Erykah Badu Working On First Album In 15 Years With The Alchemist
Once released, the unnamed work will be her first official album in 15 years, however, the gap in drops has not hindered the Grammy-winner from performing. According to the interview, her intention behind her music is to bring it to life on stage.
'I tour eight months out of the year for the past 25 years,' she explained. 'That's what I do. I am a performance artist. I am not a recording artist. I come from the theater.
The Mama's Gun creator continued, 'It's the immediate reaction between you and the audience and the immediate feeling. The point where you become one living, breathing organism with people. That's what I live for. It's my therapy. And theirs, too. We're in it together. And I like the idea that it happens only once.'
Badu's most recent solo release came in the 2015 mixtape But You Caint Use My Phone, however at this year's Grammy Awards she earned a gold trophy for her '3:AM' collaboration with Rapsody, featured on the latter's latest Please Don't Cry album.
'That's the one record I have enjoyed the most because it was a process, and getting to know her more and building a deeper friendship. She's such a beautiful human being. You know the talent is in this style icon. She FaceTimed me the first time and she didn't even say hello. She was in bed and she had a microphone and she was just humming melodies, and it was so dope to see her process. And we were speaking the other day and I told her, 'I appreciate your process. You taught me how to slow down.' detailed Rapsody of working with the Neo Soul veteran.
As for The Alchemist, the collaborative Life Is Beautiful with 2 Chainz and frequent collaborator Larry June was issued earlier this year.
Badu is set to be recognized with the Icon Award from Billboard later this month at the magazine's annual Women In Music celebration. Doechii, Tyla, GloRilla, and more will also be honored at the live-streamed event.
Read the full list of recognitions below:
Doechii – Woman Of The Yearaespa – Group of the Year AwardÁngela Aguilar – Breakthrough AwardErykah Badu- Icon AwardGloRilla- Powerhouse AwardGracie Abrams – Songwriter of the Year AwardJENNIE -Global Force AwardMegan Moroney- Rulebreaker Award presented by Crown Royal WhiskyMeghan Trainor- Hitmaker AwardMuni Long- Rising Star Award presented by Honda StageTyla- Impact Award presented by Bose.
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Boston Globe
12 minutes ago
- Boston Globe
Composer Gabriela Ortiz has some myths about Mexican music to dispel
Advertisement That dream isn't so out of step with reality, she knows. Much of present-day Mexico City sits in the drained bed of ancient Lake Texcoco, which at one point covered over 2,000 square miles. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up 'And now what we don't have is water in Mexico City,' she said, pointing out that her neighborhood sometimes has its running water cut off in times of drought. She has the resources to buy temporary water supplies, but not everyone does, she said. 'In terms of climate change, it's just there. I'm living it.' Ortiz, 60, has had a prolific career so far. However, she only became widely known outside her home country in the late 2010s, when Los Angeles Philharmonic conductor Gustavo Dudamel commissioned a piece from her and started championing her music in earnest. The Boston Symphony Orchestra only played its first piece by Ortiz, 'Revolución diamantina,' this past spring. Coincidentally, that was just weeks after the piece was awarded a Grammy for best contemporary classical composition. When she arrived at the Tanglewood Music Center last week to direct this year's contemporary music festival, it marked her first visit to the BSO's summer home. Advertisement Ortiz, who teaches at the National Autonomous University of Mexico, planned the festival with several clear priorities in mind. 