
Top 5 best John Cena promos that shook the WWE universe
Image via WWE
John Cena isn't just a 17-time world champion in WWE, he's one of the sharpest minds ever to grace the microphone. Over the years, Cena has cut several promos that didn't just elevate rivalries but also defined eras in WWE storytelling.
From blistering roasts to deeply personal exchanges, his mic work has helped build matches that fans remember long after the bell has rung. Here's a look at the top 5 promos by Cena that shook the WWE universe.
1. The Pipebomb reversal on CM Punk - SmackDown, June 2025
FULL SEGMENT: John Cena recreates CM Punk's famous 'pipebomb': SmackDown, June 20, 2025
In a stunning moment on SmackDown, Cena flipped the script on CM Punk's iconic 2011 'Pipebomb.' After laying Punk out, Cena climbed a turnbuckle and launched into a scathing monologue. He dismissed Punk's rebel image, calling him a 'millionaire capitalist' and sarcastically greeted names like Claudio Castagnoli and Matt Cardona - a direct nod to Punk's past associations.
The promo struck a balance between real-life resentment and in-character heat, setting the stage for their high-stakes clash at Night of Champions.
2. Eviscerating Roman Reigns - Raw, August 2017
Watch the uncut war of words between John Cena and Roman Reigns: Raw, Aug. 28, 2017
In what is now known as a live 'promo school' session, Cena exposed Reigns' weaknesses in front of a packed arena. When Reigns forgot his lines mid-segment, Cena's impromptu jab - 'It's called a promo, kid. If you want to be the big dog, you're gonna have to learn how to do them' - instantly became legendary.
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Undo
It was raw, real, and Cena at his most unforgiving.
3. The Rock wrist note promo - Raw, February 2012
Raw: The Rock responds to John Cena and weighs in on their
Ahead of their "Once in a Lifetime" match at WrestleMania 28, Cena cut deep into The Rock's credibility. Spotting notes written on Rock's wrist, Cena mocked him live on TV, challenging the authenticity of the People's Champ. It was bold, controversial, and put Cena in the rare position of outclassing The Rock on the mic.
4. Heel turn justified - Raw, March 2025 (Brussels)
FULL SEGMENT: John Cena TRASHES the WWE Universe until Cody Rhodes fires back: Raw, March 17, 2025
Following his shocking betrayal of Cody Rhodes, Cena delivered a searing promo that blamed the WWE Universe for turning on him.
Likening fans to a 'toxic relationship,' he didn't just justify the heel turn - he made it feel heartbreakingly rational. The crowd's stunned silence said it all.
5. Breaking down Austin Theory - Raw, March 2023
FULL SEGMENT — John Cena accepts Austin Theory's WrestleMania challenge: Raw, March 6, 2023
Facing Theory ahead of WrestleMania 39, Cena brutally dissected his opponent's character, popularity, and potential. With lines like 'They don't believe in you because you don't believe in yourself,' Cena stripped Theory of any remaining mystique. It was a tough love lesson on wrestling psychology, in real time.
From roasts to reality checks, Cena's promos have stood the test of time - and continue to shape the WWE landscape.
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Time of India
25 minutes ago
- Time of India
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Power games: The few filmmakers who did deal with the subject, either directly or indirectly, faced bans and attacks For an industry that prides itself on chronicling the nation's struggles, Hindi cinema's silence about the Emergency is more revealing than any film could ever be. The 21 months between June 1975 and March 1977, when Indira Gandhi suspended civil liberties, censored the press, and jailed thousands without trial, were arguably the most consequential in India's modern political history. Yet, in the decades since, Hindi cinema—the self-appointed mirror of Indian society—has barely mustered a smudge to reflect it. This conspicuous absence did not arise from creative oversight or timidity alone. In the early decades of Independence, popular cinema was never truly free. Nehruvian socialism shaped public policy and the ideological contours of the industry. The so-called golden triumvirate—Dilip Kumar, Raj Kapoor, Dev Anand—crafted personas that echoed Pandit Nehru's vision of the self-sacrificing, morally upright everyman. Dilip Kumar's dialogue seemed like leftovers from Nehru's speeches, Dev Anand's rebellious charm served the establishment's romantic socialism, and Raj Kapoor's everyman heroes peddled idealism to the masses. Such intimacy with power set the template. The state could inspire cinema, but never the other way around. When that same state turned authoritarian, the industry found itself unprepared and unwilling to challenge it. In the Emergency years, the machinery of coercion extended directly into the corridors of Bombay. V C Shukla, Indira's information & broadcasting minister, became infamous for exerting his influence over the film industry. 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Shatrughan Sinha , then one of cinema's busiest stars, saw his films banned for the cardinal sin of supporting Jayaprakash Narayan. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like The Most Unwelcoming Countries in the World, Ranked BigGlobalTravel Undo Gulzar's 'Aandhi', merely suspected of drawing inspiration from Indira Gandhi's life, while most argued it'd taken a few chapters from the life of Tarkeshwari Sinha, was banned for the duration of the Emergency, releasing only after the Janata victory restored a semblance of democratic normalcy. 'Maha Chor' starring Rajesh Khanna casually inserted a 'Vote for Congress' graffiti into a musical sequence. Most telling was the fate of Amrit Nahata's 'Kissa Kursi Ka', a political satire that dared to mock the Emergency's absurdities. All prints of the film were destroyed allegedly by Sanjay Gandhi at a factory in Gurgaon. This was not subtext—it was brazen collusion between art and authority. 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There are structural reasons for this reticence. Hindi cinema has always struggled with ambiguity, preferring neat endings where heroes redeem all. The Emergency, by contrast, offered no catharsis—only a nation capitulating to authoritarianism without resistance. The definitive Emergency film still eludes the screen even as we enter the fiftieth year of the Emergency. The exceptions remain sparse: Sudhir Mishra's 'Hazaaron Khwaishein Aisi' would not arrive until 2005, nearly three decades later. Even then, it couched its indictment within the personal journeys of three idealistic young people, careful not to indict the broader complicity of society. Even today the few who try to confront the past are harassed —Madhur Bhandarkar's 'Indu Sarkar' provoked shrill attacks and legal threats simply for attempting a fictionalised retelling. The Emergency may have ended in 1977, but its most lasting victory was psychological: the creation of a cultural establishment that polices itself more effectively than any censor ever could. Perhaps it was simpler to pretend nothing happened. After all, if cinema cannot process a trauma, maybe the nation never really did. (Chintamani is a film historian and author)


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