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The best window to see Pluto all year is closing

The best window to see Pluto all year is closing

Yahoo16-07-2025
Think you can spot Pluto? On July 25, the famously elusive dwarf planet reaches opposition—its best and brightest moment of the year. That makes now the ideal time to try to catch a glimpse of it from your own backyard.
But be warned: Even at its brightest, Pluto is still a barely-there speck, even through a telescope. But for those willing to search, it's a cosmic scavenger hunt—and a rare chance to see a world nearly four billion miles away.
In astronomy, opposition is when a celestial body lies directly opposite the sun from Earth's point of view, placing our planet squarely in the middle. That alignment means the object rises as the sun sets and stays visible all night, making it the best time to observe it.
(See National Geographic's first map of Pluto.)
What makes opposition so useful for stargazing is a phenomenon known as the opposition effect. 'Things tend to get brighter when they're lit at a smaller phase angle, which is the angle between the sun's rays and the target and the observer. That shrinks to close to zero at opposition,' says Will Grundy, a planetary scientist at Lowell Observatory in Flagstaff, Arizona, where Pluto was discovered.
You can see this principle in action on Earth. When the sun is low in the sky, objects create long shadows. But when the sun is directly overhead, those shadows get much smaller, and sometimes they even disappear entirely. At opposition, Pluto's terrain has the fewest shadows, making the dwarf planet appear brighter to us.
Because Pluto is so dim, you need a telescope to see it. 'A backyard telescope could do it under the right conditions,' says Grundy. Or you could visit a local observatory and use one of their publicly accessible telescopes. Lowell Observatory, for instance, has a suite of instruments on-site that the public can use six nights per week.
But even with a telescope, the sky must be extremely dark to see Pluto. Light pollution, whether from artificial lights or the moon, will easily wash out the dwarf planet.
(Did Pluto ever actually stop being a planet? Experts debate.)
To find Pluto in dark enough skies, consult a star chart to determine its approximate location. 'It'll just look like one of many faint stars,' says Grundy. But Pluto moves slowly. 'It moves at about three arcseconds per hour, so you won't see it move unless you're willing to wait multiple hours,' says Grundy.
You don't have to catch Pluto on July 25 exactly. Because it's so distant—about 3.7 billion miles from the sun—it remains near peak brightness for several days before and after opposition.
'It's a challenge, so it's kind of cool to be able to see Pluto,' says Grundy.
Pluto's origin story begins with two other planets. After Uranus was discovered in 1781, astronomers realized that an undiscovered planet might be perturbing Uranus' orbit. 'Sure enough, Neptune was discovered basically bang-on where astronomers predicted it should be,' says Grady.
But Percival Lowell, the founder of Lowell Observatory, believed there to be another planet affecting Uranus' orbit: a mysterious 'Planet X.' After a decade of searching, Lowell died in 1916 without finding it.
(Discover seven other night sky events to see in July.)
Eventually, the search resumed at Lowell Observatory, culminating in Clyde Tombaugh's discovery of Pluto in 1930. As it turns out, Pluto wasn't the gravitational culprit Lowell had imagined. It was far too small to tug on Uranus's orbit in any meaningful way. But it was still a monumental discovery: the solar system's ninth planet—at least until its reclassification as a dwarf planet in 2006.
To find Pluto, Tombaugh diligently photographed the night sky, then used a machine to compare two photographic plates, looking for any tiny pinpricks that moved. That's essentially the same method Grundy suggests stargazers use in July to ensure they're looking at Pluto.
Following its discovery, Pluto remained just a faint dot until the 1990s, when the Hubble Space Telescope provided some grainy images showing light and dark spots. But it wasn't until 2015 that we got a close-up look at Pluto, thanks to a flyby by NASA's New Horizons spacecraft.
The images showed a dynamic, geologically active planet with icy mountains, nitrogen glaciers, and even hints of a subsurface ocean. 'It could be inhabitable if there's liquid water and lots of organic materials and rocks for minerals,' says Grundy, who serves as a co-investigator on the New Horizons mission.
That revelation has major implications for astrobiology. 'Pluto moved the goalpost of where inhabitable planetary settings are—much, much farther away from the sun than we ever thought possible,' says Grundy. 'And the same thing will be true around other stars, too. Basically, the inhabitable zone just expanded hugely.'
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Strange New Object Found In Solar System ‘Dancing' With Neptune
Strange New Object Found In Solar System ‘Dancing' With Neptune

