logo
Yuan Yang, Neneh Cherry and Rachel Clarke shortlisted for Women's prize for nonfiction

Yuan Yang, Neneh Cherry and Rachel Clarke shortlisted for Women's prize for nonfiction

The Guardian26-03-2025
The Buffalo Stance singer Neneh Cherry, Labour MP Yuan Yang and the doctor Rachel Clarke have been shortlisted for this year's Women's prize for nonfiction.
Foreign policy expert Chloe Dalton, marine biologist Helen Scales and biographer Clare Mulley also remain in contention for the £30,000 prize.
A Thousand Threads by Neneh Cherry (Vintage)
The Story of a Heart by Rachel Clarke (Abacus)
Raising Hare by Chloe Dalton (Canongate)
Agent Zo by Clare Mulley (Weidenfeld)
What the Wild Sea Can Be by Helen Scales (Atlantic)
Private Revolutions by Yuan Yang (Bloomsbury)
'Included in our list are narratives that honour the natural world and its bond with humanity, meticulously researched stories of women challenging power and books that illuminate complex subjects with authority, nuance and originality,' said judging chair and journalist Kavita Puri.
Swedish musician Cherry was shortlisted for her memoir A Thousand Threads. 'Hers is a vivid tale of love, family, chaos and a creative spirit passed through the generations,' wrote Fiona Sturges of the audiobook version in the Guardian.
Yang was chosen for Private Revolutions, her portrait of modern China told through the lives of four young women. Yang 'has written an engrossing new book that meticulously reports on a country in the throes of change', wrote Mythili Rao in a Guardian review.
The winner of the prize will be announced on 12 June along with the winner of its sister award, the Women's prize for fiction.
The nonfiction counterpart was announced in 2023 after research found that only 35.5% of books awarded a nonfiction prize over the prior decade were written by women, across seven UK nonfiction prizes. The prize's inaugural award went to Naomi Klein for her book Doppelganger.
Sign up to Bookmarks
Discover new books and learn more about your favourite authors with our expert reviews, interviews and news stories. Literary delights delivered direct to you
after newsletter promotion
Clarke was shortlisted this year for The Story of a Heart, in which she sets the story of two children connected by a heart transplant against the history of heart surgery. 'While there is much to be gleaned here about the minutiae of medical inventions and procedures, Clarke never loses sight of the human impact,' wrote Sturges in her Guardian review of the book.
Dalton, who spent more than a decade working in parliament and the Foreign Office, was picked for her debut book Raising Hare, about rescuing a leveret during the pandemic. 'This is a sustained and patient attempt to cross the species abyss, and to see the world through the hare's eyes,' wrote Edward Posnett in the Guardian. 'It possesses a dream-like quality, and often reads as a fable of metamorphosis.'
The shortlist is completed by Scales' What the Wild Sea Can Be, about the future of the ocean, and Mulley's Agent Zo, about Polish second world war resistance fighter Elżbieta Zawacka.
'These books will stay with you long after they have been read, for their outstanding prose, craftsmanship and what they reveal about the human condition and our world,' said Puri.
Along with the six shortlisted books, titles longlisted for this year's prize were Autocracy, Inc. by Anne Applebaum, Embers of the Hands by Eleanor Barraclough, The Eagle and the Hart by Helen Castor, Ootlin by Jenni Fagan, Why Fish Don't Exist by Lulu Miller, By the Fire We Carry by Rebecca Nagle, Wild Thing by Sue Prideaux, The Peepshow by Kate Summerscale, Sister in Law by Harriet Wistrich and Tracker by Alexis Wright.
Puri whittled down the longlist with fellow judges Leah Broad, Elizabeth Buchan, Elizabeth-Jane Burnett and Emma Gannon. 'It was such a joy to embrace such an eclectic mix of narratives by such insightful women writers,' said Puri.
This year's prize was open to books published in the UK between 1 April 2024 and 31 March 2025. The prize is sponsored by online genealogy service Findmypast, and says it is actively seeking a second sponsor.
To browse all of the books on the Women's prize for nonfiction 2025 shortlist visit guardianbookshop.com. Delivery charges may apply.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Reform releases parody video mocking Labour's first year in power
Reform releases parody video mocking Labour's first year in power