'I really wanted to establish that Mexican music has a line that is important to Tanglewood,' said Ortiz, who planned one program featuring music by Mexican Symphonic Orchestra founder and educator Carlos Chávez, his student (and Ortiz's teacher) Mario Lavista, and Ortiz's own student Diana Syrse. Though Tanglewood has hosted Latin American composers since its early days, such as Chávez, Silvestre Revueltas, and Juan Orrego-Salas, this FCM is probably the first time the Tanglewood programming has focused so intentionally on Latin American music, said TMC director Ed Gazouleas, who called Ortiz 'one of the greatest living composers of our time.' In the United States, especially in areas with Mexican-American presence, Mexican concert music sometimes does show up on programs. But in Europe, 'you're asked, 'Who is Chávez? Who is Revueltas?,' Ortiz said. 'I'm talking really major Latin American composers, and people don't know them.' She was also interested in collaborating with other Mexican artists, so the festival brought in the storied percussion quartet Tambuco, led by percussionist Eduardo Mata, who also studied under Chávez. 'Many of the instruments Chávez requests are pre-Columbian, and Tambuco is an authority on exactly the kind of sound Chávez was looking for,' Ortiz said. Advertisement Ortiz grew up surrounded by Mexican folk music, as her parents cofounded the Latin American group Los Folkloristas less than a year after her birth. She often uses a wild variety of percussion instruments in her own scores, including several indigenous Mexican instruments. 'I like rhythm. I think it's part of our DNA as humans,' she said. 'In any Latin American folk music, the main components are coming from Europe, Africa, and the native people. So rhythm is something that is very strong.' But though strong, it's not omnipresent, she said, pointing out her cello-voice-flute chamber piece 'Three Haikus,' which 'has nothing to do with rhythm. It's a totally different world. I have that voice as well.' Ortiz often draws inspiration from current events, history, or the natural world; sometimes all three at once. 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Advertisement Ortiz perhaps must be so exacting because she finds the world eager to pigeonhole her into a stereotype of 'Latin American music,' mariachi bands and fiestas, when in fact 'there's so many things happening' in Mexican music. 'I don't try to sound Mexican when I compose. What I have in mind is to discover my inner voice, and be honest. If something is related to Mexico, it's because I'm from Mexico and I live there, and those themes are closer to me.' Rehearsing 'Three Haikus' later with a trio of TMC fellows and two faculty members, Ortiz advised the performers that her music is much more frequently 'rhythmic and extroverted,' but this wasn't the case in that piece, which was a 70th birthday gift for Lavista, her teacher. The first movement, which set expansive melismas of bass flute and voice over a cello drone, sounded nearly medieval. Giving notes, she looked to the flutist. 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Business Insider
13 minutes ago
- Business Insider
The top song that came out the year you were born
BI looked at Billboard's year-end No. 1 singles since 1940 to determine the top song from each year. The list includes Bing Crosby, Elvis Presley, Prince, Whitney Houston, Adele, Dua Lipa, and more. The biggest song of 2024 was "Lose Control" by Teddy Swims, according to Billboard. Take a look back at the defining hit from each year since 1940, listed below in chronological order. Kirsten Acuna contributed reporting. 1940: "I'll Never Smile Again" by Tommy Dorsey For songs prior to 1946, before Billboard's year-end list existed, we looked at the singles that stayed at No. 1 on the Billboard charts the longest. "I'll Never Smile Again" by Tommy Dorsey, which also features backing vocals from Frank Sinatra and the Pied Pipers, spent a dozen weeks at No. 1 on Billboard's singles chart. 1941: "Amapola (Pretty Little Poppy)" by Jimmy Dorsey Originally written by Spanish-American composer José Maria Lacalle Garcia, Jimmy Dorsey's popular version of the song remained at No. 1 on the Billboard charts for 10 weeks. Glenn Miller's "Chattanooga Choo Choo" was a close second for top song of 1941. It spent nine weeks at No. 1 on the Billboard singles chart. 