Pusha T Calls Travis Scott 'A Whore' Over His Lack of Loyalty, Social Media Piles On
Brothers Terrence and Gene Thornton — better known as Pusha T and No Malice— are reuniting for a full-length Clipse album for the first time in 15 years, and the hype around it continues to rise.
Fans are excited to hear the duo trade bars on the forthcoming album Let God Sort Em Out , but have recently been on the edge of their seats after Push broke down his involvement in the Drake/Kendrick Lamar beef and his strained relationship with Kanye West.
He spoke at length about it in a recent GQ interview, so fans immediately attributed lyrics from newly released single 'So Be It' to be squarely aimed at West, when he rapped ' You cried in front of me/ You died in front of me/ Calabasas took your b-tch and your pride in front of me.'
But further lyrics like ' Heard Utopia had moved right up the street, And her lip gloss was poppin', she ain't need you to eat, ' proved it was another rapper in the beef's orbit: Travis Scott.
In a previously removed part of his interview with GQ, Push says his issue with Scott began when he was in the middle of recording his album in Paris, and the Houston rapper interrupted the session to play Pharrell tracks from what would later become Utopia . The Virginia natives weren't feeling as Pusha remembers Scott was 'smiling, laughing, jumping around, doing his f-cking monkey dance.'
Then, when he released the album days later, there was a Drake verse on 'Meltdown' dissing Pharrell where he vowed to 'melt down the chains that I bought from your boss, give a f-ck about all of that heritage sh-t.'
Push feels like Scott's move was two-faced for not being transparent, also mentioning the time he hyped up Metro Boomin at Rolling Loud to play 'Like That' and fanned the flames of the beef.
'So, that's where my issue comes in—like, dawg, don't even come over here with that, because at the end of the day, I don't play how y'all play. To me, that really was just like…he's a whore. He's a whore,' he told GQ .
Push adds that he doesn't hold Scott to any standard, but 'it's the principle of what I'm saying. That filthy quality that they have about themselves, that lack of loyalty. Travis really has that. He's proven.'
LGSOE drops July 11, and it is said to also have a bulletproof verse from Kendrick Lamar. However, as we await the project, take a look at how social media is reacting to Pusha throwing shots at Scott below.
Pusha T Calls Travis Scott 'A Whore' Over His Lack of Loyalty, Social Media Piles On was originally published on cassiuslife.com
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It's not always easy to revisit that shit. What kind of sounds did you have in your head for this album? I wasn't listening to a lot of rap music, really, and haven't been for a while. Not that I don't love it still, but it's only a part of what I listened to and what I grew up on. With my kids, I was listening to alternative music that I've always listened to. I was trying to give them a picture of the mix of stuff that you can listen to. And through that I was hearing a lot more guitar than I'd anticipated, and then it made me fall back in love with the guitar because a lot of my family play it. When I was a bit younger, I guess I rejected it. I found my way back to that. So I guess the sound of it, in essence, revolves around the guitar in all of its permutations. The idea of someone like Elliott Smith, just guitar and one person, or something as obvious as Red Hot Chili Peppers. Everything was centered around the guitar. You're singing on this project. Had you considered that before? What made now the time to try it?Never. If you'd have asked me last year, even when I've made some of this music, I'd have been like, 'There's not a way people are going to hear it.' I think it was being with my kids, man, again, it's so obvious to say, but I was singing to them, putting them to bed, and my son singing in the car. And it kind of made me realize that it wasn't so much about if you can sing, but if you're willing to sing, because I don't believe that I'm good at singing or that I have any chops. Really, it's not my intention. I wasn't thinking it through, to be honest. I was doing what felt right in the moment. But to articulate how I feel about them, I couldn't put it into words. I kept trying to write these elaborate verses about my love for my kids, and it was redundant because there's not enough words in the world. It became something that had to transcend words. Do you feel like going forward you'll implement that in your craft more? Potentially? Yeah. I mean, it feels good. I'll see how people take it. If everyone hates it, then actually I'll probably still do it. On 'Lyin,' you say, 'Just a man trying to kill/To love you I never had the skill.' How do you resonate with that line? People teach you how to be tough, you know what I mean? People that I'm looking at for guidance or whatever — there [weren't] any men in my life [who] taught me how to love. All of my close relatives, my dad, my uncles and whatever, none of them are with their partners still. All I see is a lot of examples of how not to approach a relationship or to approach love in any capacity…. To love kids or your partner or your friends, it's a hard thing to do and takes constant work. And I don't think anyone really explained that to me. I felt like I was just a soldier, man, built for one thing, but it's not the thing I want to do. There's another line from' Time Ago' that I wanted to ask you about: 'Pressure on my brain/Killing the legend of my name/Wondering if I'll ever feel the same.' What's the process of killing the legend of your name? I guess it's more like the more you do, the more you can compromise what you have. And so you have to be so detailed in the things you do. I feel like I built up a persona of something that was hopeful and positive. And sometimes when I don't feel like that, it's like I'm living an opposite. So people come to me and they're like, 'Yo, you're such a positive guy, you're so optimistic and good to people and whatever.' And if I'm having a bad day or I'm going through it, I feel like I'm shattering the illusion of the idea that people have from me, I guess. And in a way, I kind of have it for myself. I'm a positive guy, but some days you don't feel like that. What does it do to other people? What does it do to yourself? The first two tracks you rolled out from this project were 'all I need' and 'in my mind.' What made those two the ones you wanted to go with? They were different to the stuff I had done before, and I was very proud of them. And I was also quite nervous about any of the songs that were melodic. I thought it made sense to put my scariest foot forward straight away — not apologize for it, but be confident. How are you feeling about going on tour? Excited, man. It feels like the right time. I felt quite lucky because the last time I was on tour, I was in a heavy spot and the music we were playing was quite dense and aggressive and it was nice, but it felt like a lot to do. And this album feels so weightless. The approach of it has been so weightless. It's quite nice to be getting a chance to go back to some cities in a gentle way, to play some tunes in more of a gentle setting. You're going to be acting in a new drama, . What made that the right project for you to pursue?I've turned down a lot of things, and there's so many things I wanted to do, but they haven't been right. This was the first thing I've seen where it wasn't a stereotype, where it wasn't someone who looked like me that was falling into the things that have been solidified over however long. I had no interest in playing a stereotype. I wanted to see someone reflected that was sensitive, and emotional and had dimensions to them. So yeah, [Charlotte Regan,] who wrote it, she's such a brilliant writer. Her approach was so creative and fantastical and childish in a way that I had no choice but to work on it with her. She's incredible. With acting, are there things that you can explore or express that you can't necessarily do with writing or rhyming? Yeah, I think one is that there's less pressure on me because I'm just a cog in the machine. Charlie, the director, she's the figurehead of that ship. So to come in and be able to play a part and to offer ideas, but for it not to live and die on the decision … I love that freedom. But also, in music you're selling yourself, but with this, I'm someone else. So at the end of the day, people like it, they don't like it, they like me, they don't like me — it's got nothing to do with me. It's got a lot to do with the character. I can hang it up at the end of the day and go home. Whereas with music, you take it home, take it to bed, you know what I mean? Take it in the shower, everywhere you go. Going forward, how frequently could you see yourself acting?I'm wrestling with that right now. It's brilliant, but I don't know if I can do it all the time. There's so many things that have to work out for it to make sense. So I think it'll be fleeting for now and I want to do it a lot, but I want to make sure I do the right things. I've almost got a second chance. So don't want to fuck it up. 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