
Holiday flight delays, cancellations, denials or downgrades: know your rights
Heading on holiday this summer? If you've booked a flight, you might be feeling some airport anxiety. Fear of flying is one thing, but fear of not flying can also loom large.
Once upon a time, it was only striking air traffic controllers or baggage handlers who could nix your holiday plans. More recently, climate events such as floods, wildfires and extreme turbulence, anti-tourism protests and technical glitches are adding to the mix.
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Wildfires in Greece, flash floods in Valencia, an electrical substation fire at Heathrow and a mass power outage in Spain and Portugal have all stopped flights in the past 12 months. But if your plane is delayed or doesn't fly, what are your
rights
, and can you get a refund or compensation?
A whopping €1,197,230 in compensation was paid to passengers on the back of 1,726 complaints about airlines upheld by the
Irish Aviation Authority (IAA)
last year. Passengers were also paid more than €360,000 in refunds as a result of complaints to the body.
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If your flight is cancelled, or delayed by more than two hours, or you are denied boarding or are downgraded, you may have grounds for complaint. The majority of successful complaints last year related to cancellations and delays.
Aer Lingus
accounted for 33 per cent of all complaints received by the IAA in the 12 months and
Ryanair
for 31 per cent. The IAA received 23 complaints from people with reduced mobility.
Flight delays
A delayed or cancelled flight is a total pain. When you're grounded and waiting to fly, for hours or even days, food, accommodation and transport costs can quickly rack up.
If your flight is delayed, your entitlement to help from the airline is linked to the distance to your destination and the length of the delay.
For short-haul flights – less than 1,500km – where the delay is under two hours, you'll generally just have to suck it up. So, if your Dublin to London, Brussels, Milan or Paris flight is delayed for two hours or less, your best remedy is a good book.
For destinations in Europe of more than 1,500km, and all other flights up to 3,500km, the delay must be greater than three hours before the law demands 'care and assistance' from your airline. Think flights from Ireland to Malta or Rome.
'Care and assistance' means food and refreshments, hotel accommodation and transport to and from there if an overnight stay becomes necessary. You're entitled to two telephone calls or emails too.
If the airline doesn't provide you with anything and you need to make your own arrangements, keep receipts to claim the money back from them, says the IAA.
For long-haul destinations more than 3,500km away, such as North America or Cape Town, the delay must be greater than four hours before a legal entitlement to assistance kicks in
You're not expected to know how far away your destination is by the way. The
Great Circle website calculator
is the recommended way to work it out.
A delay of five hours or more to any destination is pretty scuppering. If you decide not to travel, you are entitled to a full refund, says the IAA.
Compensation
If your plane flies but you get to your destination three hours late, you are entitled to compensation.
The amount you can claim depends on whether the flight is short, medium or long haul and compensation is paid at €250, €400 to €600 per person accordingly. Compensation for long-haul flights may be halved if you arrive less than four hours late.
If your flight is delayed by 'extraordinary circumstances' you can't claim compensation. 'Extraordinary circumstances' include air traffic control decisions, political instability, bad weather or security risks.
For the majority of failed passenger complaints to IAA last year, the airline proved there had been extraordinary circumstances
Your airline has to prove their delay was specifically linked to the extraordinary circumstance. Aircraft technical issues, wonky stairs or striking staff are not extraordinary circumstances.
Where there are extraordinary circumstances, no compensation is due beyond care, assistance and rerouting.
If you can't get to the airport due to 'extraordinary circumstances', the airline does not have any obligations to you if they are not the cause of the disruption.
Flight cancellations
Flights get cancelled and, if yours is one of them, the airline must offer you a choice of rerouting as soon as possible; rerouting at a later date at your convenience; or a refund.
If you choose to be rerouted as soon as possible, the airline must provide you with meals and refreshments corresponding to the waiting time, and hotel accommodation if an overnight stay is required.