1942: "White Christmas" by Bing Crosby Bing Crosby's version of the Irving Berlin song, which was featured in the film "White Christmas," holds the record for being the best-selling single since 2012. According to Guinness World Records, the holiday classic has sold an estimated 50 million copies. 1943: "I've Heard That Song Before" by Harry James "I've Heard That Song Before" appeared in the 1942 film "Youth on Parade" and was nominated for best original song at the Oscars. However, it lost to Crosby's "White Christmas." 1944: "Swinging on a Star" by Bing Crosby "Swinging on a Star" appeared in 1944's "Going My Way" and won an Academy Award for best original song. 1945: "'Till the End of Time" by Perry Como "'Till the End of Time" was No. 1 for nine weeks on the Billboard charts. Les Brown and Doris Day's "Sentimental Journey" also spent the same number of weeks atop the chart. 1946: "The Gypsy" by The Ink Spots Perry Como's "Prisoner of Love" may have been Billboard's year-end top single of the year, but the magazine voted "The Gypsy" as the year's top tune. 1948: "Buttons and Bows" by Dinah Shore Though Pee Wee Hunt's "Twelfth Street Rag" was the year-end No. 1 Billboard single of the year, the magazine named Dinah Shore's "Buttons and Bows" No. 1 on "the honor roll of hits" and the top "disk in the nation's jukeboxes." 1949: "Riders in the Sky (A Cowboy Legend)" by Vaughn Monroe Numerous recordings of Vaughn Monroe's country-western song have been made over the years by the likes of Johnny Cash, Elvis Presley, and even Sesame Street. 1950: "Goodnight, Irene" by Gordon Jenkins and The Weavers The Weavers' version of "Goodnight, Irene" was released a year after the death of Lead Belly, who sang the song first. 1951: "Too Young" by Nat King Cole "Too Young" was originally written by Sidney Lippman and Sylvia Dee. 1952: "Blue Tango" by Leroy Anderson Leroy Anderson's instrumental recording was the top Billboard song and seller of the year. 1953: "The Song From Moulin Rouge (Where Is Your Heart)" by Percy Faith 1954: "Little Things Mean A Lot" by Kitty Kallen Kitty Kallen's version of the 1953 hit "Little Things Mean A Lot" is the most popular version of the song. It was ranked as Billboard's top song of 1954. 1955: "Cherry Pink (and Apple Blossom White)" by Pérez Prado 1956: "Heartbreak Hotel" by Elvis Presley Although "Heartbreak Hotel" was the No. 1 single of 1956, Presley's songs "Hound Dog" and "Don't Be Cruel" both spent several weeks atop the chart that same year. 1957: "All Shook Up" by Elvis Presley "All Shook Up" was so popular that The Beatles and Billy Joel have both recorded their own renditions of the song. 1958: "Nel Blu Dipinto di Blu (Volare)" by Domenico Modugno The Italian song, widely known as "Volare," received both song of the year and record of the year at the first annual Grammy Awards in 1959. 1959: "The Battle of New Orleans" by Johnny Horton 1960: "Theme From a Summer Place" by Percy Faith The instrumental track was featured in the 1959 film "A Summer Place," which starred Richard Egan, Dorothy McGuire, Troy Donahue, and Sandra Dee. 1961: "Tossin' and Turnin'" by Bobby Lewis 1962: "Big Girls Don't Cry" by Frankie Valli and the Four Seasons "Big Girls Don't Cry" was a hit on the Hot 100 for five weeks during the holiday season. 1963: "Surfin' U.S.A." by The Beach Boys Billboard ranked the Beach Boys' summer track the No. 1 song of 1963. 1964: "I Want to Hold Your Hand" by The Beatles The sweet single hit No. 1 in the US, UK, Norway, Sweden, Netherlands, and Australia. 1965: "I Can't Help Myself" by Four Tops 1966: "The Ballad of the Green Berets" by Staff Sergeant Barry Allen Sadler Written and performed by the Vietnam War veteran Barry Sadler, the patriotic song was No. 1 in the US for five weeks in 1966. 1967: "Respect" by Aretha Franklin Otis Redding originally released a different version of the song before it became a hit for Aretha Franklin. In 1968, she won two Grammys for "Respect." 