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A fashion legacy: Sabrinagoh's evolving Singaporean narrative

A fashion legacy: Sabrinagoh's evolving Singaporean narrative

Vogue Singapore10-07-2025
Founded in 2009, Sabrinagoh grew from Sabrina Goh's early fascination with fashion's power to shape identity, sparked by icons like Alexander McQueen and honed through years of working with local labels. The brand is known for minimalist, architectural silhouettes that balance strength with softness, designed for real life. With an upcoming renovated flagship at Raffles City, plus a recent activation in Paris. Goh continues to design with intention. Goh's work often bridges tradition and modernity, seen here in a contemporary silhouette reinterpreting classic textile techniques. Courtesy of Sabrinagoh
How did you start your journey into fashion? What sparked your entry and what continues to drive your work today?
My journey began in secondary school, inspired by icons like Alexander McQueen. That admiration sparked a quiet curiosity—a desire to understand how garments shape identity and emotion. I went on to study fashion design, then spent four years working with local companies, immersing myself in the entire process from design to production. Design felt like a natural language to me, where feeling becomes form. I was drawn to architecture and minimalism, but also wanted to explore emotional depth within simplicity. We believe strength lives in silence.
What are the biggest challenges you've faced as a designer in Singapore and how have they shaped your creative direction?
One of the biggest challenges has been maintaining a conscious, sustainable approach while growing the business. As an independent label, every decision matters, from materials to production scale. Achieving B Corp certification was a major milestone that affirmed our commitment to fashion as a force for good. We've also had to adapt to shifts in retail and consumer behaviour. That has meant deepening our digital presence while creating physical spaces that invite connection, like our new store at Great World, and soon, our renovated flagship at Raffles City. Being part of an international activation in Paris this year has also reminded us how meaningful it is to represent Singapore's voice globally. From fabric selection to final fitting, every detail in Sabrinagoh's process is a reflection of intentional, grounded design. Courtesy of Sabrinagoh
How does Singapore—its culture, textures or rhythms—show up in your design language?
Living in Singapore means moving through a space where tradition and modernity are always in dialogue, and that naturally shapes our design approach. Our silhouettes are clean, adaptable and made for the pace of everyday life. We also express our cultural roots through collaborations, like our project with artist Ashley Yeo, or our work in the Singapore Stories initiative exploring themes like Kebaya Reimagined. Whether it's traditional tailoring or modular layering, our work reflects the fluidity of Singapore's identity—always grounded, but always evolving.
What does 'home' mean to you and how does that feeling manifest in your creative process?
Home feels like our own backyard: familiar, grounding and full of quiet promise. While we've always designed with a global perspective, we stay rooted in where we began. One moment that shaped this was during Singapore Fashion Week 2015, when I spoke with Diane von Furstenberg. She reminded me that while it's easy to look outward, we must tend to our own backyard first. That shifted how I saw my role, as someone building something meaningful from within. Home continues to shape our creative process—guiding us to design with intention and for real life. From studio to showcase, Sabrinagoh's design process is anchored in clarity, collaboration, and quiet confidence. Courtesy of Sabrinagoh
Where do you see homegrown fashion on the global stage and what makes it distinct in your eyes?
Singaporean fashion is still forming, but that's what makes it exciting. It's diverse, layered and subtly bold. We're blending multicultural influence with urban pragmatism and slowly finding our collective voice. To me, design is also cultural storytelling. I hope our work contributes by offering a contemporary expression of Singaporean identity—one rooted in minimalism, function and nuance. If our designs can preserve tradition while moving it forward, and stay emotionally relevant beyond trends, that's the legacy I hope to build.
If your design ethos or brand was a Singaporean dish, what would it be and why?
I'd say tau huay (soy beancurd). Much like our design philosophy, it's minimalist at first glance—soft, clean and understated—but layered with quiet depth. It evokes comfort and nostalgia, yet remains timeless and adaptable. Tau huay doesn't need bold flavours to leave a lasting impression. That, to me, mirrors the essence of Sabrinagoh: subtle, refined and resonant.
Vogue Singapore's July/August 'Home' issue will be out on newsstands from 13 July and available to preorder online.
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Singapore startup BeeX takes the sting out of maritime inspection costs with underwater drones
Singapore startup BeeX takes the sting out of maritime inspection costs with underwater drones

