
‘Mithra Mandali' set for blockbuster run
Producer Allu Aravind, who launched the teaser, was all praise for the team. 'My friends Bunny Vas, Bhanu Pratapa, and Kalyan Manthina have made a fun entertainer with 'Mithra Mandali'. I'm here to support them and extend my best wishes. Being around all these youngsters makes me feel young again!' he said, adding with a laugh, 'When Bunny Vas showed me 4–5 pictures to choose the heroine, I picked the first one—Niharika. I even follow her on Instagram with a fake account.'
The teaser introduces the wild, quirky world of 'Mithra Mandali' with a cricket-style commentary and vibrant visuals that signal non-stop fun. It stars Priyadarshi, Niharika NM, Rag Mayur, Vishnu Oi, Vennela Kishore, and others in an energetic ensemble.
Producer Bunny Vas drew inspiration from 'Jathi Ratnalu' to create this film. 'This is a buddy comedy featuring fresh, young talent. 'Mithra Mandali' has a wonderful cast, and we all know the sensation that is Niharika NM,' he shared. 'We're growing in this industry because of our Godfather, Allu Aravind garu.'
Co-producer Bhanu Pratapa expressed his gratitude, saying, 'This is a very special moment for us. Allu Aravind garu's presence has filled us with energy.'
Actor Priyadarshi shared his excitement: ''Mithra Mandali' is a very fun film—you can imagine how good it is when it's backed by four banners!'
Niharika NM, making her debut, said, 'Director Vijay chose me for a very special reason. I feel lucky to work with such a talented cast. Their comic timing is incredible!'
Director Vijayendar recounted the journey: 'Benchmark Kiran anna introduced me to Bunny Vas garu, then to Allu Aravind garu—and that's how this project began.'
Producer SKN said, 'After watching the teaser, I got vibes of 'Jathi Ratnalu', 'MAD', 'AAY', and '#Single'. Wishing blockbuster success to the entire team.'
With music by RR Dhruvan and cinematography by Siddharth SJ, 'Mithra Mandali' promises to be a riot of color, comedy, and friendship when it hits screens soon.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

The Hindu
a day ago
- The Hindu
From bachelor pad to disco bar
A claim to set itself apart in a sea of design-centric events was a tall order. In how many different ways could decor and product brands showcase their products? Last month, I walked into Design POV — a new design event debuting in Mumbai that positioned itself as not just another exhibition but as a platform that 'does design differently' — with high expectations. And I was greeted not by row upon row of neatly arranged stalls or pamphlet-heavy product displays, but by a welcome sense of discovery as I manoeuvred through the curated booths at the Jio World Convention Centre . Be it Kumpal Vaid of Purple Backyard's quirky cafe in neutral tones entitled The Mad Hatter's Tea House, with an interactive game of fortune-telling teas or the crimson-drenched monochromatic journey into what could be a bachelor pad, a powder room or a disco bar, courtesy of Sumessh Menon's design genius, the design interpretations ranged from the poetic to the absurd — for it was one of those rare occasions to build without a brief. As Menon explains, 'This is completely experimental, and that's what excites everyone. We're exploring new materials, new concepts, things that haven't been done before.' Crafting an ecosystem The concept needs decoding to be fully understood, which lent gravitas to its engagement factor. Visitors felt the need to ask about the story behind the curation. And here's why. At the heart of Design POV lay The Core — the central concept of the event: 19 of India's most innovative design studios were each given a blank 800 canvas to create installations under the powerful theme 'Echoes of Tomorrow'. The catch? All the products they used were to be provided only by the participating brands (luxury material and product brands such as Wriver, Colosseum, Swamy Marmo, Sunroof, Hybec, and Embellish). This is what positions Design POV as a beacon of transformation: to allow visitors to reimagine products seen in stalls (usually on display in sterile environments with many of their kind) as a part of a living and breathing ecosystem. Design POVsucceeded in cutting through the noise, offering a convergence of architecture, interior design, visual arts and material innovation. The ground-breaking event — conceptualised and executed by Totality Solutions and presented by Tabu and Elite Building Materials (EBM) with Design Partner Birla Opus Paints — offered an immersive dialogue between thought, form and concept while focusing on the essence of creativity itself. The 19-participating studios are some of the brightest names in Indian design, including Gowri Adappa, Arun Sharma, Sumit Dhawan, Maha K & Vijay Kumar, Gayathri & Namith Architects, Hiren Patel, Quirk Studio, Rohit Bhoite House of Design and Sona Reddy, among others. Thinking beyond 'typical' When approaching The Core, each designer's take was one-of-a-kind. For instance, Pooja Bihani's Woven Air reimagined a hotel suite in West Bengal for a traveller of the future, one who seeks and doesn't just use. 