AC/DC Invades The Billboard Charts With Multiple Comebacks
Some weeks are bigger than others for AC/DC on the Billboard charts, but the band never disappears completely. At times, attention is split across multiple albums, with interest divided between greatest hits collections and proper studio albums.
In other instances, as is the case at the moment, American listeners are returning to the classic songs that turned the Australian outfit into global superstars decades ago. AC/DC regularly appears on rankings focused on both albums and songs, but this frame, multiple tunes return, and the group claims several hits in the largest music market on the planet.
"Thunderstruck" Remains AC/DC's Sturdiest Hit
"Thunderstruck" is, as is almost always the case, AC/DC's biggest hit in America right now. The track lives on a trio of U.S.-based Billboard rankings, as well as both of the company's global tallies. What has turned out to be AC/DC's most enduring smash reenters the Rock Digital Song Sales chart at No. 14 this week.
Recently, "Thunderstruck" passed a decade as one of the top-selling rock tunes in the country, but despite that accomplishment, it has only ever climbed to No. 2 on the tally, coming tantalizingly close to the summit.
'Thunderstruck' Lives Close to No. 1
As "Thunderstruck" reenters the Rock Digital Song Sales tally, it also sits inside the upper reaches of both the Hard Rock Digital Song Sales and Hard Rock Streaming Songs rankings this frame. The cut slips from the throne on the sales roster, but only by one spot, while climbing one rung on the Hard Rock Streaming Songs chart to No. 3.
"You Shook Me All Night Long" Returns
"You Shook Me All Night Long" joins "Thunderstruck" as a comeback in America this frame. It narrowly manages to sneak back onto the Hard Rock Streaming Songs list, coming in at No. 24 on the 25-spot ranking of the most successful hard rock-only tracks in the country on platforms like Spotify.
"Back in Black" Hits Half a Decade
AC/DC sat in twenty-fourth place on the Hard Rock Streaming Songs chart just last frame, and the band occupies the same slot this time around, but with a different tune. Days ago, "Back in Black" landed in second-to-last place, but as that track celebrates half a decade — or exactly 260 frames — on the streaming-only roster, it advances to No. 22. "You Shook Me All Night Long" only needs a few more months to reach that milestone.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
New York Times
27 minutes ago
- New York Times
Joey Chestnut Returns and Regains Title at Hot Dog Contest
Joey Chestnut, the perennial champion of the Nathan's Famous Hot Dog Eating Contest, made headlines last year when a falling-out with the event's organizers led to his being barred from competing, shocking fans nationwide. But on this sweltering Fourth of July, outside the Nathan's flagship restaurant at the corner of Surf and Stillwell Avenues in Coney Island, Mr. Chestnut returned to the men's division of the competition with a vengeance, and spectators were riveted as Mr. Chestnut devoured 70.5 hot dogs in 10 minutes. Though he didn't beat his personal best of 76, Mr. Chestnut easily outmatched last year's champion, Patrick Bertoletti, who consumed only 46.5 hot dogs. Mr. Chestnut pumped his fist in the air in triumph. When asked how he felt about returning to the throne he had held for 16 years, Mr. Chestnut said, 'I love being here.' He assured the crowd, 'I'll be back next year.' Temperatures reached the high 80s as the sun beat down on the midday competition, making conditions less than ideal for record-breaking. It was also a rough day for Miki Sudo, the reigning champion of the women's eating contest, who has 11 victories under her belt. She won handily with 33 hot dogs but fell short of her record of 51. Ms. Sudo conceded that she had not been feeling her best and attributed her performance to the buns' being 'more doughy than usual.' Want all of The Times? Subscribe.
Forbes
28 minutes ago
- Forbes
Film 'Wait Until Tomorrow' Opens The Ledger On America's Racial Debt This Fourth Of July.
