
Tiny Love Stories: ‘He Watched My Father's Feet'
The summer before 9/11, we were in Brooklyn — broke, sunstruck, hating our jobs, dreaming big, both aspiring artists. Most nights ended with fried chicken at an East Village gay bar. That's what led to this photo, taken after an all-nighter, on a bench in Tompkins Square Park. Josh, my gay best friend, gave me safety, humor and the kind of platonic queer love I didn't yet know how to name. We've lived through abuse, heartbreak, a studio fire, family deaths and cross-country moves — and we still talk daily. People don't say it enough: A gay bestie can save your life. — William J. O'Brien
Owen and the Dragon
I met my husband, Owen, at a party. We were both wearing St. George and the Dragon medallions — and took this to be a sign. Owen was brilliant but self-absorbed. I worked hard but was self-lacerating. Once, Owen joked: If he died in a car accident, I'd respond, 'It's my fault.' But if I died the same way, he'd reply, 'Who's Carole?' We both laughed; it was slightly true. We split after seven years. Recently, Owen died. I was moved to be included in his will. Owen hadn't forgotten me, and I knew his death was not my fault. — Carole Levin
Want all of The Times? Subscribe.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Iconic '90s Actress Is Unrecognizable 22 Years After 'Buffy the Vampire Slayer' in Rare Outing
Iconic '90s Actress Is Unrecognizable 22 Years After 'Buffy the Vampire Slayer' in Rare Outing originally appeared on Parade. was unrecognizable 22 years after Buffy the Vampire Slayer in new photos from a rare outing in New York City. On Thursday, July 24, the actress behind Cordelia Chase was photographed in New York City while walking her dog. 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 For the outing, Carpenter, 55, donned a black graphic T-shirt with baggy jeans and white sneakers. She wore her long, brown hair loose and finished the look with a pair of sunglasses. Carpenter chatted on her phone while walking her small, white dog in East Village. Her casual look made her nearly incognito in the new snaps. Carpenter appeared in the first three seasons of Buffy the Vampire Slayer from 1997 to 1999. From 1999 to 2004, the actress starred in the spinoff Angel, in which her character was killed off. Additionally, Carpenter is known for appearing in The Expendables and The Expendables 2. In early July, she weighed in on the Buffy the Vampire Slayer reboot, telling IGN, "I am so excited for fans, and I know it will be fantastic because of who's involved." Carpenter added, "To see this actually happen for the fans makes me thrilled. I am so hopeful to be included, for Cordelia to be a part of this new iteration." Next: Iconic '90s Actress Is Unrecognizable 22 Years After 'Buffy the Vampire Slayer' in Rare Outing first appeared on Parade on Jul 25, 2025 This story was originally reported by Parade on Jul 25, 2025, where it first appeared.
Yahoo
3 hours ago
- Yahoo
Stevie Nicks Fractures Shoulder, Reschedules Tour Dates: ‘Apologies to the Fans for This Inconvenience'
Stevie Nicks has announced that she'll be rescheduling her upcoming tour dates in August and September due to a fractured shoulder that requires ample recovery time. The news was revealed on Nicks' Instagram account, announcing the dates for the rescheduled shows. 'Due to a recent injury resulting in a fractured shoulder that will require recovery time, Stevie Nicks' scheduled concerts in August and September will be rescheduled. Please note that October dates will be unaffected,' reads the post. 'Stevie looks forward to seeing everyone soon and apologizes to the fans for this inconvenience.' More from Variety 'Buckingham Nicks,' Lindsey and Stevie's Pre-Fleetwood Mac Album, to Finally Receive Reissue After Being Out of Print Nearly Five Decades Stevie Nicks Unveils Summer and Fall Tour Dates, Including Four With Billy Joel Billy Joel Postpones Tour Dates After Surgery for Medical Condition: 'My Health Must Come First' Tickets for the rescheduled dates will be honored at the newly announced perfomrances. Nicks was originally slated to play nine dates across August and September, with shows scheduled for Brooklyn's Barclays Center and Boston's TD Garden. The rescheduled tour dates will take place from late October through mid-December. The previously announced October performances will occur as planned. Most recently, Nicks and her Fleetwood Mac member Lindsey Buckingham announced that their legendary album 'Buckingham Nicks,' which has been out of print in any format in the U.S. since the early 1980s, will be released in all formats on September 19. The album was released in 1973 before the two joined Fleetwood Mac. Unaffected tour dates: October 1 Portland, OR MODA CenterOctober 4 Sacramento, CA Golden 1 CenterOctober 7 Phoenix, AZ PHX ArenaOctober 11 Las Vegas, NV T-Mobile ArenaOctober 15 Oklahoma City, OK Paycom CenterOctober 18 Atlantic City, NJ Boardwalk HallOctober 21 Charlotte, NC Spectrum CenterOctober 25 Hartford, CT PeoplesBank Arena Rescheduled tour dates: October 28 Detroit, MI Little Caesars ArenaNovember 12 Saint Paul, MN Xcel Energy CenterNovember 15 Toronto, ON Scotiabank ArenaNovember 19 Brooklyn, NY Barclays CenterNovember 24 Boston, MA TD GardenNovember 30 Cincinnati, OH Heritage Bank CenterDecember 3 Columbia, SC Colonial Life ArenaDecember 7 Tampa, FL Amalie ArenaDecember 10 Hollywood, FL Hard Rock Live Best of Variety New Movies Out Now in Theaters: What to See This Week What's Coming to Disney+ in August 2025 What's Coming to Netflix in August 2025
Yahoo
4 hours ago
- Yahoo
The Horrors of Son of Sam's Murderous Reign of Terror