'This was the first time I worked with so many textiles, grounding the space in the traditional kanthas, gamchhas and jamdanis of the East,' she elaborates about the rich, colourful space enlivened with swirls of indigo and reds. Nishita Kamdar of her eponymous studio worked specifically with nature-inspired materials and motifs for her installation, A Walk in the Garden. 'I wanted to create this meditative Zen space that feels like a pause for visitors and activates all their senses,' she explains. Ameet Mirpuri's Design Studio looked back to look ahead, employing tortoise shell trinkets and box-making (made in his father's factory more than 50 years ago), and using the scanned textures of these shells on fabrics and furnishings to shine a light on the forgotten craft. reD Architects's space was for a bold soul, one that compelled people to think beyond typical boundaries. In their booth, the living, dining, bath and bar all lie next to each other, punctuated by statements like a stairway to nowhere. Amit Surve, of Talati & Partners, explored the power of different seatings, creating a cosy home theatre with curated seating pockets for all ages. Khushboo and Kunal Khandelwal's (Studio Design Inc) Shifting Perspectives invited users to step into an art-inspired, immersive foyer full of bold hues (think blacks, whites and vibrant reds) and whimsical silhouettes, while Sanjyt Syngh's signature style of bold forms and evocative hues carried through in his booth. Each thoughtful space served a specific story, giving visitors a chance to not only see the products used in different contexts, but also a peek into the creative geniuses of some of the best design minds in India. Along with this, multimedia art installations, art presentations and live panel discussions added another layer of nuance. In the traditional landscape of design exhibitions, the sole focus and moneymaker remains showcasing products. But Design POV surprises, placing new emphasis on the process of design. It focused on collaboration, experimentation, and narrative, encouraging designers and attendees to see beyond the aesthetic surface and dive into the stories and minds that shape our design. The success of an initiative such as Design POV, from its very first iteration, is a testament to the need for the evolution of design events in India. The writer is an architect-turned-journalist.

New Indian Express
4 days ago
- New Indian Express
Vishnu: I'm still half-baked at work
How did your journey in films begin? Honestly, I was never really into films. Even now, I feel like I'm still half-baked at work! I began as a photographer right after college. Some of my college friends from Hyderabad Public School were connected to Tharun Bhascker. One of his friends, who was also a photographer, needed an assistant and I jumped at the opportunity. Through Kishore, I met Tharun and started shooting with him. Pelli Choopulu came later, but before that, one of Tharun's friends made a short film Four Is A Mob, and Tharun saw me in it. He pitched me in Sainma, and that opened doors. But I knew I wasn't ready. I lacked confidence in acting and tried everything to avoid film sets. Funny thing, Tharun offered me a role in Pelli Choopulu as a photographer named Vishnu. It was practically written for me, but due to some delays, I couldn't do it. I was present throughout the film's making, though, and watching everyone else act, I felt a strange jealousy. Vijay Deverakonda, who I knew from college, told me I should've done it and pitched me Taxiwaala. I auditioned, got selected, and received some good feedback. But that set was nothing like Tharun's, it felt too mechanical. The project dragged for over a year, and I lost interest again. Then, a friend from Ee Nagaraniki Emaindi offered me Skylab with Nithya Menen. I shot one day, and COVID hit. Eventually, we resumed, and I was stuck at a director friend's place. We'd exchange ideas daily. Skylab didn't do well commercially, but working with Nithya ma'am taught me so much, her eye for detail, her professionalism. Then came MAD. Director Kalyan Shankar was excited and told me, 'We start shooting in three days.' I needed the work, so I said yes. They liked what I did on day 1. Around the same time, Tharun asked me to read a script. I suggested I do the role of Sikandar instead, he liked the idea, gave me audition material, and I worked hard. He approved it, and that's how Keedaa Cola happened. It all felt like Sainma again. MAD and Keedaa broke the shackles for me. They gave me the confidence I never had. Then MAD 2 came along, and we just wanted to make something funny. Looking back, I realise what Tharun sowed in me and during Sainma it really took root. That's a life lesson, I owe him a lot.


