
Yael van der Wouden wins 2025 Women's Prize for Fiction
Van der Wouden's winning novel, set in postwar Netherlands, explores Jewish identity through a haunting family saga. The intersex author dedicated her win to trans activists, sharing how her own healthcare struggles informed her writing. The Safekeep by Yael van der Wouden is the 30th winner of the Women's Prize for Fiction. This unsettling, tightly-plotted debut novel explores repressed desire and historical amnesia against the backdrop of the Netherlands post-WWII. The Safekeep is at once a highly-charged, claustrophobic drama played out between two deeply flawed characters, and a bold, insightful exploration of the emotional aftermath of trauma and complicity.
Clarke's winning work offers a profound exploration of organ transplantation, blending medical history with deeply personal narratives.
Good Girl – Aria Aber
All Fours – Miranda July
The Persians – Sanam Mahloudji
Tell Me Everything – Elizabeth Strout
The Safekeep – Yael van der Wouden
Fundamentally – Nussaibah Younis
A Thousand Threads – Neneh Cherry
The Story of a Heart – Rachel Clarke
Raising Hare – Chloe Dalton
Agent Zo – Clare Mulley
What the Wild Sea Can Be – Helen Scales
Private Revolutions – Yuan Yang
The judging panel, chaired by author Kit de Waal, praised The Safekeep as 'a masterful blend of history and suspense.' Established in 1996 to address gender inequality in publishing, the Women's Prize continues to champion exceptional writing by women.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
11 hours ago
- Indian Express
In Sarkar's opening scene, Ram Gopal Varma crafts a legend as deep and fierce as Francis Ford Coppola's Godfather
If it were left to you, how would you depict power on screen? This is the question that sits at the centre of the opening scene of Ram Gopal Varma's Sarkar. On the surface, yes, it mirrors the opening of The Godfather. The bones of the scene are the same. A man wronged. A daughter defiled. A plea to a feared don. But that's the thing with surface readings, they hold your hand just long enough to get you somewhere familiar, but they rarely guide you beyond. They let you recognise, but not necessarily resonate. Look again. Watch how Varma conceptualises, composes, and cuts. It is not just reverence, it is reinterpretation. It is not just homage. It is authorship. The deepest difference between the two scenes lies in the way they are dreamed. Coppola imagines his world with restraint. The camera seldom intrudes. It lingers in long takes, steady and watchful, only breaking to catch a flicker of reaction. The room is dim. Don Corleone's domain wrapped in shadows. The air pressed down with the weight of silence. Every pause speaks. And when Marlon Brando says, 'You don't offer me friendship. You don't even think to call me Godfather,' something intensifies. It's not anger. It's something deeper. Disappointment braided with dominance. So Coppola doesn't show power. He lets you feel it, close, almost uncomfortably so. But Varma steps away. His gaze diverges, disobeys, and in doing so, he creates a legend of his own. Its starts with the father, (Virender Saxena), stepping out of an auto and walking, quietly, all the way into the mansion where Sarkar (Amitabh Bachchan) lives. And in that walk, before Sarkar even appears, the world around him begins to speak. Outside, a long line of devotees stands, waiting, patient, forming a queue that stretches along the gate. Inside, men with guns stand alongside those in khadi and kurta, all drawn here. And in a glance, we understand: whoever Sarkar is, he is the one everyone needs. Bodybuilders lift iron in silence, guards move like they serve someone more than just a man. But it is through the father's eyes that we truly see it. His gaze wide, stunned, caught between disbelief and hope. He walks slowly, as though the weight of his losses clings to his steps. And yet, with each footfall into this strange and powerful place, something shifts. As if, just maybe, in this house, he might find something left to hold onto. Something that hasn't yet turned away. Also Read | Amitabh Bachchan wasn't Ram Gopal Varma's first choice for Sarkar, reveals director: 'Had to shelve the original after the arrest of…' What Varma adds, as the final stroke, the cherry on top, is the voiceover. Long, steady, running beneath the entire sequence like a current. And even, at one moment, he bends the form, the voiceover blends into real speech. It's seamless. It's bold. Here was a filmmaker not afraid to break the rules. Yes, the technique is loud, sometimes even theatrical. The Dutch angles tilt reality just enough. The lighting, pulled from German expressionism, cuts through space in silhouettes and shadows. The camera doesn't just capture, it flies like a bird circling over Sarkar's world. And yet, through all this style, Varma tells us exactly what we need to know. He shows us the myth before the man. But more than anything, what Varma manages to carve out is the ache of a father, wronged, worn down, failed by the very system meant to protect him. And yet, within this space, through Sarkar, he finds that another system exists. This is where the split between Coppola and Varma deepens. In The Godfather, Don Corleone's anger is personal, he's almost hurt. His power demands loyalty. But here, Sarkar's anger isn't aimed at the man who walks through his gates, it's turned outwards, at the world that drove him here. At the broken structure that forced this father to seek help outside the law. Sarkar isn't raging at the plea. He's raging at the necessity of it. That's what sets the two films apart: Coppola told the story of a Don, a gangster who masked revenge as justice, while Varma portrayed an outlaw, a messiah-like figure striving to restore true justice. In that sense, Varma's film is actually a reimagining of the angry young man. In the opening scene, there are hardly any words given to Bachchan. Just a tight close-up. Just his eyes. But within them, you see it all, the same anger that once burned through cinema, now simmering under silence. That is the real strength of this beginning. It starts as a portrait of power, but by the time it ends, it has become a portrait of authority born out of rage, carved by betrayal, steadied by time. When they talk about Sarkar, they talk of Coppola, of The Godfather, or even Balasaheb Thackeray. But in truth, it was always a tribute to the fury that helped make Bachchan one of the greatest movie stars this country has ever known. Opening Act is a column where Anas Arif breaks down some of the greatest opening scenes in film and television.


