logo
Did We Miss the Happy Ending in ‘Hamlet'?

Did We Miss the Happy Ending in ‘Hamlet'?

New York Times6 days ago
To the Editor:
Re 'Listen to 'Hamlet.' Feel Better,' by Jeremy McCarter (Opinion guest essay, July 23):
I appreciate Mr. McCarter's provocative thoughts on William Shakespeare's 'Hamlet.' I agree with most of them, but the conclusion is off.
Hamlet is ready to face death in the lines quoted at the end of this essay, but not because he has found peace, at least not completely. While the play can indeed be read as a coming-of-age story, 'outgrowing' gloom, whether about the past or future, is not really the point.
Mr. McCarter points out that Hamlet's curiosity has sustained him through his dark times. But it is something more than that. Hamlet is fiercely dedicated to finding out the truth, revealing it and correcting the lies and calumnies told to conceal it. When he knows his death is near, his final plea to Horatio is to 'tell my story.'
Hamlet's great life force comes from his unquenchable desire to help the truth to 'will out,' as it were. The rest, as he says in his dying breath, is silence.
Dorothy Dean WaltonMexico City
To the Editor:
I taught 'Hamlet' for 35 years, mostly to gifted high school seniors. I witnessed numerous adaptations and costume updates. Never did anyone take this tack. I love the idea of an uplifted and resolved Hamlet who has learned to live in the moment! My students would have loved it, too. Particularly in these trying and confusing times.
Dana EdenbaumBala Cynwyd, Pa.
To the Editor:
'If it be now, 'tis not to come: if it be not to come, it will be now: if it be not now, yet it will come: the readiness is all.' So says Hamlet. This is wisdom beyond common or good sense; it is elemental. And it answers another gloomy Shakespearean character's thesis by showing how to travel the way to dusty death.
Want all of The Times? Subscribe.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Allan Ahlberg, Whose Children's Books Were Best Sellers, Dies at 87
Allan Ahlberg, Whose Children's Books Were Best Sellers, Dies at 87

New York Times

time2 hours ago

  • New York Times

Allan Ahlberg, Whose Children's Books Were Best Sellers, Dies at 87

Allan Ahlberg, an introvert who became a beloved author of blithesome, best-selling children's books through collaborations with his wife, Janet Ahlberg, and other illustrators, died on July 29 in England. He was 87. His death was announced by his publisher, Penguin Random House, which did not identify a specific location or a cause. As a young man, Mr. Ahlberg held a series of solitary jobs, including digging graves. 'I was looking for a job in the open air where they left you alone,' he told the British newspaper The Independent in 2008. 'I became a gravedigger by a process of elimination,' he said. 'I had been a plumber's mate, a soldier and a postman.' But he fantasized about becoming a writer. 'I had all the romantic notions of the white suit and the panama hat,' he said in a 2006 interview with The Guardian. 'All the Somerset Maugham images without any words to support them.' It wasn't until he was 22, and attending Sunderland Teacher Training College (now part of the University of Sunderland), that he met Janet Hall, his future wife, and was inspired to fulfill his dream. Want all of The Times? Subscribe.

Read All About It: True Tales of Men and Fiction
Read All About It: True Tales of Men and Fiction

New York Times

time6 hours ago

  • New York Times

Read All About It: True Tales of Men and Fiction

To the Editor: Re 'Attention, Men: Books Are Sexy!,' by Maureen Dowd (column, Aug. 3): Backpacking solo in 1995, reading voraciously, I met one of the loves of my life in Ubud, Bali. I was on a veranda overlooking rice paddies when Cherie, who was traveling with her mother, brazenly snatched the book I had my nose so buried in that I had not noticed her staring at me. It was a Penguin paperback, 'How Much Land Does a Man Need? And Other Stories,' by Leo Tolstoy. Cherie's eyes got wide, and I could tell she approved of my choice of authors, and my bookish interest in that collection of stories, to the exclusion of all around me. She told me that's sexy right then and there. We talked long into the night. The trip to Bali became ever better after that. Even her mother liked me. Lifetime memories. All because I was reading Tolstoy. Gowan McAvityBedford, N.Y. To the Editor: Maureen Dowd writes compellingly about men and fiction. Jane Austen of course is wonderful for men and women, and I read her voraciously because she is so good with language and thought. An added appeal is hearing the thoughts of a woman on men that we can all recognize: that our social posturing is just that, and a conscious female observer can see through it. I find myself far less interested in nonfiction. When I travel, I read a novel or a short story collection from the land I will visit rather than a travel guide — say, José Saramago before going to Portugal — because it tells me about how people there think, their worldview. It makes me feel at home and more understanding of the culture than any guidebook. Bill EslerChicago To the Editor: Maureen Dowd laments that men are reading less and reports, 'Women make up 80 percent of fiction sales.' Want all of The Times? Subscribe.