1968: "Hey Jude" by The Beatles Paul McCartney originally wrote the song as "Hey Jules" for John Lennon's son during his parents' divorce. It's one of The Beatles' 20 No. 1 hits on the Hot 100. 1969: "Sugar, Sugar" by The Archies 1970: "Bridge Over Troubled Water" by Simon & Garfunkel "Bridge Over Troubled Water" won several Grammy Awards, including record of the year and song of the year. 1971: "Joy to the World" by Three Dog Night 1972: "Let's Stay Together" by Al Green 1973: "Let's Get It On" by Marvin Gaye "Let's Get It On" helped cement Marvin Gaye as a sex symbol and remains one of the singer's most popular singles. 1974: "The Way We Were" — Barbra Streisand "The Way We Were" was recorded as the theme song for the movie of the same name, starring Barbra Streisand and Robert Redford. It won the Golden Globe for best original song in 1974 and song of the year at the Grammys the following year. 1975: "Love Will Keep Us Together" by Captain & Tennille American pop duo Captain & Tennille won record of the year for "Love Will Keep Us Together" at the 1976 Grammys. 1976: "Silly Love Songs" by The Wings McCartney wrote "Silly Love Songs" after people accused the former Beatle of only writing love songs. "The song was, in a way, to answer people who just accuse me of being soppy," McCartney told Billboard. 1977: "Tonight's The Night (Gonna Be Alright)" by Rod Stewart "Tonight's the Night" was released as a single from Stewart's 1976 album "A Night on the Town." It has been covered by numerous artists, including Janet Jackson. 1978: "Shadow Dancing" by Andy Gibb "Shadow Dancing" reached No. 1 on the Hot 100 for seven consecutive weeks. 1979: "My Sharona" by The Knack "My Sharona" was released as The Knack's debut single. It has since appeared in the game "Rock Band" and the movie "Super 8." 1980: "Call Me" by Blondie "Call Me" was the theme song for the 1980 crime drama "American Gigolo." 1981: "Bette Davis Eyes" by Kim Carnes "Bette Davis Eyes" edged out "Endless Love" by Diana Ross and Lionel Richie, which also rose to the top of the Billboard charts. Carnes' hit cover song won Grammy Awards for record of the year and song of the year. 1982: "Physical" by Olivia Newton-John "Physical" was released as the lead single from Newton-John's 12th album. It was later sampled by Dua Lipa in her single of the same name. 1983: "Every Breath You Take" by The Police Sting's song from the band's 1983 album "Synchronicity" was a hit in both the US and UK. "Every Breath You Take" was later sampled by Diddy for his hit song "I'll Be Missing You," though he didn't ask for Sting's permission until after the song was released. 1984: "When Doves Cry" by Prince "When Doves Cry" was released as the lead single from Prince's iconic album "Purple Rain." 1985: "Careless Whisper" — George Michael "Careless Whisper" was George Michael 's first solo single following his success with Wham! 1986: "That's What Friends Are For" by Dionne Warwick featuring Elton John, Gladys Knight, and Stevie Wonder Dionne Warwick, Stevie Wonder, and Gladys Knight, along with composer Elton John, won the Grammy for song of the year at the 29th annual awards show. "That's What Friends Are For" also won best pop group performance. 1987: "Walk Like An Egyptian" by The Bangles The song was the third single from The Bangles' album "Different Light." The group has since said it's one of their least favorite songs. 1988: "Faith" by George Michael "Faith" was featured on Michael's debut solo album. 1989: "Look Away" by Chicago "Look Away" topped the Hot 100 for two weeks. 1990: "Hold On" by Wilson Phillips "Hold On" won the Billboard Music Award for Hot 100 Single of the Year in 1990. 1991: "(Everything I Do) I Do It For You" by Bryan Adams "(Everything I Do) I Do It For You" appeared on the "Robin Hood: Prince of Thieves" soundtrack and became an international hit. It won the Grammy for best song written for a motion picture or television. 