Jack P. Shepherd and fiancée Hanni Treweek get their pre-wedding prep underway as she enjoys lavish hen and couple take up first dance lessons
The Celebrity Big Brother winner, 37, and Hanni, 35, who was a colleague of the star's as a storyline writer and researcher on Corrie, will tie the knot on July 26 after getting engaged last June.
And as they count down to the big day, Hanni got wedding ready during a girls' day out at The Ivy restaurant for her hen party.
Hanni looked stunning in a high-neck white lace mini-dress as she danced the night away to live music.
It came after she enjoyed lunch and cocktails at The Ivy, where she posed for snaps with her pals and drank from a giant 'Bride' straw - with her hens all wearing Jack masks.
Taking to her Instagram Story on Sunday, Hanni also revealed that herself and Jack had been at a lesson for their first dance, as she shared a mirror selfie of the pair in a studio captioned: 'Hungover but dancing through as Mrs Shepherd to be.'
She captioned her hen party snaps: 'The non hen party party, two weeks before the wedding. 25 years of a special friendship with these beautiful girlies, how lucky are we.
'I love you all so much, thank you for throwing me a non hen party party it was perfect. The next time I see you I'll be walking down the aisle.'
Back in June, Hanni shared a sweet post about her husband-to-be as they celebrated a year since getting engaged.
Hanni shared a sweet tribute to her husband as she counted down the days to the nuptials.
Sharing a collection of throwback snaps from their trip to the Serengeti where he asked her to be his wife, Hanni wrote: '365 days of being your Fiancée. 51 days until we become Husband & Wife.
'Looking back at the most special memories with you, Tanzania will always hold a special place in my heart ⛺️❤️ Happy one year anniversary. What a magical year it's been ✨.'
Resharing the post on his Instagram Story, Jack wrote: 'Happy one year anniversary @hannitreweek. I'm so lucky to call you my future wife.'
Jack and Hanni got engaged during a romantic safari holiday in the Serengeti in June 2024.
She captioned her hen party snaps: 'The non hen party party, two weeks before the wedding'
At the time, the couple posed for loved-up snaps in their safari getups to announce the happy news on social media.
Flashing her sparkling engagement ring, Hannah beamed for the camera before kissing her new fiancé.
Captioning the snaps, she gushed: '05.06.24 I said YES to forever!!!'
Jack and Hanni have been dating since 2017, after meeting on the soap when she worked in the press office.
She later became a storyliner on the ITV show, before quitting to work as a fashion influencer.
Despite being colleagues, their romance actually began when Jack impressed Hanni at a mutual friend's wedding.
Sharing snaps she said: 'Looking back at the most special memories with you, Tanzania will always hold a special place in my heart ⛺️❤️ Happy one year anniversary'
Speaking to OK! Magazine in 2020, Jack recalled: 'Then our mutual friends got married and we were both guests at the wedding.
'We got chatting, I made Hanni laugh, we had a couple of drinks and we flirted. That was it.'
The duo then later bumped into each other once again in a Sainsbury's, which led to an exchange of texts and a blossoming romance.
He told The Daily Star: 'I texted her afterwards and said 'that was awkward' and she told me she thought she looked a mess and then we started texting from there.
'I actually thought she looked fit – I just saw the girl I fancy wearing Lycra! We quickly went on our first date and we just clicked.'