If you get more than two weeks' notice of the cancellation, you're not entitled to compensation from the airline.
If you got between seven days and two weeks' notice and you opted for rerouting that departed no more than two hours before your original departure time and arrived no more than four hours after the original arrival time, you are not entitled to compensation either.
However, if your rerouting was outside of those time frames, you are entitled to compensation unless the airline can prove the cancellation was caused by extraordinary circumstances.
If you got less than seven days notice of the cancellation and your rerouting departed no more than one hour before the original departure time and arrived no more than two hours after the original arrival time, you are not entitled to airline compensation.
But again, if your rerouting was outside of those time frames, you are entitled to compensation unless the air carrier can prove the cancellation was caused by extraordinary circumstances.
Denied boarding
If you've confirmed your flight, you've got your passport, you're in good time and pose no health or security risk, you could still be 'involuntarily' denied boarding. This can happen if the flight is overbooked, for example.
If this happens, the airline must offer you a choice of rerouting as soon as possible, rerouting at a later date at your convenience or a full refund.
If you choose rerouting, they must offer you care and assistance while waiting for your alternative flight.
Passengers involuntarily denied boarding must also be compensated. The amount depends on the journey distance and the time frame within which you were rerouted.
How to complain
If you have an issue, raise it with the airline first, says the IAA, which provides useful complaint templates on its website for doing so.
If you have no joy, contact the relevant enforcement body in the EU member state where the flight was due to depart. The IAA website provides all their contact details.
So, if your Dublin-Malaga flight was disrupted, you would contact the IAA. They are the enforcement body for flights out of Irish airports, or a flight into an airport here from a country outside the EU but which is operated by an EU-licensed carrier.
If it was the return Malaga-Dublin flight that was disrupted, you would contact the Spanish enforcement body.
Likewise, if your Aer Lingus flight from New York to Dublin is delayed, contact the IAA, but if the flight was with American Airlines, contact the US department of transportation as American Airlines is not licensed in Europe.
You can contact us at
OnTheMoney@irishtimes.com
with personal finance questions you would like to see us address. If you missed last week's newsletter, you can read it
here
.

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Irish Examiner
9 hours ago
- Irish Examiner
A vision for West Cork: Plans progress on €20m arts and cultural hub
How did you get a theorbo onto an airplane? You buy it a seat. It might sound like a line from a bad cracker joke but it was a very real problem for West Cork Music, the organisers of the West Cork Chamber Festival, which got underway on Friday heralding a three-festival season worth €4.74m annually to the local economy. 'The theorbo is a kind of lute but it stands about seven or eight foot high. It's also known as a giraffe in the trade,' says West Cork Music founder and chief executive Francis Humphrys, who was busy doing his own final boarding pre-festival checks this week. 'Instruments can't go in the hold. The air pressure and the temperature in the hold is completely different. If you put them in the hold, the wood can crack, and these are instruments that can be worth millions.' Francis recently turned 80 but is as busy as ever. Last year, the three festivals - the West Cork Chamber Festival, the West Cork Literary Festival, and Masters of Tradition - sold a combined 15,922 tickets, the highest combined total yet, worth €259,811. Ticket sales from the Chamber Festival brought in €125,294; the Literary Festival recouped €84,850 in ticket sales while Masters of Tradition brought in €49,667. Irish fiddler and Masters of Tradition artistic director Martin Hayes outside St. Brendan's Church in Bantry. Picture: Karlis Dzjamko/Alamy Live News But it wouldn't be a real festival without drama. In 2024, a strike by Aer Lingus pilots affected flights just as visiting performers were making their way to Ireland. Another hurdle to negotiate, for performers and for visitors. Getting musicians and their instruments to Cork is always a worry, like the theorbo dilemma, and also a practical financial consideration. 'A string quartet going on an airplane will work out as five seats because the cellist must have an extra seat. Some international airlines refuse to take a cello, even when the seat has been booked. Sometimes, it's at the pilot's discretion. Cellists worldwide worry, every time they get on a plane, because they don't know if they're going to be allowed fly with their instrument.' Organising a chamber festival should be all about the music and tuning to a perfect fifth. Instead, someone must be looking after the purse strings. Yet in challenging times for the arts, West Cork Music has the data to show the monetary lift that festivals bring. An economic impact assessment carried out by Prof Eleanor Doyle at UCC's Dept of Economics estimates the three festivals brought in an estimated €4.74m to the region last year, including direct expenditure of €2.8m through local accommodation, catering, transport, and other local services, up 30% on 2023. 