
Travis Scott Joins Oakley's as Chief Visionary & Louis Vuitton SS26 Looks to India in This Week's Top Fashion News
In a landmark move signaling a strategic pivot in its brand narrative,Oakleyhas officially welcomedTravis Scottas its inaugural 'Chief Visionary.' This multi-year alliance tasks Scott and his influentialCactus Jackcreative collective with spearheading future campaigns, reinterpreting iconic designs, and shaping upcoming eyewear and apparel collections.
Oakley's announcement follows other recent creative endeavors, including the recent Oakley xMetaHSTN smart specs. The appointment is poised to inject a fresh surge of cultural relevance into Oakley, capitalizing on the resurgent Y2K aesthetic and the enduring appeal of high-performance gear.
For SS26,Louis Vuittonshowcased its collection on a life-size Snakes and Ladders gameboard in honor of the historic game's roots in India — wherePharrellhas drawn his core inspiration for the house's latest collection. Showcased at the Centre Pompidou, the collection emphasized commercial appeal despite bold presentation elements.
Key pieces include refined leather jackets, sharp blazers, and spacious trousers, alongside audacious metallic and animal-print designs. Cultural infusions are evident with motifs from The Darjeeling Limited, and everyday items are elevated with hand-embroidered details. New accessories include the Speedy P9 bag and various footwear. The show featured an original soundtrack by Williams with notable collaborators.
Prada's SS26 menswear collection, presented by joint directorsMiuccia PradaandRaf Simonsat Milan Fashion Week, signaled a departure from the conventional power dressing that the Italian label is known for. The collection, entitled 'A Change in Tone,' was showcased in an unadorned venue, embracing an introspective and poetic aesthetic.
Designs subtly challenged traditional masculinity, featuring crisp shirts with high-cut shorts and tracksuits under formal wear. The color palette combined office attire palettes with bold blues, reds, yellows, and soft pastels. Tactile materials and playful accessories, like raffia hats, contributed to a blend of grounded and dreamlike elements, prioritizing suggestion over overt spectacle.
Googlehas invested more than $100 million USD for a 4% stake in Korean eyewear brandGentle Monster. The significant investment signals Google's renewed push into the smart glasses market, specifically for its Android XR smart lens initiative announced in 2025 — a direct challenge to Meta's ventures withRay-Banand Oakley.
Following its earlier (now obsolete) Google Glass, this move leverages advancements in AR and AI for more user-friendly wearables. Gentle Monster, known for its trend-driven designs, views the collaboration as a 'pivotal step' toward integrating smart eyewear into essential lifestyle fashion. An official launch date for the Google x Gentle Monster smart glasses is pending.
Dover Street Market(DSM) is launching its private-label line, 'DSM Label,' during Paris Men's Fashion Week, with Kei Ninomiya of Noir fame as its long-term creative lead. Unlike his usual avant-garde designs, Ninomiya's DSM collection will feature 'everyday, easy-to-wear staples' or 'unnamed team wear,' focusing on a subtle shared visual identity. The debut collection will be showcased at the Dover Street Market Paris showroom from June 28 to July 1, alongside other Spring 2026 collections. Future DSM collections are anticipated from 2026 onwards, with plans to introduce additional creators under the DSM brand.
The newly launchedLevi'sxNikeapparel collaboration merges denim craftsmanship with sport-inspired design, featuring a revamped Air Max 95 in three denim colorways, a vintage denim jacket, and reworked Levi's loose-fit jeans. The collection is adorned with minimalist branding, showing white Nike logos integrated into Levi's signature silhouettes. Crafted from authentic selvedge denim, the campaign imagery shows Levi's visible off-white chain-stitching. The nostalgic summer campaign features hip-hop artistLarry June, WNBA starPaige Bueckers, NFL playerKeon Coleman, and designerDaniel Buezo. The collection launches July 10th via Levi's channels and July 11th on SNKRS.