Forbes

time21 hours ago

  • Forbes

Strange New Object Found In Solar System ‘Dancing' With Neptune

Astronomers surveying the outer solar system have revealed that a rare object far beyond Neptune is moving in sync with the eighth planet in an unexpected way. Called 2020 VN40 and first discovered in 2020, it takes 1,655 Earth-years to orbit the sun. The news comes just weeks after 2023 KQ14 — nicknamed 'Ammonite' — was found beyond Neptune and Pluto. Together, these newly found objects change the way astronomers think distant objects move and how the solar system evolved. The orbital path of 2020 VN40 — in yellow — is tilted up and to the left from the orbits of most of ... More the objects in the solar system. PSI/Kathryn Volk 2020 VN40 is currently 140 times farther from the sun than Earth. For context, Neptune is 29 times farther from the sun than Earth. However, the object's orbit is highly elliptical, getting just 40 times farther from the sun than Earth. Most planets — including Earth — orbit the sun in nearly the same flat plane. Some distant objects, such as 2020 VN40, have orbits that are highly inclined relative to this plane. The object appears to be in a 10:1 resonance with Neptune, meaning that it orbits the sun once for every ten orbits Neptune completes. It's the first object ever found to do that. The size of 2020 VN40 is unknown because it's too far away to be directly measured. However, based on its brightness, it may have a diameter of around 56 miles (90 kilometers). Published this month in the American Astronomical Society's The Planetary Science Journal , the discovery supports the theory that many distant objects get captured by Neptune's gravity as they drift through the outer solar system. 'This is a big step in understanding the outer solar system,' said Rosemary Pike, lead researcher from the Center for Astrophysics, Harvard and Smithsonian in Cambridge, Massachusetts. 'It shows that even very distant regions influenced by Neptune can contain objects, and it gives us new clues about how the solar system evolved.' It could also shed light on the motion of objects in the outer solar system. 'This new motion is like finding a hidden rhythm in a song we thought we knew,' said Ruth Murray-Clay, co-author of the study, from the University of California in Santa Cruz. 'It could change how we think about the way distant objects move.' 2020 VN40 took six years to be discovered and for its orbit to be mapped. It was discovered by astronomers working on the Large Inclination Distant Objects survey, a search for unusual objects in the outer solar system with orbits that extend far above and below the plane of the solar system. It's a region of the solar system that few astronomers have studied. The researchers used the Canada-France-Hawaii Telescope and Gemini North in Hawaii and Magellan Baade and Gemini South in Chile. The LiDO survey has now found over 140 distant objects. The Vera C. Rubin Observatory in Chile, which published its first stunning images in June, is expected to find many more objects in the outer solar system. 'With the imminent start of Rubin Observatory's Legacy Survey of Space and Time, we expect many more such discoveries to open a new window into the solar system's past,' said Kathryn Volk of the Planetary Science Institute. Rubin is also expected to find more interstellar objects — such as ancient comet 3I/ATLAS. Background Another newly discovered object that could reshape astronomers' understanding of the solar system's past is 'Ammonite,' or 2023 KQ14, an object discovered in the solar system beyond Neptune and Pluto. Classed as a sednoid — an object similar to Sedna, a dwarf planet candidate in the outer solar system found in 2003 — Ammonite orbits beyond Neptune and has a highly eccentric orbital path. It's thought to be between 137 and 236 miles (220 and 380 kilometers) in diameter and between 70 and 432 times farther from the sun than Earth. Further Reading Forbes Meet 'Ammonite' — A New World Just Found In The Solar System By Jamie Carter Forbes Complete Guide To 'Ammonite,' The Solar System's Latest Member By Jamie Carter Forbes See The First Jaw-Dropping Space Photos From Humanity's Biggest-Ever Camera By Jamie Carter Forbes World's Biggest Camera May Find 50 Interstellar Objects, Scientists Say By Jamie Carter Forbes Where Newly Found 'Ammonite' Is In Solar System — And Why It Matters By Jamie Carter

Are interstellar objects proof of alien life? This could finally settle the debate.
Are interstellar objects proof of alien life? This could finally settle the debate.

National Geographic

time21 hours ago

  • National Geographic

Are interstellar objects proof of alien life? This could finally settle the debate.