'Relative to the estimated aggregate impact, every euro invested by these agencies in West Cork Music generated €8.50 in economic activity,' said Prof Doyle. This represents seriously good value for money for the €557,500 in State-derived funding from the Arts Council (€445,000), Fáilte Ireland (€65,000), and Cork County Council (€47,500). Undertaking economic analysis of the three festivals puts their value in perspective, says Francis. 'We've been carrying these out since the economic crash 15 years ago. I realised that politicians were only going to listen to us if we had an economic presence. They used to just think of us as a drain on national resources.' The Chamber Festival is celebrating its 30th anniversary, and has earned a reputation for world-class music in breathtaking surroundings. On Saturday night, the Ardeo Quartet and Barry Douglas perform the main evening concert at beautiful Bantry House, in a concert that will be broadcast live on Lyric FM and to millions more across Europe and beyond, via the European Broadcasting Union. Yet locals and visitors in Bantry can attend the concert for as little as €14. Other events are free. The festival is headquartered in Bantry, but fringe and other festival events on the programme take in Cork Airport, Glengarriff, Skibbereen, Ahakista, Ballydehob, Schull, and islands like Sherkin, Heir, Bere, and Whiddy. Just a few weeks later, the West Cork Literary Festival directed by Eimear Herlihy will bring a different creative strand - not to mention a dabble of stardust from the likes of Graham Norton, Richard E Grant, and Neil Jordan - as Irish and world authors and guests come to Bantry and its environs. In August, Masters of Tradition, curated by Martin Hayes, will complete the eclectic summer season. An architect design of the interior for the proposed cultural hub and music centre in Bantry. The next step in the development of West Cork Music is to create a permanent music, education, and civic space in Bantry. This will include an auditorium, and an education centre, adjacent to Bantry Library, creating a new cultural hub for the town, and indeed for West Cork. The total cost is estimated at €20m. The concert hall will be used for performances of chamber music, folk, jazz, and traditional music from Ireland and other cultures. It will be a purpose-built space: a warm acoustic, with modulations, particularly around the stage, helping to disperse sound and reduce the likelihood of echoes or resonances. Variable acoustics systems, such as trackable drapes on the side walls will reduce the reverberance of the venue. This will be key for spoken word events where speech clarity is of prime concern, and for amplified music where this will help control loudness and improve sound quality from loudspeakers. Other uses for this space will include touring opera, theatre, and dance productions, and local community and school activities. The auditorium will host the festivals, and will also be suitable for conferences, lectures, informal talks, and masterclasses. The seating capacity is 270 seats. Local businesses have been hugely supportive. Land has been earmarked near Bantry Library and the project is currently going through the planning process, says West Cork Music venue development manager Siobhan Burke. 'The potential to create stable facilities where you can make that economic impact count year-round is phenomenal," she said. "One of the great things about West Cork Music is it sits in an absolute sweet spot between the arts, tourism, and rural regeneration. 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'For Francis, it has genuinely always been part of the plan: to create a way for people to access the arts year-round in West Cork,' said Siobhan. For a man who started a music festival 30 years ago from the kernel of an idea while playing classical music to his milking cows, Francis knows keeping economic realities in play are always key. He's looking to the future - "I've always wanted to put on a world music festival here" - but aware of the importance of the present. 'All of us in the arts, even West Cork Music which is quite a substantial organisation, are stretched to the limit,' he says. "If we break even, we're doing brilliantly. Last year, we more or less broke even. At this stage, it's difficult to know what the final figure for this year will be, with the best part of 20% of box office receipts coming in during the festival. I had a pacemaker fitted last year and I put it down to box office trauma!" "The Literary Festival will reach its target before it starts and they'll sell another €10,000 or €15,000 worth of tickets during the festival. Masters of Tradition is the same, they will almost certainly reach their target before Martin arrives. 'That's the beauty with three festivals in one organisation, you spread your risk that way.'