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Hamilton Spectator
an hour ago
- Hamilton Spectator
Toronto's vibrant Pride parade to cap off weekend of celebrations, marches
TORONTO - Artin Avaznia says he was transformed the first time he saw a group of Iranians marching in Toronto's Pride parade. The Iranian-Canadian dancer was in his mid-20s and it was his first time attending North America's largest Pride festival. It was a stark contrast to what he'd seen in his hometown of Ottawa, which he described as a 'small, very government city' that was lacking in large-scale queer representation at the time. 'Seeing that brought tears to my eyes,' Avaznia said in an interview ahead of a performance at the Pride festival on Friday. 'I never witnessed that before, seeing representation of not just Iranians but the broader Middle Eastern folks, just because (being) queer and Middle Eastern doesn't always go so well together.' Avaznia said experiencing his first Pride in the city was 'monumental, seeing so many other queer folks of all different ethnicities and backgrounds.' This weekend will feature street parties, musical performances, picnics and marches before the festival culminates in the vibrant Pride parade on Sunday. More than 25,000 marchers from some 250 groups are expected to participate in the weekend's biggest show of solidarity with the LGBTQ+ community. The last weekend of Pride month and the parade drew a large number of visitors. Toronto police say they will increase their presence throughout the city and in the Church-Wellesley Village – the hub of Pride activities – to ensure everyone's safety. 'So many folks during this month feel seen, they feel protected, they feel heard and they feel they belong,' said Avaznia, who credits his own career momentum to Pride. But this year, the celebrations and the spectacle also come with questions about what the future of Pride Toronto will look like after major corporate sponsors pulled out of the festival. Earlier this month, Pride Toronto said it's facing a $900,000 funding gap due to withdrawals of big sponsors such as Google, Nissan, Home Depot and Clorox, and rising costs of running the festival. Pride Toronto executive director Kojo Modeste attributed the corporate withdrawals to backlash against diversity, equity and inclusion efforts in the United States under President Donald Trump's administration. Some of the companies said their decisions were solely based on budgetary considerations, and Google said its employees will still march in Sunday's parade. Modeste has said that next year's Pride festival will likely be scaled down as a result of the shortfall if the organization does not get the support it needs to stay afloat. A scaled down Pride could jeopardize the festival's status as one of the largest Pride celebrations in the world, Modeste warned. For Avaznia, shifting corporate sponsorship doesn't mean Pride won't continue to be a beacon of hope for members of the queer community and those who flock to Toronto annually to feel a sense of belonging. Instead, he said, the changes highlight which brands are invested in supporting Pride for the right reasons. 'Certain sponsors do genuinely want to support and the ones that I've partnered up with have shown to me their true colours and how much they want to support us. Other sponsors that have pulled out … are also showing their true colours,' he said. 'Queer folks have dealt with a tremendous amount of adversities in their lives. A lot of us have dealt with housing issues, we've dealt with the loss of family, we dealt with substance issues,' he said. 'But we will always rise and we will always come forward.' — With files from Vanessa Tiberio This report by The Canadian Press was first published June 28, 2025. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .


Cosmopolitan
4 hours ago
- Cosmopolitan
Sydney Sweeney goes full Tinkerbell in plunging floral dress
Sydney Sweeney is a fashion icon. There are no ifs or buts about it. From her itsy bitsy throwback to 2004 in a microscopic minidress, to her Y2K bride look in a nude number, Syds knows how to turn heads. And, in her latest fashion offering, it looks as though she's taken inspiration from none other than Tinkerbell. The 27-year-old took to Instagram to share footage of the look, which consisted of a plunging floral dress that left little to the imagination. Complete with pink and green large flowers, plus a sparkly pink halter strap, the dress also featured ruffles down the back and front, and finished with a subtle pleated skirt. To accompany the princess-style dress, Sydney styled her signature honey blonde locks in loose mermaid waves, which only added to the ethereal vibe. Makeup-wise, she kept things simple with a smoky eye, a touch of blush, and nude lips. She also ditched the jewellery, which we're guessing was in a bid to let the stunning dress do the talking. After posting the vintage-filtered video, plenty of Sydney's fans flocked to her comment section to gush over the look. "My queen," one person said, as another penned: "Absolutely iconic." Elsewhere, a third typed: "The dress is giving Brittany Murphy in Uptown Girl," and honestly, we couldn't agree more, or be more obsessed with the comparison. Many also just dropped a string of heart-eye and fairy emojis. OK, is anyone else now trying to find the high street version of this for our summer wardrobe? Sophie Williams is a Freelance Journalist and Copywriter, covering everything from Fashion to Entertainment to music, Lifestyle and Features. She has interviewed a range of musical artists and authors including Alyssa Edwards, Courtney Barnett, Confidence Man, The Vaccines, Loyle Carner, Gabrielle, and John Niven, and has written for publications like Metro, Reader's Digest, ITV's Woo! and Vice's NBGA. She is also working on a book for HarperCollins about Taylor Swift, due to be published in 2024.

