logo
NZSO Conjures Sorcerers, Spiders & Bret McKenzie

NZSO Conjures Sorcerers, Spiders & Bret McKenzie

Scoop17-07-2025
Press Release – NZSO
Andre de Ridder with NZSO (c – Phoebe Tuxford)
Bret McKenzie (Photo/Supplied)
From The Sorcerer's Apprentice and The Lark Ascending to Carnival of the Animals and an assortment of creepy-crawlies, the New Zealand Symphony Orchestra presents a spellbinding three-concert winter festival in August.
Led by the NZSO's Music Director Designate, acclaimed German conductor André de Ridder, the Rumakina Immerse Festival features Oscar-winner Bret McKenzie, NZSO Concertmaster Vesa-Matti Leppänen and Grammy Award-winning taonga pūroro player and composer Jerome Kavanagh Poutama in Wellington (8-10 Aug) and Auckland (15-17 Aug).
The festival promises an unforgettable musical journey through enchantment, aspiration, and the natural world.
Maestro de Ridder, NZSO Music Director from 2027, brings his visionary artistry to all three performances.
For Enchanted: Stravinsky, Dukas & Mussorgsky audiences will experience the magic of music with Modest Mussorgsky's Night on Bald Mountain and Paul Dukas' The Sorcerer's Apprentice, both immortalised in Disney's Fantasia. The concert culminates with Igor Stravinsky's dazzling ballet score Petrushka, a tale of puppets brought to life through vibrant orchestration and irresistible rhythms.
Ascension: Schumann & Vaughan Williams celebrates the natural world with Papatūānuku, a powerful collaboration between Aotearoa New Zealand composer Salina Fisher and Kavanagh Poutama. The concert continues with Ralph Vaughan Williams' beloved The Lark Ascending, featuring Leppänen as solo violinist. Vaughan Williams' masterpiece regularly makes the top five listener favourites, including RNZ Concert (No.3 in 2024) and the UK's Classic FM (No.3 in 2025).
Ascension concludes with the joyful renewal of spring in Robert Schumann's Symphony No. 1.
Perfect for whānau, the Sunday matinee concert Creepy-Crawly Carnival: Saint-Saëns & Roussel opens with Albert Roussel's The Spider's Feast, a musical exploration of garden insects and native Aotearoa creatures, including giant wētā and huhu grubs.
The musical menagerie continues with Camille Saint-Saëns' timeless Carnival of the Animals, narrated by songwriter and comedian McKenzie, returning to the stage with the NZSO after his hit 2018 Muppets collaboration The Jim Henson Retrospectacle.
Known for bringing humour and heart to every performance, McKenzie will guide audiences through a symphonic safari filled with hopping kangaroos, stately swans, and bumbling elephants. The suite, a cornerstone of children's classical repertoire, becomes a laugh-out-loud journey with McKenzie's storytelling magic at the helm.
During the concert, acclaimed illustrator Stephen Templer will draw live, using the music as his muse to craft a series of whimsical and captivating artworks—each created from scratch and projected in real time on a giant screen.
The Rumakina Immerse Festival offers something for everyone—from classical aficionados to curious newcomers and young listeners. Join the NZSO over two weekends for this extraordinary celebration of music, nature, and imagination.
Maestro de Ridder appears with support from The Diessl Family. COMING UP
Firebird: Ravel & Stravinsky – conductor Emilia Hoving, piano Javier Perianes. Wellington (17 July), Christchurch (19 July).
Mana Moana – conductor Brent Stewart, Signature Choir. Wellington (24-25 July)
Content Sourced from scoop.co.nz
Original url
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

NZSO And Wairea Company To Headline Aronui Arts Festival 2025
NZSO And Wairea Company To Headline Aronui Arts Festival 2025