Business Times

time16-07-2025

  • Business Times

Singapore startup BeeX takes the sting out of maritime inspection costs with underwater drones

[SINGAPORE] Being a small fish in a big pond is paying off for BeeX, as the startup's underwater drones prove cheaper and greener than their larger competitors. The company designs, builds and operates submarine drones – also known as autonomous underwater vehicles (AUVs) – that provide maritime inspection services. Named after the Malay term for anchovies, its drone cuts the cost and time of underwater inspections by as much as 50 per cent and slashes emissions by up to 95 per cent compared to larger remotely-operated vehicles (ROVs). The fundamental 'innovation dilemma' with AUVs, said BeeX co-founder and CEO Grace Chia, is that they 'disrupt the profits of the best-performing subsea companies'. Large subsea companies 'can charge their customers millions to use vessels with ROVs', she said. With simpler AUVs, companies cannot charge such high rates – and thus do not have an incentive to develop them. After the success of its first drone, BeeX is developing an AUV that is larger and therefore can perform a wider range of inspection jobs – while still retaining an edge over ROVs. A NEWSLETTER FOR YOU Friday, 8.30 am SGSME Get updates on Singapore's SME community, along with profiles, news and tips. Sign Up Sign Up Sea change BeeX has its origins in Bumblebee, a National University of Singapore (NUS) autonomous robotics club that Chia started as a student in 2012. There, she met schoolmate Goh Eng Wei, who would later become the company's co-founder and chief technical officer. In 2013, Chia and Goh's team won the Best New Entry award in RoboSub, an international student AUV competition in San Diego, US. The next year, she graduated and started working for a Singapore-based company that specialised in conventional maritime inspections – where she realised the role that AUVs could play. Maritime inspections involve examining structures that are on or under water, which can include oil rigs, offshore wind and solar farms, ship hulls, foundations or construction piles. Chia realised that while AUVs cannot do repairs or additions, they can perform inspection jobs faster and cheaper than ROVs. 'ROVs can do anything and everything, but need a lot of resources,' said Chia. 'You need to have big ships and well-trained personnel.' ROVs are tethered to a mothership, where human pilots operate them. These motherships are purpose-built and tend to be large, as they need to provide piloting facilities, power and communications to the ROVs. 'If you want the cost of subsea inspection and data collection to drop, the only way is if you drop all these other things – but it goes against the business model of the conventional incumbents.' That is where a startup could come in. Chia and Goh founded BeeX in 2018 with their own money and initial funding from the NUS Graduate Research Innovation Programme. Bee agile BeeX's autonomous underwater drone, uses numerous sensors including sonar to map its environment in two and three dimensions in real time. PHOTO: DERRYN WONG, BT In 2020, BeeX got a boost when it won first prize in Port Innovation Ecosystem Reimagined at Block71's (Pier71) Smart Port Challenge for the application of AUVs to maritime inspections. Pier71 is a joint startup incubator and accelerator by NUS Enterprise and the Maritime and Port Authority of Singapore. The win helped the company gain exposure to maritime corporates and investors, said Chia. 'Being plugged into the ecosystem enabled us to explore new opportunities for growth. We gained attention from diving companies who were more open to using robots to support their work.' After receiving Enterprise Singapore's Startup SG Tech grant of S$500,000 in 2019, BeeX began developing in 2020, with the drone's first operations in 2023. While ROVs can be as large as a minivan and weigh more than 3 tonnes, is less than a metre long and weighs 70 kg. It has various sensors, including a camera, sonar, lasers and an electromagnetic probe that detects the thickness of materials. Without the need for a tether or pilot, it can be launched from a wide range of smaller vessels or from the infrastructure it is inspecting. also reduces manpower costs. There is no need for a specialised mothership, and training a drone supervisor takes just six months, compared to five to seven years for an ROV pilot. Furthermore, the drone can navigate more quickly than an ROV, as it uses sonar and other sensors to 'see' beyond human sight. Unlike ROVs, performance is not dependent on pilot skill. 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A fashion legacy: Sabrinagoh's evolving Singaporean narrative
A fashion legacy: Sabrinagoh's evolving Singaporean narrative

