X Factor star 'splits from husband of 8 years' as she makes Glastonbury debut
A former X Factor star has reportedly called it quits with her husband of eight years as she makes her Glastonbury debut this weekend at Worthy Farm
A former X Factor star has split from her husband of eight years as she also makes her Glastonbury debut. Lucie Jones and Ethan Boroian are no longer together, according to reports.
The couple had met each other during their X Factor auditions in 2009, but they have now called it quits. It's said the duo are quietly going through a divorce and Lucie no longer followers her husband on social media.
It's claimed the pair have simply grown apart in their relationship. A source said the duo realised they were "young when they married" and now Lucie's focus has changed.
Speaking to the Sun, an insider said: "She has been busy focusing on pursuing her career on the West End stage and travelling the globe, they're moving on with their lives. Lucie's in a really good place and has already moved on and met someone else and has loved performing at Glastonbury."
They added: "Ethan is no longer in showbusiness and their lives were headed in different directions."
Lucie's appearance at Glastonbury was the first time she had been on the stage at the Worthy Farm festival. Before the weekend, she promised "cool surprises" during the "huge celebration of music and theatre" as she got ready for a three-day spell.
She admitted she was delighted when she got the call to be involved. Speaking to the Mirror before the sets, she explained what people could expert from her.
She said: "When I was there last year, I was like, 'why is there no musical theatre here?' I was just walking around and I was thinking, these people would love a bit of defying gravity.
"I think a lot of people think of musical theatre as like jazz hands and tap dance. But that just isn't the style that I do. It's going to be super upbeat and you're going to know every song. There's a bit of that in musical theatre, of course, but it's a whole world of other stuff as well."
And she went on to tease more about her sets. "There's a couple of friends that I've got that are playing at Glastonbury who, quite possibly will be joining me, or I'll be joining them during their set," she said.
"I'm really excited about one or two of them. It's going to be super cool and they're not necessarily musical theatre acts."
Lucie previously represented the UK in Eurovision. Following her stint on the contest eight years ago she then credited the X Factor for "changing her life". The series produced a number of stars including winner Joe McElderry, who Lucie still keeps in touch with now. "I'm going to Ibiza tomorrow and I'm going to see Joe McElderry," she said.
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Powys County Times
9 minutes ago
- Powys County Times
Police examining Glastonbury performances labelled ‘hateful' and ‘grotesque'
Police continue to examine videos of comments made by acts Bob Vylan and Kneecap at Glastonbury as the festival enters its third day. Rapper Bobby Vylan, of rap punk duo Bob Vylan, on Saturday led crowds on the festival's West Holts Stage in chants of: 'Free, free Palestine' and: 'Death, death to the IDF', before a member of Irish rap trio Kneecap suggested fans 'start a riot' outside his bandmate's upcoming court appearance. In a post on social media, Avon and Somerset Police said: 'We are aware of the comments made by acts on the West Holts Stage at Glastonbury Festival this afternoon. 'Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation.' Reacting on social media, the Israeli Embassy said it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival'. A statement on X said: 'Freedom of expression is a cornerstone of democracy. But when speech crosses into incitement, hatred, and advocacy of ethnic cleansing, it must be called out—especially when amplified by public figures on prominent platforms. 'Chants such as 'Death to the IDF,' and 'From the river to the sea' are slogans that advocate for the dismantling of the State of Israel and implicitly call for the elimination of Jewish self-determination. When such messages are delivered before tens of thousands of festivalgoers and met with applause, it raises serious concerns about the normalisation of extremist language and the glorification of violence. 'We call on Glastonbury Festival organisers, artists, and public leaders in the UK to denounce this rhetoric and reject of all forms of hatred.' This is grotesque. Glorifying violence against Jews isn't edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked. The cultural establishment needs to wake up to the fact this isn't protest, it's incitement. (1/2) — Kemi Badenoch (@KemiBadenoch) June 28, 2025 Conservative leader Kemi Badenoch called the scenes 'grotesque', writing on X: 'Glorifying violence against Jews isn't edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked. 