Poster of the film wait until tomorrow by Osato Dixon For many people living in the US, the Fourth of July is a day when it is traditional to barbecue and celebrate with friends and family. Today marks the signing of the document that laid the foundation of the very principles our great nation has governed by for 249 years, the Declaration of Independence. This document promised liberty and the pursuit of happiness as an inalienable right for all of those living within its domain. However, throughout history, these promises for Black Americans have been an uphill battle. For many in the Black American community, this holiday is complex, yet we celebrate with the same national pride as any American would. It brings a difficult question: What happens when a constitutional promise is an asset for some and a compounding debt for others? Filmmaker Osatos Dixon's new documentary Wait Until Tomorrow, which premiered at the 2025 American Black Film Festival, has proven to be more than just a story. But a forensic audit of the debt owed to the Black community. Dixon, a former creative executive at McKinsey & Company, is uniquely suited to explore this concept. With his camera, he is symbolically acting as an analyst, calculating the generational cost of economic inequality in our country. A country that has always dangled the promise of equality and mobility to Black Americans, just "not right now." Film subject from wait until tomorrow The Principal Of The Loan The principal, as it relates to debt, is the initial amount of money or asset lent before any interest; it is the core amount needing to be repaid. The Principle owed to Black Americans was established when the Declaration of Independence was signed. The moment the ink dried on those signatures the contract of liberty for some and bondage for others was put into motion. Wait Until Tomorrow directly taps into the frustration of Black Americans looking for upward mobility in a nation fundamentally designed to keep them bandaged. The name of the title itself is a modern nod to Luther King Jr's Letter From Birmingham Jail. The title also draws a parallel to the impatience Fredrick Douglass felt in 1852 when he gave his powerful speech " What to the Slave is the Fourth of July?" For Osato, the inspiration for the film was also from a place of visual intrigue. " I was definitely inspired by the Black and white photos of the Civil Rights movement like Dr. King sitting in his jail cell and renowned photographer Eli Reed." Said Dixon. The striking Black and white imagery coupled with the intimate setting inside people's homes was intentional and gave audiences access to stories that are deeply personal yet very much American. Historical impatience of the Black American community is the driving force behind the film. This impatience signifies that the waiting for economic equality for Black Americans doesn't stop the interest; it inflates the total amount due to the community as a whole. For Dixon, the film aims to tell "hard truths and long histories, and the necessary work ahead." B roll shot from film wait until tomorrow Calculation of the Compounding Interest Dixon's film travels from cities like Atlanta to Detroit, Houston, and D.C. to document the cost of America's broken promises. Throughout the filming process his own definition of the word "opportunity" has shifted. " a living word," Dixon explains. "It's a bridge to something better either in the immediate or long term." "This film documents the stability of the bridge for different Black Americans." The Black American experience is diverse as it is complex, Wait Until Tomorrow artistically highlights this while pushing back on any monolithic views of the Black community. For instance, the film highlights Antonio in Detroit who is a fifth-generation Black business owner whose great-great-great-grandfather escaped slavery to start the business Antonio still runs today. Then there is Armand, a lawyer who was once on food stamps while in grad school after finding out he and his wife were expecting a child. Lastly, Pauline, detailed how reflecting on her mother and grandmother picking cotton drove her to create better opportunities for her sons. Each one of these stores is entered into the metaphorical ledger as itemized debt. Dixon gracefully captures the dignity of his subjects while bringing forth the uncomfortable truth of the forfeiture of generational wealth and systematic penalties on housing and education. " I felt a responsibility to contribute to the conversation of photographing Black America in this way" he notes. Director Osato Dixon, Producer Kelley Robins Hicks, Producer Jamund Washington, Co-writer Kara ... More Murphy The Cinematic Audit Wait Until Tomorrow is so effective due to Dixon's methodology and intentional research. A major contribution to the film was a McKinsey report on the economic state of Black America, but he insists it is not a data-driven film. ' 'The data Ihelped me sharpen the story, but the soul of the film has always been human.' The experiences documented in the film only reinforce the polarizing data represented in the report. As a Fulbright Fellow in Zimbabwe, Dixon served as the cinematographer on the Academy Award-winning documentary Music by Prudence, directed by Roger Ross Williams. Through that experience a key lesson was taught 'Be unafraid and indefatigable…in your determination to capture moments.' The Filmmaker learned the willingness to listen with intent to understand the nuances of the stories being told. All of those lessons were brought to the ethos of this film, which took Dixon and his team three years to complete. Osato's decision to film in black-and-white was a strategic one made to focus the viewers' minds on the story and not solely on the visuals, focus the viewers' mind on the story and not solely on the visual. "Contrast is a big thing within black and white photography," Dixon says. "You don't get much more of a contrast than that. And so your eyes start to see the contrast as you're hearing about the contrast of experiences in America.' Industry expert, Shelly Stewart Settling the Account After any audit action is suggested and should be taken. When asked what question he wants audiences to leave with after seeing the film Osato replied "I wouldn't say that there's a single question, but there are questions," he clarifies. "There will be different questions for different people." Although his answer may not be clear on the surface his actions give the true answer. His goal is to force people to do what he has done for three years: listen. An expert Dixon brought into the film, Shelley Stewart of McKinsey, suggests that the racial gaps in mobility, education, and wealth, that people choose to believe our clothes are in fact still wide open. "My hope is that the film was able to provide an experience for the audience members to listen and understand," Dixon says. As we celebrate this Fourth of July, Dixon's film Wait Until Tomorrow demands that we audit our own ledger and focus on our debts. True patriotism is not defined by flag, colors or fireworks but in the work that is necessary to settle an account that is in default. This film argues that the cost of waiting for equity in this country for black Americans has compounded for far too long and it's time for America to pay her debts. This is not about whether America can afford to do so, but whether we can afford not to.
