
WAVES 2025 NDTV Exclusive: Why Nikkhil Advani Thinks History Needs A "Sexy" Makeover
India's creator economy is at a tipping point, with the potential to emerge as a global hub for storytelling. But the ambition, according to key industry voices, must go beyond replicating old formulas. It requires identifying gaps, thinking hyper-locally, and scaling creatively for international relevance.
Speaking to NDTV's Editor-in-Chief, Sanjay Pugalia, on the second day of the World Audio Visual and Entertainment Summit (WAVES), Gaurav Gandhi, Vice President of Amazon Prime Video, reflected on the platform's eight-year journey in India.
He said, "Our journey with Prime Video India has been over eight years. It's been amazing for us - full of learning and a lot of love from customers." He added, "When we started, we realised that to make an impact in India, you have to think local. As a market and as a country, we are so diverse that there's no single definition of 'local'. So, we had to think in multiple ways - local tastes, local languages, local milieu."
This approach, he said, was rooted in identifying what the Indian ecosystem lacked. He shared, "The first gap was the absence of high cinematic-value storytelling in India, which was already present internationally. The second gap was in movies - while we made a lot of them, there weren't enough theatres to screen them. The third was that everyone was locked into their own language. Keeping these three things in mind, we tried to bridge the gaps."
Filmmaker Vikramaditya Motwane pointed out how the rise of streaming platforms has given creators the freedom they didn't have 10 to 15 years ago.
He stated, "From where we were 10-15 years ago - when there was only one format and films were made only for the big screen - to now, the landscape has changed entirely," he said. "Platforms like Prime Video and other streaming services have given creators the freedom to think beyond just a two-hour film in a theatre. Now you can make a crime series with multiple seasons and episodes. You can do a comedy series, something like Jubilee or Mumbai Diaries - there's so much freedom to tell stories."
Motwane believes India is still in the early stages of this shift. He added, "We're at a stage where filmmakers are discovering this freedom and just going for it. But I don't think we've reached the point where we've fully taken advantage of it yet. When that happens, the next step will be to create stories that not only work in India but also travel globally. That's when we'll truly enter the next generation of Indian storytelling," he said. "Ten to fifteen years ago, people thought Indian content meant only Bollywood. That stereotype has broken, and over time, it will continue to break with different types of shows, films, and creators."
Director Nikkhil Advani, who is currently busy with his upcoming revolutionaries, believes that historical storytelling must feel alive, not academic. "Whenever you're working on something related to a historical period, the richer and more authentic the material, the better the starting point," he said. "I did Rocket Boys, and now I'm working on Revolutionaries. It's always about the source material," he said.
Advani's approach is clear: entertain first, educate later. "In the case of Revolutionaries, I'm having a lot of fun making it. The first thing I say is, 'Let's make revolutionaries sexy. Let's have fun with it.' Because if you give people a history lesson, their reaction is usually, 'nahi sunna hai, nahi dekhna hai' (don't want to listen, don't want to watch)," he concluded.
According to the PMO, WAVES 2025 will host participants from over 90 countries, including more than 10,000 delegates, 1,000 creators, 300+ companies and 350+ startups.
The program features 42 plenary sessions, 39 breakout sessions, and 32 masterclasses covering broadcasting, infotainment, AVGC-XR, films and digital media.
India is also hosting its first Global Media Dialogue with ministerial participation from 25 countries. The WAVES Bazaar, a global e-marketplace, will connect over 6,100 buyers with 5,200 sellers across 2,100 projects.
NDTV is at the inaugural edition of the Waves Summit, currently on at the Jio World Centre in Mumbai. The event brings together the who's who of showbiz, creators, and everyone who's anyone in the world of entertainment in India and beyond. Catch all updates on NDTV.com, from May 1 to May 4.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
43 minutes ago
- Time of India
Women poets illuminate Metaphor Circle
Lucknow: With verses that pierced the silence and evoked heartfelt applause, Major Ankita Tewari of the Indian Armed Forces set the tone for the inaugural Metaphor Reading Circle, a monthly literary initiative under the banner of Metaphor Lucknow Litfest on Saturday. Her poems 'Nirbhaya ki Nirasha' and 'Jai Veer' explored two deeply resonant themes, the lingering trauma of gender-based violence and the unwavering spirit of Indian soldiers. Tewari's performance was both a cry for justice and a salute to courage, proving that poetry still holds the power to provoke, heal, and awaken. The evening continued with five more compelling female voices. Shruti Mishra recited Kamala Das' 'Introduction', along with her original works such as 'I Dare to Fly and Chaos of Silence'. Akansha Pandey presented Rabindranath Tagore's 'Freedom' and her poem 'The Dark Horse'. Aditi Singh shared 'Trapped' by Sanjukta Das Gupta and her own compositions, 'Kahani' and 'Maa'. Smriti Sneha brought emotional gravity with AK Ramanujan's 'River' and her poem 'Currency of Guilt'. Toshani contributed her poem 'Likh Leti Hoon' and a short story 'Ped ka Patta'. The session was moderated by poet and RMLNLU English faculty Alka Singh, who also recited her piece 'Certificate'. The Reading Circle, to be held monthly until the Metaphor Litfest in Dec, promises to create a space for honest reflection, deep reading, and shared dialogue, where every voice is heard and every word matters.