Scoop

time3 days ago

  • Scoop

NZSO And Wairea Company To Headline Aronui Arts Festival 2025

Rotorua-based Wairea Company, in collaboration with the New Zealand Symphony Orchestra, will headline Aronui Arts Festival 2025 this September with their bold new work Atua Wahine. An ode to the revival of Atua Wahine stories through contemporary dance, classical orchestration and traditional Māori instruments. Following the success of Aronui's Matariki Drone Show, which drew over 35,000 people across two nights, the festival returns with a curated programme that focused on high-impact, deeply grounded works that highlight Indigenous storytelling and creativity. Atua Wahine is part of a wider offering from Aronui Arts Festival. The festival will showcase an inspiring lineup of live music, performance art, and solo works. Aronui Creative Director and Founder, Cian Elyse White says, 'It's an honour to announce the 2025 festival lineup headlined by the NZSO and Wairea, who are delving into a new work seeded at last year's festival. Arts are an essential service, and after the success of the ARONUI Matariki programme, including our drone show, we are stoked to bring our September festival back to the community.' Created and directed by acclaimed artist Rangipo Ihakara, Atua Wahine breathes life into the stories of Māori goddesses through an immersive performance that features wāhine of all ages. The production blends contemporary dance, taonga puoro, and the orchestral power of the New Zealand Symphony Orchestra. 'Atua Wahine is an offering. A coming together of wāhine across generations to embody the essence of our ancient Māori goddesses through movement, sound, and spirit,' says Ihakara. 'Through Māori contemporary dance, classical music and taonga puoro, we allow the audience to feel and sense their way through the piece. To foster a space where they are able to tap into their own consciousness to create, to add their own intentions, to have conversations, to get uncomfortable, and to be comforted.' This piece is the second phase of Wairea's exploration into Atua Wahine, following their debut collaboration with Heipūkarea - an event that celebrated wāhine Māori creatives across disciplines and supported the launch of Hana Tapiata's book Atua Wahine - The Ancient wisdom of the Maori goddesses. The experience inspired the company to go deeper, reconnecting with Atua through movement, music, and story. 'In te ao Māori and Indigenous cultures, feeling, sensing, and language are vital forms of communication and connection. Concepts such as mahi a te wairua (spiritual work), te mauri o te tangata (the life force of a person), and te reo me ngā tikanga (language and customs) are foundational to this performance. By embracing wairua (spirit) and mauri (life force), we navigate the creative process - crafting an Indigenous musical that resonates with all audiences,' says Ihakara. Aronui Arts Festival will be held from 11 - 21 September at the Sir Howard Morrison Centre and Thurston Theatre. Atua Wahine will run from 11 - 13 September in Sir Owen Glenn Theatre/Matangi Rau in the Sir Howard Morrison Centre. For tickets and more information, visit About Wairea Company: Wairea Company is dedicated to presenting innovative and culturally significant performances highlighting Indigenous narratives and fostering community collaboration. They aim to inspire and empower audiences by showcasing the richness of Māori and other Indigenous cultures. About Aronui Arts Festival: The Aronui Arts Festival celebrates indigenous cultures' diversity and creativity through various artistic expressions, including music, dance, theatre, and visual arts. The festival aims to foster understanding and appreciation of cultural heritage while providing a platform for artists to share their stories and talents.

NZSO And Wairea Company To Headline Aronui Arts Festival 2025
NZSO And Wairea Company To Headline Aronui Arts Festival 2025