Yahoo
32 minutes ago
- Yahoo
Nara Smith Shares Throwback Photo of Curls Before 'Severe Eczema' Caused Her to Lose Her Hair
Nara Smith has been transparent about her struggles with her eczema over the years On June 3, she posted a photo of her curly hair before losing a lot of it to eczema Nara documented her symptoms during flare-ups on Instagram in DecemberNara Smith is sharing more about her struggle with "severe eczema." The 23-year-old influencer continues to document her ongoing struggle with eczema over the years. On July 3, Nara shared a throwback photo with her husband, Lucky Blue Smith, and herself with curly hair on her Instagram stories. She added the text, saying 'My hair before getting severe eczema on my scalp which caused me to [lose] a lot of hair…' This isn't the first time the mother of three has opened up about her struggle with eczema. On December 10, 2024, through an Instagram post, Nara detailed her journey with eczema and eventually Lupus after she made known that bad flare-ups were in part the reason why she notably started making food from scratch. The carousel that she posted in December featured a picture of her dry and itchy scalp. "It's been about 3 years since my eczema started flaring up severely," Nara began her lengthy caption alongside a carousel of images showing her flare-ups. "I had just given birth to my second child. It started off as a small cracked patch of dry skin that I just moisturized and ignored." "My eczema spread rapidly starting on the palms of my hands and making its way onto my back, arms, scalp and eventually my face. I felt exhausted and my body ached so bad that on some days I couldn't move or hold my babies," she continued. Nara is the mother of three kids: Rumble Honey, Slim Easy and Whimsy Lou. She shares them with Lucky, 27, whom she wed in February 2020. Nara announced on June 8 that she and Lucky are expecting their fourth child. "As time went on my hair fell out in clumps and I could never shake this lingering cold feeling I felt in my body," she continued in the post from December. "I spend nights researching eczema since I thought that's all I had. I drastically changed my diet (cutting out grains, dairy, sugar) making food from scratch and swapped out all my products for more natural options." Nara has since become synonymous with her cooking videos on TikTok, often recreating conventional dishes from scratch while explaining the process in ASMR style. "I would go through phases of it healing (never fully clearing up) and then flaring up. I saw multiple [dermatologists] and always got the same answer: severe eczema. I got sent home defeated, not listened to and with a paper bag full of steroid creams," she continued. Nara said that she was "struggling and [overanalyzing] everything" she put in her body for two years, causing her "biggest flareup" which then led "to a severe infection." She detailed, "Every part of my body was covered in inflamed, oozing, itchy and swollen skin." Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. "I woke up with my eyes swollen shut and my hands not functioning. I stopped eating completely, l paralyzed by the fear of making it worse," she revealed, noting that she fell into "a state of depression" which inspired her to seek help internationally. "I got on a flight to Germany seeking help from naturopaths, doctors and other specialists and finally got a diagnosis: Lupus," the model recalled. She compared the answer to a puzzle where "all the pieces fell into place" and all of her "symptoms made sense." "From my purple hands that felt frozen, to my extreme fatigue, my hair loss and sores. It all made sense now,' she explained, adding she 'felt relieved' because she 'finally had an answer but I was equally scared of what this meant for my life and my kids." Nara admitted it's been "a learning curve" and she's still "learning" to adjust each day. "I'm sharing this in the hopes of giving someone hope, comfort or the strength to keep pushing when things get really hard and lonely," she concluded her post. Read the original article on People
