everyone will focus on the Galway goalie. Meanwhile, in the RTE studio, a pundit will look earnestly and nervously at Joanne Cantwell and tell her that 'the kickouts will be key.' And for the course of four entire games, players will block each other off with blatant fouls. Not one of which will be blown by seemingly oblivious referees. A manager will give away a two point free for mouthing off. It will cost his side the game, but he'll blame his players lack of composure afterwards. Outrage soon ensues (again) as Meath goalie Billy Hogan erects a small set of scaffolding in front of his goals, climbs way up above his crossbar, and tips over a Shane Walsh 50 metre dead ball boomer for a single point. Soon enough Sean Rafferty shoulders someone in maroon. Someone in maroon goes down, while up in the stands a Meath fan with a criss-crossy Kepak jersey, still living in the 80s and 90s, announces for all to hear that Donal Keogan would have got on any of their great teams. Meath are under pressure and big John Maher is running at pace with his chest out. Rob Finnerty's hair is waving about in the wind, he's moving so fast as he kicks six points from play. In an unfortunate incident Shane Walsh pulls his socks up too far and loses his balance shooting because one of his arms is caught in one of his socks. Shane Walsh still nails the two pointer anyway. Up in the press box, an RTE co-commentator will proclaim that 'two point shooters could be key.' And as if this wasn't enough, the stadium announcer tells us that now we have the main event. Dublin come out onto the field again, but are sent back in. By this stage the Kerry team will have arrived at Croke Park in a fleet of ambulances, powered solely by the fumes of 'yerra' and a sense of perceived injustice at being written off. And in an unprecedented move, a manager of one of the eight teams will turn up without a black baseball cap. Jack O'Connor will peer out from under his and not look too impressed by the non black baseball cap wearer. Up in the commentary box, Eamonn Fitzmaurice will give the viewers every single match up three and a half seconds after the throw-in, breaking his own world record for nailing the match-ups. Down on the field, David Clifford will do a bit of dunting with his marker on the way to scoring 1-10 in the first half. David Clifford and his marker will both look outraged when a perma-smiling referee with gleaming Turkey teeth talks to them with his two hands out in front of his body in a conciliatory way. Up on RTE they'll tell us it's good refereeing and they can hear how nicely he's talking to the players. The rest of us will wonder why we don't have a ref mike. The Lions fans in the boxes are fully cut by now and haven't noticed. Down at the other end, Ross McQuillan will rip past someone's shoulder only to find Jarlath Og Burns has ripped past the other shoulder. Rian O'Neill will lean back and launch over a two point effort from 67 metres. The ball will come down with seagull shit on it and drop over the bar. Tom O'Sullivan will line up a shot with the outside of his left foot. Oisin Conaty will do something electric. While up in the full forward line, David Clifford is down on his knees in praise of the 'three-up' rule, before rising to score 3-6 in four and a half minutes. Paudie Clifford will pass the ball to David Clifford. David Clifford will shoot. Then, off camera, someone rips David Clifford's jersey. An older lady in the front of the stand who is knitting takes out her sowing kit and patches it up. David Clifford returns to score 4-8 in the next 15 minutes. Next up is Ethan Rafferty. Ethan Rafferty flies past a load of outfield players. Ethan Rafferty catches a kick out. Ethan Rafferty hits a two pointer. Ethan Rafferty dummies a man and kicks it over the bar. Ethan Rafferty makes a point blank save. Ethan Rafferty launches a pinpoint kickout. And behind him in the Nally Stand, a niche sports fan claims Ethan Rafferty is better at the road bowling. Armagh fans are waiting for Stefan Campbell to come off the bench, kick two points and a wide, and set up a goal chance, but he's not in the 26. The game will go to extra time. David Clifford will go down with cramp on his way to a 7-14 haul as we move onto a penalty shoot out. After it's all over, Jim Gavin will stand up, adjust his black baseball cap, put away his laptop, text the GAA's Games Intelligence Unit on his burner phone and head off home to prepare a 'Benefit Realisation Model' for first thing in the morning. And all over our wonderful land, the ordinary GAA people at home and in the stands will proclaim this was indeed the greatest weekend ever for the greatest show on earth.


The Irish Sun
2 hours ago
- The Irish Sun
‘We make magic together' – Amanda Serrano reveals what she really thinks about Katie Taylor with classy tribute
WHILE adamant she beat Katie Taylor in their last bout, Amanda Serrano clearly has a lot of respect for her long-time rival. The two boxing greats have shared two all-time classic bouts, with Taylor holding a 2-0 record from the series. 2 Amanda Serrano was asked what she thought about Katie Taylor 2 She paid tribute to her long-time rival They will do battle for a The hype has been building as both Serrano and Taylor have been busy doing media in recent days. One such instance saw the opinion on a variety of different boxers. One of which was Read More on Katie Taylor She then demonstrated the respect she has for the undisputed super lightweight champion. Serrano added: "I tell people that she's my bestie because together we make millions of dollars. "We make magic together. We make great fights together." While they shared mutual respect towards one another, both Taylor and Serrano remain in intense disagreement over the outcome of their last fight. Most read in Boxing Serrano has remained adamant that she should have been given the W, but the Irishwoman is similarly bullish that the 'Irish cannot handle spice' - Watch Katie Taylor struggle in hilarious challenge with TWO Hollywood A-listers The 2012 Olympic gold medallist — who fought her first fight as an amateur in 2001 — said: 'It was definitely one of my best performances. 'I love the way I was able to push her back and outfight her. I think I outboxed her in the first fight. I actually outfought her in the second.' That view is at odds with Netflix commentary team of Mauro Ranallo, ring legend Throughout the broadcast — viewed by 75 million fight fans worldwide — Ranallo and Perez had controversially suggested it was a one-sided contest in favour of Serrano. Taylor, however, has long since shrugged off the pundits' objections. She added: 'I recently looked back at that fight and if you turn the commentary off, it's actually a very, very clear win for me. "There was no controversy whatsoever. The commentary made it controversial but I was very happy with that performance. 'But there's still more I can do as well, which is very positive for me. It was a great performance but I feel like I still haven't shown my best. That's very, very exciting for me.'