TikTok superstar Addison Rae reveals Australian tour details
Hot on the heels of her critically acclaimed debut album, TikTok star turned pop diva Addison Rae will bring her hyper-feminine it-girl hits to Australia in November.
The 24-year-old will perform in Melbourne, Brisbane and Sydney between November 11 and 17 as part of her first-ever world tour – The Addison Tour – which will also see her travel across North America and Europe before the end of the year.
The pop star will perform tracks from her debut album Addison, which was released earlier this month and landed at No.4 on the Billboard Top 200 and No.2 on the ARIA Albums Chart. Her music has been widely praised, with critics applauding her ability to nod to pop icons like Madonna and Kylie Minogue, yet still establish her own 'hazy, twilight, cosmopolitan cool' sound.
Rae's rapid ascent to pop stardom has been surprising to some given her origins on TikTok. Before releasing her album, she was largely known for posting cute choreographed dance routines on social media – videos that were so well-received, they earned her over 88.5 million TikTok followers. She was also known as Kourtney Kardashian's friend, and even featured in some episodes of Keeping Up With the Kardashians.
However, the tides began to turn once she released her EP AR in August 2023, which featured none other than Brat Summer queen Charli XCX. From there, she appeared on stage alongside Charli and Aussie pop prince Troye Sivan, and even featured on one of Charli's tracks (even if you're not a fan of dance-pop, you've still likely heard Rae's piercing scream at the beginning of Von Dutch Remix).
This catapulted Rae (who was born in Louisiana, just two hours away from the hometown of Britney Spears) from ring lights to stage lights, and led her to release a string of mega-successful singles like Diet Pepsi and Aquamarine, the former of which became her first song to hit the Billboard Hot 100.
Since releasing her album on June 6, Rae has been described as the 'new pop powerhouse' and 'pop music's newest it girl'.
No stranger to the camera, she has also performed several times on-screen, including in Netflix's He's All That and Eli Roth's horror film Thanksgiving, which also starred Patrick Dempsey (Grey's Anatomy). She was also recently cast in the R-rated live-action hybrid Animal Friends opposite A-list actors like Ryan Reynolds, Jason Momoa, Dan Levy and Aubrey Plaza.
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ABC News
35 minutes ago
- ABC News
Streaming giants have helped bring Korean dramas to the world – but much is lost in translation
In less than a decade, Korean TV dramas (K-dramas) have transmuted from a regional industry to a global phenomenon – partly a consequence of the rise of streaming giants. But foreign audiences may not realise the K-dramas they've seen on Netflix don't accurately represent the broader Korean TV landscape, which is much wider and richer than these select offerings. At the same time, there are many challenges in bringing this wide array of content to the rest of the world. The rise of hallyu Korean media was transformed during the 1990s. The end of military dictatorship led to the gradual relaxation of censorship. Satellite media also allowed the export of K-dramas and films to the rest of East Asia and parts of Southeast Asia. Some of the first K-dramas to become popular overseas included What Is Love (1991-92) and Star in My Heart (1997). They initiated what would later become known as the Korean wave, or hallyu . The hallyu expansion continued with Winter Sonata (2003), which attracted viewers in Japan, Malaysia and Indonesia. Dae Jang Geum /Jewel in the Palace (2005) resonated strongly in Chinese-speaking regions and was ultimately exported to more than 80 countries. A breakthrough occurred in 2016. Netflix entered South Korea and began investing in Korean productions, beginning with Kingdom (2019-21) and Love Alarm (2019-21). In 2021, the global hit Squid Game was released simultaneously in 190 countries. Squid Game season three promises an ending to the gory competition. But Netflix only scratches the surface Last year, only 20 per cent of new K-drama releases were available on Western streaming platforms. This means global discussions about K-dramas are based on a limited subgroup of content promoted to viewers outside South Korea. Moreover, foreign viewers will generally evaluate this content based on Western conceptions of culture and narrative. They may, for instance, have Western preferences for genre and themes, or may disregard locally-specific contexts. This is partly why Korean and foreign audiences can end up with very different ideas of what 'Korean' television is. Historical dramas, such as Swordsman starring Yoon Soy, have played a pivotal role in the development of Korean TV drama. ( Reuters: Truth Leem ) Genres When a K-drama is classified as a sageuk (historical drama) but also incorporates elements of fantasy, mythology, romance, melodrama, crime fiction and/or comedy, foreign audiences may dismiss it as 'genre-confused'. Or, they may praise it for its 'genre-blending'. But the drama may not have been created with much attention to genre at all. The highly inventive world-building of pre-Netflix dramas such as Arang and the Magistrate (2012) and Guardian: The Lonely and Great God (2016) prominently feature all the aforementioned genres. While foreign viewers may think visual media begins with readily identifiable genres, many K-dramas aren't produced on this premise. Themes Western viewers (and other viewers watching through a Western lens) might assume 'liberal' themes such as systemic injustice, women's rights and collusion in politics entered K-dramas as a result of Western influence. But this is a misconception. The emergence of such themes can be attributed to various changes in Korean society, including the easing of censorship, rapid modernisation, and the imposition of neoliberal economics by the International Monetary Fund in 1997. Kim Ryeo-ryeong's novel The Trunk has been adapted into a K-drama. ( Supplied: Netflix ) Although gender disparities still exist in South Korea, economic uncertainty and modernisation have prompted a deconstruction of patriarchal value systems. Female-centred K-dramas have been around since at least the mid-2000s, with women's independence as a recurring theme in more recent dramas. Local contexts A major barrier to exporting K-dramas is the cultural specificity of certain elements, such as Confucian values, hierarchical family dynamics, gender codes and Korean speech codes. The global success of a K-drama comes down to how well its culturally-specific elements can be adapted for different contexts and audiences. In some cases, these elements may be minimised, or entirely missed, by foreign viewers. For example, in Squid Game, the words spoken by the killer doll in the first game are subtitled as 'green light, red light'. What the doll actually says is ' mugunghwa-kkochi pieot-seumnida ', which is also what the game is called in Korean. This translates to 'the mugunghwa (Rose of Saron) has bloomed', with mugunghwa being South Korea's national flower. These words, in this context, are meant to ironically redefine South Korea as a site of hopelessness and death. But the subtitles erase this double meaning. It's also difficult for subtitles to reflect nuanced Korean honorific systems of address. As such, foreign viewers remain largely oblivious to the subtle power dynamics at play between characters. All of this leads to a kind of cultural 'flattening', shifting foreign viewers' focus to so-called universal themes. A case study for global success Nevertheless, foreign viewers can still engage with many culturally-specific elements in K-dramas, which can also serve as cultural literacy. The hugely successful series Extraordinary Attorney Woo (2022) explores the personal and professional challenges faced by an autistic lawyer. Director Yoo In-sik described the series as distinctly Korean in both its humour and the legal system it portrays, and said he didn't anticipate its widespread popularity. Following success in South Korea, the series was acquired by Netflix and quickly entered the top 10 most popular non-English language shows. The global appeal can be attributed to its sensitive portrayal of the protagonist, the problem-solving theme across episodes, and what Yoo describes as a kind and considerate tone. Viewers who resonate with these qualities may not even need to engage with the Korean elements. Many K-dramas that achieve global success also feature elements typically considered 'Western', such as zombies. While the overall number of zombie-themed productions is low, series and films such as Kingdom (2019–21), All of Us Are Dead (2022), Alive (2020) and Train to Busan (2016) have helped put Korean content on the map. One potential effect of the zombie popularity may be the displacement of Korean mythological characters, such as fox spirits, or gumiho , which have traditionally held significant narrative space. Local production under threat The influence of streaming giants such as Netflix is impacting South Korea's local production systems. One consequence has been a substantial increase in production costs, which local companies can't compete with. The early vision of low-cost, high-return projects such as Squid Game is rapidly diminishing. Meanwhile, Netflix is exploring other locations, such as Japan, where dramas can be produced for about half the price of those in Korea. If this continues, the rise of Korean content may slow down. This article is republished from The Conversation under a Creative Commons licence. Read the original article.