Business Insider
4 hours ago
- Business Insider
I'm a drag queen in NYC whose bookings for Pride Month have plummeted this year. I'm trying to work smarter, not harder.
Brita Filter, 39, is a household name in drag entertainment. Her popularity went mainstream when she appeared on season 12 of "RuPaul's Drag Race," and she's made appearances on "Saturday Night Live," "Broad City," and "The Daily Show with Trevor Noah." I first heard of Brita in 2023 when my then-employer, PayPal, was trying to book her for a Pride happy hour near our NYC office. But Google had already booked her for the same coveted time slot: post-work drinks the Thursday before New York City Pride — what Brita says was usually her busiest time of year. This year, she says her corporate bookings are down by about 60% compared to last year. Another drag entertainer Business Insider spoke to, Holly Box-Springs, said the few June Pride bookings that have come through for her have been last-minute. Corporate interest in Pride is softening elsewhere; around 25% of corporate donors for NYC's Pride parade (taking place Sunday, June 29) have reportedly canceled or scaled back their support, citing economic uncertainty and fear of retribution from the Trump administration. We asked Brita about how this shift in interest is affecting her career. These are her words, edited for length and clarity. 'I've never had this much downtime in June' I started doing drag over a decade ago — around the same time as Holly Box-Springs, actually. And I've seen the highs and lows. This year feels especially slow. I've never had this much downtime in June since I started. All year long, at least twice a month, I fly all over the US to perform — Alabama, Boston, Seattle, Denver, Detroit, Atlanta, Hawaii. Usually I'd fly out on a Thursday, do a show on a Friday or Saturday, and fly back by Sunday for my regular set at a bar in New York City. But during Pride, drag queens are like Santa Claus during Christmas — everyone wants to book them at the same time. A typical week leading up to New York City Pride used to be nonstop for me. In 2019, during World Pride, I worked 43 days in a row — no breaks. I was hired by big companies. Some days, I had multiple gigs, back to back. I kept count because it was the year I filmed "RuPaul's Drag Race." In one month alone, I made enough money to buy a brand new Toyota Prius. This year? I only have eight gigs total for the month. It's a complete 180. I used to have a manager, assistant, and publicist, but I've been doing it on my own for the past two years. I don't have any corporate bookings at all this year. I'm just working a regular bar shift on the 29th — the day of the Pride parade — at Hardware Bar in Hell's Kitchen, where I perform weekly year-round. This week, I hosted a big activation event in Union Square for National HIV Testing Day. The community events — the more politically-focused or pro-LGBTQ charity events — are still happening, but the corporate big-ticket gigs just aren't there. 'We'll do anything for a comma' When I was booked solid during World Pride in previous years, I'd take as many gigs as humanly possible. If that meant waking up at 6 a.m. and being in drag until 4 a.m. the next day, I did it. We all did. Sleep, skincare, physical exhaustion — it didn't matter as long as the check had a comma in it. We used to say, "We'll do anything for a comma." You just pushed through because that kind of money didn't come year-round. July was for recovery. This year, I'm not taking July off. I might have to work straight through the month. I'll pick up more shows and cover for people who are out of town. Moneywise, I'll have to figure things out; I'm not sure how. I'm grateful. Because of my situation [being on TV], my rates are higher. I'm given more opportunities and at times bigger checks. I'm working smarter, not harder. About 50% of my income is from influencer partnerships and content creation for private companies that pay me to spread political messaging. But I'm spending money as soon as it comes in. For every gig, I have to talk to designers, get a new dress, a new wig, take new photos, do new press. Almost everything I make has to go back into the craft because it's all about the look. My entire job is the look. Or I'm spending money on getting 10 dancers, a rehearsal room, a choreographer, costumes — I'm like my own little Broadway show, except I'm the producer, the artistic director, and the star. 'Corporate interest has changed' A few years ago, Pride was global. You could feel it. People flew in from all over the world. This year's World Pride in D.C. earlier this month didn't feel global at all. It was mostly Americans. I barely met anyone from outside the country. I think a lot of folks are hesitant to come to the US right now. Things have shifted. Budgets are different. Corporate interest has changed. But the work that supports the community directly, such as Pride galas — that's still going. That's what's always mattered most to me anyway.