The Independent

time5 hours ago

  • The Independent

Reform releases parody video mocking Labour's first year in power

Reform UK has released a parody music video titled "Now That's What I Call U-Turns" ahead of the anniversary of the general election on 4 July. The video, which Reform shared with the caption "One year of Starmer, one year of u-turns", mocks Labour's first year in power. It references several controversial Labour policies, including winter fuel payments and the early release of prisoners, using popular song titles like "Ice Ice Baby" and "I Want to Break Free". Former Reform party chairman Zia Yusuf has praised the video, stating that the party's digital team is "in a class of its own". Watch the video in full above.

Reform pokes fun at Starmer with ‘That's What I Call U-Turns' video ahead of Labour's one year anniversary
Reform pokes fun at Starmer with ‘That's What I Call U-Turns' video ahead of Labour's one year anniversary

The Independent

time6 hours ago

  • The Independent

Reform pokes fun at Starmer with ‘That's What I Call U-Turns' video ahead of Labour's one year anniversary

Reform UK has released a video mocking Labour ahead of their anniversary of winning the general election on July 4. A parody style music advert called 'Now That's What I Call U-Turns' was shared by Nigel Farage 's party on Tuesday (1 July) with the caption: 'One year of Starmer, one year of u-turns'. The video references several of Labour's controversial policies, including winter fuel payments with the song 'Ice Ice Baby' by Vanilla Ice playing in the background, whilst their early release of prisoners was referenced with Queen's 'I Want to Break Free'. Former party chairman Zia Yusuf shared the video with the caption: 'The Reform digital team really is in a class of its own.'

Get high at Glastonbury: the Guardian's aerial shots of the festival
Get high at Glastonbury: the Guardian's aerial shots of the festival

The Guardian

timea day ago

  • The Guardian

Get high at Glastonbury: the Guardian's aerial shots of the festival

It can be difficult to get an elevated view at Glastonbury. There are various high-up platforms around the site, and of course there are the hills that give a view down into the valley where the festival nestles. But for much of the weekend you are in a crowd, looking up. Guardian photographer David Levene therefore used an eight metre-high 'monopod' – a sort of highly stable pole with his camera stuck on top – to create elevation and give us a better sense of the scale of the crowds. I wanted to get a slightly different viewpoint of the things that have become very familiar to our readersDavid Levene The crowds pack in tightly during the big stage events, such as Rod Stewart on Sunday afternoon, which was many festivalgoers' main event of the weekend – even if the Guardian gave it a mixed review. The various routes through the festival remain busy at all hours, and can be disorienting as people follow the crowds or a map. An old railway track forms the main pedestrian artery running through the site. Finding 'clean' shots can be a real challenge at Glastonbury. Visually, so much is thrown at you wherever you look, and photographically, pretty much everything is an assault on the sensors! One way around this problem can be to get up high, in order to achieve more depth, balance and spacing As the sun set on Sunday evening, we got perhaps the best 'golden hour' of the weekend. Glastonbury-on-Sea is an area by the Park stage with a fairground feel, complete with a pier jutting out from the hillside. The giant bug at Arcadia – made from an old Royal Navy helicopter – is surrounded by dancers who look almost ant-like from this viewpoint. These two images were taken from the same point with the camera turned around. Shangri-La is a busy, wildly creative area in the south-east corner of the festival, full of sound systems where people party until the early hours. The Prodigy closed the the Other stage with an energetic show, and Olivia Rodrigo finished the festival on a five-star high. David was there to catch an elevated view of the firework display at the end. Towers and platforms are few and far between and become well used by anyone with a smartphone or camera in their hands. Drones are a big no-no for site authorities, so the monopod solves the problem. It's a beast even when collapsed, but well worth the bother so I can choose virtually any spot on the site to shoot a raised picture

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store