Irish Examiner
9 hours ago
- Irish Examiner
The stories and secret weapons behind five of Ireland's best B&Bs
For a long time, traditional Irish B&Bs were simply family homes that offered guest rooms. For overseas tourists, they were a way to experience authentic Irish hospitality alongside hosts. For locals, they were a great affordable accommodation option. Well, that's what they were for me and my friends back in their 90s heyday. Back then weekends away didn't involve getting on a Ryanair flight, instead, we'd consult the Golden Pages to pick a town with some good pubs and a nearby B&B. The Bean an tí (woman of the house) was usually dubious upon our arrival and rightly so. We were invariably ready for a night of revelry and I've no doubt we ruined many sheets with make-up and instant tan. But we loved staying in B&Bs. They were a home away from home and there was always the guarantee of a full Irish in the morning, even if it was sometimes served with disapproving looks. In the last few decades, however, tourism has changed. The landscape has evolved and while some of those cherished traditional B&Bs continue to exist, they are dwindling. In their place is a growing new generation of boutique B&Bs. These modern establishments have taken what we've always loved about B&Bs, personal touches, small teams and a strong sense of community, and added their own flair, whether that's through design-led decor or unique food offerings. The charm of these new-wave B&Bs lies not just in the amenities but in the hosts who want their guests to have the best time every stay. This blend of comfort, hospitality and inventiveness marks a new era in Irish B&Bs. Here are five standout stays that are redefining this cherished tradition. The Stop, Galway City Emer Fitzpatrick and Russell Hart in The Stop B&B at Fr Griffin Road in Galway. Photo: Ray Ryan Run by Emer Fitzpatrick and Russell Hart, The Stop in Galway City is a prime example of the modern B&B. Perfectly located on the edge of Galway's buzzy West End, there's a real camaraderie with the local community and Galway's hospitality scene, of which Emer and Russ are very much a part. The couple took over the property from Emer's family in 2004, which had been successfully operating as a traditional B&B. However, Emer and Russ wanted to put their own stamp on the place. They stripped back the decor and added personal touches such as Irish art, textiles, and pieces from their travels. 'Slowly, slowly we've got it to where we are today but it has been a long process,' Emer says. A difference in the modern B&Bs she notes is that the entire house is dedicated to guest use. 'When you arrive at ours we say 'make yourselves at home', it's all for them, it's not our home, the whole house is for the guests to use.' Guests that Emer says, Russell falls in love with. 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When Bart inherited a seaside property in their charming hometown of Waterville, it seemed like the perfect opportunity to open their dream B&B. The proprietors of Seaclusion Luxury Guest Accommodation in Waterville, Co Kerry. Pic: Alan Landers They dove into the planning, research and renovations. Marie had her guests in mind the whole time, thinking about people coming from their own beautiful homes with good showers and beds and wanting to keep that standard. The view from a room in Seaclusion in Waterville, Co Kerry For the interiors, they went with calm colours, blues and greys to 'create a place of tranquillity and bring the sea indoors and to complement what we had on our doorstep'. What the Sullivans offer, Marie believes, reflects modern B&Bs. 'I think people's perceptions of B&Bs are changing. It's not just about having a beautiful house to stay but the size also impacts the personal touch you can offer. 'We're small so the guests get to know us very fast and we get to know them. It makes it a more personalised stay.' Putting the finishing touches to one of their Guest rooms at Seaclusion Luxury Guest Accommodation are Marie & Bart O'Sullivan. Photo Alan Landers. That personalised stay usually includes Marie and Bart helping out with itineraries — they both love showing off South Kerry. Breakfast is also an important feature for them with Bart using lots of local produce. 'That's important to us because when you're supporting local everyone is helping out each other. 