'The cultural establishment needs to wake up to the fact this isn't protest, it's incitement. 'Less than 2 years ago, hundreds were raped and murdered at a music festival. It's not just the act but the gormless people clapping along and cheering. People with no idea what real terror is. 'They don't understand the evil ideology they're amplifying – and they don't care.' A BBC spokesperson said: 'Some of the comments made during Bob Vylan's set were deeply offensive. During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a Government spokesperson said. They added: 'We strongly condemn the threatening comments made by Bob Vylan at Glastonbury. 'The Culture Secretary has spoken to the BBC director general to seek an urgent explanation about what due diligence it carried out ahead of the Bob Vylan performance, and welcomes the decision not to re-broadcast it on BBC iPlayer.' Kneecap, who hail from Belfast, have been in the headlines after member Liam Og O hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence. In reference to his bandmate's upcoming court date, Naoise O Caireallain, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots just love and support, and support for Palestine.' In the run-up to the festival at Worthy Farm in Somerset, several politicians called for the group to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate'. During the performance, Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' He also said a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up. O hAnnaidh, 27, wore a keffiyeh during the set, while member JJ O Dochartaigh, who performs under the name DJ Provai, wore his signature tri-coloured balaclava as well as a T-shirt that said: 'We are all Palestine Action', in reference to the soon-to-be banned campaign group. News broadcasts criticising the hip hop trio played from the sound system before they walked onto the stage were booed by the Glastonbury Festival audience. The trio opened with the song Better Way To Live from their 2024 album Fine Art and also performed tracks including Get Your Brits Out and Hood. Access to the area around the West Holts Stage was closed around 45 minutes before their performance after groups of fans arrived to form a sea of Irish and Palestinian flags. Earlier on Saturday, the BBC confirmed they would not be live-streaming the set but said the performance is likely to be made available on-demand later. O hAnnaidh was charged with allegedly displaying a flag in support of proscribed terrorist organisation Hezbollah, while saying 'up Hamas, up Hezbollah' at a gig in November last year. On June 18, the rapper was cheered by hundreds of supporters as he arrived with bandmates O Caireallain and O Dochartaigh at Westminster Magistrates' Court in Free Mo Chara T-shirts. He was released on unconditional bail until the next hearing at the same court on August 20. Saturday night's Pyramid Stage headliner, Neil Young and The Chrome Hearts, opened with the song Sugar Mountain, with Young saying 'thank you folks' to the crowd as the song ended. The set list, drawing heavily from live album Live Rust, included songs Be The Rain, When You Dance I Can Really Love, Cinnamon Girl and Hey Hey, My My (Into the Black), with lyrics that reference Johnny Rotten, the stage name of Sex Pistols's John Lydon. Charli XCX's performance on the Other Stage saw US singer Gracie Abrams perform the viral Apple dance. As the song began, the British pop star said: 'Who the f*** is gonna be Apple girl, Glastonbury?' while holding what appeared to be a glass of wine. The 32-year-old played her Partygirl set at Glastonbury Festival last year, but this time the singer performed on a much bigger stage amid a year that has seen her pick up a slew of awards. Elsewhere at the festival, Haim performed as the surprise act on the Park Stage at 7.30pm, while on the Pyramid Stage, Pulp were revealed to be Patchwork with the Sheffield-formed Britpop band paying homage to their breakthrough 1995 stand-in headline set during the performance. Performing in the coveted Sunday legends slot this year is Sir Rod Stewart, who previously said he will be joined by his former Faces band member Ronnie Wood, as well as other guests. Sir Rod's performance will come after he postponed a string of concerts in the US, due to take place this month, while he recovered from flu. US singer Olivia Rodrigo takes the final Sunday slot after opening the British Summer Time Hyde Park concert series on Friday.
