
Animal sighting: Python fights to escape crocodile's grip
The footage showing a python desperately trying to escape a crocodile was uploaded to Facebook and is available on the page named Wild Tings.
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Watch today's incredible video of a python trying to escape a crocodile while being ripped apart.
WATCH | Animal sighting: Leopard's incredible mid-air catch caught on Camera [Video]
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The South African
an hour ago
- The South African
Wimbledon 2025: Alex Eala sows seeds for future success
There was a special accoutrement adorning Filipina star Alex Eala's hair as she walked onto Centre Court for her first round Wimbledon debut against defending champion Barbora Krejcikova. The white flower, whilst in keeping with Wimbledon's horticultural backdrop, has a special significance. The sampaguita is the national flower of the Philippines, where world No 56 Eala is from. But it is its significance that shows how much she lives and breathes by it, that has won the hearts of many more fans today despite her loss. Day 2, traditionally known as 'Ladies Day' on Wimbledon's Centre Court opened with world No 16 Barbora Krejcikova being pushed out of her comfort zone by Alex Eala, who took the first set with a dominant display of explosive leftie shot-making and impressive footwork. Whilst the defending champion from the Czech Republic managed to navigate her way through to eventual to victory, Eala made Krejcikova work hard for her victory in three sets (3-6, 6-1, 6-1). The two had never faced each other before. Krejcikova's year has been tough, beset with injuries and a lack of match practice. Conversely, 20-year-old Eala's confidence has grown, thanks to a year with victories over top-10 players, and more recently, reaching the final at Eastbourne in her pre-Wimbledon grass warm-up. Eala remains the highest-ranked Filipino player in WTA tour history, and the first from her country to reach the top 100 in WTA rankings. At her post-match press conference, Alex Eala spoke of the significance of the sampaguita, gifted to her by her sponsor Nike. 'This is so special for me. First of all, to just have something that reminds me of where I come from, of my country, and my culture out there on court, because I feel like that's what makes me special is where I come from.' She explained the flower's symbolism, as mentioned in her recent Instagram post. 'It's kind of you reap what you sow or what's sown will be reaped. That was kind of the whole message was to have something, a piece of home with me on such an iconic court, yeah'. Highlighting Eala's recent progress and some positive takeaways from this match, Amisha Savani asked Eala for her thoughts moving forward. Eala replied that she would reflect on her game, and identify aspects that could be improved. 'I think we'll take a look back at it, and we'll identify those things. My coach probably already knows what those things are. Yeah, and then I can focus on moving forward'. Despite her first round exit, Eala has much to be proud about. She is the embodiment of the sampaguita. The seeds that were sown today will no doubt reap their rewards in due course. Amisha Savani is reporting exclusively from the All England Lawn Tennis Club, Wimbledon for The South African . Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1 Subscribe to The South African website's newsletters and follow us on WhatsApp, Facebook, X and Bluesky for the latest news.

TimesLIVE
3 hours ago
- TimesLIVE
UJ confers celebrated writer Margaret Busby with honorary doctorate
The University of Johannesburg (UJ) has conferred an honorary doctorate on Margaret Busby, recognising her trailblazing role as Africa's first black woman publisher and her decades-long contributions to global literature. UJ is the first university on the continent to bestow this honour on Busby, whose extraordinary career has shaped the landscape of pan-African letters, elevated marginalised voices and archived a wealth of intellectual heritage across Africa and its diaspora. After the ceremony, the Johannesburg Institute for Advanced Study (JIAS), hosted a celebratory lunch in Busby's honour and brought together leading thinkers, creatives, and cultural stewards. Among the guests were JIAS fellow and former South African ambassador to France and the US Barbara Masekela, ambassador Nozipho January-Bardill, writer and activist Elinor Sisulu, Brand Leadership founder Thebe Ikalafeng, acclaimed author Sue Nyathi, poet and short-story writer Makhosazana Xaba, former South African first lady Zanele Dlamini Mbeki, and broadcaster and producer Brenda Sisane and Kgomotso Matsunyane. Speaking at the event, Prof Victoria Collis-Buthelezi, director of JIAS, reflected on Busby's towering legacy. 'I want to humbly say a few words about Dr Busby and what she means to the world of letters,' Collis-Buthelezi began. 'Had Dr Busby only ever published Daughters of Africa, her 1992 collection of some 200 women from across Africa and its diaspora, she would have done more than enough to be recognised as one of the most significant figures in pan-African letters.' An unparalleled chorus of voices from different genres, centuries and regions came together in that historic anthology. Daughters of Africa was woven together in a tapestry of survival, art and intellectual resistance, from the traditional poetry of anonymous African girls celebrating the customs of girlhood to the rebellious poetry of enslaved poet Phillis Wheatley and Sojourner Truth's well-known rhetorical question Ain't I a Woman? In addition, Busby's collection featured the lyrical reflections of Ellen Kuzwayo and Noni Jabavu, the proto-Afrofuturist fiction of Pauline Elizabeth Hopkins, the scathing character-driven stories of Adelaide Casely-Hayford, and the slave narratives of Mary Prince and Harriet Jacobs.

IOL News
4 hours ago
- IOL News
Celebrating 70 years of Shakespeare under the stars at Maynardville Festival
For nearly seven decades, the Maynardville Open-Air Festival has enchanted generations of Capetonians with its signature Shakespeare under the stars. Now, as it prepares to celebrate its 70th anniversary in 2026, the iconic cultural event is embracing its legacy while stepping confidently into a more inclusive, diverse, and dynamic future. The 2026 season — running from 13 January to 8 March — carries the theme: In Full Swing, a tribute to the golden eras of music, blending the classical, the contemporary, and the distinctly local. This milestone year also marks the debut of jazz at Maynardville, a genre deeply rooted in Cape Town's cultural identity.' Jazz is part of the Cape Town soul,' said Jaco van Rensburg, Executive Producer of VR Theatrical, which took over custodianship of the festival in 2023. 'It's where so many legends of South African jazz are from, and there is both a traditional and younger jazz following in the city. Jazz is associated with relaxation, unwinding, reflection and inspiration. Mingled into a summer breeze and harmonised by the sounds of cicadas — it's going to be a treat.' Kicking off the season is the Shades of Blue Chamber Concert on 13 January, followed by Jazz in the Park (14–15 January), an open-air celebration of local jazz talent.