'It's a busy job but we love it when someone leaves in the morning and they compliment what they've experienced — that makes it all worthwhile.' Breac House, Dunfanaghy, Co Donegal Breac House in Dunfanaghy, Co. Donegal Nestled into a headland in North West Donegal is Breac House, a dark, striking Scandi-style building that's not what usually springs to mind when you think of an Irish B&B. That was sort of the idea, says Niall Campbell, who set up the business with Catherine Burke back in 2017. Catherine Burke and Niall Campbell of Breac House 'We thought there was a role for something slightly different. We wanted to bring a new cohort of people here and showcase different things in terms of location, design, food, service, maybe some things that wouldn't necessarily have been synonymous with B&Bs in the past.' Niall and Catherine stand on the balcony of Breac House. Picture: Ruth Calder-Potts The result is a stunningly design-led place to stay. Clean white walls, lots of timber and oak, touches of texture and colour with plenty of local additions. 'We have a lot of Eddie Doherty tweed, Ulster linen, handmade furniture, crockery and pottery and bits made for us by different makers in the area. Just to give a sense of place, making people feel connected to the area.' Breac House's terrace. Pic: Ruth Calder-Potts Along with design, food is a big passion of theirs. 'We put a huge amount of effort into breakfast. It's modern, local, seasonal and well-designed, and it's the same for our packed lunches.' Although they don't serve dinner, they have in the last few years run some sell-out guest chef dinners with well-known names like Cúán Greene and Ciaran Sweeney and they are currently working on a programme for next year. Sheedy's B&B, Doolin, Co Clare Frank and Marian Sheedy of Sheedy's Doolin. Pic: Brian Arthur A big welcome is par for the course at Sheedy's in Doolin from husband and wife team Frank and Marian Sheedy, 'and our secret weapon is Bertie' she tells me. Bertie is a grey and white, old English sheepdog that Marian credits with winning over every guest that comes through their door: 'He just adds that kind of homely touch to the place.' Frank and Marian Sheedy of Sheedy's Doolin. Pic: Brian Arthur They may have only opened in 2019 but between them, they have extensive hospitality experience, Frank as a chef and Marian as a hotel manager so when they were planning their B&B. 'We knew exactly what we wanted and exactly what the guests wanted and that was how we built it, with the guest in mind.' Marian Sheedy with Bertie the sheepdog. Picture: MrsRedhead Photography Marian focused on creating a relaxed atmosphere, with understated decor, large rooms, and spacious bathrooms. Breakfast was always going to be a stand-out feature thanks to Frank's background as chef. The breakfast spread at Sheedy's B&B. Picture: MrsRedhead Photography They serve a daily changing buffet where Marian says Frank gets to unleash all his creativity. 'It gives a new meaning to the word breakfast. One guest said, what can all the fuss be about breakfast but when he left he said, OK, now I understand.' Marian Sheedy of Sheedy's, Doolin. Pic: Brian Arthur Guests leaving happy has been a big part of their success. 'Word of mouth has been huge for us,' Marian says. 'People go on about social media but word of mouth is absolutely the best recommendation you can get. And I love repeat business — it means you're doing something right.' Pax House, Dingle, Co Kerry Pax House, Dingle, Co. Kerry Owner of Pax House in Dingle John O'Farrell is well versed in listing the things that make Pax House special — starting with the views. 'We've Mother Nature to thank for the views,' he says mentioning the farm below, Dingle Bay and the Ring of Kerry on the far side. 'No matter what the weather, no matter what's happening in your life when you look out there, and you drop your shoulders and relax.' The guests are next on the list — 'We have wonderful guests' — and keeping them happy and relaxed is always the aim. He believes B&Bs can deliver this better than bigger hotels. 'There's less staff and fewer guests. You don't have non-residents coming in and out, you don't feel it's a railway station. You see the same people all the time and it makes the team more approachable.' Breakfast at Pax House, Dingle, Co. Kerry Fewer guests also means there more time for special touches like having fresh cut flowers from the garden in every room. John also praises his dog with lending a hand. 'When you see a few dog toys lying around the place instantly there is that feeling that this is a home, there's no sir and madam and people are walking around checking that everything is perfect.' The beds and breakfast are, of course, top notch but John says it's not just these elements, or him, that makes Pax House, Pax House. 'It's really, a combination of all the little things but especially the guests, the views, the team and the dog. 'We want our guests to go away feeling looked after and thinking 'Wasn't it so nice to stay there?' and that's what it's all about.'