Scoop

time3 days ago

  • Scoop

NZSO And Wairea Company To Headline Aronui Arts Festival 2025

Press Release – New Zealand Symphony Orchestra Following the success of Aronuis Matariki Drone Show, which drew over 35,000 people across two nights, the festival returns with a curated programme that focused on high-impact, deeply grounded works that highlight Indigenous storytelling and creativity. Rotorua-based Wairea Company, in collaboration with the New Zealand Symphony Orchestra, will headline Aronui Arts Festival 2025 this September with their bold new work Atua Wahine. An ode to the revival of Atua Wahine stories through contemporary dance, classical orchestration and traditional Māori instruments. Following the success of Aronui's Matariki Drone Show, which drew over 35,000 people across two nights, the festival returns with a curated programme that focused on high-impact, deeply grounded works that highlight Indigenous storytelling and creativity. Atua Wahine is part of a wider offering from Aronui Arts Festival. The festival will showcase an inspiring lineup of live music, performance art, and solo works. Aronui Creative Director and Founder, Cian Elyse White says, 'It's an honour to announce the 2025 festival lineup headlined by the NZSO and Wairea, who are delving into a new work seeded at last year's festival. Arts are an essential service, and after the success of the ARONUI Matariki programme, including our drone show, we are stoked to bring our September festival back to the community.' Created and directed by acclaimed artist Rangipo Ihakara, Atua Wahine breathes life into the stories of Māori goddesses through an immersive performance that features wāhine of all ages. The production blends contemporary dance, taonga puoro, and the orchestral power of the New Zealand Symphony Orchestra. 'Atua Wahine is an offering. A coming together of wāhine across generations to embody the essence of our ancient Māori goddesses through movement, sound, and spirit,' says Ihakara. 'Through Māori contemporary dance, classical music and taonga puoro, we allow the audience to feel and sense their way through the piece. To foster a space where they are able to tap into their own consciousness to create, to add their own intentions, to have conversations, to get uncomfortable, and to be comforted.' This piece is the second phase of Wairea's exploration into Atua Wahine, following their debut collaboration with Heipūkarea – an event that celebrated wāhine Māori creatives across disciplines and supported the launch of Hana Tapiata's book Atua Wahine – The Ancient wisdom of the Maori goddesses. The experience inspired the company to go deeper, reconnecting with Atua through movement, music, and story. 'In te ao Māori and Indigenous cultures, feeling, sensing, and language are vital forms of communication and connection. Concepts such as mahi a te wairua (spiritual work), te mauri o te tangata (the life force of a person), and te reo me ngā tikanga (language and customs) are foundational to this performance. By embracing wairua (spirit) and mauri (life force), we navigate the creative process – crafting an Indigenous musical that resonates with all audiences,' says Ihakara. Aronui Arts Festival will be held from 11 – 21 September at the Sir Howard Morrison Centre and Thurston Theatre. Atua Wahine will run from 11 – 13 September in Sir Owen Glenn Theatre/Matangi Rau in the Sir Howard Morrison Centre. For tickets and more information, visit About Wairea Company: Wairea Company is dedicated to presenting innovative and culturally significant performances highlighting Indigenous narratives and fostering community collaboration. They aim to inspire and empower audiences by showcasing the richness of Māori and other Indigenous cultures. About Aronui Arts Festival: The Aronui Arts Festival celebrates indigenous cultures' diversity and creativity through various artistic expressions, including music, dance, theatre, and visual arts. The festival aims to foster understanding and appreciation of cultural heritage while providing a platform for artists to share their stories and talents.

Letters: Why don't we have a Question Time for the public to press our politicians?
Letters: Why don't we have a Question Time for the public to press our politicians?

NZ Herald

time22-07-2025

  • NZ Herald

Letters: Why don't we have a Question Time for the public to press our politicians?

Concert radio The RNZ Concert programme is an oasis in a desert of negative news in the world dominated by bigotry and prejudice. The interviews with musical guests performing often with the NZSO and other talented musicians such as the superb recently crowned New Zealand youth choir contact are a joy to hear – the interviewees are not verbose and egocentric but are appreciative, informed music lovers like myself. Margaret Ward, New Zealand Waikato medical school The short course opening to graduates at the new Waikato medical school, concentrating on training for general practice and rural medicine, raises two questions. Will the new doctors have a different form of medical registration to those who undergo the longer training at Otago and Auckland Universities, thereby restricting their work to areas in which they are specialised? Secondly, will their qualification be recognised worldwide as a complete or limited medical training? Stewart Hawkins, St Heliers. Building costs The cost of building construction throughout New Zealand – already in crisis – is worsening as more and more building projects fold almost on a daily basis. Has anyone noticed? Gary Hollis, Mellons Bay. Property buy-outs It is understandable that the Government cannot continue to fully compensate home owners when properties are damaged and destroyed through natural events. However, when the authorities encourage and permit housing to be built on flood plains and unstable land, then they should be made responsible to fully compensate those affected by random natural events. Insurance companies will not insure property that is deemed high risk, and no doubt banks will be reluctant to lend to buyers of dodgy housing. If we want to maintain confidence in the housing industry, support should be provided when common sense is not followed. Kay Agar, Onehunga. Homelessness Homelessness is becoming a major problem worldwide and appears to be driven mainly by drug and alcohol addiction. I watched an interesting news item from America that showed the extreme lengths they are going to in order to help their homeless. They provide financial support, meals, drug rehab programmes and shelter. In exchange, they require participants to participate in drug rehab and submit to regular drug tests. Unfortunately, people would rather live on the streets and use their welfare payments on drugs and alcohol. Where do we go to from here? If they won't help themselves, what can be done? Jock MacVicar, Hauraki. Naked little man I understand there have been a number of complaints about the nude skier in Lotto's recent TV advertisement. However, the little man who advertises Pak'nSave has been cavorting naked across the screen for years without any complaint. In today's politically correct society, couldn't that be interpreted as some form of discrimination? David Trower, Auckland Central.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store