We were so scared. Cowering in fear is anathema to Bronx residents. We're bred to be tough; why walk when you can swagger? Son of Sam changed that. Serial killer David Berkowitz, who murdered six people and wounded at least seven, started in his home borough in 1976, before branching out to Brooklyn and Queens. The killings peaked in 1977 and terrorized a broken city, already filled with violence and teetering on bankruptcy. Berkowitz's crimes and his motivation are detailed in a three-part documentary series, Conversations with a Killer: The Son of Sam Tapes, on Netflix July 30. (There's no significant date being commemorated. The closest temporal tie is slight; the series drops the day after the 49th anniversary of his first killing.) Filmmaker Joe Berlinger created the Conversations with a Killer series, which has also explored the lives of Ted Bundy, John Wayne Gacy, and Jeffrey Dahmer. Berlinger specializes in true-crime films and has done important work, including the Paradise Lost trilogy. In addition to helping free the West Memphis Three, Berlinger's documentaries have aided four others wrongly accused, saving some from death row. In no way does Berlinger suggest Berkowitz is innocent. The filmmaker's intent was to tell the story of Son of Sam, the name the killer used to refer to himself, and show him in the context of his times, when his actions paralyzed a city and ignited a tabloid war. 'Here was another opportunity to tell a story that we–our age–all remember because we lived through it, but the younger generation has only had a passing familiarity with,' says Berlinger, 63. 'And yet, if you go on these true-crime boards, even now, you'll see a lot of people believe that there were multiple Sons of Sam, that it was a cult. And I think that's an incredibly irresponsible story. One of my goals was to set the record straight.' This series shares audio recordings from Jack Jones, a former reporter at the Rochester Democrat and Chronicle, who conducted in-depth jailhouse interviews with Berkowitz. Conversations also features interviews with survivors of his attacks and relatives of his victims. Just enough news footage reminds those who endured fraught days and even worse nights what it felt like. For those too young to remember (and since three-quarters of the world's population is under 50, that would be most folks), the series offers an accurate reflection of the city in crisis. It shows the NYPD squad cars, blue-and-white Pontiac LeMans that always looked about to fishtail; cops sporting mustaches and sideburns, and young women with hair feathered in Farrah Fawcett-inspired dos (or in my case, a don't). It was a proudly outer-borough world that Saturday Night Fever copied, a place where Huk-A-Poo blouses were tight, elephant bells were wide, and platform heels were high. Natural fibers were nonexistent. Although the young women whom Berkowitz hunted were often out for a night at the disco, in the mid-'70s, venturing out of your home at all required moxie and faith. Violent crime was rampant, neighborhoods were burning, and the city was spiraling economically. The federal government refused to bail it out, as the famous Daily News front page headline blared, "Ford to City: Drop Dead." Life in the city was already grim, and a maniac with a .44 gun made it so much worse. Women with long, dark hair tucked it under hats—the killer was known to target brunettes. Besides interviews with those whose lives were shattered, someone identified as an expert on Berkowitz, and veterans of the NYC tabloids who covered the story, there's a reveal at the end that would be wrong to spoil. And it's worth watching for this, as it is to gain perspective on a time that seems so distant, yet Berkowitz remains incarcerated. Some of the documentary's re-enactments, particularly those of an imprisoned Berkowitz, feel forced. But the crime re-enactments work. This shadowy figure snuck up on young couples parked. He sidled up to their car and shot, point-blank, into the victims. He had no connection to them. Ultimately, Berkowitz had no connection to anyone, except perhaps Jimmy Breslin. The late great Daily News columnist owned this story, especially once Berkowitz wrote to him. Yes, this was a tragedy, an absolute reign of terror. Parents lost their children; lives were forever ruined. But for the NYC tabs, it was a bare-knuckle brawl as everyone was trying to get the scoop. Breslin had it. Berlinger shows a clip of other journalists sniffing about whether they would have written a letter to the killer in a newspaper column. Maybe they wouldn't have, but the killer hadn't written to them either, as he did to Breslin. A tabloid columnist who understands the pure gold of a scoop like this, albeit acknowledging the inherent tragedy, would, of course, write to him. This was not just a scoop or a story that those of us living through could not stop talking about. It felt like an epidemic of young women being slaughtered for no reason. The Bronx in particular felt more dangerous than usual, and that is saying something for those times. I grew up close to where Berkowitz did. Both of our families moved from neighborhoods of the Bronx that were burning to Co-Op City, a massive housing complex of brutalist architecture in the northeastern part of the borough. We attended the same high school; he graduated five years earlier. And he killed first in the neighborhoods he knew best. So, while I didn't know him or any of the young women slain, I have friends who lost friends. We were all so scared. In the summer of 1977, I had finished my freshman year at NYU and was renting a teeny room in an Upper West Side apartment. I went uptown regularly to visit my family in Co-Op. Getting off a bus one muggy evening, I spotted a pal and went to his car to catch up. Buddha wouldn't even let me get in, and we had been friends since eighth grade. Instead, he walked me to my building. (Yes, I have a childhood friend nicknamed Buddha even though his real name is Ralphie.) I had shoulder-length dark hair, and the Son of Sam had been targeting couples in parked cars. Just sitting with Buddha would have put us both in danger. 'The entire city was gripped by fear,' Berlinger says. 'I felt like you had to understand how common and normal it would be for a couple to be sitting in a car and to be preyed upon.' The re-enactments help tell this story, Berlinger notes, because 'when you get into the mind of this killer, this killer differs from the other killers we've profiled in the past. And also that's part of my fascination. You know, Bundy, Gacy, Dahmer, each in their own way, wanted to be intimate. They enjoyed the act of killing. This guy, he had to be distanced. He had to dehumanize them. And so, just to understand the psychology of that, I thought that understanding how somebody could just come up, go choose random people and just shoot them and run away, just how terrifying that was again.' And all these years later, even though he's locked away, some of that terror lingers.