The Vera Rubin telescope is poised to kick off an explosive era of discovery. "It's like old-fashioned astronomy: Find the thing, point telescopes at it, argue about it. It's going to be fun." Astronomers predict that the Vera C. Rubin Observatory, which begins surveying the night sky this year, could spot dozens more interstellar objects over the next decade. Photograph by Tomás Munita, National Geographic In our solar system, everything belongs to the sun. While they might take years and years to complete one loop, every planet and moon, asteroid and comet, every bit of crushed ice and rock, is gravitationally bound to our star, fixtures of a perpetual cosmic carousel. But every once in a while, something else comes along that, based on careful measurements of orbital mechanics, is unmistakably untethered: an interstellar visitor. The object arrives from the realm between stars, and after a quick sojourn in our solar system, it goes back out to the unknowable depths. Such enigmatic travelers are called interstellar objects, and they bring with them a glimpse of a part of the cosmos that we've never seen before. Each time one shows up it kicks off an observing spree, with astronomers mustering other telescopes, on the ground and in space, to scrutinize the visitor. The object appears as little more than a fuzzy speck of light, but astronomers try to uncover its true nature before it slips away, from fundamental properties (dimensions, chemical composition) to the wild possibilities (signs of alien technology). Only three interstellar objects have ever been discovered, with the latest appearing just this month, from the direction of somewhere in the center of the Milky Way. 3I/ATLAS, as the object is known, is currently traveling just inside the orbit of Mars, captivating telescopes around the world. These are rare events—for now. A new telescope, scheduled to begin full operations later this year, is expected to find many more such transient objects. The Vera C. Rubin Observatory, perched on a mountaintop in the Chilean desert, is designed to scan the sky night after night and capture faint glimmers in the darkness—including sunlight reflecting off a fast-moving celestial body. Its observations produce time-lapse views, allowing astronomers to track those objects and study their orbits for any oddities. Rubin didn't discover 3I/ATLAS but happened to snap dozens of pictures of the object, before and after its interstellar nature became apparent. Those images are already helping astronomers form a clearer picture of the visitor. Rubin's Simonyi Survey Telescope can detect very faint objects like interstellar visitors and track their paths, as they swoop through our solar system before heading back out to the space between stars. Photograph by Tomás Munita, National Geographic With Rubin, the field is in for a potentially explosive era of discovery; according to astronomers' statistics-driven predictions and exhilarated personal bets, the observatory could spot somewhere between five and 100 interstellar objects in the next decade. "It's like old-fashioned astronomy: Find the thing, point telescopes at it, argue about it," Chris Lintott, an astrophysicist at Oxford, says. "It's going to be fun." What we know about interstellar objects An interstellar object, once anchored to a star of its own, can travel for millions and even billions of years before encountering the warmth of another. When the first known interstellar guest appeared in 2017, astronomers were stunned—not only because of the historic moment, but because 'Oumuamua, as it was later named, didn't match up with their working theories of the universe. Scientists had long thought that interstellar objects must exist, thrown out from the cold edges of their home system as new planets swirled into shape, a distinctly turbulent time. 'Oumuamua, though, wasn't like anything astronomers had observed before: weirdly shaped, rocky like an asteroid but plowing forward like a comet, and yet lacking the signature tail of dust. (Ideas about alien origins abounded.) The second recorded interstellar object to visit, Borisov in 2019, was more in line with expectations—an icy comet, though perhaps originating from a smaller, dimmer kind of star. While astronomers have already characterized 3I/ATLAS as a comet, it has its own quirks; the object is far larger than 'Oumuamua and Borisov, and appears to be a few billion years older than our solar system. ʻOumuamua (illustrated above) means 'a messenger from afar arriving first" in Hawaiian, and the first confirmed interstellar object to visit our solar system continues to puzzle astronomers today. Illustration by NASA/ESA/STScI The Hubble Space Telescope snapped this image of our solar system's second-known interstellar visitor, a comet named for its discoverer, amateur astronomer Gennady Borisov. Photograph by NASA, ESA and D. Jewitt (UCLA) An entire catalog of interstellar objects, however, can help reveal how cosmic forces shape planetary systems over time. Right now, "there's a whole zoo of explanations for interstellar objects," says Susanne Pfalzner, an astrophysicist at Forschungszentrum Jülich, a research institution in Germany. The space rocks could have been ejected because of the gravitational jostling of giant planets fresh from the cosmic oven. Most stars form in clusters, and the crowded environment could force objects from several budding planetary systems to fly off. Grown systems could lose celestial bits and pieces too; the icy bodies at the very ends of a planetary system are secured by the faintest hint of gravity, and could easily be whisked away by a passing star. And when a star exhausts its lifetime of fuel and begins to expand, the stellar winds unleashed in the dying act could expel many interstellar objects. These wanderers are relics of countless histories, and Rubin's future inventory could help astronomers determine which are most common, Pfalzner says. A flurry