Irish Daily Mirror
14 hours ago
- Irish Daily Mirror
Two men floored by winnings after buying every scratch card on Ryanair flight
A man bought hundreds of scratch cards on a Ryanair flight to see what he could win, and the results left him floored. VikTok on TikTok explained his friend, Ethan, was keen to see how lucky he'd get if he snapped up all the scratch cards he could find on board; however, he wasn't quite expecting it to play out as it did. In a candid travel video shared online, Vik was left gobsmacked by what he was left with at the end of the journey. He bought so many cards that even passengers were helping him to scratch them off in the end. Telling people what happened, Viktok said: "We are here on Ryanair and this man Ethan has bought every single scratch card on the flight. I've opened about 100 scratch cards, I've been opening these one at a time. "We have not won a single thing. We have won nothing - no one has won anything. I'll keep you guys posted." Vik then goes on to document the journey, where it's revealed Ethan snapped up 68 packets of scratch cards. However, despite a lot of scratching, they don't seem to be lucky. He bought so many that passengers on the plane started to help him scratch them off, but nobody seemed to win any prizes. Someone is seen shouting: "No one won anything." Vik added: "You're supposed to match three - I can't even match two. We've lost again." They couldn't believe they didn't win anything at all. Since the video was shared, it's been viewed thousands of times, and people were quick to comment. One said: "100% they won't allow mass buying on the flight again, lol." A second claimed: "I am cabin crew for Ryanair and there is so much more that you don't know. They can't sell you that many. There is a limit spend per passenger. Cabin crew in trouble!" A third replied: "I wonder how many people have ever won money on those." Meanwhile, a fourth also commented: "I remember winning like £26 (approximately €30) of on board vouchers. When asking to buy something, I heard the cabin crew say 'someone's actually won'. That's how slim your odds are." Ryanair's scratch cards faced criticism years ago, after it was uncovered that anyone who "wins" the jackpot is later entered into a separate draw for the chance of winning the €1 million prize. The 2016 report revealed the "lucky" winner would then be taken into a room with 125 envelopes that they must select from, with just one holding the top prize. At the time, Ryanair noted other envelopes contain €50,000, which meant a hefty sum could still be won. It was also said one car a month is won in the draw, as well as other cash prizes up to €5,000 also being up for grabs. The odds of winning the jackpot were also revealed, which was reported to be around 1.2 billion to one. To put this into perspective, the odds of winning the Lotto here are said to be 10.7million to one, and the odds of winning the EuroMillions come in at 139.8million to one. With National Lottery, you are only permitted to purchase 10 scratch cards within one transaction, but is unclear how many you can buy with Ryanair. The company has been asked to comment on the claims made. If you're worried about how gambling makes you or someone else feel, visit for help and support. The Irish Mirror's Crime Writers Michael O'Toole and Paul Healy are writing a new weekly newsletter called Crime Ireland. Click here to sign up and get it delivered to your inbox every week