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Françoise Gilot's NYC home has just listed for the first time

Françoise Gilot's NYC home has just listed for the first time

New York Post04-06-2025
Françoise Gilot — the brilliant French artist loved by Pablo Picasso and Jonas Salk — loved this apartment. And, indeed, home is where the art is.
The late Gilot's lofty duplex in the heart of the West 67th Street's historic artists' district just hit the market for $4.3 million, according to StreetEasy.
Gilot, known internationally for her watercolors, ceramics and the bestselling memoir 'Life with Picasso,' used the loft-like co-op home as a live-in studio for decades.
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9 Gilot, pictured in her California studio in 1982.
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9 A young Gilot and Pablo Picasso, with whom she had two children.
Gamma-Rapho via Getty Images
9 The duplex features impressive barrel-vaulted ceilings, even in the kitchen.
Evan Joseph/Evan Joseph Studios
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9 The co-op's lofty ceilings reach more than 17 feet high.
Evan Joseph/Evan Joseph Studios
In addition to striking French Modernist art, including works like 'Adam Forcing Eve to Eat an Apple' and the mythological 'Labyrinth Series,' Gilot was known for her impressive romantic relationships.
Gilot first met Picasso when she was a 21-year-old artist living in German-occupied France. Picasso was 61 at the time. The dynamic pair spent almost 10 years together and shared two children. Gilot recounted this time in her 1964 best seller 'Life with Picasso.' The acclaimed book was loosely adapted in the 1996 James Ivory film 'Surviving Picasso,' featuring Anthony Hopkins.
Gilot went on to marry Jonas Salk, the pioneer of the polio vaccine, and settled in New York City until her death at 101 years old in 2023.
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This listing marks the first time Gilot's three-bedroom residence on West 67th Street has hit the market. It's being sold by her estate. The home features soaring, and striking-looking, barrel-vaulted ceilings over 17 feet high, a woodburning fireplace, oversized north-facing windows and a flexible three- to four-bedroom layout.
9 The two-tiered living area offers ample space and natural light.
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9 The northern exposures were what Gilot liked best about the apartment.
Evan Joseph/Evan Joseph Studios
9 The unit is a few floors below Peter Yarrow's former duplex, which entered into contract just last month.
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9 Gilot, as seen in a 'Woman in The News' feature by Nora Ephron in 1965.
William N. Jacobellis/New York Post
Gilot's duplex is just one of three units up for sale in the building.
The second property, a $2.5 million two-bedroom, was also owned by Gilot. She used it as a guest apartment and a pied-à-terre, said Christie's International's Leslie Hirsch, who holds the two listings alongside Howard L. Morrel.
The third unit is the recently in-contract home of the late Peter Yarrow, of Peter, Paul and Mary fame. Yarrow's fifth-floor duplex home last listed for $4.44 million and earned itself an impressive bidding war. Its final sale price is not yet known.
The fact that all three listings at 27 W. 67th St. are estate sales is no coincidence.
Families there tend to hold fast to their homes, Hirsch said. What is surprising, however, is that three units are on the market in the first place.
'Properties in the building don't come up for sale very often, ' Hirsch said. 'You see one or two a year, maximum.'
9 Gilot in 2015.
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The building is one of several special residences along an iconic New York City block, known at West 67th Street Artists' Colony Historic District. The landmarked stretch of brick and limestone buildings between Central Park West and Columbus Avenue gained a reputation for its high concentration of artist apartments. Famous residents included the daring 'Readymades' artist Marcel Duchamp and photorealistic painter Normal Rockwell.
This building, in particular, was founded by a group of 10 artists who pooled their money for the 14-studio co-op, Curbed reported in 2023.
The building continued to attract generations of artists, thanks to its wide open studio-like set-up and large, north-facing windows — the light best for painting.
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It was that feature of the apartment, Hirsch said, that Gilot valued.
'You can stand on the balcony and look at your work from multiple angles,' she said. 'That's what her daughter said to me, that what she [Gilot] liked about painting in this apartment.
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