Vogue Singapore

time10-07-2025

  • Vogue Singapore

A fashion legacy: Sabrinagoh's evolving Singaporean narrative

Founded in 2009, Sabrinagoh grew from Sabrina Goh's early fascination with fashion's power to shape identity, sparked by icons like Alexander McQueen and honed through years of working with local labels. The brand is known for minimalist, architectural silhouettes that balance strength with softness, designed for real life. With an upcoming renovated flagship at Raffles City, plus a recent activation in Paris. Goh continues to design with intention. Goh's work often bridges tradition and modernity, seen here in a contemporary silhouette reinterpreting classic textile techniques. Courtesy of Sabrinagoh How did you start your journey into fashion? What sparked your entry and what continues to drive your work today? My journey began in secondary school, inspired by icons like Alexander McQueen. That admiration sparked a quiet curiosity—a desire to understand how garments shape identity and emotion. I went on to study fashion design, then spent four years working with local companies, immersing myself in the entire process from design to production. Design felt like a natural language to me, where feeling becomes form. I was drawn to architecture and minimalism, but also wanted to explore emotional depth within simplicity. We believe strength lives in silence. What are the biggest challenges you've faced as a designer in Singapore and how have they shaped your creative direction? One of the biggest challenges has been maintaining a conscious, sustainable approach while growing the business. As an independent label, every decision matters, from materials to production scale. Achieving B Corp certification was a major milestone that affirmed our commitment to fashion as a force for good. We've also had to adapt to shifts in retail and consumer behaviour. That has meant deepening our digital presence while creating physical spaces that invite connection, like our new store at Great World, and soon, our renovated flagship at Raffles City. Being part of an international activation in Paris this year has also reminded us how meaningful it is to represent Singapore's voice globally. From fabric selection to final fitting, every detail in Sabrinagoh's process is a reflection of intentional, grounded design. Courtesy of Sabrinagoh How does Singapore—its culture, textures or rhythms—show up in your design language? Living in Singapore means moving through a space where tradition and modernity are always in dialogue, and that naturally shapes our design approach. Our silhouettes are clean, adaptable and made for the pace of everyday life. We also express our cultural roots through collaborations, like our project with artist Ashley Yeo, or our work in the Singapore Stories initiative exploring themes like Kebaya Reimagined. Whether it's traditional tailoring or modular layering, our work reflects the fluidity of Singapore's identity—always grounded, but always evolving. What does 'home' mean to you and how does that feeling manifest in your creative process? Home feels like our own backyard: familiar, grounding and full of quiet promise. While we've always designed with a global perspective, we stay rooted in where we began. One moment that shaped this was during Singapore Fashion Week 2015, when I spoke with Diane von Furstenberg. She reminded me that while it's easy to look outward, we must tend to our own backyard first. That shifted how I saw my role, as someone building something meaningful from within. Home continues to shape our creative process—guiding us to design with intention and for real life. From studio to showcase, Sabrinagoh's design process is anchored in clarity, collaboration, and quiet confidence. Courtesy of Sabrinagoh Where do you see homegrown fashion on the global stage and what makes it distinct in your eyes? Singaporean fashion is still forming, but that's what makes it exciting. It's diverse, layered and subtly bold. We're blending multicultural influence with urban pragmatism and slowly finding our collective voice. To me, design is also cultural storytelling. I hope our work contributes by offering a contemporary expression of Singaporean identity—one rooted in minimalism, function and nuance. If our designs can preserve tradition while moving it forward, and stay emotionally relevant beyond trends, that's the legacy I hope to build. If your design ethos or brand was a Singaporean dish, what would it be and why? I'd say tau huay (soy beancurd). Much like our design philosophy, it's minimalist at first glance—soft, clean and understated—but layered with quiet depth. It evokes comfort and nostalgia, yet remains timeless and adaptable. Tau huay doesn't need bold flavours to leave a lasting impression. That, to me, mirrors the essence of Sabrinagoh: subtle, refined and resonant. Vogue Singapore's July/August 'Home' issue will be out on newsstands from 13 July and available to preorder online.