Pink Villa
6 days ago
- Pink Villa
Meet actor who comes from a rich family, debuted at 3, and is set to romance Deepika Padukone in a Rs 800 crore film
Meet the actor who has defined box office trends with his last film, which redefined pan-Indian cinema. Despite hailing from an established film family, this superstar has worked his own way to stardom and has delivered some of the most iconic hits, which remain classic even today. Can you guess who we are speaking about? Yes, it's Allu Arjun. All about Allu Arjun Born in 1982, Allu Arjun is the son of notable film producer Allu Aravind and his wife Nirmala. He hails from an established film family and, by extended relations, is part of the Mega family of Tollywood. He is the second among his two other siblings. Allu Arjun's elder brother, Venkatesh, is a businessman, while his younger brother, Allu Sirish, has also paved the way in films as an actor. AA completed schooling in Chennai and went ahead to pursue an MBA in Hyderabad. The actor had always wanted to pursue animation as a profession and even took a course in that field. However, he later focused more on the performing arts and ended up in cinema. From debut as a child artist to rising stardom Allu Arjun was only 3 years old when he made his debut in acting as a child artist. He also made some more appearances on-camera as a child in films like Vijetha and Daddy. It was 2003 when he finally made his adult debut in the movie Gangotri, where he was chosen as the lead. Allu Arjun finally made his breakthrough with Sukumar's film Arya, which not only won him awards but also was a commercial and critical success. From 2007 onwards, he went on to bag different film offers, which turned out to be a phase of experimentation for him. While films like Desamuduru, Arya 2, Vedam, and others were tremendous successes, other projects, such as Varudu and Badrinath, failed to hit the mark. Allu Arjun shot to success with Yevadu, Race Gurram This period of mixed responses in his career was followed by Allu Arjun delivering epic blockbusters consecutively, whether with a cameo in Yevadu or a solid entertainer like Race Gurram. Films like S/O Satyamurthy, Rudhramadevi, Sarrainodu, Ala Vaikunthapuramaloo, and more were again hits at the box office for the actor. In all, the actor has delivered a total of about seven Rs. 100 crore grossers at the box office to date. Rise to critical and pan-Indian fame with Pushpa franchise The turning point in his career came with the onset of the Pushpa franchise. Directed by Sukumar, the first installment in 2021 and its sequel in 2024 set a massive new benchmark in Indian cinema, with each film becoming a cult favorite in absolutely no time. In terms of box office numbers, both of them broke records and became the highest-grossing films of the year. Coming to his personal life, the actor tied the knot with Sneha Reddy in 2011. The two are blessed with a son named Ayaan and a daughter named Arha. The actor often shares glimpses with his family on social media, which leaves fans thrilled beyond measure. AA comes from a set film background. His father, Allu Aravind, is a famous producer in the industry and his uncle, Chiranjeevi, is one of the top Tollywood actors Allu Arjun's upcoming work front Coming to his work front, Allu Arjun has been in the news lately as he collaborates with Atlee on a massive pan-India project ahead. Titled AA22, the movie is based on a whopping budget of Rs. 800 crore and will feature him in a never-before-seen avatar. Bollywood actress Deepika Padukone has been announced to be a part of this project as one of the leading ladies. He also has an upcoming film Ravanam in the pipeline, which will be directed by Prashanth Neel.