ITV News
16 minutes ago
- ITV News
Police examining Glastonbury performances labelled ‘hateful' and ‘grotesque'
Police continue to examine videos of comments made by acts Bob Vylan and Kneecap at Glastonbury as the festival enters its third day. Rapper Bobby Vylan, of rap punk duo Bob Vylan, on Saturday led crowds on the festival's West Holts Stage in chants of: 'Free, free Palestine' and: 'Death, death to the IDF', before a member of Irish rap trio Kneecap suggested fans 'start a riot' outside his bandmate's upcoming court appearance. In a post on social media, Avon and Somerset Police said: 'We are aware of the comments made by acts on the West Holts Stage at Glastonbury Festival this afternoon. 'Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation.' Reacting on social media, the Israeli Embassy said it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival'. A statement on X said: 'Freedom of expression is a cornerstone of democracy. But when speech crosses into incitement, hatred, and advocacy of ethnic cleansing, it must be called out—especially when amplified by public figures on prominent platforms. 'Chants such as 'Death to the IDF,' and 'From the river to the sea' are slogans that advocate for the dismantling of the State of Israel and implicitly call for the elimination of Jewish self-determination. When such messages are delivered before tens of thousands of festivalgoers and met with applause, it raises serious concerns about the normalisation of extremist language and the glorification of violence. 'We call on Glastonbury Festival organisers, artists, and public leaders in the UK to denounce this rhetoric and reject of all forms of hatred.' Conservative leader Kemi Badenoch called the scenes 'grotesque', writing on X: 'Glorifying violence against Jews isn't edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked. 'The cultural establishment needs to wake up to the fact this isn't protest, it's incitement. 'Less than 2 years ago, hundreds were raped and murdered at a music festival. It's not just the act but the gormless people clapping along and cheering. People with no idea what real terror is. 'They don't understand the evil ideology they're amplifying – and they don't care.' A BBC spokesperson said: 'Some of the comments made during Bob Vylan's set were deeply offensive. During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a Government spokesperson said. They added: 'We strongly condemn the threatening comments made by Bob Vylan at Glastonbury. 'The Culture Secretary has spoken to the BBC director general to seek an urgent explanation about what due diligence it carried out ahead of the Bob Vylan performance, and welcomes the decision not to re-broadcast it on BBC iPlayer.' Kneecap, who hail from Belfast, have been in the headlines after member Liam Og O hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence. In reference to his bandmate's upcoming court date, Naoise O Caireallain, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots just love and support, and support for Palestine.' In the run-up to the festival at Worthy Farm in Somerset, several politicians called for the group to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate'. During the performance, Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' He also said a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up. O hAnnaidh, 27, wore a keffiyeh during the set, while member JJ O Dochartaigh, who performs under the name DJ Provai, wore his signature tri-coloured balaclava as well as a T-shirt that said: 'We are all Palestine Action', in reference to the soon-to-be banned campaign group. News broadcasts criticising the hip hop trio played from the sound system before they walked onto the stage were booed by the Glastonbury Festival audience. The trio opened with the song Better Way To Live from their 2024 album Fine Art and also performed tracks including Get Your Brits Out and Hood. Access to the area around the West Holts Stage was closed around 45 minutes before their performance after groups of fans arrived to form a sea of Irish and Palestinian flags. Earlier on Saturday, the BBC confirmed they would not be live-streaming the set but said the performance is likely to be made available on-demand later. O hAnnaidh was charged with allegedly displaying a flag in support of proscribed terrorist organisation Hezbollah, while saying 'up Hamas, up Hezbollah' at a gig in November last year. On June 18, the rapper was cheered by hundreds of supporters as he arrived with bandmates O Caireallain and O Dochartaigh at Westminster Magistrates' Court in Free Mo Chara T-shirts. He was released on unconditional bail until the next hearing at the same court on August 20. Saturday night's Pyramid Stage headliner, Neil Young and The Chrome Hearts, opened with the song Sugar Mountain, with Young saying 'thank you folks' to the crowd as the song ended. The set list, drawing heavily from live album Live Rust, included songs Be The Rain, When You Dance I Can Really Love, Cinnamon Girl and Hey Hey, My My (Into the Black), with lyrics that reference Johnny Rotten, the stage name of Sex Pistols's John Lydon. Charli XCX's performance on the Other Stage saw US singer Gracie Abrams perform the viral Apple dance. As the song began, the British pop star said: 'Who the f*** is gonna be Apple girl, Glastonbury?' while holding what appeared to be a glass of wine. The 32-year-old played her Partygirl set at Glastonbury Festival last year, but this time the singer performed on a much bigger stage amid a year that has seen her pick up a slew of awards. Elsewhere at the festival, Haim performed as the surprise act on the Park Stage at 7.30pm, while on the Pyramid Stage, Pulp were revealed to be Patchwork with the Sheffield-formed Britpop band paying homage to their breakthrough 1995 stand-in headline set during the performance. Performing in the coveted Sunday legends slot this year is Sir Rod Stewart, who previously said he will be joined by his former Faces band member Ronnie Wood, as well as other guests. Sir Rod's performance will come after he postponed a string of concerts in the US, due to take place this month, while he recovered from flu. US singer Olivia Rodrigo takes the final Sunday slot after opening the British Summer Time Hyde Park concert series on Friday.