of Borisovs would indicate that the objects likely spring from the cold, dark outskirts of their systems. More 'Oumuamuas would suggest that most interstellar objects originate in their inner star systems, where the heat of their star has stripped away most of the chemical compounds that would typically create a shimmery tail during an encounter with our sun. The Vera C. Rubin Observatory's potential to help build a more extensive catalogue of interstellar visitors could help researchers answer big questions about the objects themselves and how planetary systems change over time. Photograph by Tomás Munita, National Geographic Rubin's observations could also help settle the discussion over whether 'Oumuamua was something other than a space rock, says Avi Loeb, a Harvard physicist. Loeb thinks that 'Oumuamua is a broken piece of alien structure; our own solar system, he says, is full of space trash—rocket parts, a red Tesla—which are sometimes mistaken for asteroids by amateur astronomers. He and his collaborators suggest that 3I/ATLAS is a piece of alien tech, too. Should Rubin turn up more objects that look and behave like 'Oumuamua or 3I/ATLAS, they're less likely to be the products of extraterrestrials, Loeb says. "At the very least, we will learn more about rocks that are thrown out of other stars,' he says. ' But we might also find an answer to the most romantic question in science: Are we alone?" It's a spine-tingling thought, and certainly daydream fodder, even for the astronomers doing the work. The late astronomer Vera Rubin, for whom the new telescope is named, wrote in 2006 that when she examined the nearby galaxy M31 through a telescope, "often I wondered if an astronomer in M31 was observing us. Always I wished we could exchange views." (Vera Rubin was the GOAT of dark matter.) Most of the astronomy community doesn't share Loeb and his collaborators' interpretation of 'Oumuamua, or his latest claim about 3I/ATLAS. "It's strange, but it's not so strange that we need to fall back on the aliens hypothesis," says John Forbes, an astrophysicist at the University of Canterbury in New Zealand. 'Oumuamua's unusual acceleration, which can't be explained by gravity's influence, could be explained by comet-like properties. 'Oumuamua may have released a tiny amount of gas as it thawed in the warmth of the sun enough to propel it along, but not necessarily to be observed by telescopes, says Darryl Seligman, an astrophysicist at Michigan State University. In the last few years, Seligman and his colleagues have reported the discovery of a dozen asteroids near Earth that vent gases just like comets do, but produce a tail that isn't visible to us. They suggest that these asteroids belong to a new class of celestial bodies, which they call dark comets. "This type of thing could be much more widespread that we haven't noticed before and potentially haven't even been looking for," Seligman says—and visiting objects could exhibit this behavior, too. Exploring our galactic wilderness While some scientists focus on chasing after these objects as they hurtle through our solar system, others are eager to investigate their journeys through the galactic wilderness. While they aren't bound to specific stars, interstellar travelers move around the Milky Way. Forbes, in his research, posits that space rocks, once unmoored from their home system, start traveling in a long, thin current through the galaxy. Stars ejected from stellar clusters can form streams, and Forbes predicts that interstellar objects may do the same. These currents would expand over time, becoming more diffuse, because "the galaxy is messy, and there's all sorts of things going on that perturb your nice, simple orbits," Forbes says. He hopes that Rubin will spot multiple newcomers arriving from the same spot in the sky and traveling at matching velocities. "That's a pretty strong indication that we're sitting in a dense stream of interstellar objects," he says. Our sun could be drifting through millions of such currents. (What other mysteries could the new Vera C. Rubin Observatory solve?) A menagerie of interstellar objects could help astronomers solve a particularly puzzling aspect of planet formation, including Earth's own story. Planets form in much the same way that dust bunnies around the house do, with particles swirling and sticking together until they grow large enough to become worlds. Computer simulations have shown, however, that while it's easy for cosmic forces to make the leap from dust-sized particles to boulder-sized objects, it is actually quite difficult for those boulders to then grow into something larger. While the universe has obviously overcome this challenge—"we are living proof," Pfalzner says—astronomers haven't figured out how. Interstellar objects, she says, are just about the right size for this conundrum, ready to be glommed on and grown. If there's a lot of interstellar objects floating around in the vicinity of a new system—perhaps drawn in by the gravity of the freshly ignited star at its center—the universe has all the raw materials it needs, removing any friction in the process. The interstellar objects whizzing through our skies may someday, help shape someone else's solar system. Rubin's search for interstellar objects, whether it turns up only a few or dozens, provides a kind of knowledge that goes beyond pure empirical research. We can know, better than before, what kind of universe stretches out all around us, as if we've cracked open a giant secret and become privy to wonders we weren't meant to witness. What lies beyond Earth isn't nature in any sense that we might recognize, but it is a kind of wilderness nonetheless, shaped by many of the same forces that led to the familiar landscapes on this planet. Interstellar objects are a reminder that the cosmos is a shared place, and that we are just as much a part of it as those mysterious travelers, carving our own path through time and space.