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Sun
22 minutes ago
- The Sun
Die-hard Oasis fan who posed as litter picker to sneak into gig, amazed by security lapse
AN Oasis fan who snuck into one of their gigs posing as a litter picker says he was surprised at how easy it was. We revealed yesterday John Spilsbury marched through the gates in a hi-vis vest on Saturday. 3 3 3 He didn't have a ticket for the reunion concert in Manchester's Heaton Park. Transport planner John, 42, said he had arrived in Manchester ticketless but with a "master plan' after borrowing a yellow high vis vest and litter grabber from work. 'I took it with me as a last resort. 'They'd been lying around in one of the warehouses so I borrowed them for a bit,' said the transport planner from Alfreton, Derbyshire. 'I was quite lucky. 'It was just unbelievable really. 'From a security point of view, it was easy to get in and they didn't check for any tickets. 'I was acting very casual and when I saw the security guys I started picking up litter around them, saying 'Mind if I grab that mate' and I walked through. 'I did a half hour shift of picking, filling a bag with beer cans and plates. 'It was well worth it. 'I didn't get paid for the work but I got a free concert.' Amazingly, the entrance John decided to infiltrate was front standing, meaning he was just feet from Liam and Noel Gallagher on stage. Oasis kicked off their Live '25 tour in Cardiff last week before travelling to Manchester for five homecoming shows. Three further gigs are set to take place at Heaton Park this week - on Wednesday, Saturday, and Sunday - before Oasis travel to London to perform for five nights at Wembley Stadium.
The Sun
23 minutes ago
- The Sun
Heartbroken Hollyoaks star Steph Waring reveals co-stars ‘stopped speaking to her' after she was axed with no warning
HEARTBROKEN Hollyoaks star Steph Waring has revealed her co-stars have "stopped speaking to her" after she was axed with no warning. The actress - who played Cindy Cunningham in the Channel 4 soap - was let go last year, leaving her devastated. 5 5 The much-loved star, 47, was on Hollyoaks for 28 years and was even on the soap from day one. That's why fans were left shocked when she revealed that she had been given the chop by bosses. However, in a further blow, Steph has now admitted that she misses the friendships she once had with her fellow cast members. Speaking on the latest episode of the Secure The Insecure podcast, she said: "I did feel the quiet from the family that I once knew on the show. "No one's picking up the phone. No one's checking in. "Everyone's just getting on with their life. "When you're in that Hollyoaks bubble and they call it a family - I feel you're only family when you're in it." Steph - who didn't name any of co-stars in particular - added: "You pour your heart out to these people and then you go and it's like it never happened. "Where did that friendship go? There's only a couple of people I'm in contact with." Last month, Steph opened up about her heartbreaking reaction on the day bosses told her she would no longer be on Hollyoaks. 'I collapsed on the floor in tears and begged Hollyoaks bosses not to axe me' reveals 'distraught' Steph Waring as she admits co-stars had to 'pick her up' Writing in her book Breaking the Script, the actress said: 'I walked into the office. "There were two people there for the meeting: the newly appointed executive producer – a stalwart behind the scenes in various roles for years – and the long-standing head of production, who I'd known since I began on the show back in 1996. 'They asked me to sit. They explained that they'd be reading a scripted statement. As I listened, I could barely process what was being said. I was just waiting for the words I longed to hear: 'And therefore, we'd like Cindy to stay.' 'But as the statement neared its close, before the final words were even spoken, I felt a tear roll down my cheek. I was shaking as I looked at the two of them. 5 5 'Then it happened. 'And with that said, we will be losing Cindy from the show. I'm so sorry, Steph.' The world stopped for a second as I replayed those words in my head. Then… I lost my s***. ''What? No! You mean you're not taking me to the 30th?' I blurted out, referencing the upcoming anniversary of the show – a milestone that meant so much to the long-standing cast. ''I don't understand. No, I don't understand. I don't understand!' I was frantic. 'But I've been so loyal. Please, no. This is my life. I love my job – please, no!' 'Hysterically crying, I repeated myself, hoping one of them would see my distress and take it all back. Had they made a mistake? My world felt like it was imploding. Through my tears, I demanded to know, 'How am I on that list? Cindy is an original! I'm the longest-serving female character. I was the first person to give birth on the show.' 'I was clutching at anything, anything at all, to make them realise their mistake. How? Why was I the only original being cut? I couldn't understand. It felt so cold. I could see the distress I was causing them.' She fled the room and was found by her co-stars Jennifer Metcalfe and Kirsty Leigh Porter who supported her before she could go home to husband Tom. Stephanie also revealed how her agent had become determined to get soap bosses to reverse their decision - but in the end the actress herself decided she didn't want to stay.
