The 17 best-dressed celebrities at Wimbledon this year
It's one of the few sporting events that attendees still tend to dress up for; while many opt to put their own spin on the famous 'Wimbledon whites' dress code (which strictly applies to players on court), others will choose to embrace colour in playful summer dresses, or go for a more sport-luxe approach in carefully selected separates.
This year so far we've already seen Sienna Miller in sweet Alessandra Rich florals, Cate Blanchett in classic Giorgio Armani tailoring, and Priyanka Chopra in a crisp white Ralph Lauren dress. Below, see our pick of the 10 best-dressed stars of the tournament so far – and then see our round-up of all the celebrity style spotted at Wimbledon this year here.Arriving at Wimbledon for the second time this season, Sienna Miller swapped her ditsy floral dress for a boho-inspired ensemble. True to her signature style, the Ralph Lauren look featured a crochet top, vintage belt and a flowing white skirt.The Princess of Wales looked radiant in a custom-made Self-Portrait dress for the final of Wimbledon, which she paired with an Anya Hindmarch clutch.American actress Joey King was a vision in a sage green Ralph Lauren dress, which she accessorised with a brown leather handbag and open-toe heels.Joined by Connor Swindells, Amber Anderson looked chic in a softly tailored suit by Ralph Lauren, which she teamed with a floral hair accessory and black pumps.Leslie Mann opted for a head-to-toe ecru ensemble for Wimbledon this year. The look featured a cinched-in Dior Bar jacket, a floral maxi skirt and slingback heels.Jenna Coleman attended day 11 of the tournament in a Miu Miu look consisting of a lace-trimmed slip dress over a t-shirt, with a straw boater hat. She added pointed Russell & Bromley sling-back heels and a grey top-handle bag.Lucy Boynton looked breezy in a pleated, tiered maxi dress with Chanel two-tone pumps.Taking the prize for best-dressed SW19 couple, Monica Barbaro and Andrew Garfield attended in matching Wimbledon whites, both wearing head-to-toe Ralph Lauren.Sienna Miller was spotted in the stands on day nine of the tournament wearing a sweet floral-print mini-dress by Alessandra Rich and carrying a woven bag.Priyanka Chopra opted for a classic all-white look in the form of a crisp halterneck shirt dress by Ralph Lauren, with matching strappy sandals.Olivia Dean styled her butter-yellow Aym Studios dress with pointed sling-back heels and a brown suede bag.Cate Blanchett kept her cool in a slouchy Giorgio Armani suit worn with mirrored aviator sunglasses.Another all-white look came courtesy of Euphoria star Maude Apatow, who attended the tournament in a white lace Ralph Lauren dress with a high ruffled neck and tiered skirt.Fresh from her Glastonbury performance, Olivia Rodrigo took her seat in the royal box wearing a strawberries-and-cream inspired vintage Ralph Lauren gingham shirt dress. She was joined by boyfriend Louis Partridge.Lily Collins embraced colourful summer style in a striped Stella Jean sundress with embroidered birds on the bodice. She finished her look with mesh flats.Ellie Bamber opted for a backless Maison Margiela tunic top and matching tailored trousers, accessorised with a black Mulberry bag, pointed heels and retro-style sunglasses.Olivia Cooke opted for chic, sharp tailoring in the form of a camel Ralph Lauren suit, white shirt and tie.
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In fact, it was the context of the sermon that led the researchers to the discovery that the fragment in English had been misinterpreted, Wade said. The sermon was about humility, and it warned that some people 'are wolves, such as powerful tyrants' who take 'by any means.' There are other allusions to unfavorable animal traits in humans. As originally translated, the Song of Wade excerpt read: 'Some are elves and some are adders; some are sprites that dwell by waters: there is no man, but Hildebrand (Wade's father) only.' For centuries, scholars have struggled to make sense of why references to 'elves' and 'sprites' were included in a sermon about humility. According to the new translation, the excerpt reads: 'Some are wolves and some are adders; some are sea-snakes that dwell by the water. There is no man at all but Hildebrand.' Reinterpreted this way, the quoted phrases align more closely with the overall message of the sermon and redefine the genre of the story. 'We realised that taking the fragment together with its context would allow us not only to completely reinterpret the Wade legend, but also to reshape our understanding of how stories were told and retold in different cultural contexts, including religious contexts,' Wade said. The long-standing difficulties in interpreting the excerpt are a reminder that paleography — the study of handwritten documents — 'is not always an exact or precise science,' said Dr. Stephanie Trigg, Redmond Barry Distinguished Professor of English Literature at the University of Melbourne in Australia, 'especially in the transmission of English and other vernacular texts without the standardised spelling and abbreviations of Latin.' Focusing on the sermon is also important because this type of allusion to a popular epic was highly unusual, Trigg, who was not involved in the research, told CNN in an email. 'The authors are right to draw attention to the way the sermon seems to be quoting medieval popular culture: this is not all that common,' Trigg said. 'It helps disturb some traditional views about medieval piety.' When the preacher used the Song of Wade in his sermon, it was clear that he expected his audience to accept the reference 'as a recognisable element of popular culture: a meme,' Falk said. 'By studying this sermon in depth we get a wonderful insight into the resonances that such popular literature had across culture.' This new perspective on Wade's saga doesn't mean that it was based exclusively in realism. While there are no other known excerpts of the Song of Wade, references to Wade in texts spanning centuries offer details fantastic enough to delight fans of J.R.R. Tolkien's epic 'Lord of the Rings.' 'In one romance text, it's said that (Wade) slays a dragon,' Falk said. 'There is local folklore in Yorkshire, recorded by John Leland in the 1530s, that he was of gigantic stature.' Other texts stated that Wade's father was a giant and that his mother was a mermaid, he added. In fact, chivalric romance from this period frequently incorporated elements of fantasy, Trigg said. In the chivalric literary tradition, 'romances often draw on mythological creatures and the supernatural,' and the distinction between chivalric romances and mythology 'is not always rigorously made in medieval literature,' she added. Still, aligning the Song of Wade more closely with medieval romances clears up long-standing confusion over allusions to Wade by Geoffrey Chaucer, during scenes of courtly intrigue in 'Merchant's Tale' and 'Troilus and Criseyde.' Discover your world Go beyond the headlines and explore the latest scientific achievements and fascinating discoveries. Sign up for CNN's Wonder Theory science newsletter. 'Chaucer referring to a Beowulf-like 'dark-age' warrior in these moments is weird and confusing,' Falk said. 'The idea that Chaucer is referring to a hero of medieval romance makes a lot more sense.' While the Song of Wade has faded into obscurity, its appearance in the medieval sermon and in Chaucer's work hints that for centuries the legend was a staple of popular culture in medieval England, even though there was no definitive text preserving the entire tale. As its popularity waned, much of it vanished for good. 'By the eighteenth century there were no known surviving texts and nobody seemed to know the story,' Wade said. 'Part of the enduring allure is the idea of something that was once part of common knowledge suddenly becoming 'lost.''