1992: "End Of The Road" by Boyz II Men "End of the Road" charted at No. 1 on the Hot 100 for 13 weeks. The song won best R&B performance by a duo or group at the 1993 Grammys. 1993: "I Will Always Love You" by Whitney Houston Whitney Houston recorded her version of the Dolly Parton classic for her movie, "The Bodyguard." The song won record of the year at the 1994 Grammys. 1994: "The Sign" by Ace of Base "The Sign" is one of three singles from the Swedish band's 1993 album of the same name. 1995: "Gangsta's Paradise" by Coolio featuring L.V. "Gangsta's Paradise" was featured on the soundtrack of Michelle Pfeiffer's 1995 movie "Dangerous Minds." 1996: "Macarena" by Los del Rio The ubiquitous dance hit of the '90s is a go-to song for parties and weddings. 1997: "Something About The Way You Look Tonight" by Elton John "Something About the Way You Look Tonight" was released as a double A-side single with "Candle in the Wind 1997." The same year, John's "Candlelight in the Wind" rose to the top of the chart after he performed a new version of his 1973 hit at Princess Diana's funeral. Billboard named both the top pop songs of the year. 1998: "Too Close" by Next "Too Close" is one of the great one-hit wonders of the '90s. It was featured on the soundtrack for "Save the Last Dance" and topped Billboard's end-of-year chart for 1998. 1999: "Believe" by Cher The dance-pop song was the lead single from Cher's 22nd album. It has appeared in episodes of "Friends," "Grey's Anatomy," and "Buffy the Vampire Slayer." 2000: "Breathe" by Faith Hill Although "Breathe" never reached the top of the Hot 100, it was named Billboard's top-performing single of 2000, becoming the first country song to achieve the feat. 2001: "Hanging By A Moment" by Lifehouse "Hanging By A Moment" was the lead single released from the alternative band's debut album, "No Name Face." 2002: "How You Remind Me" by Nickelback According to Nielsen Soundscan, "How You Remind Me" was the most played song on US radio in the 2000s. 2003: "In Da Club" by 50 Cent "In Da Club" was the rapper's first No. 1 single. The song's music video won best rap video at the 2003 MTV Video Music Awards. 2004: "Yeah!" by Usher featuring Lil Jon and Ludacris The only song that overthrew Usher's "Yeah!" from the top of the Billboard chart in 2004 was his next single, "Burn." 2005: "We Belong Together" by Mariah Carey "We Belong Together" arrived when some critics thought Mariah Carey's career was coming to an end. The smash hit single charted at No. 1 on the Hot 100 for 14 weeks. It later won best R&B song and best female R&B vocal performance at the 2006 Grammys. It was also nominated for record of the year and song of the year, but lost to Green Day and U2, respectively. 2006: "Bad Day" by Daniel Powter "Bad Day" has been parodied and used extensively in ads and TV shows. It's been used so much since its release that Powter said he felt " detached from the song" because it's essentially in the public domain. 2007: "Irreplaceable" by Beyoncé "Irreplaceable" was released as the third single from Beyoncé's second solo album, "B'Day," and was crowned the third-best breakup song of the 21st century by Business Insider. 2008: "Low" by Flo Rida featuring T-Pain "Low" was featured on the soundtrack for the 2008 film "Step Up 2: The Streets." 2009: "Boom Boom Pow" by The Black Eyed Peas "Boom Boom Pow" was the group's first No. 1 single in the US and won the Grammy for best short form music video. 2010: "Tik Tok" by Kesha Kesha's debut single has been parodied by Weird Al and appeared on an episode of "The Simpsons." 2011: "Rolling In The Deep" by Adele Adele's music video for "Rolling in the Deep" is one of the few to cross 1 billion views on YouTube. 2012: "Somebody That I Used To Know" by Gotye featuring Kimbra The one-hit wonder won best pop duo/group performance and record of the year at the 2013 Grammys. 2013: "Thrift Shop" by Macklemore & Ryan Lewis featuring Wanz Macklemore's novelty hit won best rap performance and best rap song at the 2014 Grammys. 