The Guardian
30 minutes ago
- The Guardian
Where Oasis, the Killers and Noddy Holder raised hell: Britpop's debauched HQ, the Columbia hotel
In the early 2000s, a member of the New York dance-punk band Radio 4 was walking upstairs when he realised he'd forgotten the key to his room at London's Columbia hotel. Rather than walk back down the several flights he'd already climbed, he drunkenly decided to jump all the way down to the reception level. When he regained consciousness, a bemused Courtney Love was staring down at his prone body. As was an irate hotel manager, who swiftly barred the band from staying there for years, before the crumpled musician was scooped up to go and spend a few days in hospital. It was not easy to get barred from the Columbia hotel, but Radio 4 were not the only ones who managed it. Once, at 6am, members of Oasis decided to throw all the furniture in the bar out of the window, piece by piece. When items landed on the hotel manager's Mercedes, the band had to scarper before the police arrived. It played such a significant part in Oasis's story that Noel Gallagher wrote a song in tribute to it, Columbia, based on his escapades there back when he was a roadie for Inspiral Carpets. 'It was rock'n'roll central,' says Inspiral Carpets' Clint Boon. 'The coming and going in the car park was amazing. All these minibuses of bands pulling up. I remember Noel heckling Paul Weller one time.' For working-class kids from Manchester, it was a big deal to be suddenly surrounded by idols. 'To see Noddy Holder in the bar was like ... we've arrived,' says Boon. 'We just stood around him in awe. Noel would have been with us in that gaggle of excited young northerners, and ultimately went on to cover one of Noddy's songs,' Slade's Cum on Feel the Noize. The Columbia – located in leafy west London in Grade II listed Victorian townhouses across from Kensington Gardens – was known for its cheap rooms, flexible bar opening hours in a time well before 24-hour licenses, and its look-the-other-way attitude. It became a go-to spot for musicians in the 1980s when Liverpool outfit the Teardrop Explodes started staying there. 'We had some wild parties and mad drug-taking,' says David Balfe, who played keyboards in the band. 'The staff seemed quite philosophical about it – I presumed they weren't getting a lot of business.' Word quickly spread. 'Bands at the time had difficulty finding hotels that were relaxed as to the peculiarities of their behaviour,' says Balfe. 'So suddenly everybody was staying there: Soft Cell, ABC, Depeche Mode.' Soft Cell's Marc Almond practically lived there between 1982 and 1983, and in his autobiography he recalled it as a 'bohemian gathering of musicians, bands and hangers-on' and a 'who's-who of the early 80s music scene'. He paints a stand-offish scene in the breakfast room populated by the Human League, Talk Talk and Kajagoogoo. 'Every morning we all sat there, trying to be more aloof than one another,' he wrote. 'Buttered toast and disdain.' Unusually, the Columbia outlasted its first flush of fame and continued to be a buzzy place for decades. It was such a magnet for groups that celebrated photographer Mick Rock would hang around looking to discover new bands to shoot. 'In the 90s it became the place to descend on, after hours, irrespective of whether we knew anyone actually staying there,' says music publicist Andy Prevezer. 'The historical importance of that place should not be overlooked. To this day I go past it and feel an almost irresistible urge to go into the building and misbehave.' Not everyone has such fond memories though. Miki Berenyi of Lush remembers it as being filled with 'tame and boring conversations' and finding the place 'a bit dismal'. The Auteurs' Luke Haines went one further in expressing his dislike of it. On the 1996 song Tombstone he sings 'taking out the garbage at the Columbia hotel / We'll take the fucking building out, Baader Meinhof style.' The Columbia was, Haines says, a 'signifier of everything I thought was crap at the time: boring cliched rock'n'roll behaviour, boring rock bands who thought they were the Faces, but who were about to be dropped after their first single on London Records.' Haines has one fond memory of hanging out with the late Grant McLennan of the Go-Betweens there, but for him it's largely a place fogged with regret. He says heading there would seem like a good idea in a taxi over, but then you would end up 'sitting with some sweating random bass player you had never met before and hoped to never meet again, drinking lager until you both passed out. It was the natural endgame of what went on backstage: getting drunk and taking drugs with people you don't like and having awkward conversations.' For him, it holds no comparison to other mythologised hotels. 