Reader's guide for "Bridge of Sighs," new Oprah book club pick
Reader's guide for "Bridge of Sighs," new Oprah book club pick

Yahoo

time7 hours ago

  • Yahoo

Reader's guide for "Bridge of Sighs," new Oprah book club pick

Oprah Winfrey joins "CBS Mornings" with author Richard Russo to discuss her latest selection, "Bridge of Sighs." Dive into "Bridge of Sighs,"with this reader's guide. Reader's Guide Questions 1. Bridge of Sighs alternates two narratives: Lucy's first-person memoir and the story of Robert Noonan. What are the advantages of this structure? How does it affect the way the plot unfolds? Does it influence your impressions of the main characters? 2. How does Lucy's description of Thomaston create an immediate sense of time and place [pp. 10–13]? What details did you find particularly evocative? What does Lucy's tone, as well as the way he presents various facts about Thomaston and its history, reveal about his perceptiveness and his intelligence? 3. Lucy says, "I've always known that there's more going on inside me than finds its way into the world, but this is probably true of everyone. Who doesn't regret that he isn't more fully understood?" [p. 14]. To what extent does this feeling lie at the heart of his decision to write his book? Does it play a central role in memoir-writing in general? What else does Lucy hope to accomplish by recalling his past? 4. The horrific prank the neighborhood boys play on Lucy triggers the first of many "spells" he will have throughout his life [pp. 25–36]. What is the significance of his spells? What do they reveal about the emotional attachments, anxieties, and doubts that define him both as a child and as an adult? 5. Lucy makes many references to the pursuit of the American Dream and its implications within his own family and in society in general [pp. 62–66, 93–94, 110–111, for example]. In what ways did American attitudes in the postwar years embody both the best parts of our national character and its darker undercurrents? What incidents in the novel illuminate the uneasiness and enmity that results from the class, racial, and economic divisions in Thomaston? Do Lucy's beliefs, judgments, and achievements (as a businessman and as a happily married husband and father) color his reconstruction of these events? 6. Unlike Lucy's story, Noonan's story is told in the third person. Is the change of voice a literary device, a way of adding variety to the novel, or does it serve another purpose? In what ways does it help to convey the basic difference between Lucy and Noonan and the way they see themselves and their place in the world? Compare the tone and language Russo uses in creating Lucy's voice with the style he uses in his portraits of Noonan. What aspects of Noonan's character and personality come to life in his conversations with his art dealer and his mistress [pp. 41–61]; his reactions to Lucy's missives [pp. 158–162] and to Mr. Berg's class in high school [pp. 375–380]; and, ultimately, his thoughts and behavior on arriving in New York [pp. 608–618]? 7. Lucy and Bobby [pp. 156–157 and pp. 170–171, respectively] attempt to explain why their lives—and Sarah's—have turned out the way they have. Do you agree with Lucy that "to see a life back to front, as everyone begins to do in middle age, is to strip it of its mystery and wrap it in inevitability, drama's enemy"? To what extent does Bobby share this view? Why does Bobby see himself as being in control of his life in a way that neither Sarah nor Lucy is? Is this a result of his background and the circumstances that forced him to prepare himself for a second act? 8. Tessa is the practical, steady member of the Lynch family. In what ways does her behavior reflect her own choices, needs, and desires, and in what ways are these determined by the time and place in which she lives? What qualities make her stand out, not only in Lucy's eyes, but also within the community as a whole? 9. Does Lucy's identification with his father distort his image of his mother and his understanding of her strengths and her weaknesses? Beyond her immediate anger, what drives her to tell Lucy, "I never wanted you to not love your father. . . . I wanted you to love me. . . . Did it ever occur to you, even once during all those years, that you might have taken my side? That I might have needed a friend?" [p. 263]? Is this a valid criticism, or is Tessa herself responsible, either inadvertently or intentionally, for the differences between Lucy's relationships with each parent? 10. Sarah comes from an unconventional family, especially in the context of Thomaston. Is her ability to deal with the eccentricities of her parents and the summer/winter living arrangements they established unusual? In what ways does she not only adapt to but also benefit from the very things that set her apart? Is her attraction to the Lynches in part a reaction to her dysfunctional family? 11. Are Mr. Berg's obsessions—with perpetuating his image as a rebel, with the "great" book he is writing, and with his failed marriage—sympathetically drawn? What is the significance of the fact that he is Jewish? What biases, both good and bad, do the people of Thomaston (including Lucy) have about Jews and what impact does this have on Berg and his reputation within the community? 12. What role does her mother play in Sarah's sense of self? What are the implications of her views on marriage [pp. 394–395]? Do they influence Sarah's feelings about her own marriage and that of her in-laws? Why is Sarah drawn back to the home she shared with her mother when she faces a crisis in her relationship with Lucy [pp. 564–607]? What does she learn by revisiting the past? 13. What traits do Tessa and Sarah share? In what ways do their marriages mirror one another? Do you think either—or both—foolishly gave up their own dreams and desires, sacrificing a life of adventure and sexual passion for the love and security of a "good" man? Behind their apparent contentment, are there indications that they regret the choices they made? 14. The Bridge of Sighs in Venice connects the Doge's Palace to an adjacent prison, and, as Lucy relates, "Crossing this bridge, the convicts—at least the ones without money or influence—came to understand that all hope was lost" [p. 387]. How does the historical function of the bridge, as well as the myths surrounding it, relate to characters' lives? Why has Russo chosen it as the title of the novel? 15. Richard Russo has written about small towns throughout his career. What are some similarities between Bridge of Sighs and previous novels like Empire Falls and Nobody's Fool? In what ways does Bridge of Sighs enhance and expand the portrait of America that is so central to Russo's writing? Exclusive discounts from CBS Mornings Deals Oprah Winfrey picks Richard Russo's "Bridge of Sighs" as her newest Book Club selection Zoo in Denmark asks for unwanted pets to feed its predators Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store