2014: "Happy" by Pharrell Williams Pharrell delivered the perfect feel-good song of the summer in 2014. It was recorded for the "Despicable Me 2" soundtrack and wound up being the year's biggest hit. 2015: "See You Again" by Wiz Khalifa featuring Charlie Puth "See You Again" was made as a tribute to Paul Walker for the "Furious 7" soundtrack and spent 12 weeks at the top of the Hot 100. For several years, it was the most-watched music video on YouTube with more than 3 billion views. Bruno Mars's "Uptown Funk" was also a massive hit in 2015, topping the Billboard pop chart. 2016: "Love Yourself" by Justin Bieber "Love Yourself" was released as the third single from Justin Bieber's fourth album, "Purpose." It was one of the best-selling songs of 2016, and its music video has over 1 billion views on YouTube. 2017: "Despacito" by Luis Fonsi and Daddy Yankee featuring Justin Bieber Although Ed Sheeran's "Shape of You" was the top Billboard single of 2017, Luis Fonsi and Daddy Yankee's infectious club banger (with a boost from Bieber) claims one of the longest streaks atop the chart with 16 consecutive weeks throughout summer 2017. That's longer than Sheeran's 11 weeks with "Shape of You." The original music video for "Despacito" (sans Bieber) was the first in history to reach five billion views on YouTube. 2018: "God's Plan" by Drake Drake's "God's Plan" was Billboard's year-end No. 1 single for 2018. The rapper had another big hit that year when his song "In My Feelings" became a meme. 2019: "Old Town Road" by Lil Nas X featuring Billy Ray Cyrus Lil Nas X enlisted Billy Ray Cyrus for a remix of "Old Town Road" because he was a childhood fan of "Hannah Montana," in which Cyrus costarred with his daughter, Miley Cyrus. The country-rap duet holds the record for the longest stretch at No. 1 with 19 weeks atop the chart. It also became the fastest song in history to be certified diamond. 2020: "Blinding Lights" by The Weeknd Less than one year after "Blinding Lights" was crowned Billboard's top song of 2020, it was named the top Hot 100 song of all time. The Weeknd's smash hit spent 43 weeks in the chart's top five, 57 weeks in the top 10, 86 weeks in the top 40, and 90 weeks on the Hot 100. 2021: "Levitating" by Dua Lipa "Levitating" was originally released in March 2020 as the fifth track on Dua Lipa's sophomore album " Future Nostalgia." It was promoted as the album's fifth single and peaked at No. 2 on the Hot 100 in May 2021, eventually becoming the longest-charting song by a female artist, spending a total of 77 weeks on the chart. 2022: "Heat Waves" by Glass Animals In March 2022, "Heat Waves" completed an unprecedented 59-week climb to No. 1. The sleeper hit, written solely by Glass Animals front man Dave Bayley, reigned atop the chart for five straight weeks and ended the year as Billboard's top-performing hit. "Heat Waves" later became the longest-charting hit in the Hot 100's 64-year history. It spent 91 weeks on the chart, breaking the record set by The Weeknd's "Blinding Lights." (It has since been broken again by "Lose Control" by Teddy Swims.) An honorable mention goes out to "As It Was" by Harry Styles, which ended 2022 as Billboard's second-biggest song. The lead single from " Harry's House" spent 15 nonconsecutive weeks at No. 1 on the Hot 100, setting a record among British artists. 2023: "Last Night" by Morgan Wallen Despite a string of controversies, Morgan Wallen's single "Last Night" became the singer's first No. 1 hit on the Hot 100. It spent 16 weeks atop the chart in 2023, setting a record among solo artists. It has since been broken by Shaboozey's "A Bar Song (Tipsy)." 2024: "Lose Control" by Teddy Swims Although Taylor Swift topped the year-end Hot 100 Artists ranking and her album, " The Tortured Poets Department," topped the Billboard 200 Albums recap, the magazine crowned Teddy Swims' sleeper hit "Lose Control" as the top-performing single of 2024. "Lose Control" was originally released in June 2023 and debuted at No. 99 on the Hot 100. It reached No. 1 in March 2024 after a 32-week climb. In July 2025, "Lose Control" became the first song ever to spend 100 weeks on the all-genre chart.