BBC Studios Unscripted Boss on Tom Hanks, Stanley Tucci Series and the Recipe for U.S. Success
BBC Studios Unscripted Boss on Tom Hanks, Stanley Tucci Series and the Recipe for U.S. Success

Yahoo

time2 days ago

  • Yahoo

BBC Studios Unscripted Boss on Tom Hanks, Stanley Tucci Series and the Recipe for U.S. Success

The Americas, narrated by Tom Hanks, on NBC. [Stanley] Tucci in Italy on National Geographic. Walking With Dinosaurs, narrated by Bertie Carvel (The Crown, HBO's upcoming Harry Potter series), on PBS. These series are just the latest star-studded factual offerings from BBC Studios Productions, one of the British and global media industry's most respected production outfits that is part of BBC Studios, the main commercial arm of U.K. public broadcaster BBC, that have taken the U.S. by storm. Of course, there has also been Prehistoric Planet, executive produced by Jon Favreau, and OceanXplorers with James Cameron. And there is more to come involving big names, as Disney has unveiled that National Geographic has greenlit a new documentary series under the working title Meet the Planets, that is being developed by Ryan Reynolds' Maximum Effort and BBC Studios. More from The Hollywood Reporter Busan Film Festival to Honor Jafar Panahi as Asian Filmmaker of the Year Anne Hathaway Shares First Look at 'The Devil Wears Prada 2' 'Dune' VFX House DNEG's Immersive Experiences Unit Names NBCU's Jeff Lehman Exec Producer (Exclusive) Bottom line: Shows from BBC Studios Productions, which includes the world-renowned Natural History Unit, the Documentary Unit, the Science Unit, wholly owned label Voltage, and third-party distribution relationships, regularly feature Hollywood creatives and do well on U.S. screens, as well as worldwide. And they have just received six Primetime Emmy nominations and 11 Daytime Emmy nominations. Secrets of the Neanderthals and The Secret Lives of Animals are nominated for the latter. In terms of Primetime Emmy nominees, The Americas are in the running for the Outstanding Narrator Award for Hanks and the Outstanding Music Composition for a Documentary Series or Special Emmy for Hans Zimmer. Tucci in Italy is up for the honors for outstanding hosted non-fiction series or special and outstanding cinematography. And Planet Earth – Asia was nominated in the Outstanding Music Composition for a Documentary Series or Special category and Outstanding Narrator for Attenborough. But what is the recipe for factual success at BBC Studios Productions? Key ingredients are scale and breadth, collaborations and partnerships, and specialism, or craft, Kate Ward, managing director, Unscripted Productions at BBC Studios Productions, tells THR. 'I think that factual programming is really having a moment, and we're really seeing that moment,' she argues. 'Big dramas have incredible power and zeitgeist and are, obviously, a huge part of the ecosystem. But what factual does as a genre is that we really passionately believe it's there to change perspectives and start conversations. And because it hasn't always been at the front of the schedule in the U.S., when it does, it feels really special.' Take The Americas, for example. 'We hope it's giving Americans a shared view of the natural world of life on their doorstep, sometimes at the end of their street, which in a world that can feel fragmented and challenging is something that brings people together,' Ward argues. 'Bringing people together is something that is core to our values and our mission at the BBC.' So, how is her unscripted team at BBC Studios trying to succeed in a crowded marketplace? First, 'we're excited about the scale and the variety of work we're doing for the U.S. market,' Ward shares. 'Our shows represent a range of different styles of factual programming for a range of different broadcasters with a range of different models.' In terms of the scale of productions, she lauds BBC Studios' 'unmatched ambition' and ability to pull off 'epic' shows. 'If you look at The Americas, for example, it took five years to make 180 filming expeditions,' she explains. 'So, we are working at epic proportions in terms of production. How many protein bars did the team have to eat over five years to make this show? As a result, you get that infectious curiosity that just draws you in as a viewer.' The second ingredient of success is expertise. 'We can bring the specialism, the craft we are known for,' to ensure high-quality programming, Ward explains. 