Time of India
a day ago
- Time of India
'He was treated badly, based on speculation' - Anish Giri defends Hans Niemann
Hans Niemann (right) and Anish Giri (X | @HansMokeNiemann) Anish Giri has defended Hans Niemann, who is facing cheating allegations from top chess players. The Dutch GM has recently been seen interacting with American GM Hans Niemann on social media. Talking to Take Take Take, Giri said: 'It triggered me. The story with Hans, it really triggered me. Because I was all okay with what was happening. Go Beyond The Boundary with our YouTube channel. SUBSCRIBE NOW! "But I wanted to see proof that he was cheating. I was waiting for it. But it just wouldn't come. "I was waiting for the proof. But at some point, I realized, okay, there is no proof. They don't have proof. "And he was treated like he was guilty. And nobody convinced me that he was guilty at all. I found the way he was treated extremely unjust. "Especially compared to other people. And with Hans, suddenly there was this massive thing, which I found unjust as long as it's not proven. It sort of triggered me as well, in some sense. I felt that, you know, why should I treat him badly based on speculation? And if he hadn't been cheating, what has happened to him is very unjust,' he said. Giri also opened up about the relationships among the top chess players. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Perdagangkan CFD Emas dengan Broker Tepercaya IC Markets Mendaftar Undo 'First of all, these relationships are extremely complicated. A combination of rivalry and friendship and mutual respect and hatred all at the same time. "I wouldn't call it hatred in a human sense. "You should also realize that when we speak of this kind of rivalry, they would never wish each other bad health. Or, God forbid, that something bad would happen in their life or in their family. Or that their house would get flooded. They don't want that. But they want them to lose. "They want them to lose badly. And again and again. And I wanted him to lose. But now that he lost, I want him to get back up, so I can punch him again, you know?' "Would you say anyone inside the Top 10 right now is your friend?" Game On Season 1 continues with Mirabai Chanu's inspiring story. Watch Episode 2 here.


Time of India
6 days ago
- Time of India
jeff bezos superyacht: Inside Bezos-Sánchez wedding: Billionaire romance anchored by $500M Superyacht Koru
Largest Sailing Yacht in the World The Meaning Behind 'Koru' ADVERTISEMENT Artistry and Design Proposal Aboard the Koru Wedding of the Season in Venice ADVERTISEMENT FAQs What is the occasion involving Jeff Bezos and Lauren Sánchez? ADVERTISEMENT When is the wedding scheduled to take place? As billionaire entrepreneur and Amazon founder Jeff Bezos readies to tie the knot with fiancée Lauren Sánchez in a star-studded ceremony in Venice, attention has once again turned to one of the world's most extravagant personal vessels—the superyacht in Italy aboard the grand sailing yacht, Bezos was seen alongside Sánchez at the historic Aman Hotel, heightening anticipation for what is being described as one of the most glamorous weddings of the year, as mentioned in a report by USA built by Dutch shipyard Oceanco, holds the distinction of being the largest sailing yacht globally, measuring an estimated 417 feet in length. The three-masted schooner is painted in a signature midnight blue, featuring three jacuzzis, an expansive pool on the upper deck, and multiple viewing masts, towering at around 230 feet, are comparable in height to the Great Pyramid of Giza. Originally mired in controversy due to plans to dismantle a historic Rotterdam bridge to facilitate its transfer, the vessel was ultimately delivered to Mallorca in 2023 after its masts were transported separately to avoid public yacht's name, Koru, derives from the Māori word symbolizing a spiral, referencing new beginnings, renewal, and personal growth. Bezos, 61, reportedly selected the name to reflect a fresh chapter in life, now marked by his relationship with Sánchez, a 55-year-old former TV journalist.A support vessel accompanies Koru, aptly named Abeona, after the Roman goddess associated with departures and safe yacht's design is a product of Dykstra Naval Architecture, while the interior has been curated by Mlinaric Henry & Zervudachi. The décor blends natural wood tones with warm neutral palettes and bespoke textiles, lending a sense of timeless elegance, Oceanco was speculation about the yacht's figurehead resembling Sánchez. However, she clarified in a 2023 Vogue interview that it actually depicts Freyja, the Norse goddess of love and war—one of Bezos's favorite mythological proposed to Sánchez on board Koru during a romantic voyage at the 2023 Cannes Film Festival, where he hid a pink diamond engagement ring under her pillow. The intimate moment, as described by Sánchez, left her momentarily the couple remains discreet about the exact date, reports indicate the three-day wedding celebration will take place between June 26 and 28, attended by nearly 200 guests. High-profile figures such as Oprah Winfrey, Diane von Furstenberg, Salma Hayek, Mick Jagger, Ivanka Trump, and Kim Kardashian are expected to join the Bezos-Sánchez nuptials follow a trend of elite weddings in Venice, joining the likes of George and Amal Clooney and Salma Hayek and François-Henri Bezos, Amazon founder and billionaire entrepreneur, is preparing to marry his fiancée Lauren Sánchez, in a star-studded, three-day wedding ceremony in Venice, the exact date has not been officially confirmed, reports suggest the wedding celebrations will span from June 26 to June 28, 2025.