'New York had the Chelsea Hotel, which was a dump, but a glamorous dump, where you might run into Jackie Curtis, Jobriath or Alan Vega,' he says. 'London had the Columbia where you'd end up stuck in a conversation with a marketing manager from East West records or a session player for Babylon Zoo.' Nevertheless, the bands and industry people kept coming. Balfe even held his wedding reception there. 'It was the only hotel that meant anything to me in London,' he says. Publicist Steve Phillips recalls having to climb a drainpipe to get back in one night after being booted out for something or other, so keen was he for the party to continue. Despite its reputation – with documented stories of open sex and drug use in public areas – the manager during these wild years refuted it. 'If we're known as the rock'n'roll hotel I don't know why,' Michael Rose, known for smoking a pipe and wearing a suit at all times, said in a radio documentary. 'It's a family-run hotel. It is a Victorian building and we try as far as possible to leave that Victorian atmosphere in it. We are a conservative family and I don't think any of us have any interest in pop music whatsoever.' Clint Boon creases up when I mention this. 'I don't remember any Victorian values,' he laughs. The party continued well into the new millennium. 'It was like a rock'n'roll frat house,' says Karen Ruttner, a music industry veteran who spent the early 2000s staying and partying there, along with the likes of the Strokes, Interpol, Kings of Leon and the Killers. 'I was young and wide-eyed and loved the movie Almost Famous and all those old stories of bands hanging out together causing chaos. That was how I dreamed things in the music business would be, so to see it actually unfolding in front of me was like: wow, this stuff actually happens.' Two of those bands almost came to blows at the Columbia. When Interpol's black-clad bassist Carlos Dengler poked fun at Kings of Leon for looking like Lynyrd Skynyrd, as they shuffled around smoking weed in their bell bottoms with big moustaches, the band's drummer Nathan Followill struck back. 'We were like, 'You vampire-looking motherfucker, we will break this bottle and cut you,'' he said in the scene oral history Meet Me in the Bathroom. The Killers stayed there on their first UK tour, sharing rooms and a bathtub to puke in: they were not used to the levels of excessive drinking that took place at the bar that never closed. 'Time seemed to start slowing down when you got through the entrance and eventually it stopped entirely if you stayed long enough,' recalls Conor McNicholas, NME editor at the time. 'I remember everyone just slipping endlessly towards an alcohol coma.' Tastes finally changed in the mid-to-late 2000s and bands began to go elsewhere. Today, the Columbia has had a refurb and while it now happily trades off its storied history, it's no longer an anything-goes playground for the sleepless and inebriated. Similarly, cultural changes have taken hold: such excessive alcohol and drug consumption has lost its charm for many younger bands. And of course nobody is celebrating how tortured hotel staff had to clean up after entitled people trashing stuff for kicks. But, for some, the Columbia feels like a symbol of a pre-smartphone past. 'As a participant in that madness, you were almost invisible,' says Boon. For Ruttner, it was a chance to peek into a world that she feels has since vanished. 'The biggest thing that's been lost in the age of social media, apart from privacy, is mystique,' she says. 'There was a period when musicians had such a curated image that you only knew what they wanted you to know or the music press told you. That's what made them so exciting, forbidden and sexy. The Columbia was an embodiment of that bygone rock'n'roll era: of icons hanging out together, being messy, and getting into trouble.'