The Guardian
an hour ago
- The Guardian
Neil Young review – ragged glory from a noisemaker who never treads the easy path
Neil Young's second headlining appearance at Glastonbury has a turbulent history, even before you get to his publicly expressed fear that, despite being a Canadian with American citizenship, he won't be allowed back into his adopted homeland because of his criticism of Donald Trump. He announced that he was dropping out of the festival even before the lineup was announced, having picked a slightly baffling fight with the BBC over their coverage of the event, which he described as a 'corporate turnoff'. Two days later, he announced he'd changed his mind, although the wrangling over whether or not the BBC would be allowed to livestream his performance seems to have gone down to the wire: last week they issued a statement saying they wouldn't, but in the event the live stream went ahead. A man who's been conducting his career according to his own baffling internal logic for the best part of 60 years, Young clearly sees no reason to change his approach as he nears 80: not for nothing is his online blog called the Times Contrarian. It lends a certain frisson to his Glastonbury appearance: as longstanding fans will tell you, with a mixture of weariness and fond admiration, you never quite know what he's going to do, although what the floating voters who invariably make up a significant percentage of a Glastonbury audience will think of it is anyone's guess. He takes the stage clad in a tattered plaid shirt, jeans and a Casey Jones hat pulled down over his face: in old age, he increasingly looks less like a rock star than a mechanic from a small American town who distrusts anyone not born within a mile radius of its centre. He dispatches a version of Sugar Mountain on acoustic guitar, before the Chrome Hearts arrive. This is essentially his earlier outfit Promise of the Real augmented by 82-year-old keyboard player Spooner Oldham, a man whose career stretches back to Aretha Franklin and Wilson Pickett's legendary late 60s albums. They may well be the best backing band Young has assembled since Crazy Horse, their sound simultaneously tumultuous and lumbering and heavily distorted. Cinnamon Girl, from 1969, and 1990's Fuckin' Up alike conclude with lengthy barrages of noise: during the latter, guitarist Micah Nelson creates feedback by throwing this guitar into the air. At their best, they're impossibly thrilling. Young's lengthy guitar solos have an impassioned, almost caustic quality, and the sense of the musicians huddled together at the centre of the stage sparring off each other is really striking. At one point, it seems as if Young is going to start rolling out one venerable classic after another, to general delight: a version of Hey Hey, My My (Into the Black) is followed by an acoustic section featuring The Needle and the Damage Done and a lovely, lambent take on Harvest Moon provokes the audience into singing softly along. But simply playing a crowd-pleasing selection of what you might broadly describe as the hits wouldn't be very Neil Young: instead, he throws in Sun Green, a painfully slow, musically unchanging track from his coolly received, ecologically themed early 00s concept album Greendale. It has 18 verses, and lasts so long that you're occasionally gripped by the very real fear they'll still be up on the Pyramid stage playing it long after the festival has ended. Some of the floating voters take this as a cue to see what's happening elsewhere on site. But then he plays Like a Hurricane, accompanied by Nelson playing a keyboard that seems to be suspended from the roof of the stage. An acoustic version of Old Man is warmly received yet makes for a weirdly downbeat end to the set, but an encore of Rockin' in the Free World offers what you might call the full festival experience. The screens keep flashing on to the audience: there are people on their friends' shoulders singing along. A suitably inscrutable onstage presence for most of the night, Young is visibly enjoying himself. He leaves the stage having headlined Glastonbury in a manner entirely in keeping with his longstanding reputation.