$43k fine for undischarged bankrupt doctor who failed to disclose assets worth over $4m
$43k fine for undischarged bankrupt doctor who failed to disclose assets worth over $4m

Straits Times

time09-07-2025

  • Straits Times

$43k fine for undischarged bankrupt doctor who failed to disclose assets worth over $4m

Sign up now: Get ST's newsletters delivered to your inbox Goh Seng Heng will have to spend 22 weeks behind bars if the amount is not paid. SINGAPORE – An undischarged bankrupt doctor with a total debt of nearly $48 million owing to his creditors as at May 28 failed to disclose assets worth more than $4 million to the authorities. Goh Seng Heng, 70, who founded the PPP Laser Clinic chain, was fined $43,000 on July 9 after he pleaded guilty to eight charges under the Bankruptcy Act. He will have to spend 22 weeks behind bars if the amount is not paid. In 2019, he lost a lawsuit filed by businesswoman Wang Xiaopu , who had invested $30.7 million in the PPP chain and demanded the return of her investment. When he failed to repay the sum, she sued his family members, contending that he had placed his assets out of his creditors' reach via various asset purchases and transfers. Goh applied for bankruptcy on March 6, 2020, stating that he was unable to pay his debts. He was declared a bankrupt 13 days later, on March 19. Madam Wang, represented by Senior Counsel Jimmy Yim and Ms Grace Morgan from Drew & Napier, had argued that Goh's bankruptcy application was intended to delay, hinder and defraud his creditors. On March 29, 2023, the High Court ruled that Goh had moved millions in assets to his family members with the intent to defraud his creditors. For the current case, Ministry of Law prosecutor Benjamin Yim told the court that on March 24 and April 29, 2020, an Official Assignee (OA) appointed to administer Goh's bankruptcy-related affairs gave the doctor written directions to submit information linked to such matters. The OA is a public servant who investigates the affairs of bankrupts and recovers their assets for distribution to creditors. Goh submitted the information on May 3 that year, but investigations later revealed that he had made multiple omissions. Court documents stated that he had failed to disclose the disposal of 760 shares in a company called 'Dr Michelle Goh' worth more than $306,000, and three shares in another firm called GSHKML worth nearly $1.4million. Goh was also involved in the non-disclose of the disposal of insurance policies linked to over $154,000 in total. Mr Yim said the doctor did not disclose the contents of a safe deposit box worth $700 and a bank account containing over $7,000. Goh also failed to disclose the disposal of more than $1.2 million and US$900,015 (S$1.1 million) owed to him by a company called Singapore Yacht Charter. The prosecutor had urged the court to sentence him to a fine of at least $43,000, adding: 'There is a strong public interest in ensuring that bankrupts take their obligations seriously and cooperate with their bankruptcy trustees when it comes to disclosure of assets. 'The offences committed by the accused impeded the orderly administration of his bankruptcy estate and the sentence to be meted out to him must be sufficient to deter others who might be tempted to follow in his footsteps.' Goh was represented by lawyers Chooi Jing Yen and Claire Chong. The team from the Chooi Jing Yen law firm told the court that they did not object to the prosecution's submission for a fine of at least $43,000. They also said that their client is a first-time offender and his daughter will pay the fine on his behalf. Goh still has multiple other pending charges under the Bankruptcy Ac, and these will be dealt with at a later date.

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