'Walking With Dinosaurs can bring real value and an education for children and adults. It's rooted in real science. So it is entertainment and education together, and I think that means it can reach a really, really large audience.' Finally, Ward says it's about collaborations with creatives, producers and distribution partners rather than going it alone. 'Creators bring their own way of storytelling, ambition, passion, and together, we can do extraordinary things. We also have deep partnerships producers, with platforms and broadcasters, from our long-standing, unbelievably special relationship with PBS that we value so deeply to NBC and Universal Television Alternative Studio (UTAS), which was a great experience for us. We also have a whole range of programming for National Geographic and Disney, and we have done great work with the likes of Apple and Netflix.' Strong relationships not only give existing shows a good audience platform but can, of course, also lead to the development of further shows, and shows that stand out, she argues. 'These deep collaborative relationships help us shape and do new things for the U.S. market that's really distinctive,' concludes Ward. Now, how about those Hollywood stars collaborating with the BBC. 'We're working with a range of amazing Hollywood talent – actors, directors, auteurs,' she tells THR. 'Why have these people, often known for their fictional work, been drawn to the factual genre? I believe it's because it allows them to explore the subjects about which they're genuinely passionate and to innovate in a different way of storytelling than they do in their other work, which may predominantly be in scripted. We're super excited about that melding of worlds and that sharing of experience.' How does BBC Studios attract such big names in the always-fierce battle for talent? 'It's about storytellers, trust and mutual respect,' Ward tells THR. 'I believe that they are coming to the BBC, because we have the trust, the legacy, the consistent quality, and the specialism that we have built over the years. 'That is really, really important and critical when we're working with other storytellers.' For BBC Studios Productions, working with famous personalities with a shared passion, along with fan appeal and bases, is key too, not least to give series the desired broad reach. But importantly, the creative collaborators must make real sense – or viewers will smell a rat. 'We're looking for those meaningful connections and that creativity,' Ward explains. 'But it is important to approach this through the lens of two storytellers coming together in true partnership, and it always has to be authentic.' Take Tucci, for example. 'Stanley is an incredible storyteller, and to be part of that storyteller's journey through Italy, which he is passionate about, is so exciting, and we're so proud of what we were able to create together,' Ward says. 'Or when you think about Tom Hanks' role on The Americas: Tom's passion for the subject really shines through. If that wasn't the case, the audience would know the difference.' In other words: you couldn't just take a random famous face and attach it to a BBC Studios Productions documentary or other factual series without a real interest or connection. 'This is factual programming. So, there have got to be real, authentic, passionate connections to the subjects, storytellers who immerse you and take you on that journey,' Ward explains. 'These storytellers can start those conversations, change perceptions, take you to worlds and times that you didn't know about. So, we will always be looking for that authenticity and that connection between us and storytellers in a creative partnership.' Thanks to BBC Studios, U.S. audiences, along with British and global viewers, have also fallen in love with such British voices as the legendary naturalist David Attenborough and historian Lucy Worsley (Lucy Worsley's Holmes vs. Doyle). 'She also brings that authentic connection,' highlights Ward. 'Lucy is so popular in America, and she does it so brilliantly.' Ward vows to continue on the path of bringing factual hits to the U.S. and the world. 'Scale, specialism, and collaboration are part of the secret sauce of how we're approaching the business,' she tells THR. 'And we feel super privileged to be able to bring those together and provide a melding of creativity and what that does for people who love factual storytelling or find it. That is a really, really powerful and exciting proposition.' Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise Solve the daily Crossword

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