New Indian Express
2 hours ago
- New Indian Express
The golden year half a century ago
K Balachander's Apoorva Raagangal (Rare Melodies) is a landmark Tamil film often cited for being the breakthrough lead role for Kamal Haasan, the debut vehicle for Rajinikanth and the bearer of one of the most melodic soundtracks of Indian cinema. What's more, it's a milestone in radically positing that love knows no barriers of age. The film turned the idea of romance on its head with its focus on an unusual, complex relationship dynamic where a young man falls in love with an older woman, while her daughter gets attracted to his father. Its ambiguous open-endedness notwithstanding, Apoorva Raagangal feels liberal not just for its own times. The film completes 50 years this August 15, the day that saw the release of one of the most commercially successful Indian films, Ramesh Sippy's Sholay. While this much mythologised film will expectedly be the cause of many celebrations this year, it would be appropriate to also acknowledge the other cinematic saplings born that year that have grown in relevance since. While 1957 is often called the highpoint in Indian cinema's golden age, 1975 was noteworthy in its own way. If it signalled a turning point in Tamil cinema with the arrival of a new generation of accomplished male stars, to eventually take the baton from Sivaji Ganesan and M G Ramachandran, filmmakers like Balachander and later Bharathiraja made mainstream Tamil cinema soar to new heights in the following years. In Telugu cinema, 1975 marked the continuation of the domination of N T Rama Rao. However, Dasari Narayan Rao's Balipeetam is a significant pick from the year's crop, exploring the still-relevant issue of tensions in an inter-caste marriage between a Dalit boy and a Brahmin girl. In Malayalam cinema, the year was one of the most fecund for actor Prem Nazir, with more than a dozen releases. But more important was the arrival of G Aravindan as a force to reckon with in the parallel cinema movement. Though his debut feature Uttarayanam won the national and Kerala state film awards in 1974, its year of release is often attributed as 1975. Aravindan dealt with the crucial issue of unemployment in the 1970s and how it was driven by conflicting ideologies—varied means geared towards the same end. With experiments with storytelling and form, Aravindan made a strong comment on political opportunism and the corruption seeping into the individual and the system.


Time of India
2 hours ago
- Time of India
FIDE Women's World Cup final: Humpy draws with Divya in first game
Young Indian International Master Divya Deshmukh held her nerves to hold stalwart Koneru Humpy to a draw in game 1 of the FIDE Women's World Cup final, with both players having their share of opportunities to take the lead here on Saturday. The draw with black means Humpy, the two-time World Rapid champion, holds a slight edge going in the second and final game under the classical chess rules in the two-game mini-match, and should the deadlock continue, games of shorter duration will be played to determine the winner. Explore courses from Top Institutes in Please select course: Select a Course Category PGDM Data Science Operations Management Data Analytics Management Design Thinking Degree Finance Cybersecurity MBA Public Policy MCA Data Science healthcare Project Management CXO Digital Marketing Product Management Technology Artificial Intelligence others Others Healthcare Leadership Skills you'll gain: Financial Analysis & Decision Making Quantitative & Analytical Skills Organizational Management & Leadership Innovation & Entrepreneurship Duration: 24 Months IMI Delhi Post Graduate Diploma in Management (Online) Starts on Sep 1, 2024 Get Details Humpy employed the Queen's gambit accepted as black and it turned out to be a pretty fascinating game right out of the opening as Divya, 19, came up with a piece sacrifice early to deny the black king the right to castle. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo Humpy was the first to err and, according to computers, Divya had things under control on the 14th move. However in her bid to recover the extra material, the Nagpur girl, who has secured a place in the Candidates tournament with her sterling performance here, missed a promising continuation. What followed the exchange of all minor pieces and the ensuing queen and rook endgame gave enough counter play to both players. The game was eventually drawn after Humpy sacrificed her rook to force perpetual checks. Live Events "The game saw an extremely sharp battle with the game ending in a draw in 41 moves. On move 7, Divya made her aggressive intentions clear by offering another pawn, which looked like home preparation. Humpy made a practical decision of refraining from taking the pawn and a balanced position was reached by move 10 by white," said Grandmaster Pravin Thipsay, an Arjuna awardee and the first Indian to get a chess Grandmaster norm. "However, instead of developing the undeveloped Knight, Humpy retreated the centralised Knight on move 10, giving huge positional advantage to Divya. Divya could have gained huge positional advantage on the 12th move by moving a rook. However, she chose to play for King side attack by sacrificing a piece instead. "Humpy, too, erred at this stage and instead of moving the King to Queen side, moved it to the King side. Divya, on move 14, could have obtained a crushing attack by threatening a mate by developing her Queen. Instead she chose to exchange a pair of Bishops first, which enabled Humpy to defend her King by returning the piece," said Thipsay. "Players thus reached a balanced Queen and two Rooks ending. Divya continued to play ambitiously and tried to attack Humpy's King but the latter defended accurately and the game was drawn in 41 moves by perpetual check," he added. In the play-off for the third place, Chinese players Zhongyi Tan, the former women's world champion and top seed Lei Tingjie also decided to split points out of a Queen's gambit declined game. The opening raised visions of a close contest between the two but having been knocked out of title race in the previous round, none of them wanted to take any huge risk. It was still a middle game when the players shook hands. With the top two positions sealed for the Indians, the berth to the next Candidates is also assigned, while the player finishing third will also get an entry to the premier event scheduled for 2026. Results: Divya Deshmukh (Ind) drew with Koneru Humpy (Ind); Zhongyi Tan (Chn) drew with Tingjie Lei (Chn).