New York Post
42 minutes ago
- New York Post
Chappell Roan announces pop-up shows, four in Forest Hills. Get tickets
Vivid Seats is the New York Post's official ticketing partner. We may receive revenue from this partnership for sharing this content and/or when you make a purchase. Featured pricing is subject to change. The 'Pink Pony Club' is open for business. Chappell Roan just announced she's taking off on an eight-show, three-city 'Visions of Damsels & Other Dangerous Things' pop-up concert series this fall. To kick off the quick run, the Grammy winner will headline four nights at Queens' Forest Hills Stadium. This quartet of shows are slated to go down Saturday, Sept. 20, Sunday, Sept. 21, Tuesday, Sept. 23 and Wednesday, Sept. 24. Advertisement After that, the Missouri native hits Kansas City's Liberty Memorial on Friday, Oct. 3 and Saturday, Oct. 4. She'll conclude the run with a pair of back-to-back gigs at Pasadena, CA's Brookside Golf Club on Friday, Oct. 10 and Saturday, Oct. 11. 'I love these three cities so much + wanted the chance to do something special before going away to write the next album,' the 27-year-old shared via Instagram. 'Also, we are giving $1 per ticket to organizations dedicated to supporting and providing resources for trans youth in each city,' she added. Advertisement As of now, there's no word on what Roan means by 'the chance to do something special' with these shows. There is a possibility she may debut her forthcoming single 'The Subway,' which was recently teased on her YouTube channel (that was played live at a recent overseas festival date). Or, perhaps, she'll deliver 'The Giver' live in the US for the first time; at the time of publication, she's only performed the jaunty track live in Poland and Spain, according to Set List FM. Prior to the short U.S. run, she'll headline two festivals and a pair solo concerts in Great Britain. Fans Popstars can purchase tickets for all upcoming Chappell Roan shows on sites like Vivid Seats; the official on-sale for the 'Visions of Damsels & Other Dangerous Things' pop-up series will be sometime in early August. Vivid Seats is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand. Advertisement They have a 100% buyer guarantee that states your transaction will be safe and secure and will be delivered before the event. Chappell Roan tour schedule 2025 A complete calendar including all tour and festival dates, venues and links to buy tickets can be found here. Chappell Roan 2025 festival appearances Ahead of the tour, Roan is taking her talents to a pair of UK festivals. Advertisement In case you're planning on attending, here's everything you need to know about both of them. Chappell Roan festival dates Reading Festival Aug. 21-24 at Ritchfield Avenue in Reading, GB Hozier, Suki Waterhouse, Becky Hill. Bloc Party, Conan Gray Leeds Festival Aug. 21-24 at Bramham Park in West Yorkshire, GB Hozier, Suki Waterhouse, Becky Hill. Bloc Party, Conan Gray Chappell Roan set list The last concert the 'HOT TO GO!' singer performed at was a festival gig in Barcelona on June 7. Although her live show may change quite a bit for her solo headlining dates, here's a look at what she took to the stage back then — including her new singles and an extended cover choice — courtesy of Set List FM. 01.) 'Super Graphic Ultra Modern Girl' 02.) 'Femininomenon' 03.) 'After Midnight' 04.) 'Naked in Manhattan' 05.) 'Guilty Pleasure' 06.) 'Casual' 07.) 'The Subway' (Unreleased) 08.) 'HOT TO GO!' 09.) 'Barracuda' (Heart cover) 10.) 'Picture You' 11.) 'Kaleidoscope' 12.) 'The Giver' (Chappell called out some of the audience's ex boyfriends who couldn't get 'the job done') 13.) 'Red Wine Supernova' 14.) 'Coffee' 15.) 'Good Luck, Babe!' 16.) 'My Kink Is Karma' 17.) 'Pink Pony Club' Chappell Roan new music On March 13, Roan released her rousing, country-fried single 'The Giver.' After kicking off with a punchy fiddle solo, the three-minute tune takes off around the 40-second mark when Roan delivers the impassioned pre-chorus 'So, baby/when you get ther job done/you can call me, baby.' The fiery bluegrass bop ramps up from there with show-stopping crescendos, surprising tempo changes, fist-pumping fiddle solos and a humorous call and response. Advertisement To hear for yourself, you can find 'The Giver' here. More recently, she dropped a 30-second preview of 'The Subway' on YouTube. This one is a bit slower than 'The Giver'…as far as we know. Just as the song builds to a thrilling high, it cuts off. We'll be waiting patiently to hear the track in full, hopefully someday soon. Huge artists on tour in 2025 Roan isn't the only pop icon taking her hits to huge venues all over the country these next few months. To make sure you're in the loop, here are just five of our absolute favorites you won't want to miss live in the near future. Advertisement • Lady Gaga • Billie Eilish • Sabrina Carpenter • Tate McRae Advertisement • Dua Lipa Who else is out and about? Take a look at this list of all the biggest pop stars on tour in 2025 to find the show for you. This article was written by Matt Levy, New York Post live events reporter. Levy stays up-to-date on all the latest tour announcements from your favorite musical artists and comedians, as well as Broadway openings, sporting events and more live shows – and finds great ticket prices online. Since he started his tenure at the Post in 2022, Levy has reviewed a Bruce Springsteen concert and interviewed Melissa Villaseñor of SNL fame, to name a few. Please note that deals can expire, and all prices are subject to change