Perth Now
an hour ago
- Perth Now
Raven-Symone and wife sleep in separate rooms
Raven-Symoné and her wife sleep in separate bedrooms. The 39-year-old actress and her spouse Miranda Pearman-Maday have "many" reasons for having their own space at night, with the That's So Raven star admitting she can understand why her nocturnal habits keep her partner awake if they share a bed. In a preview from their appearance on the Jeff Lewis Has Issues podcast, Miranda, 37, said: 'Honestly, there were many reasons. 'Raven is a crazy sleeper and she would keep me up at night. She kicks and tosses and breathes. I have a big routine.' Raven interjected: 'It's the hair. It's the humidifier. It's the curtains. It's the way she lays in the bed with red light systems on the whole entire body. I'm in the bed, I'm on TikTok, my legs are spread all the way open. Half-naked.' Miranda joked her wife had 'maybe washed her face that day,' but the former Disney Channel star quipped, 'Probably not.' Earlier this month, Raven admitted she thinks becoming a parent is a "narcissistic" thing to do. Speaking on the Tea Time with Raven and Miranda podcast, guest Lena Waithe said: "Whenever someone says to me they want to have a baby, or they want to be a parent, I think my first question is 'Why?' Raven said: "It's a narcissistic act." Lena simply replied: "True." Meanwhile, the former That's So Raven was discussing the notions of labels and communities with Lena, and insisted that leaving "toxic mentalities" behind to embrace the wider world is the only way to "learn" as a person. She said: "When you leave that toxic mentality, you're integrating yourself into the world, and that's better for me. "I love the fact that we are on a planet with so many types of thought processes and so many different types of cultures. We can learn from every single culture, from every single religion, and if you're just stuck in one group all the time, you are never gonna grow. "I have gotten in trouble a lot with things that I have said, but that is ultimately what my brain wants to do. I want to travel to every single country and say 'Oh, you cook chicken better than me, I'm gonna eat your chicken too. Yay me! Y'all know who cooks that fried chicken, it's not just black people. This s*** is delicious. "I do wanna go to Africa and see the beautiful with the red clay on their skin, I wanna go to India and see the beautiful women with yellow clay on their skin. "There's so many ways and people to learn from, and if you just stay in that circle and condemn your people for venturing out, then that is toxic."

Courier-Mail
2 hours ago
- Courier-Mail
Kevin Proctor breaks silence after being KO'd at RUNIT event by Jordan Simi in Dubai
Don't miss out on the headlines from Other Sports. Followed categories will be added to My News. Former NRL star Kevin Proctor has no regrets about taking part in RUNIT 02 in Dubai over the weekend, despite suffering a shocking knockout that has gone viral on social media. The 282 NRL game second rower came off second best after getting his head in the wrong position in an exhibition run it straight contest against former lower grade footy player turned social media influencer Jordan Simi. Footage of the hit showed the former Kiwis forward face-plant onto the astroturf with his arms and legs stiffening as medical personnel rush to him. PLAY CODE TRIVIA TODAY! 🎲❓ Think you're a sports fanatic? Take the test. Play daily trivia for FREE on CODE Sports. Sign up here > Proctor was cleared by a doctor the morning after the event and is flying back to Australia. In his first comments since the event, Proctor thanked RUNIT organisers and admitted he got the hit wrong. 'Just want to say thank you to everyone that has messaged me to ask if I was alright,' Proctor wrote on Instagram before flying back to Australia. 'I'm all good. 'We all know what we sign up for getting in there. 'It's a contact sport and unfortunately I put my head in the wrong place and came out second best. 'Ya win some ya lose some ... but no hard feelings. Hats off to the bro. It is what it is. 'I got in there had a crack at least. 'I like to thank @ for having me! Still grateful to be apart of it and im sure you guys are only going to get bigger n bigger. 'Congrats to all the winners and organisation for putting on a great event. 'On my way back home now to see my darling, kids and family ... thanks again to everyone for the support.' Kevin Proctor's collision with Jordan Simi. Picture: Supplied/Instagram Simi – Proctor's opponent in the exhibition run it straight challenge – is sitting beside him in the Instagram post, and commented: 'Don't do that again yeahhhh. Got me in trouble with your mumsy. Love brother.' The Dubai event was the third high profile competition RUNIT has staged after similar contests in Melbourne and Auckland in May. The event had a massive prize pool, with first place leaving with $200,000, second place pocketing $50,000 and third place walking away with $25,000. A social media sensation, RUNIT has gone viral with clips of big hits and thunderous collisions spreading like wildfire on Instagram and TikTok. It has attracted a huge amount of criticism as well though, with dozens of CTE experts slamming it. Meanwhile the Warriors, New Zealadn Rugby League, Rugby Australia and the Melbourne Storm hav moved to distance themselves from the craze. Originally published as Former NRL star Kevin Proctor breaks silence after sickening KO by social media influencer at RUNIT event in Dubai